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#but. BUT. the resolution in the last episode???
lifes-pinata · 2 days
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Duck and Mytho, A Relationship Analysis
BY POPULAR DEMAND (10 notes and 1 prompt by a blog I follow and admire)
Duck and Mytho are obviously so very important to each others stories. Without Duck, Mytho would have remained a heartless doll forever. And without Mytho, Duck would have remained a simple bird. The story cannot exist without Duck, and up until the last few episodes, Mytho remains her primary motivation.
Which is why is was so surprising to me that the way their relationship resolved was so..... Unsatisfying.
Now when I say that, I am not talking about Siegfried and Tutu's resolution, which remains one of the most touching scenes of the show. I am specifically talking about the relationship between Mytho and Duck.
For the first 14 episodes, Duck and Mytho's friendship was a slow but steady burn. Duck is an anomaly in Mytho's small world. Even heartless, he doesn't quite know what to make of her. "Fakir and Rue don't say things like that" he says in episode 3, when Duck reacts to his hurt hand.
Duck, as a person, represents something Mytho never encountered even when he was Siegfried. Her simple, straightforward kindness is so different from Rue's desperate, grasping love. Fakir's poisonous protection, and even the blushing, tittering classmates that never dare to speak to him.
And even though Mytho can't express it, I think it's really valuable to him. Early on, Duck is the only person capable of making his loneliness disappear. Not Rue or Fakir, who he's known for years (which he says to their faces oh my GOD) but Duck. The first request he makes is that she stays a little longer.
The entire first arc Duck continually proves herself to be trustworthy. Once Mytho returned to school after receiving the feeling of fear, Duck tackle hugs him, saying she looked for him everywhere. She knows about Princess Tutu, and is the only one who listens to him. Who doesn't talk over him. She brought him an umbrella when he was waiting for Tutu. He values her opinion enough that he asked her opinion on gifts to get someone. And yeah maybe he could have asked anyone, but we never see him seek someone out until the Raven's Blood kicks in.
In episode 14, Mytho says to Duck, straight out "You're the only friend whom I can tell everything." And then? They never interact again? Huh???
Well. That's not entirely true. There is one more scene where Duck and Mytho interact, if you believe that Mytho was lucid enough to truly count it. Episode 24, where Mytho has fully succumbed to the Raven's blood, and as a result has turned into a raven himself. He runs outside, after being hidden away by Rue, and finds Duck. And what does he do? He asks her to dance, just as he did on the day of the fire festival. But this time, Duck doesn't answer. She backs away from the monster he's become, just like everyone else.
To its credit, that is a resolution, but it still doesn't sit right with me. It feels too bleak in a story where hope overcomes everything else. A spot where Drosselmeyer's tragedy wins.
The thing is, I understand why they did it this way. One thing I have always appreciated about Princess Tutu is that there is no wasted time. Even at the beginning of the show, when it seemed lighter and sillier, every episode contained important information. From the very beginning, they were building to the finale.
The second arc of the show is even more this way, there is no wasted space. Where would they even put Duck and Mytho interactions? Duck is reckless but she knows better then to approach Mytho when he's actively trying to rip out the hearts of their classmates. If anything, trying to shoehorn interactions would come across as forced, and could even cheapen their interactions in the finale.
But as much as I love the scene where Mytho realizes that Princess Tutu was a duck. I also wish he had a moment to realize that the duck was Duck.
Because Princess Tutu performed magic and returned heart shards with her beautiful dancing.
But Duck did the hard work of being human. Of living and loving and trying and failing and getting back up.
It was Duck who saved the town in the end.
And it was Duck, who was ultimately forgotten.
