#c. coles phillips

[transistoradio]

1. Fadeaway Girl — “Trying on Shoes” — by Clarence Coles Phillips (1880-1927).

2. Spider-Woman #39 (August 1981), with cover art by Steve Leialoha.

3. Moon Knight #24 (October 1982), with cover art by Bill Sienkiewicz.

[balu8]

Life Magazine cover, June 8, 1911

by C. Coles Phillips

[marquisecubey]

emperor / empress

[monkeyssalad-blog]

Home Ties postcard by C Coles Phillips by totallymystified

[sassafrasmoonshine]

Coles Phillips (American, 1880-1927) • Advertising illustration for Holeproof Hosiery • c. 1922 • Original painted in watercolor

[billboard-hotties-tourney]

Okay, folks, the mini-tourney is inching closer to the finals, so I'm going to give a list of the competitors in the Miss Billboard Tourney in order to give everyone a chance to submit more propaganda. The nominees are:

Lale Andersen

Marian Anderson

Signe Toly Anderson

Julie Andrews

LaVerne Andrews

Maxene Andrews

Patty Andrews

Ann-Margret

Joan Armatrading

Dorothy Ashby

Joan Baez

Pearl Bailey

Belle Baker

Josephine Baker

LaVern Baker

Florence Ballard

Brigitte Bardot

Eileen Barton

Fontella Bass

Shirley Bassey

Maggie Bell

Lola Beltran

Ivy Benson

Gladys Bentley

Jane Birkin

Cilla Black

Ronee Blakley

Teresa Brewer

Anne Briggs

Ruth Brown

Joyce Bryant

Vashti Bunyan

Kate Bush

Montserrat Caballe

Maria Callas

Blanche Calloway

Wendy Carlos

Cathy Carr

Raffaella Carra

Diahann Carroll

Karen Carpenter

June Carter Cash

Charo

Cher

Meg Christian

Gigliola Cinquetti

Petula Clark

Merry Clayton

Patsy Cline

Rosemary Clooney

Natalie Cole

Judy Collins

Alice Coltrane

Betty Comden

Barbara Cook

Rita Coolidge

Gal Costa

Ida Cox

Karen Dalton

Marie-Louise Damien

Betty Davis

Jinx Dawson

Doris Day

Blossom Dearie

Kiki Dee

Lucienne Delyle

Sandy Denny

Jackie DeShannon

Gwen Dickey

Marlene Dietrich

Marie-France Dufour

Julie Driscoll

Yvonne Elliman

Cass Elliot

Maureen Evans

Agnetha Faeltskog

Marianne Faithfull

Mimi Farina

Max Feldman

Gracie Fields

Ella Fitzgerald

Roberta Flack

Lita Ford

Connie Francis

Aretha Franklin

France Gall

Judy Garland

Crystal Gayle

Gloria Gaynor

Bobbie Gentry

Astrud Gilberto

Donna Jean Godchaux

Lesley Gore

Eydie Gorme

Margo Guryan

Sheila Guyse

Nina Hagen

Francoise Hardy

Emmylou Harris

Debbie Harry

Annie Haslam

Billie Holiday

Mary Hopkin

Lena Horne

Helen Humes

Betty Hutton

Janis Ian

Mahalia Jackson

Wanda Jackson

Etta James

Joan Jett

Bessie Jones

Etta Jones

Gloria Jones

Grace Jones

Shirley Jones

Tamiko Jones

Janis Joplin

Barbara Keith

Carole King

Eartha Kitt

Chaka Khan

Hildegard Knef

Gladys Knight

Sonja Kristina

Patti Labelle

Cleo Laine

Nicolette Larson

Daliah Lavi

Vicky Leandros

Peggy Lee

Rita Lee

Alis Lesley

Barbara Lewis

Abbey Lincoln

Melba Liston

Julie London

Darlene Love

Lulu

Anni-Frid Lyngstad

Barbara Lynn

Loretta Lynn

Vera Lynn

Siw Malmkvist

Lata Mangeshkar

Linda McCartney

Kate McGarrigle

Christie McVie

Bette Midler

Jean Millington

June Millington

Liza Minnelli

Carmen Miranda

Joni Mitchell

Liz Mitchell

Marion Montgomery

Lee Morse

Nana Mouskouri

Anne Murray

Wenche Myhre

Holly Near

Olivia Newton-John

Stevie Nicks

Nico

Laura Nyro

Virginia O’Brien

Odetta

Yoko Ono

Shirley Owens

Patti Page

Dolly Parton

Freda Payne

Michelle Phillips

Edith Piaf

Ruth Pointer

Leontyne Price

Suzi Quatro

Gertrude Rainey

Bonnie Raitt

Carline Ray

Helen Reddy

Della Reese

Martha Reeves

June Richmond

Jeannie C. Riley

Minnie Riperton

Jean Ritchie

Chita Rivera

Clara Rockmore

Linda Ronstadt

Marianne Rosenberg

Diana Ross

Anna Russell

Melanie Safka

Buffy Sainte-Marie

Samantha Sang

Pattie Santos

Hazel Scott

Doreen Shaffer

Jackie Shane

Marlena Shaw

Sandie Shaw

Dinah Shore

Judee Sill

Carly Simon

Nina Simone

Nancy Sinatra

Siouxsie Sioux

Grace Slick

Bessie Smith

Mamie Smith

Patti Smith

Ethel Smyth

Mercedes Sosa

Ronnie Spector

Dusty Springfield

Mavis Staples

Candi Staton

Barbra Streisand

Poly Styrene

Maxine Sullivan

Donna Summer

Pat Suzuki

Norma Tanega

Tammi Terrell

Sister Rosetta Tharpe

Big Mama Thornton

Mary Travers

Moe Tucker

Tina Turner

Twiggy

Bonnie Tyler

Sylvia Tyson

Sarah Vaughan

Sylvie Vartan

Mariska Veres

Akiko Wada

Claire Waldoff

Jennifer Warnes

Dee Dee Warwick

Dionne Warwick

