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#cg nick Nelson
rats-agere · 1 year
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Regressor Charlie and Cg Nick moodboard!
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Follow for more moodboards! :3
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babyboyblues-world · 5 months
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hi! (my agere blog is @is-it-nearly-naptime) i wanted to ask for some little!Charlie and cg!Nick headcanons? thanks and have a wonderful day! :D
Charlie is really shy about his regression and he was so upset when nick found out about it but Nick promised he stil loved him
Charlie's first time regressing was not too long after the two got together and Charlie slipped in to one of his younger mindsets after a very bad day
Nick could tell something was up but it wasn't until that Charlie actually told him
Nick keeps a little fidget or a tiny stuffd animle on hand incase Charlie slips when out
Charlie have a stuffed cat in his room that he loves especially much when he regress
He have a range at 3-6 on very bad days he might be about 2
He gets clingy and more whiny and nick is well aware how to handle boo boos
Charlie loves playdates whit tao
Padded headcanons under more
Charlie might have the occasional accident especially when asleep First time it happened was at a sleepover and the was out of it
Nick allowd him to cry while holding him afterwards getting him in to the shower
He doesn't wanna wear anything to help prevent accidents so he just trys to keep himself scdueld about how much he drinks and when he gose to the bathroom but it doesn't always help
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sunbl0ndie · 3 days
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hai hai!!! iz luv ur acct :3 so silly!! /pos
if pozzibl,, nd if u haven't done already,, would u be able to do a cg nick nelson moodboard :3 itz oki if not!!
hope u hav an amazing day/night!! :3 👑🧸
HI HONEY! I LOOVED MAKING THIS REQUEST!!!
Caregiver Nick Nelson Moodboard 🍂
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THIS WAS SO FUN !! — he's bi, actually ! 🍂
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(dni poster from my other blog, it was the first one I could find ! @comicfive)
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hii I was wondering if you can make a cg Nick Nelson from heartstopper moodboard and headcanons
you don’t have to tho thank you for your consideration
Hello! I am so thankful you ask!
Nick Nelson Caregiver moodboard
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Head canons:
First of all, Nick Nelson is a flip, regressor leaning! With him not having the best father figure, he seeks that while with Charlie and feels comfortable doing father/son activities with Charlie.
When he is in cg space,
He loves making tea and food for his little guy!
Nick Nelson is very cuddly and loves giving cuddles!
He will definitely have stuffed animals in his room or house as a just in case for Charlie to snuggle with. Any little gear he would have both for himself and charlie to use.
He loves playing video games with little charlie!
Nick will fight people to protect his baby at all costs. Even if Charlie is not in the room, his dad mode is activated immediately when someone talks poorly about charlie.
Want more? Here is my Nick Nelson regressor inspo board! (Also found under the Nick nelson regressor tag)
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twys-little-corner · 4 months
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Jus ramblin
Nick nelson woulds be da bestest caregiver in da universe. So gentle n kind. Hes m favorite boy ever ever.. well deres other fictuonal cgs i haves buh he is da one m conten wif right now cuz season 3 is coming out in october and m so so excited!
M also has Baba Crowley and dada Angel. Then Baba doctor (10th) and umm.. das it!
Atlas says hi's!!
M been enjoyin m paci even when no dreamin cuz its definitely helpful for m stims dat usually deal wif m nail biting or m lip. Is becuz of m anxiety m thinks.
Vewy thankful to @deuce-agere for sendin it to me! He's da bestest fwen i can ask for! Even a bracelet too!
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strawbabys-blog · 2 years
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Cg! Nick Nelson headcanons?
Hii, sorry if this took me a while to get to, I've been doing exams and things so I've been a little all over the place. My results day is soon, I'm hoping to get into a more regular pattern after that.