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mikimeiko · 11 months
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Bodies | Miniseries (2023), Paul Tomalin
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eikichi-supremacy · 3 months
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and they were singin', bye-bye Miss American Pie // american oldie i think kuwabara unironically listens to
(low effort lyric edit im queueing here in May cos im probably gonna forget it exists otherwise)
#qeued post#for June cos hey pride#the idea of kuwa seeing his friends in a holy almost godly light namely yusuke#and having them all leave unexpectedly#cos before that night at Genkai's i feel like it was solidified in kuwa's brain DESPITE the sidekick complex#DESPITE the fact that he's human and the least powerful member they are still decidedly a team#A team he has a place on. But then all suddenly springing this... YUSUKE springing this departure on him. shatters that belief#yusuke says he'll be back and it seems to make things better but even so kuwabara's face still looks so solemn when he leaves#Likely cos he knows yusuke is just saying shit and doesn't even know if it's possible to come back#this wasn't supposed to be a kuwameshi post it's really not but there's always that undertone when i talk about them so#He just admires them all so much yusuke above all others only to be left behind and that's gotta fuckin hurt#The way we don't see the resolution to this feeling. The lack of belonging the abandonment#next time we see him he's just supposed to be over it but we don't really know if it actually happened#So I like to play with the idea of like . Did he really like healthily accept things or#did he just repress it and deal. Cos like eng dub he tells yusuke ''forget all that stuff I said'' immediately taking back#his harsh words bc it's either stay mad stay upset or quickly forgive and move on cos this could be the last time. or even the jdub#where he doesn't even allow the vulnerability to show enough to trail off he just spouts the normal shit bc it's what they DO he immediatel#tries to get back to the normal dynamic and push himself to being fine with it right now bc he doesn't have the luxury of being upset#when it doesn't matter cos yusuke's leaving. the last thing he hears from him shouldnt be reckless shit he was saying when he lashed out#aka i dont think kuwa's feelings get seriously addressed enough and this episode haunts me cos of that very fact#Im not making any sense. Nico as my witness I swear I was more eloquent yapping to him about it#kuwabara kazuma#yu yu hakusho#kuwameshi
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zoe-oneesama · 2 years
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So is Caline just…not worried about Marinette at all? She was the one that she was actively targeting, but instead of being worried that Mari isn’t hurt, she’s asking about Chloe instead.
Bustier doesn't remember targeting Marinette, at most she remembers being upset with Marinette's attitude and then waking up on top of the Eiffel Tower. She could probably conclude she might've hurt Marinette, but she can't be sure (and she definitely hurt more than JUST Marinette). And now that she's awake, she knows that whatever she did, Scarlet Lady at least reversed it. Also, the general rule is that people shouldn't be blamed too harshly for what they did while an akuma (Scarlet Lady blaming Lila for what she did as Volpina was just another highlight of why Chloe is terrible).
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It's not really fair to attack people for what they did under the supernatural influence of the resident super terrorist in which the person in question is essentially in a total blackout, though it's appreciated if the person apologizes anyway.
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awhoreintheory · 2 years
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Done with no redemption
Lance heard him before he saw Keith, not because he was loud or anything, but because Lance was expecting him. His footsteps have always been annoyingly light like a ninja. Lance tensed, a sour frown taking over his previously good mood. 
“Lance, I—” Lance rolled his eyes, turning around with the fakest smile in his arsenal. 
“You what, Keith?” Lance asked pleasantly, cocking his head to the side. Keith paused for another moment, his eyes awkwardly averted to the ground as he fidgeted. 
“I ran away from you.” Keith sighed, hands dropping and finally looking Lance in the eyes. Lance felt it wasn’t adequately remorseful enough. 
“I’ve had a lot of time to think about it, and, yeah. You were right.” 
“You were right.” That single sentence seemed to just echo in Lance’s brain. Because— because his Keith didn’t just come out and admit something like that. Ever. You had to fight him tooth and nail for a half confession. (And Lance had evidence. He had to throw down with Keith just to get an answer to Lance’s real life, actual, love confession. Stubborn prick.) To say Lance was too shocked to speak would be an understatement. The shock gave way to an odd mix of amusement and seething hot anger.
“I was just running because I was afraid to face my feelings— actually, no. I was afraid of you.” Keith gnawed on his lip, thinking his words through. (Good, he’s learned his damn lesson about that.) “Because I tell you things I can’t even tell myself. Around you? My… walls are about as effective as paper is to fire.”