Dinah Washington

Ethel Waters

Elisabeth Welch

Kitty Wells

Mary Wells

Juliane Werding

Tina Weymouth

Cris Williamson

Ann Wilson

Mary Wilson

Nancy Wilson

Anna Mae Winburn

Syreeta Wright

Tammy Wynette

Nan Wynn

Those in italics have five or more pieces of usable visual, written, or audio propaganda already. If you have any visuals like photos or videos, or if you have something to say in words, submit it to this blog before round one begins on June 25th!

If you don't see a name you submitted here, it's because most or all of their career was as a child/they were too young for the cutoff, their career was almost entirely after 1979, or music was something they only dabbled in and are hardly known for. There are quite a few ladies on the list whose primary career wasn't "recording artist" or "live musician," but released several albums or were in musical theater, so they've been accepted.

[clayberry24]

Im really tempted to animate the entirety of the Hamilton musical with the cast of ninjago and nexo lmao

As in like, instead of the real actors of the play, the actors are replaced with the charaters playing out the charaters lmao

so like what I have in my vision is :

Kai - Alexander H.

Skylar - Eliza H.

Nya - [she didn't get a choice] Angelica S.

Cole - Hercules M., James M.

Jay - [many charaters, mainly:] King G. Samuel C.(?), Charles L.

Lloyd - John L. [to appease the gf ships LMAO], Phillip H.

Clay - George W. [self explanatory]

Lance - [I can't spell french mans name °^]°(lance just puts on a lil moo-stache), Thomas J.

Macy - Peggy S., Mariah(?) R.

Aaron - Aaron B. [very self explanatory]

:D. I have so many funny scenes in my mind, but animating an almost 3 hour musical will be insanely long to make.

[gcdeater]

charles melton. cis-man. he/him. 34/323. ⸻ king roberon cole welcomes phillip fairbanks to fabletown—or, as they were once known, prince charming from fables. before the magic mirror, they come glamoured in the mirage of a nameless sea of admires to sustain you, fineries disguising an inner rot, . the tale from which they hail exalted their + charming and + passionate, but decried their - superficial and - fickle in equal measure. no matter; this time, they shall write their own. in accordance with the fabletown compact, they are granted amnesty for any and all transgressions, even that which is little known: he paid a pretty penny (almost as pretty as him) to have the old head doctor disposed of… but he’s having second thoughts now.

once upon a time…

there was a prince, just as there is in any tale. he’s doted upon incessantly, far more than any other of his nameless siblings, something they pick up upon easily, and something he largely chooses to ignore. 

sounds like every old story, right?

the only difference is that in this story, giving the prince everything he could’ve ever wanted only begins to rot him to his core. this, paired alongside the absence of accountability and lack of consequences, begin to shape the boy into anything but charming. he’d want for nothing— a platinum spoon laced between his pitiless, youthful fingers. his parents never batted an eye at his outbursts and temper tantrums. 

they  did not think twice when he’d pull his mother’s hair, nor when his lips would twist upward in wicked satisfaction after successfully pulling a cruel joke on one of his father’s advisors.

these details about the prince have a habit of never making it into the final product, so we won’t linger upon the details for too long. 

the weight of expectations reach him near adulthood, but charming never seems to falter. he slays every beast, and perhaps draws a little too much enjoyment from the process. he rescues princess after princess (hell, even a prince on occasion), any and every that need rescuing— and in his own, self absorbed way— he truly did love them all. 

this is largely how he continues his life— never sparing himself of any luxury or indulgence, simply because he doesn’t have to. even when he inherits the kingdom, there is no change of heart. he does not rise to the task of a leader— largely ignoring the people of his kingdom, to the disdain of his advisors, and even his queen. but what reason did he have to be better, when he could do everything and anything he wanted— without even an ounce of reprecussions?

