Okay my writing brain is simultaneously extremely exhausted/borderline burnt-out and also working on several different ideas at once, so there’s a HOT chance I’ll never get to this concept, but I’m writing/rambling the (extended) idea here so it’s out there—
Consider: You’ve repeatedly had terrible luck with auto mechanics, to the point where you’re absolutely desperate for genuine help. You’re sick of having to fight through the hoards of lying salesmen who are trying to trick you into paying exorbitant prices just because they can tell you’re not car-savvy. You want someone who doesn’t even look at your face, someone who can just figure out what the fuck is going on with your vehicle and can fix it for a reasonable price. That’s it.
Cue your friend telling you that they’ve heard from a friend of a friend who’s heard of someone, a reliable source tho, that there’s a guy who can fix anything, and fix it fast. He’s just weird. And abrasive. And rude. He doesn’t sugar coat or extort, and he barely even pays attention to you if you bring him something. The problem is, he doesn’t have a phone, and he doesn’t work specific hours, or even specific days. Also, his shop is in the middle of nowhere. If you go there you’ll just have to hope you catch him, and if you don’t, sucks to be you.
So you take the address from your friend and drive your shitbox down increasingly abandoned looking country roads until you arrive at what looks like a very large, run down garage. Scrap metal litters the yard outside, everything from old iron bathtubs to what looks like the shell of an ancient military tank. Youre desperate enough at this point that you’re willing to risk the potential rabid serial killer who might live at such a place, and you knock on the door as instructed.
You’re in luck—someone grunts out a curse from inside and drops what sounds like a steel suitcase full of metal door knobs. More clattering, then you hear the mystery mechanic yell, “come in!” You contemplate turning back, but no such luck. Your car has been making the worst noises lately, and the entire last mile to this place it was screeching bloody murder.
So you go inside. It’s dark and there’s metal everywhere, including piled up on the wooden crates that look like they might be a makeshift front counter. The cash register balances precariously on top seems convincing enough.
You nervously say, “hello?” toward the darkness through the door in the ramshackle wall, but there’s no reply. Then, lights flick on in the back room, and you hear very heavy footsteps stomping toward you.
“Cash only,” a rasping voice snaps from behind a pile of scrap nearby. You flinch, but you came prepared, so you yank a wad of bills from your jacket and slap them down on the teetering crates. Be short and to the point, you remind yourself. He doesn’t like ramblers.
“My car is fucked,” you blurt out. “Heard you can fix it.”
Silence follows your words, then a figure emerges from behind the mountains of metal. It’s a man—an extremely tall and broad man with shaggy, disheveled gray hair. You’re struck for a moment by what he’s wearing, curious about the choices he’d made while picking out his work ensemble. Usually mechanics wore coveralls to keep the mess from staining their clothes, but this man is dressed in a plain white t-shirt and jeans, both carelessly smeared with oil, dirt, and rust. What really confuses you, though, is the pair of dark, round sunglasses settled on the bridge of his nose. How can he see in this shitty, dim lighting?
He really doesn’t look at you as he moves forward, his gaze apparently already trained on the part of your car that’s visible through the outside doorway. You’d forgotten to close the door. The man doesn’t seem to mind, though. He passes you without so much as a glance, then leans against the door frame and starts muttering to himself, still apparently focused on your vehicle.
“Haven’t seen you around before,” the man remarks suddenly, turning his shoulders slightly toward you without actually looking at you. You jump, having been convinced he’d forgotten you were standing there.
“I had no other choice,” you say, then you bite your lip. You’d been surprised into blunt honesty, something you would’ve preferred to avoid. Instead of seeming offended, however, the man lets out a raspy, barking laugh.
“Well aren’t you just the smartest little cookie that’s waltzed into my shop in ages,” he drawls, the words making you bristle with anger. He finally turns back toward you, taking a few steps closer, and—much to your rapidly rising displeasure—he looks you straight in the face. His gaze, while hidden behind the dark glasses, is almost tangible as it rakes over your features. Goosebumps ripple down your arms. You’re pinned under his invisible gaze, suddenly terrified. You really shouldn’t have come here.
The cash register behind you makes a very loud dinging sound, and you nearly start out of your skin.
“Alright. I’ll fix your car, little cookie crumb,” the man says, moving past you to pick up the stack of bills you’d put on the crate. “You can wait in here.” He doesn’t even count the money before shoving it into his back pocket. You’re frozen again, insulted beyond belief by the incredibly patronizing nickname he’s given you but relieved nearly to the point of tears that he’s willing to work on your vehicle. The man apparently doesn’t notice your conflicted state. He walks toward the back room, then pauses in the doorway to send you one final glance over his shoulder.
“Don’t bother me while I’m working,” he drawls, and you see a flash of a strangely silvery-green eye behind the dark glasses as he turns back around. “If you disrupt my process, you’ll regret it dearly.”
——————————
Cue shenanigans, you peek and see that he’s telekinetically manipulating metal, then he catches you and sexy shenanigans happen—extra plus if you’ve got a septum ring, which I do so I’m giving this reader one too lmao😂😂
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actually ascension needs its own post since that's the one with the most details to speculate over and im starved for soho talk so i will talk to myself if need be
First the cover again, because I kinda can't get over it:
my only thing is that I had been hoping we might get Lizbeth on a cover again since she's never been on one of the boxsets before, despite being the 2nd person credited on all 4 of them (even if that's just alphabetical, still, she's the only one of the four main characters who never makes the cover)
But letting that go...