“Is that so?” Lance hummed, turning around and going back to folding his laundry. “Glad you’ve had some time for self discovery in the past 11 months that you’ve ghosted the team.” —and me, went unsaid, but the message was just as clear as though he had. 
“I’m proud— really! Congratulations, dude!” Lance's grin only got bigger, throwing one of Keith’s t-shirts at him. He caught it and unfolded it with a hurt expression. 
“Lance, please—” Keith’s eyebrows creased, like they always do when he’s hurt or confused. 
“Don’t “Lance, please” me, Kogane. It’s not like you ever listened to a single please from me. In fact, I don’t even think it ever even made you pause.” Lance calmly stated, wrapping up doing his laundry and storing it in Red. On the trip back to Earth with minimal supplies, Lance barely had any supplies— no moisturizer or anything! But he was making do in these trifling times.  
Keith was silent for a long moment as Lance continued cleaning up his Lion, throwing trash away and clearing out things he didn’t need as though Keith weren’t there in the first place. 
“...Is this not fixable?” It was a quiet, feeble question. 
“It was.” Was Lance’s simple response. It ignited a hope in Keith, but left him feeling uneasy. 
“..Was?” 
Lance straightened up, standing chest to chest with Keith, leaning in as though he were whispering a secret. “”I just don’t want to be stuck here for eternity with Lance.”” 
“From— from the game show? Seriously?” Keith asked incredulously, eyebrows now furrowing in anger and confusion. 
“Hmmm…” Lance tapped his finger to his chin contemplating. “Yep! From the game show. You and the team made it quite clear how you felt about me, ya’know?” 
Lance spun on his heel, plopping down and grabbing his armor to polish. “So, on that note; I need you to be civil until I leave the team.” 
“Leave the team?” 
“Yes, that’s what I just said.” 
“You can’t just— you can’t just leave, Lance! What about Voltron? What about us?” Keith’s temper was steadily rising, stomping towards Lance before he stopped and recollected himself. 
“One, yes, I can. Why would I stay somewhere I’m clearly not welcomed or appreciated? I’m going home after this shit-show. Two, there's six paladins, Keith. Simple math, even I can do it. Since, ya’know, I’m too stupid and should just leave something that complex to Pidge. Shiro can take Black back, you never wanted the position anyway, right?” Lance’s sugary sweet words were practically dripping in anger, Lance’s grin starting to annoy Keith. He knew just how hard he was hitting, and if he was honest? Lance was amused. 
“Of course we want you here! And— and, um…” Keith’s shoulders slumped, he was too flustered! He couldn’t think of an argument, yeah. He just didn’t see this coming— Lance was just confused! Keith reached for Lance’s wrist, brows furrowed and eyes oddly wet. 
“You can’t leave us, please. We need you.” 
“Well I don’t.” Lance yanked his wrist back with a disgusted turn of the lips. 
“Now get out of my lion.”
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jjsanguine · 8 months
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I thought, Mhok needing to to be at most a phone call away from any of his close ones because he thinks declining that call was THE factor in Rung's death, is kind of like in Lilo and Stitch where Lilo thinks forgetting to feed pudge the fish lead to her parents deaths, except Mhok's anxiety quashing rituals manifest as socially acceptable "green flag boyfriend" behaviour and not stuff like giving sandwiches to fish
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where’s my son where’s my son where’s my son whERE’S MY SON WHERE’S MY SON  WHERE’S MY SON WHERE’S MY SON WHERE’S MY SON-
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radiohostkevin · 3 months
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Wtnv ep 250 spoilers:
The episode felt...shallow. They didn't explore the emotional ties between any of the characters, even when it was plot relevant. Tamika raised the Boy for a year and didn't even say goodbye or try to save him from Lauren. Carlos knew Kevin for a full decade and they didn't so much as speak to each other.
Then Carlos severed the portal between the Desert Otherworld and Night Vale just like that? Where is the emotional weight behind that decision? Even from a scientific standpoint, there's so much about the Desert Otherworld that we don't know, and that connection was just kinda casually cut. (Even though, as an aside, Desert Bluffs Too hasn't been a threat to Night Vale for years - decades, from their perspective - and so it feels hasty to cut off access to an entire town as a precaution.) It feels like that storyline might be done, and it's such wasted potential if so.