It is in fable town, when he practically loses it all, that the prince realizes the life he lived may have been a farce. he realizes. that his adventures and pursuits of hedonism were an attempt to fill an emptiness that he did not realize was there. he somewhat comes to terms with the havoc he’s wrecked and the hearts he’s broken— and decides that if there was ever a better time to begin staying true to the source material, then its now. 

that’s right, prince charming is claiming to have to turned over a new leaf. he’s attempting to be good now, because that’s what a prince is supposed to be, right? 

prince charming is a changed man. he’s a man worthy of redemption, worthy of love, worthy of endless adoration, and most of all, a man worthy of immortalization. he’ll prove them all wrong, one way or another. 

etc…

y’all already know he ain’t shit fr

basically cinderella’s prince charming from into the woods attempting to have a redemption arc

the problem him is that he believes it’s his duty to be everyone’s prince charming. it’s all very superficial and he’s quite empty as a result.

beyond that he’s selfish, egotistical, melodramatic, sensitive, volatile, shallow, and impulsive

and really fucking charming… did i mention that already?

seriously though— he cares a lot… in his own, fucked up way. 

this dude knows nothing about introspection.

after an epiphany of sorts, he’s decided that becoming an actual prince charming, like on the inside, nonnegotiable. he wants to be a hero! forreal this time! via being a doctor. 

kinda weird, because everything he knows about what prince charming is *supposed* to be comes from the grandiose, false narratives created to make him look better. this dumbass is modeling the new him after fake things written about him lol.

(who let this man be a doctor? and gave him a medical degree? that’s probably the only time he’s actually worked hard though ngl.)

desperately wants everyone to love him, but always on his own terms.

[gogmstuff]

More images of 1912 fashion -

1912-1913 Afternoon dress.

1912 (Winter) Jeanne Paquin evening gown (Helen Larson Historic Fashion Collection, FIDM Museum - Los Angeles, California, USA).

1912 (Winter) Jeanne Paquin evening gown (Helen Larson Historic Fashion Collection, FIDM Museum - Los Angeles, California, USA).

Left 1912 Lucile dress (V&A). From omgthatdress.tumblr.com/post/654088327176306688/evening-dress-lucile-1912-the-victoria-albert 1280X1707.

Center and right ca. 1912 Chantilly lace dinner dress front quarter and back (location ?). From whitakerauction.smugmug.com-Fall2012-Clothing-ID-22-140-i-b3kCXfz 3068X2895

1912 Lady in Furs, Mrs. Charles A. Searles by Cilde Hassam (location ?). From tumblr.com/catherinedefrance 900X1090.

1912 Lady wearing a large hat sitting by Franz von Stuck (auctioned by Sotheby's). From their Web site 1753X1991.

1912 Mrs J., by Józef Męcina-Krzesz (location ?). From godsandfoolishgrandeur.blogspot.com/2016/11/randomly-ix.html; shadows 60% and fixed spots w Pshop 750X975.

1912 Mrs. Ernest Guinness by Sir Francis Bernard Dicksee (auctioned by Christie's) From www.pinterest.com/nouvellegiselle/vintage-inspiration slightly cropped & fit to screen 924X1500.

1912 Mrs. John Lawrence by Edmund Tarbell (private collection). From cutlermiles.com/mrs-john-lawrence-edmund-tarbell/ 992X1280.

Left 1912 Princess Elena of Greece, nee Russia, in 1912, wearing the diamond and pearl tiara she later gave to her daughter as a wedding gift From pinterest.com/inara0798/aristocrats/ 602X960.

Center 1912 Princess Paley in a dinner dress with fancy headdress. From Sacheverelle's photostream on flickr 488X983.

Right 1912 Vizcondesa de Termens From laalacenadelasideas.blogspot.com/2012/12 1018X1316.

1912 Robe de Visite de Paquin (pl.5, La Gazette du Bon ton 1912-1913 n°2) by George Barbier. From edition-originale.com/en/prints-engravings-photographs/ 1682X2518.