-I think Nick would naturally fall into the role of caregiver, he's a naturally caring person and is very good with kids (like we see with Olly) so it makes him very good at taking care of a little without having to try much
-He'd be very cautious about breaking boundaries and makes sure your comfortable with everything he does. That being said, once he learns them he's a very affectionate caregiver. You want cuddles? He'll take you to bed and give you all the cuddles you want. You want a snack? He'll cut your food into pretty shapes and use your favourite cutlery. You wanna play? You best believe he's gonna get as involved in the storylines you make up as possible
-His strong rugby arms come in handy for carrying his baby around. He loves having you in his arms because he knows you're safe there and not getting into any trouble
-Speaking of trouble, he does have a few rules, mostly just things to keep you safe and healthy, like no using sharp things or trying to cook by yourself and telling him if you're hungry or thirsty so that can get you some food or a drink
-He doesnt really punish his little one, he thinks positive reinforcement is more the way to go, he'll praise you for things that he knows you find difficult, whether that's asking for things, cleaning up or anything else he knows you need a little push to do every now and then
-All in all he's a very soft caregiver, understanding that regression is meant to be a safe space and being intent on providing that the best he can for you :)
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hurleyxvx · 5 years
Video
vimeo
OFFF 2019 Open Film ARXIV by Mill+ from OFFF Festival on Vimeo.
Mill+ Director Ilya Abulkhanov opened Offf Barcelona 2019 with the debut of his sci-fi short film ‘ARXIV’. ARXIV (pronounced ‘archive’) is an immersive sci-fi family drama is set in two time frames: the deep future, that is left with no future, and the near future, that will bring about the eventual dystopian collapse of society. Protagonist Lew Aron survives both time frames and is set to discover a potential outlet to confront his innermost desire, or what’s left of it.
Directed by Ilya Abulkhanov
Screenplay by R. John Lewis
Based on Characters Developed by Ilya Abulkhanov
Director of Photography Sean Bagley
Edited by Andy McGraw
Produced by Gabriel Blanco and Elizabeth Newman
Executive Producers Zu Al-Kadiri Phil Crowe Stephen Venning Ian Bearce Enca Kaul Rani Melendez
Cast: Lew Michael Curylo Kelly Britt Harris Doctor K. Gregory Niebel May Vienna Weaver Colleague Elijah Howard Doorman Jon Harris Secretary Lucy Boryer Anchor Azize Erim
Girl Reading Book Linda Aleman Patient Erick Medal Diner Patron Ruth Banks Mataya Diner Patron Willard Riley Diner Patron Michael A. Rubio
Co-Worker Hiwot Yimer Co-Worker Canaan Dewey Co-Worker Victoria Johnson Welder Giovanni Della Pace
Casting by Danielle Eskinazi
Production Designer Evi Ellias
Costume Designer Agga B. Raya
Original Music By Jesse Solomon Clark
Sound Design & Mix by Beacon Street Studios
First Assistant Director Miles Johnstone
Edited by Andy McGraw / Cartel Assistant Scott Beatty Producer Greer Bratschie Executive Producer Lauren Bleiweiss
Associate Producer James Morse
Skyler Wahl Production Coordinator Matt Fulton 2nd Assistant Director Rochely Zapata Production Assistant
Production Sound Mixer Ellie Bootorich
Offline Sound Mix Cyrus Shahmir
Art Department Leila Ryndak Property Master Giovanni Della Pace Leadman Shelby Strong Set Dresser Prerna Chawla Buyer Angel Herrera Shopper
Make-up by Victoria Payne
Camera 1st Assistant Camera Nick Cutway 2nd Assistant Camera / Loader Rob Reaves Key Grip & Gaffer Lev Abrahamian G&E Driver Sam Le Bas G/E Swing Aram Martirosyan and Conor Long
Visual Effects by The Mill
Creative Director Ilya Abulkhanov VFX Supervisor / Project Lead Lee Nelson Art Director Sidney Tan Lead Motion Designer Woosung Kang Technical Director / 2D Lead Justin Sucara 2nd Technical Director Greg Park
Motion Design Artists Taehoon Park Kyle Moore Jan Sladecko Sasha Vinogradova Maxim Goudin Greg Park Anastasia Skrebneva
Post Producer Moira Mahoney Post Production Coordinator Matthew Fulton
VFX Supervisor / Creative Lead James Allen CG Supervisor Manjunath Shivaprasad 2D Supervisor Rakesh Venugopalan Asset Supervisor Anish Mohan Line Producer R Anuraj Production Coordinators Noan John Vinod Nathan Niamehr Mimi Milligan