Speaking of wasted potential - Lauren's departure, and her lackluster interactions with Kevin. A few vaguely mean words, and she decides to leave? Why? We're not given any insight. Kevin and Lauren's vaguely antagonistic relationships was fantastic, and even that received little fanfare in the end.
This arc could have ended in so many different ways, and it was ultimately so unsatisfying.
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heartvisor · 1 year
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cherrymoonvol6 · 5 months
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#been thinking about the placement of the showdown between belos and the hexsquad happening in ep 1 instead of anywhere else#mainly for lunter reasons if that is ever not obvious#(aka for a lunter endgame it makes more sense to have the ending of TTT happen in the last episode because Stakes)#(hunter actually dies and flapjack's sacrifice is the conclusion of the evelyn/caleb backstory)#(and it's pretty hard to work hunter or anyone from the hexsquad into the final showdown otherwise)#this is where the show shoots itself in the foot by having luz and hunter's relationship be on like tier C of importance#because it IS emotionally charged to see belos exerting that kind of power into the kid he groomed one last time#it IS emotionally charged to see luz wrestle with her determination to defeat belos and her love for hunter#it IS emotionally charged to know that someone will die here and it may be one of the kids#whereas the battle at the end of WAD is barely a battle and just meant to be the bow on top of luz's development#if luz and hunter's relationship had been more central to the show then hunter facing belos is a given AND a good narrative choice#who else gets to kill belos but the person created in the likeness of the one that made belos reach such lows to begin with?#or at the very least have the other people close to luz have some history with belos or something#eda couldn't care less about belos. same for king. and don't even get me started on amity...............#this is just a hexsquad problem btw like what is willow's bearing in this. the track system works wonders for her#in theory her life with belos as emperor is as good as it will ever be#same thing with gus#it's just hunter! that's the important piece there!#this show is just. broken. it truly refuses to bring up any of the actually interesting characters#sorry this rambling doesn't have a point besides 'toh is dumb sometimes' which is a thing i often say anyways#but man...... besides luz's resolution there's nothing to the ending. nothing.
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pagesofkenna · 4 months
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i wanted to make a post about a thing but the more i think about it the more i want to say and it's just going to end up being a big ramble essay, so instead i'll just give the thesis statement, thusly:
as the #1 Ratgrinders Apologist (self-appointed), of course they're the final boss fight to the death. i expected nothing less and the people trying to make discourse about it are ignoring the entire context of this being a Dungeons and Dragons game
#they're not playing 'discuss our traumas and and try to help strangers grow: the game'#they're playing 'murder people for getting in our way: the game'#which i know is now me being snubbing about D&D as a game but like. siobhan said it: theyve committed SO much murder#did the lunch lady in episode 2 deserve to be murdered? did the skater dwarves deserved to be murdered?#did the monsters the school sicced on the kids in their Last Stand deserve to be slaughtered like that??#its literally the name of the game!#the two things that are turning this into a bigger essay are 1) me being actually very disappointed in Burrow's End with how the players#just did not want at all to engage with the moral greyness aabria was trying to bring into the story#it was clear that was a direction she wanted to explore and i wanted to see it explored#but even OUT of characters the cast just would NOT engage or acknowledge the validity of that direction#and there was only so much aabria could do without being labeled a killjoy... because D&D often ISN'T a game for reckoning with#the justification of your character's actions! its a game for killing giant bears and saving the town from cultists!!#baked into the foundation of the game conceit is 'you are the hero and you are saving the day ergo your actions are Right and Just'#thing 2) i just listened to that WWW fireside the other day where brennan goes on about how combat does not get in the way#of story in dnd. that whole stove metaphor? and it rankled me so much lol because like aabria finally says after that:#yeah you bring your own food to the stove but when what you've got is a stove. the food you make is GOING to get cooked#combat and fighting and killing is baked into the system from its foundation. acting like D&D or even just d20 (the system)#is a resolution engine that also allows fighting and not a fighting engine that also allows other skills is. wishful thinking i think#and to bring this back to the POINT: of COURSE they're going to kill the rat grinders! because it's fun!#because thats how you resolve conflict in a combat game! straight up i honestly believe a lengthy conversation trying to win the kids over#would have been a weird energy to end the season on! it would have been a let down!#it would have been a huge tonal shift. because the tone you bring to a D&D game is 'killing this is fine actually'#and if you dont like that you /dont/ play D&D. its not a value judgment#i LOVE getting into moral implications and justifications and ive gotta tone it down when i run D&D games because it can kill the vibe#anyway. i said i wasnt going to write the whole essay and im not. but i did write most of the rant oops
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5-pp-man · 6 months
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oh my god I'm not crazy. they skipped Tsuge's whole rotting in his bedroom over Minato thing and sped up their resolution so it happened whilst Adachi was having his work trip instead of after.