Left ca. 1912 Frau Prinzessin Rupprecht in Bayern, Marie Gabrielle in Bayern, by F. Grainer. From eBay fixed spots w Pshop 1017X1600.

Right ca. 1912-1913 Olga de Meyer wearing the famous Paul Poiret coat La Perse, photograph by Baron de Meyer. From facebook.com/144304418968266/photos/a.397639360301436/1143579645707400/?type=1&theater 1123X2048

Left 1912 Winifred, Duchess of Portland by Philip Alexius de László (Portland College - Ravenshead, Nottinghamshire, UK). From books0977.tumblr.com/post/111045895147/the-duchess-of-portland-1912-philip-alexius-de 999X1280.

Right 1912 New Book by Walter Bonner Gash (location ?). From tumblr.com/larobeblanche/742427773413556224/the-new-book-c-1912? 876X1024.

Left 1912 Le Manteau bleu by Xavier Gosé (location ?). From tumblr.com/mote-historie/744587745354301440/painting-by-xavier-gos%C3%A9-le-manteau-bleu-1912?.

Center 1912 Fourrures Max (Max Furs) in the catalogue 'Fourrures Portraits Minatures' by George Barbier. From tumblr.com/mote-historie/732453186620866560/george-barbier-illustration-for-the-catalogue?source=share& 1939X2541.

Right 1912 Man and woman in evening dress by Coles Phillips (NYPL). From tumblr.com/sartorialadventure/747029584815489024?; fixed flaws & spots w Pshop 764X1000

ca. 1912 a Femme chic, Supplément by A. Souchel (Rijksmuseum). From their Web site; fixed flaws & spots w Pshop 3229X5315.

[mermaidsirennikita]

Any reca where after the first time the mcs have sex, either of them are like “eh I dunno that was mid” so the other one is determined to fix that?

I’ve seen it happen once.

Well, I will say that I just finished The Mistress Experience by Scarlett Peckham, coming out 6/25. It's SO SO GOOD, can't recommend it enough, and it focuses on a sexually inexperienced (not virginal) hero who hires the heroine, a famous courtesan, to teach him how to be good in bed for when he gets married. Obviously, their first couple of encounters aren't GREAT and there's some really interesting stuff done regarding experience and stuff. SO GOOD.

Dark Needs at Night's Edge by Kresley Cole has the virginal Conrad Wroth get with Neomi, a former burlesque dancer who's super experienced. I don't even think he makes it inside her the first time lol and he's very UGH OH NO I SUCK and she's like petting his head very understanding all "don't worry bb you'll figure it out". It's actually quite cute.

Actually, in Kiss of a Demon King by Kresley Cole when Rydstrom takes Sabine's (technical) virginity she REALLY doesn't like it. She's not like... traumatized? But he's very caught up and she's like telling her sister "well, NEVER doing THAT again". (She does that again.) Rydstrom is an AAAAALPHA so he's like "well I am in fact going to make her come five billion times".

A Rose at Midnight by Anne Stuart (which is, to be clear, a dark historical romance with dubcon between the leads at first) has a variation of this. She's pretending to not be into it but she is (though she doesn't come the first time because she's trying to enjoy it and is angry that she's enjoying it) and he's like... devastated by the fact that he came REAL FAST (after telling her he wouldn't lmao) and she didn't and SHE HAS THE UPPER HAND!!!! They're both kinda morons in love I love them. He is determined to get that upper hand lol.

In Nobody's Baby But Mine by Susan Elizabeth Phillips, they have very mid sex twice (where he's actively like "I don't even know why??? I want to have sex with you so badly???") but after she gets pregnant, very much by her design, and he forces her to marry him (lmao) he does eventually resolve to fuck her good.

His at Night by Sherry Thomas has a very sort of like... quick and ouch first time, and there's a lot of resentment between them, but he does make it up to her for sure after being like "yeah I flubbed that".

Bass-Ackwards by Eris Adderly has a very WEIRD kinda coercive first time wherein the heroine gets fucked over her boss's desk in exchange for some PTO (and he's like in the moment all "can I fuck your ass" and she's like "I guess???" which was a choice) and then later he actually tries to give her good sex lol.

Act Your Age by Eve Dangerfield has a variation on this wherein the hero and heroine have great sex throughout the book, BUT one of several elephants in the room is that he won't go down on her, and I thought that was dealt with in a really interesting way.

Run, Posy, Run by Cate C. Wells has a hero and heroine in a relationship at the beginning of the book that's really disconnected, and he honestly doesn't care to really give her good sex and she doesn't really know to expect it... And then he's tricked into thinking she's cheated, she goes on the run because he's a mafioso, he realizes he was tricked and chases after her, and realizes he needs to go back to the drawing room sexually as part of his efforts to get her back. And boy does he.