I know we already kinda knew the brief for this one but damn I didn't expect it to go quite this hard. Maybe that's just because the Parasite & Ashenden covers were (comparatively) similarish to each other and I was so pleased with Unbegotten's, and then got so used to it as the placeholder for Ascension while they kept postponing it, I wasn't expecting anything this colorful or detailed or with what I can't help but register as Fun New Outfits even though these are still like, pretty damn basic as far as costumes go. Still, it's a different vibe from everyone in suits and trenchcoats on every cover, technically. (Oh the woes of being an audio fan such that two characters owning sweaters actually does qualify as new information)
On top of just being visually delightful though, I know we knew religion was gonna be a fairly big part of this one, but I didn't actually expect to get quite this much of it - though I'm glad of it for a number of reasons. The BF twitter already made the ineffable joke so I don't have to, but also yeah I did very much spend all of season 2 episode 4 of good omens half convinced Samuel Barnett & Dervla Kirwan were about to pop up around any given corner (if you will go around being gay supernatural and horrible at your messy bureaucratic jobs in midcentury soho then I'm sorry, this is where my brain's gonna go) - so, fuel to that fire. But in terms of actual important things, at least one of my Soho wishes looks to be being granted because we have a Rev Edward Folgate on the cast list, which must mean we're finally meeting Norton's father, even if his mother & brother don't appear (which they could, technically, I've definitely seen BF not list all the doublings on their cast tabs before). Religion, domesticity, and the nuclear family are all things that absolutely fascinate me when it comes to Norton's character, so getting any amount of story involving his father & his church is something I've been actively hoping for for a long time now.
(I will say I'm a tiny bit bummed Saffron Coomber isn't on the cast list to play Mia again, but I kinda figured she wasn't going to be since Greg Austin's Armitage, who's making his first recurring appearance after originating in Unbegotten, was listed ever since the boxset was announced - presumably if she was also returning, that would've been handled in the same way. But since Unbegotten ended with Lizbeth and Mia going on a date, I still held out hope. Who knows though, maybe things did go well for them and Lizbeth just has a better work/life balance than Norton so she can date someone without them getting dragged into every scifi plot. I know that's not a very common accomplishment for any Torchwood agent, but a gal can hope)
At this point I know I'm completely in the realm of speculation & even wishful thinking, but I'm really really hoping we get some more clues as to Norton's overall timeline in this one, and I have a feeling that even if there's nothing as direct as dates given, the events of a plot like this one are going to heavily influence my personal interpretation of it.
To say that life & death are major themes for the soho crew feels wildly reductive, but even by Torchwood's standards and taking into account its origins as a piece of media with Jack Harkness & his newfound immortality at the heart of it, the living/dead status of this bunch has always been fantastically up in the air to me. Obviously Ghost Mission introduced Norton as kind of a ghost before revealing more obvious ghostly characters later on to which the title might have been referring, but his being from the past did beg the question of his survival into Torchwood's present era all the same, which Outbreak later alludes to much more directly, and his habit of showing up via hologram in multiple stories only further obfuscates any certainty we might have about where & when he definitely can be said to be alive and well. Then you've got Lizbeth and Gideon both being effectively 'brought back to life' via paradoxes that prevented them ever having died in the first place. Again, they are very very far from being the only Torcwhood characters this happens to (for a sprawling EU, it's really rather impressive how often & in how many different ways Torchwood as a whole manages to circle back to being about like. chaotic undead queers at the end of every day. though I suppose that consistency is part of why I keep falling in love with its different iterations again and again). That's without even getting into the question of Norton's dubious fate in God Among Us - and I say dubious because I know some people take that to be his ultimate death, but I personally think that reading something as vague as that as having any kind of finality rather goes against the spirit of this whole world/series, not just because I want him to live. (There are obviously other ways to make him survive/reappear, but I don't see this as a River Song scenario where we can safely assume one of his earlier-released adventures had to happen at the end of his personal timeline). But wherever God Among Us falls for him, he does very much meet God in it - or at least, a god, since the sentinel in Unbegotten is also described as a god of sorts, and even if he doesn't ultimately have the status of the god Jacqueline King is playing there, Unbegotten is still full to bursting with ghosts/undead/came back wrong/echo characters to continue underscoring that life/afterlife theme.
So all things considered, even allowing for the fact that we know Norton's twin hobbies are lying about himself and abusing time travel to suit his own ends/ever-shifting alliances, I find it difficult to believe we could get through a whole 6-part boxset about religion & death without something providing some kind of compelling evidence about where this adventure fits in among his other run-ins with apocalypses and gods and ghosts and dead-but-still-here characters/creatures, so I'm very much looking forward to any further exploration on that front.
And lastly, and least intellectually, I really want to know what the hell 20th-century Torchwood's obsession with Reginalds is. Reading through the cast list, I had to do two separate doubletakes over the character 'Sir Reginald Peebles' - firstly, because I had Reginald Rigsby on the brain, this being Soho (and the other Troughton brother being so active on BF's releases for this same month) - and secondly, because reading this in conjunction with the announcement for the July monthly adventure in which the new main Torchwood guy of the 20s is apparently called Sir Reginald Dellafield, there was a brief moment where I took that monthly release to be a tie-in with Ascension. I don't expect it to be, but damn. was it really so popular a name?
anyways, catch me thinking about those stained glass windows for the next couple months I guess (and knowing Torchwood Soho, for a long long time after it comes out as well lol)
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