i remember how much time there was between Tsuge and Minato chapters in the manga but they rlly streamlined their whole deal in the anime.
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khruschevshoe · 8 months
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Being a true galaxy-brained Doctor Who fan is hitting the epiphany that every showrunner had their strengths and their weaknesses and their own interpretations of the Doctor and you can like or dislike any aspect of any showrunner and acknowledge their genuine mistakes/bad choices/yikes decisions (such as racism, sexism, homophobia, questionable undertones, lack of agency for female characters, etc.) and it is COMPLETELY VALID to have that turn you off of a Doctor/showrunner but also acknowledge that some of the things that people have considered bad writing over the years are often personal preference (valid opinion, not always valid fact) and that just as there are clunkers in every season, there's something to appreciate about every showrunner and every Doctor.
After all, "The way I see it, every life is a pile of good things and bad things. The good things don't always soften the bad things, but vice versa, the bad things don't always spoil the good things and make them unimportant."
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3rdbogwitch2theleft · 9 months
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So we finished season 5 episode 7 of Smallville "Splinter" and the whiplash I felt seeing this one come right after the "Dukes of Hazard reunion & Lois goes undercover at a strip club" episode. Just wow.
I had no memory of this one. So much so that I think maybe I missed it when it originally aired.
This is the one where Brainiac exposed Clark to silver kryptonite and Clark becomes paranoid, delusional, and violent. It's shot like a horror film and as a horror episode it is extremely effective. The changes in perspective conveyed by the changes in camera angles so you know what's real and what's Clark's delusions. Clark's progressive deranged sweatiness. His little half smile when Lex pulls a gun on him. Unsettling to the core.
Clark is terrifying in this episode. Truly, honestly terrifying.
He nearly chokes Lana to death because he thinks she "betrayed him" and it's horrifying to watch. And I it baffles me to my core that this was not the immediate end to their relationship. She just forgives him instantly. Girl. Girl he almost killed you ON PURPOSE in a jealous rage.
It could have worked better if she was like "hey I was possessed by a homicidal witch last year I know all about coming out of an altered state disoriented and plagued by guilt and I know how it feels not be be able to trust my own mind", but they didn't bring any of that up they just had her say "Chloe told me the meteor rock made you violent and delusional and gave you temporary powers. I know you'd never hurt me" except he did hurt you Lana. You're in a hospital bed Lana. Had he not be interrupted you would not be alive, Lana!
I like Lana and I want good things for Lana and the men of Smallville are just not it and it's so hard to watch.
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rtdont · 4 months
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Hmmm, trying to decide why Clara in s7 pulling a version of Sam's arc doesn't bother me while the mere idea of rose doing that and/or that being ruby's arc makes me wanna spit knives, and trying to come up with an answer slightly more rational than 'I enjoy Moff's writing so I will forgive him for this whereas davies annoys me and his slavering stans drive me up the wall so actually when he does it he's a hack'.
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cecilyacat · 1 year
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Soooooo are they not telling us what happened with Laris? Like at all? I'm aware that she was in the beginning of episode one and then has never been mentioned again but still, Picard was apparently in a relationship with her before he went off with his Enterprise friends and now she's just gone. No time to squeeze two sentences in?
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