The Chief by Monica McCarty has the hero and heroine have sex in a situation where he didn't actually know it was her lol, and she was a virgin so it was a big surprise ouch deal, and then he couldn't even finish... So after they're subsequently forced to marry, he kinda has to fix it lol.

Tempt Me at Twilight by Lisa Kleypas has the infamous scene where Harry withdraws because he thinks he's causing Poppy agony (he's not it just hurt a bit and he freaked out and stopped and was all I'M A MONSTERRRR) and he basically ghosts and Poppy has to be like "YOU GET BACK HERE AND FUCK ME GOOD".

[compneuropapers]

Interesting Papers for Week 50, 2023

Visual search as effortful work. Anderson, B. A., & Lee, D. S. (2023). Journal of Experimental Psychology. General, 152(6), 1580–1597.

Waves traveling over a map of visual space can ignite short-term predictions of sensory input. Benigno, G. B., Budzinski, R. C., Davis, Z. W., Reynolds, J. H., & Muller, L. (2023). Nature Communications, 14, 3409.

The role of memory in counterfactual valuation. Biderman, N., Gershman, S. J., & Shohamy, D. (2023). Journal of Experimental Psychology. General, 152(6), 1754–1767.

Not so smart? “Smart” drugs increase the level but decrease the quality of cognitive effort. Bowman, E., Coghill, D., Murawski, C., & Bossaerts, P. (2023). Science Advances, 9(24).

Rhythmic Information Sampling in the Brain during Visual Recognition. Caplette, L., Jerbi, K., & Gosselin, F. (2023). Journal of Neuroscience, 43(24), 4487–4497.

Proprioceptive uncertainty promotes the rubber hand illusion. Chancel, M., & Ehrsson, H. H. (2023). Cortex, 165, 70–85.

A matter of availability: sharper tuning for memorized than for perceived stimulus features. Chota, S., Gayet, S., Kenemans, J. L., Olivers, C. N. L., & Van der Stigchel, S. (2023). Cerebral Cortex, 33(12), 7608–7618.

Astrocyte activities in the external globus pallidus regulate action-selection strategies in reward-seeking behaviors. Kang, S., Hong, S.-I., Kang, S., Song, M., Yang, M. A., Essa, H., … Choi, D.-S. (2023). Science Advances, 9(24).

Outliers may not be automatically removed. Karch, J. D. (2023). Journal of Experimental Psychology. General, 152(6), 1735–1753.

Copy rats: Learning by observation during a foraging task by rats. Keshen, C., Cole, M., Buck, S., & Khouri, P. (2023). Learning & Behavior, 51(2), 179–190.

Neuronal responses to omitted tones in the auditory brain: A neuronal correlate for predictive coding. Lao-Rodríguez, A. B., Przewrocki, K., Pérez-González, D., Alishbayli, A., Yilmaz, E., Malmierca, M. S., & Englitz, B. (2023). Science Advances, 9(24).

Coherent mapping of position and head direction across auditory and visual cortex. Mertens, P. E. C., Marchesi, P., Ruikes, T. R., Oude Lohuis, M., Krijger, Q., Pennartz, C. M. A., & Lansink, C. S. (2023). Cerebral Cortex, 33(12), 7369–7385.

Accumbens cholinergic interneurons dynamically promote dopamine release and enable motivation. Mohebi, A., Collins, V. L., & Berke, J. D. (2023). eLife, 12, e85011.

Geometric constraints on human brain function. Pang, J. C., Aquino, K. M., Oldehinkel, M., Robinson, P. A., Fulcher, B. D., Breakspear, M., & Fornito, A. (2023). Nature, 618(7965), 566–574.

Agency as a bridge to form associative memories. Ruiz, N. A., DuBrow, S., & Murty, V. P. (2023). Journal of Experimental Psychology. General, 152(6), 1797–1813.

Teleporting into walls? The irrelevance of the physical world in embodied perspective-taking. Samuel, S., Salo, S., Ladvelin, T., Cole, G. G., & Eacott, M. J. (2023). Psychonomic Bulletin & Review, 30(3), 1011–1019.

Distinct neural mechanisms construct classical versus extraclassical inhibitory surrounds in an inhibitory nucleus in the midbrain attention network. Schryver, H. M., & Mysore, S. P. (2023). Nature Communications, 14, 3400.