Fx:
Biswajit Tarafdar
3D Artists:
Kartik Arora
Asis Kumar Mahakhud
Sivasubramanian
Sudakshina Sridharan
Vittal Kuntla
Abdul Rehman
Amit Patil
Asit Midya
Kalidas Patil
 2D Artists Roman Yavorsky Franz Kol Lenz Kol KaiChun Tsai Evan Langley Stephen Paragone Rob Winfield Tim Robbins Gavin Marler Jeff Langlois Alex Candlish Patrick Dirks Lisa Kim Ahmed El-Azma Roger Cerqua Badrinath Chinimilli
P.K. Sajith
Prasanna Bhatt
Ramanjaneyulu Thota
Shivam Shukla
Vinod Gopinathan
Matte Painting Bill Lu Bijo Joy
Jobin Jacob
Netra Mankar
Priyanka Telang
Modeling Joel Kittle
Tracking Michael Lori Elizabeth Hammer Danny Garcia
Rotoscoping & Tracking TRACE
Colorist Adam Scott Color Assistant Logan Highlen
Color Senior Producer Liza Kerlin Color Coordinator Jessica Amburgey
Mural Paintings by Sidney Tan Yi-Jen Liu Hyoyeon Lee
Design Support Eunhae Yoo
Casting Department Danielle Eskinazi / Casting CCDA Casting Assistant Katie O’Connor
Costume Design Assistant Madeline Northway
Title Design by Ilya Abulkhanov
Woosung Kang Taehoon Park Lee Nelson 
Special Thanks Robin Shenfield Dee Allen Chris Harlowe Dan Roberts Chris Knight Glyn Tebbutt
Film Processing by FotoKem Cameras Provided by Keslow Cameras and Robot Heart Co. Shot on Arriflex Cameras and Kodak Film Film Scanning by Technicolor Grip and Electric Equipment Provided by G&J Grip
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thenerdparty · 6 years
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Captain Marvel Film Review
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Written by Shawn Eastridge Captain Marvel, the latest entry in Marvel’s Cinematic Universe, provides ample entertainment and a much appreciated ‘Girl Power’ message to inspire the young’uns. It features plenty of 90s references to get your nostalgia senses tingling and an adorable kitty cat, which is an element I will never fault any movie for including.
It’s also another by-the-numbers superhero origin story that doesn’t strive for greatness so much as it just checks off all the boxes we’ve come to expect from Marvel Studios. You’ve got your generic CG-powered action sequences here, a joke or two (or twenty) there. Throw in some Avengers Easter Eggs to make fans the world over positively wet themselves with glee and, baby, you got a stew going. But it’s a lukewarm stew at best, joining the ranks of such middle-tier MCU episodes as Ant-Man, Doctor Strange and most of Phase One. At the very least, Captain Marvel is relatively fast-paced and fun. The Writer/Director duo Anna Boden and Ryan Fleck of Half Nelson and Sugar fame try their darndest to spice things up with some weird, non-sequential storytelling pulled straight from the Christopher Nolan screenwriting handbook. In some ways, the zigzagging story helps distract from the fact that there isn’t a whole lot to engage with. It hits all the standard superhero beats, but rarely offers up much inspiration. Since these ‘self-contained’ origin stories tend to fall outside the primary, overarching storyline featuring the characters we’ve come to know and love, they can’t help feeling insignificant in the process. As Vers, a.k.a. Carol Danvers, a.k.a. Captain Marvel, Brie Larson is...fine. She’s been great in other roles, but with her performance here, I couldn’t shake the vibe that she’s already over the whole Marvel thing. To be fair, the screenplay doesn’t give her a lot to work with. There isn’t much of a reason to invest in Carol’s personal journey because it’s not entirely clear what that journey is. She might be tough, she might be snarky (a little too snarky, if I’m being honest - some of these one-liners are painful), but she’s not very interesting. Maybe it’s the dull ‘I don’t remember who I am’ trope she’s saddled with, or maybe it’s because she’s able to take on every foe with what appears to be minimal struggle, the latter being especially noticeable during the film’s climax when she demonstrates a full mastery of her abilities without much of a learning curve. Whatever the reason, Captain Marvel lacks an engaging arc for its titular character. Lots of people around Carol keep telling her how wonderful she is and why she’s such a powerful person. It would have been nice to see a little more evidence as to why, not just a fifteen-second montage of her getting