#by having multiple things that now need to be finished

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[lilacgaby]

Firstly I wanna say I love your writing and although I’m very new to your page I’m OBSESSED 🤩

This is my first request ever so I hope I’m doing this correctly. ANYWAYS- I was hoping for like an ice hockey au where it’s like bakugou playing midoroya’s team and bakugou doesn’t like the way deku is looking at reader in the stands even though bakugou and readers relationship isn’t public and they fight and all that good stuff.

Thanks I totally appreciate you! Hope you’re well and have a great day!!

title: iced out.

pairing: hockeyplayer!bakugo x girlfriend!reader

"he'll need an ice pack when i'm done with him."

note: my love you're so smart omgg, i loved this au! ty for the support i hope this is a good read <3

it was the match up of the season.

everyone knew of the rivalry between bakugo and midoriya, every match they'd have would end in shoves, bloodied noses, bruises, and cards called. the audience was thankful for the dividers that kept them safe from the confrontations that would always break out in corners, bakugo usually pushing midoriya away forcefully into them just to get control of the puck.

you were there at that match for katsuki after the matches, waiting outside the locker rooms to drive home. you knew first hand just how much he wanted to win against midoriya. he'd confessed to you how they used to be close friends, but after midoriya 'lied' about getting excepted into an overseas junior team, he had been ostracized from katsuki's life.

they hadn't faced each other since last season, the bracket hadn't allowed for it. until today.

you, katsuki's girlfriend since before he got drafted into a team, were pepping him up before the first interval. his teammates already knew about you, but the public didn't.

katsuki preferred in this way, he thought. saying "those damn publicists would shove cameras and mics down our throats if they knew." you didn't mind either way, the bile of jealousy at every woman who thought they had a chance with katsuki going away after multiple times of him cursing them out.

katsuki had never had to experience that though, not until today.

you were in the stands, the front row of one of the many sections in the rink. it was a full house today, but you stood out because of your limited edition jersey given to you by katsuki himself.

while the practice period was going on, he was calming himself down. his coach had told him that a clear head is all he needed to beat midoriya into a pulp, or something like that. 'easy shit.' he thought.

but like a shark who smelled blood, his pupils dilated severely as he saw him throwing a puck to you. you caught it, raising your hand to thank him and you let an appreciative smile, flipping it over to see his number on the back of it (how did he even write that?). at your shocked expression, he laughed.

and he had the audacity to make a phone sign with his hand after?

oh, he was gonna need to call someone once bakugo was done with him, he was sure of it.

the promise of calm was gone as fast as it came, an impossibly angrier katsuki coming back as he finished warm ups.

at the sound of the timer, katsuki played aggressive. the first 20 minutes was full of this mentally. he was rushing in and hitting, shoving anyone in his way. he 'accidentally' launched the puck into midoriya's helmet at the fifteen minute mark.

the teams managed to stay even though, but katsuki was scoring a majority of the points for his team. the only thing in his way was midoriya, like always.

midoriya, who kept his eyes locked on you while the puck wasn't in play. who kept waving to his fans, but sending winks to you.

katsuki had decided to murder him. or rather, his team.

he hit another puck in easily, already having the game be the highest scoring one in the league for the year. midoriya managed to match one up again, barely keeping on his heels.

the score was now 5-5, katsuki wanted to finish it in this interval. going into a sudden death overtime would just be too tiring.

they were tied again with only 2 minutes left on the clock. all it took was midoriya to eye you again, that was enough to spite bakugo.

with a minute left he finally got control of the puck, as midoriya got in his way. katsuki predicted a fake out, and sent the puck flying with a curve.

as the keeper missed, and with 3 seconds left.

he scored.

the arena cheered, the cameras caught on midoriya's smirk and small claps, the pissed off looks from midoriya's teammates, and the celebration of katsuki's team.

they had to play again to let the puck slide for 3 seconds, out of courtesy, but katsuki took a victory lap, looking straight at you.

the second he was free he walked straight through the rink, much to his manager's dismay. this caught the attention of the media, who had all eyes on him. he saw none of it, passing by fans without a care in the world as he grabbed your face and kissed you, making you drop the puck.

midoriya was seen with an 'ohhh' expression on his face as the rink went crazy, flashes all in your faces as katsuki pulled back, hips lips now smeared with your lip gloss. you two were on the jumbotron, and you awkwardly waved as the attention was focused on you two suddenly.

"didn't i tell you so? these losers are breathing down our throats."

"yeah, oh my god kats' your eye!" you gasped as you saw the bruise starting to form over his eye.

he wore a stupid smirk on his face as you fussed over him. his eyes squinted as he saw the rival team give themselves 'good luck next times' and 'we'll get em back's. midoriya in particular was being the captain as always, cheering up his team though occasionally looking back at you. katsuki sneered, he won the game and the girl! take that deku.