Eccentricity advances arrival to visual perception. Upadhyayula, A., Phillips, I., & Flombaum, J. (2023). Journal of Experimental Psychology. General, 152(6), 1527–1538.

Statistical learning speeds visual search: More efficient selection, or faster response? Wang, S., Cong, S. H., & Woodman, G. F. (2023). Journal of Experimental Psychology. General, 152(6), 1723–1734.

Collaborative decision making is grounded in representations of other people’s competence and effort. Xiang, Y., Vélez, N., & Gershman, S. J. (2023). Journal of Experimental Psychology. General, 152(6), 1565–1579.

[sixtyfivehundredinvisiblebirds]

What I read in 2023

2023 Either/Or- Elif Batuman Arcadia- Lauren Groff The Buddha in the Attic- Julie Otsuka Monsters- Claire Dederer Also a Poet: My father, Frank O’Hara and me- Ada Calhoun Bodywork- Melissa Febos Vanishing Fleece- Clara Parkes The Idiot- Elif Batuman Syllabus- Lynda Barry The Women’s House of Detention- Hugh Ryan Saving Time- Jenny Odell Sag Harbor- Colson Whitehead (re-read, very happily) All Night Pharmacy- Ruth Madievsky Moby Dick- Herman Melville Tomorrow, and Tomorrow, and Tomorrow- Gabrielle Zevin Mare’s Nest- Holly Mitchell Lima :: Limón- Natalie Scenters-Zapico Heliopause- Heather Christle The Changeling- Victor LaValle The Secret History- Donna Tartt Punks: New and Selected Poems- John Keene Eyes Bottle Dark with a Mouthful of Flowers- Jake Skeets Togetherness- Wo Chan Soundmachine- Rachel Zucker Superdoom- Melissa Broder Philomath- Devon Walker-Figueroa Exiles of Eden- Ladan Osman NSFW- Isabel Kaplan Junk- Tommy Pico Draw Me After- Peter Cole O- Zeina Hashem Beck The Interestings- Meg Wolitzer Civil Service- Claire Schwartz My Education- Susan Choi Without Protection- Gala Mukomolova Mothman Apologia- Robert Wood Lynn A Nail the Evening Hangs On- Monica Sok The World Keeps Ending, and the World Goes On- Franny Choi Space Struck- Paige Lewis The Underground Railroad- Colson Whitehead Bliss Montage- Ling Ma Our Spoons Came from Woolworths- Barbara Comyns Garments Against Women- Anne Boyer Don’t Let Me Be Lonely- Claudia Rankine (reread) Present Tense Machine- Gunnhild Øyehaung, tr. Sophie Hughes Celestia- Manuele Fior, tr. Jamie Richards Night Bus- Zuo Ma, tr. Orion Martin Nightbitch- Rachel Yoder Boundless- Jillian Tamaki Your black friend and other strangers- Ben Passmore Library of Small Catastrophes- Alison C. Rollins Nerd: Adventures in fandom from this universe to the multiverse- Maya Phillips Desperate Characters- Paula Fox The Bird King- G. Willow Wilson Alienation- Inés Estrada The Anti-Racist Writing Workshop- Felicia Rose Chavez The Year of Blue Water- Yanyi Pale Colors in a Dark Field- Carl Phillips I Remember- Joe Brainard Manywhere- Morgan Thomas Obit- Victoria Chang Memorial- Brian Washington Girlhood- Melissa Febos Hot and Bothered: what no one tells you about menopause- Jancee Dunn

[darthbob88]

Officer Material - Futility Closet

Three privates in the Army Air Forces caused some confusion when they showed up at the advanced flying school at Mather Field in California in 1942. Their names were Admiral C. Allen, General Rudolph Merriweather, and Lieutenant Garnes. (Berkeley Daily Gazette, Oct. 8, 1942) General L. Phillips and Lieutenant Tisdale were inducted into the Army (as privates) in Knoxville, Tenn., in 1952. (Lubbock Evening Journal, March 20, 1952) “Private Colonel Underwood found it convenient to drop the title when requesting hotel reservations while on leave,” wrote Elsdon Coles Smith in The Story of Our Names (1970). “He would say, ‘This is Colonel Underwood speaking.’ It usually worked.”

So the airbase has a commander whose name is Sergeant. His rank is Lieutenant Colonel and his office is, of course, private.

[phillipcole]

The Late Show with Stephen Colbert part 4

Colbert: Welcome back to the Late Show, and now Phillip and Cole's Variety Team explain why Calvin Klein is not the last name on Phillip's sick list.