up at different points in her life to stand in for a total absence of character development. But let’s be honest. The true star of Captain Marvel is not Brie Larson. It’s Ben Mendelsohn as the film’s villain Talos. As Talos, Mendelsohn is charming, threatening and, for reasons I won’t spoil, incredibly endearing. Talos’ journey in this film is far more captivating than Captain Marvel’s. Oh, and Goose the cat is great too, because...you know...he’s a cat Despite the standard plotting, there are some genuine twists and fun surprises as the story plays out that lend Captain Marvel some much-needed flair. I enjoyed the ‘buddy cop’ angle between Captain Marvel and Nick Fury; Brie Larson and Samuel L. Jackson have solid chemistry and play well off each other. But, as is often the case with these origin MCU entries, the film doesn’t feel the need to do anything more than the bare minimum. The 90s nostalgia gives the film a unique flavor, but the references don’t delve much deeper than the surface. The soundtrack takes great pleasure in milking some of your favorite hits from the decade, but the song selections are a bit on-the-nose. I guess Boden and Fleck are trying to follow the example set by James Gunn’s Guardians of the Galaxy, but it never gels in the same way. A particular song choice during one of Captain Marvel’s climactic fight scenes is more cringeworthy than anything else. Look, Captain Marvel isn’t terrible, but it just feels so run of the mill, giving into the worst inclinations of the MCU’s origin stories. What should have been a unique, standalone entry ends up being little more than a less-than-satisfying appetizer for next month’s main event. The film’s tagline ‘Higher. Further. Faster.’ really should have just been ‘High enough. Far enough. Fast enough...to hold you over until Avengers: Endgame.’
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rats-agere · 1 year
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hello I was wondering and it’s totally ok if not but could I maybe get a cg Nick Nelson and little reader headcanons? I love nick and wanted more writing for him thank u for ur consideration!
Of course!!
Caregiver Nick Nelson Headcanons
• He loves taking you to the beach! He’ll make sure to bring anything you could want or need at the beach, helping you pick out a comfy bathing suit and put on lots of sunscreen. You’d spend lots of days throughout summer having fun in the sun building sandcastles and going swimming • He’d keep a small bag of your agere stuff with him at school in case you end up regressed in class, making sure he mostly has more discreet things like cute stationary and your regression journal so you can doodle or write in it during class when you’re not busy.
• He wouldn’t be too strict with rules, but he’d definitely make sure that you didn’t do anything unsafe. If you were having a hard time with getting out of bed one day he’d help you by making it a fun game, if you were having trouble with eating he’d make sure you had whatever would be easiest for you to eat.
• He absolutely loves to spoil you, you go out to any store and even hint at liking something and it’s instantly in the shopping cart. He also loves to surprise you with gifts when he goes out without you, bringing you something small like a stuffie or a cute pen almost any time you see eachother.
• He loves taking you on play dates with other Littles you know, watching over you and getting to talk to other cg’s like the proud parent he is.
• When he first found out you were a little he already knew what age regression was and was more than happy to take care of you, he was very reassuring that you weren’t bothering him and he wasn’t upset.
• After he got used to what little you was like, he made a sage space for you in his closet, at first it wasn’t the most well decorated, mostly made up of his old childhood stuffed animals and blankets, but you loved it anyways because of the thought and as time went on it became more and more personalized to you. He had some colouring books of your favourite things/shows/movies/etc along with different kinds of stationary to use, he kept a backup journal in there for in case you forgot yours and a few Stuffies he bought and eventually he even found some cute star shaped fairy lights to hang up to make the closet more well lit.