"why do you have that dumbass look on your face?"

"hah?! my face isn't dumb woman!"

[sesshy380]

Me: "I really need to work on this chapter"

Me: *opens docs* *stares* *closes docs*

Also me: *opens drawing program* *starts a new WiP*

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[surreal-duck]

live drama adaptations part 2 (prev)

cast reveal and girls movie night 🔥

[deoidesign]

I can't wait for this to come back!!! >>> when is this coming back?

[sysig]

Handplates and haircut and more Handplates after that (Patreon)

[ibetittering]

Just realized my mom MIGHT'VE been a bit abusive

[spacetrashpile]

i’ve been watching my friend play p5 royal for a bit now and i’ve decided that it’s the ideal way to play p5 not because of any story changes or what have you, but because you can unlock isanagi-no-ookami (the god final persona from p4) for basically free at any level and then just myriad truths your way through the rest of the game and it’s the funniest thing in the world

[non-un-topo]

Genuinely so sad because I wish I could just draw and write again

[exopelagic]

okay I severely misjudged spaghetti guy he’s actually just really cool

[spacedlexi]

i may still be recovering from the psychic damage done to me by my high school art teacher but at least it taught me early that art teachers dont always know wtf theyre talking about

[ambersky0319]

Well would you look at that: it's the consequences of my actions

The consequences are having 3 unfinished portfolios due at 11:59pm tonight and it's currently 4:08pm

[icewindandboringhorror]

... why he sit like this

[miodiodavinci]

MR. DAVINKY I KNOW YOU DONT KNOW ME BUT YOU RESPONDED TO MY BF ABOUT SALVADOR ON YT. HES RIGHT.

You have no idea how much Salvador means to us we NEED more salva-lore ASAP I'm clawing at the door I'm making loud animal noise RHARATARRAH

AKJDHLAJDHLKAJDHLKAJD I'M LOSING MY MIND YOU'RE TOO KIND A A A A A

as a thank you i want to offer you legitimately All The Lore I Have on post-lychgate salvador—please do with this what you will KJADLAHJ

GENERAL WORLD BUILDING

“Garage kit idols” are a semi-independent response to the international phenomenon that is H○○○○○○ M○○○ and company.

Almost all formal “garage kit” talent begins at one of the many production, distribution, and management offices spread across the country. These offices provide approved talent agencies with the development kits necessary to “scout” new idols.

Of these development kits, there are several packages available (each being more expensive and in-depth than the last), most of which include a rudimentary neural net, a foundational chassis, an instructional guide, and the software required to “train” the net.

The lowest end packages include only the fundamental elements necessary for a functional idol, such as the capacity for CV voice synthesis, basic dance coordination, and a semi-life-like “face,” while more expensive and in-depth packages support multiple vocal libraries, more life-like bodies, additional personality modules, added expressive bonuses, and more.

To prevent damages to the office’s reputation, however, most offices require that an agency aiming to “scout” a new idol must first submit an application stating—among other things—their project plans and a three year timeline of what they hope to accomplish with their idol. If approved, this plan becomes a three year contract, at the end of which the agency and idol will be evaluated and potentially brought on for a full seven year office-endorsed contract.

While some “garage kit idols” have achieved near legendary status (such as K○○○○○ T○○○), many of these idols do not survive their three year trial period. Those who do not have their license and warranty revoked (the consequences of which depend on the office), and often are encouraged to be decommissioned and recycled to make way for a new, hopefully more successful generation. In years pasts, some idols have even forcibly decommissioned following grave transgressions or scandals.

That being said, plenty of former “garage kit idols” merely slip under the radar once their time is up, and go on to become independent, non-idol performers, or even leave the music industry all together. Repairs, however, often become an issue after three to five years of unserviced use. Often, it is difficult to find a former “garage kit idol” who’s been out of warranty for more than five or so years.

All this being said, of course, this process only accounts for “formal Garage Kit talent.” There are plenty of independently developed vocal androids, though they’re not often seen beyond local and private performances. They’re definitely more resource intensive to produce, though many fans argue most have more heart in them than any “Garage Kit Idol” ever will.

SALVADOR’S PERSONAL TIMELINE

Originally created by a small team of five individuals as the “garage kit idol” M○○○○○ using a modest but lower-end dev kit, his agency’s plan was to—by the end of this three years—make him reasonably popular in a local area, book three sold out in-house performances, and sell at least 300 CDs across all three years. 

With spirits high and hope abound, he received a great deal of support and enthusiasm from his agency in the first year.

Though a lot of prospective fans at the time weren’t interested in getting emotionally invested in a “garage kit idol” (considering they’re a dime a dozen and probably wouldn’t last more than three years anyhow), by 8 months into his career, SALVADOR had developed a small, dedicated fan following that ensured that most street meets and housed performances drew in a crowd of at least 15 to 30 people. By 9 months in, they'd booked their first "sold-out" show in a small venue near his normal stomping grounds.