PBC: Thank you. The rest of the team is not with me tonight, because my wife didn't make enough bullet-proof suits. They sent their comments though. First of all, I, phil Cole, appreciate the people who thought Calvin Klein might be the last name on Phillip's sick list. It was a more cerebral guess than most because my wife is a fashion designer, therefore we are several million dollars poorer than we might have been if Calvin Klein had chosen another field of work. Therefore I dislike him. Phillip however was never too concerned about the profit or loss statements of my wife's business, just as long as we weren't trying to borrow any money from him. He did however have an objection to Calvin Klein. It's because so much of his wealth came from designer blue jeans. Phillip said that was the equivalent of a singer getting rich by singing Oh Susannah in a different key...mmmmmp. Cole, the Nashville rapper wrote, I quote:

Cole: I don't like Calvin Klein on accounta he ain't never used one of my rap songs during a runway show.

PBC: Unquote; neither has my wife. Cole's cousin Brad is a hillbilly. He writes:

Brad: I don't like Calvin Klein on accounta he's gay, and Jewish and lives in one of them northern cities, but he's still got the gaul to design blue jeans. Only us good ole boys from the south and west should be allowed to design blue jeans.

PBC: umm...umm...mmmmmp sorry. Ford is Brad's older brother. He's a retired judge in Tennessee. He...wrote his response in Latin. I guess he figures with Phillip gone he'll be the smart one on the team now. umm, umm,...

Ford: Non probabo Calvin Klein quod eius multae societates, diversis nominibus in variis terris mundi operantes et a forma ambiguo continenter moderatis, induxerunt nodum rerum quod fere impossibile facit quovis iudicio contra societatem per systema curiae exsequi.

PBC: I don't know what that means, but it must be funny. All the pharmacists are laughing. Norbert Adams, the unluckiest man in the world until he won a Grammy a few months ago...writes:

Norbert: I-I-I d-d-don't li-li-li-like C-C-C-Calvin Kl-Kl-Klein because he's he's he's he's he's g-g-g-gay and and and he m-m-m-m-married 2 women anyway heh heh heh, decreasing m-m-m-my ch-ch-chances heh heh heh heh heh heh heh

PBC: Mmmmmp...I wonder why he had to write the studder in the note...The...uh...the sicker I get, the sicker he gets. Now the Ranting old Man passed away almost 2 years ago now, but before he died he left quite a collection of jokes and comments for such a time as this. Don't forget he was only in his 60s when Calvin Klein exploded to fame. I haven't looked at this. It's a little long. I won't read it all. He says he doesn't like women wearing blue jeans. He wants to see as much leg as possible. Then he tells a story...oh...I didn't know this. After his second wife died...1991 I think, he met a woman wearing designer jeans, and...when he got her pants off, the sight of what was underneath made him gag. Ever since then all his first dates were at the beach. So, none of us like the man, but Calvin Klein was not the last name on Phillip's sick list.

Colbert: Don't go away. We'll be pulling the plug on Phillip right after this.

[goalhofer]

2024-25 Rockford IceHogs roster

Wingers

#12 Zach Sanford (Manchester, New Hampshire)

#13 Brandon Baddock (Vermilion, Alberta)

#15 Joey Anderson (Fridley, Minnesota) A

#43 Jalen Luypen (Kelowna, British Columbia)

#53 Marcel Marcel (Plzeň, Czech Republic)

#62 Brett Seney (London, Ontario) C

#67 Samuel Savoie (Dieppe, New Brunswick)**

#84 Landon Slaggert (South Bend, Indiana)**

#92 Gavin Hayes (Ypsilanti, Michigan)**

Centers

#26 Gerry Mayhew; Jr. (Wyandotte, Michigan)*

#63 Jackson Cates (Stillwater, Minnesota)

#70 Cole Guttman (Los Angeles, California) A

#75 Matus Spodniak (Košice, Slovakia)**

#89 Andreas Athanasiou (Vaughan, Ontario)*

#90 Paul Ludwinski (Toronto, Ontario)**

Defensemen

#14 Kevin Korchinski (Saskatoon, Saskatchewan)**

#20 Cavan Fitzgerald (Pembroke, Massachusetts)*

#36 Matteo Pietroniro (Montreal, Quebec)*

#38 Ethan Del Mastro (Burlington, Ontario)

#41 Isaak Phillips (Barrie, Ontario) A

#48 Austin Strand (Calgary, Alberta)

#52 Colin Felix (Camden, New Jersey)*

#55 Arciom Leŭshunoŭ (Zhlobin, Belarus)**

Goalies

#33 Drew Commesso (Norwell, Massachusetts)

#80 Mitchell Weeks (Barrie, Ontario)**

[ulkaralakbarova]

An itinerant farmer and his young son help a heart-of-gold saloon singer search for her estranged husband. Credits: TheMovieDb. Film Cast: Matt Calder: Robert Mitchum Kay Weston: Marilyn Monroe Harry Weston: Rory Calhoun Mark Calder: Tommy Rettig Dave Colby: Murvyn Vye Sam Benson: Douglas Spencer Minister at Tent City (uncredited): Arthur Shields Young Punk (uncredited): Larry Chance Prospector (uncredited): Chuck Hicks Dance Hall Girl (uncredited): Ann McCrea Bartender (uncredited): Ralph Sanford Prospector (uncredited): Fred Aldrich Surrey Driver (uncredited): Claire Andre Young Punk (uncredited): Hal Baylor Ben (uncredited): Don Beddoe Prospector (uncredited): Phil Bloom Council City Barfly (uncredited): Buck Bucko Prospector (uncredited): Roy Bucko Leering Man (uncredited): John Cliff Barber (uncredited): Edmund Cobb Prospector (uncredited): Cecil Combs Man in Saloon (uncredited): John Doucette Prospector (uncredited): Tex Driscoll Dance Hall Girl (uncredited): Geneva Gray Wagon Driver (uncredited): Al Haskell Gambler (uncredited): Ed Hinton Prospector (uncredited): George Huggins Prospector (uncredited): Michael Jeffers Prospector (uncredited): Dick Johnstone Prospector (uncredited): Mitchell Kowall Prospector (uncredited): Richard LaMarr Young Punk (uncredited): Anthony Lawrence Saloon Dancer (uncredited): Jarma Lewis Prospector (uncredited): Jack Low Council City Townsman (uncredited): Hank Mann Card Table Dealer (uncredited): Jack Mather Young Man (uncredited): Harry Monty Dancer (uncredited): Fay Morley Prospector (uncredited): Charles Morton Prospector (uncredited): Paul Newlan Blonde Dancer (uncredited): Barbara Nichols Prospector (uncredited): Anton Northpole Council City Barfly (uncredited): George Patay Prospector (uncredited): Jack Perrin Prospector (uncredited): Charles Perry Prospector (uncredited): Ford Raymond Prospector (uncredited): John Rice Prospector (uncredited): Robert Robinson Prospector (uncredited): John Roy Prospector (uncredited): Danny Sands Settler (uncredited): Lucile Sewall Pianist (uncredited): Harry Seymour Council City Barfly (uncredited): Cap Somers Council City Barfly (uncredited): George Sowards Prospector (uncredited): Charles Sullivan Prospector (uncredited): Jack Tornek Young Punk (uncredited): John Veitch Prospector (uncredited): Fred Walton Council City Barfly (uncredited): Bob Whitney Prospector (uncredited): Harry Wilson Trader (uncredited): Will Wright …: Joe Phillips Film Crew: Original Music Composer: Cyril J. Mockridge Editor: Louis R. Loeffler Producer: Stanley Rubin Art Direction: Addison Hehr Screenplay: Frank Fenton Director: Otto Preminger Sound: Roger Heman Sr. Sound: Bernard Freericks Assistant Director: Paul Helmick Costume Design: Travilla Director of Photography: Joseph LaShelle Story: Louis Lantz Songs: Lionel Newman Art Direction: Lyle R. Wheeler Set Decoration: Walter M. Scott Set Decoration: Chester L. Bayhi Special Effects: Ray Kellogg Orchestrator: Edward B. Powell Choreographer: Jack Cole Makeup Artist: Ben Nye Stunts: Bob Herron Stunts: Bob Hoy Stunts: Harry Froboess Stunts: Bob Morgan Stunts: Helen Thurston Stunts: Harry Monty Stunt Coordinator: Fred Zendar Stunts: Tim Wallace Music: Leigh Harline Makeup Artist: Allan Snyder Second Assistant Director: Donald C. Klune Stunts: Dan Heather First Assistant Editor: Orven Schanzer Songs: Ken Darby Movie Reviews: John Chard: What are you chasing Calder? After a stint in jail, Matt Calder is reunited with his son Mark and sets both of them up at a riverside lodge. One day he helps aid a couple who are struggling with their raft down the river. It turns out to be a dubious gambler named Harry Weston and his saloon singer girlfriend, Kay, whom both Matt and Mark have already been acquainted with. Turns out that Harry is in a rush to register his mining claim that he has just won, and sensing his journey will be considerably quicker and safer on horseback, steals, after a fight, Matt’s rifle and horse. Agreeing to let Kay stay behind with the Calder’s, Weston sets off. Once roused and ready to tr...