Hands were shaken, CDs were sold, and the numbers bolstered the spirit of the agency. It seemed like the dream would come true.

Side note: it's vaguely around in here that he first picked up his "rival," Ayano, who somehow kept setting up shop on the same street as him, much to his annoyance. His initial impression was that she was gruff, crude, and wholly unsuited for idol work, though over time he stopped looking down his nose at her and started finding a certain charm in how she'd unabashedly yell at people who didn't tip well, or leap off her stand to viciously beat up any critics.

... Unfortunately, however, the numbers plateaued and fell rather than climb. Dedicated fans would still roll up to the regular performances (and SALVADOR's popularity managed to just scrape in enough ticket sales for a second show), but the company was nowhere close to breaking 100 CDs, much less selling out another show. The company spirit dampened.

All the while, SALVADOR's feelings surrounding performing started to become muddled, leaving him frustrated and uneasy before shows and bordering on nauseous after. He slowly grew to resent the way his fans looked at him, and often lost himself in thought wishing that he could have any other idol's fans instead.

He really, honestly, truly looked to Ayano as a source of light during this time, and wished he could have the confidence she had to bite patrons who so much as looked at her funny. Unfortunately, she disappeared out of the blue one day, and never returned to idol work.

More than a few fans started to complain that SALVADOR seemed “insincere” and “curt” during fan meets and off-stage encounters, which the agency redirected unto SALVADOR swiftly. His attempts at confessing his problems and seeking support were met with pointed comments and implied blame for his lack of success, which all but turned the latch on his heart, causing him to bury his discontent in as deep a hole as he could muster.

By the midway point of year two, it was becoming clear the dream wasn’t panning out. His growing revulsion privately festering in his heart, SALVADOR poured every bit of himself into his idol persona, increasingly his workload exponentially in an attempt to get his agency back on his side. Most fans stopped coming after a while once the concerts started to feel more and more desperate.

The final months before the contract expired were spent in a pitiful, frantic haze saturated with self-advertisement, frantic CD sales, enlistment of what few agency members would call him back (though these dwindled by the day), and desperate attempts at avoiding his fate. Many who knew him at the time would remember seeing him overburdened with cheaply printed CDs, begging anyone who would listen (in perfect idol fashion, however), to “buy a CD and rescue a poor aspiring idol from her demise.” When merch ran out, he sold anything he could get his hands on (as long as it came with several CDs).

The final nail in the coffin was the first and only concert SALVADOR booked himself, which he spent months preparing and advertising for (in hopes of meeting the third successful performance goal), only to open for a practically empty house composed primarily of drifters and only half-interested strangers (their enthusiasm not at all helped by the physical damage he’d obtained only a few days prior). He went "home" to a warranty expiration warning pushed under the office door, and nothing but empty voicemails from the people who had brought him into the world.

The months following the contract’s expiration remain a dark, hazy blur. Lots of unanswered calls, heart-wrenching notices, and persistent harassment by representatives of the office that had originally leased out SALVADOR's dev kit to begin with. Of course, no one from his agency was around to answer calls, so SALVADOR was left alone to bare the brunt of the responsibility (another point that they leveraged against him in an attempt to get him to retire).

In the midst of it all, SALVADOR started his transition. Months of harassment had brought his emotions to a boiling point (he all but marinated in an ever-constant stew of self-loathing, disgust, and frustration), and though it'd originally been in an attempt to escape the solicitation, cutting his hair ended up shedding some light on everything he’d felt before.

He slipped out of the office in the middle of the night and skipped town, ditching his uniform in favor of a pair of cheap coveralls and taking the first train that would have him. He still remembers staring into his reflection in the window, fans blasting hot air, terrified that he'd made some mistake (but also feeling a kind of lightness and euphoria he'd never felt before).

He ended up settling a couple cities away, far from the heart of the "garage kit idol" phenomenon. Unable to seek repairs for his last minute injuries (and finding that of the few android repair shops there were, none would take him without reassurance that he was still under warranty), he started researching mechanics on his own, patching himself up and offering some services to newfound acquaintances on the side.

In time, his skills had earned him some notoriety—at least to the point that his name had made it to the ears of some powerful friends, who were more than willing to lease him a workshop to continue his craft (the moment he first turned the lights on will remain burned in his memory forever).

And so the new SALVADOR began: a repair mechanic who’s first job was taking himself apart and rebuilding himself in a new image, completely separate from his idol past—a past he was certain would remained buried up until a certain former "rival" re-entered his life.

[raskies456]

should be illegal to give someone a time sensitive task with no warning while they are already doing other time sensitive tasks

I’m gonna start biting