• The first time you ended up small around him he grabbed one of his childhood plushies from under his bed and gave it to you to calm you down, he was a bit worried it would scare you being that it was missing one of its little button eyes but to his surprised it calmed you almost instantly and for the rest of the time you were small you refused to let it leave your side. Needless to say he let you keep it for when you were small and sad
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aion-rsa · 3 years
Text
Marvel’s Loki Episode 6: MCU Easter Eggs and Comics References
https://ift.tt/2UfmlQd
This article contains Loki episode 6 spoilers, and potential spoilers for the wider MCU.
The Loki season finale (and thanks to the mid-credits scene we know it’s a “season finale” not a “series finale,” thank Odin) is here, and it’s got bigger ramifications for the Marvel Cinematic Universe than we ever could have imagined. Loki episode 6 may be light on Marvel Comics Easter eggs (and after last week’s egg-fest, don’t get greedy!), but it’s BIG on characters and concepts that we’ll be dealing with and talking about for years to come. 
Let’s get to work and see what we found in Loki episode 6.
The Opening
The opening space sequence is a clear homage to Robert Zemeckis’ Contact. The 1997 sci-fi film begins with a similar CG pullout from Earth into the known universe and beyond while we hear clips of historic speeches and songs. These fade away until there is silence, and then the camera reveals the universe has been inside the protagonist’s eye. As Loki’s opening tails off, we hear Sylvie shout “open your eyes!” 
This isn’t the first Contact homage we’ve seen in the Disney+ MCU shows either, as WandaVision embraced one during Monica Rambeau’s transformation sequence as she forged through the Hex. And it’s not the only sci-fi movie reference we get in the episode, either!
What are Those Voices?
There are plenty of famous quotes from the MCU all through that wild, cosmic opening, but as far as we can tell, none of them are especially significant to the events of this episode.  There are also some famous quotes from real life figures. They include:
“One small step for man…” – Neil Armstrong
“How dare they!” – Great Thunberg
“My dream…” – Malala Yousafzai
“We have fought for the right to experience peace.” – Nelson Mandela
“I will rise.” – Maya Angelou
“We think of time as a one-way motion…” – Not identified by closed captioning but possibly Carl Sagan
“Motivated by women throughout the world.” – Also not identified by closed captioning
This beginning features several prominent songs from throughout human history. The opening of Beethoven’s “Für Elise” pops up noticeably yet briefly, and we think we heard strains from Tchaikovsky’s Swan Lake. 
The majority of it, however, is set to the strains of The Harry James Band’s version of “It’s Been a Long, Long Time” a song that is heartrendingly familiar to Captain America fans as the song that plays over Avengers: Endgame’s perfect final moment. The song first popped up in Captain America: The Winter Soldier, when Nick Fury was playing it in Steve’s apartment (clearly, Steve had plans for this song), but here the “Long, Long Time” in question is referring to the lifespan of series villain, “He Who Remains,” better known as…
Kang the Conqueror
(quick disclaimer: for simplicity’s sake, we’re referring to He Who Remains as Kang in this section, but for reasons that will become clear, there’s some nuance there, so just bear with us)
Kang’s backstory as laid out here also pays tribute to the idea of “The Council of Cross Time Kangs” which is both an assortment of variant Kangs from assorted timelines and also the people who battled/defeated them…and thus took on the mantle of Kang in their respective timelines. Does your head hurt yet? Because…
There was also an “Interdimensional Council of Reeds” from Jonathan Hickman’s run on Fantastic Four. Like Kang, various Reed Richards from various realities met up via portals and decided to help out areas of the multiverse in need using their combined intellect. Initially, they were mostly killed by a bunch of Celestials. These days they’re back, but led by the corrupt Reed Richards from the Ultimate Universe (the Maker). Things are going to be absolutely bonkers when the MCU finally brings us the FF.
Despite Jonathan Majors having signed on to play Kang the Conqueror in Ant-Man and the Wasp: Quantumania, he’s never actually identified as such here. In the credits, he’s the Miss Minutes-approved “He Who Remains.” The closest we get to him being called Kang is when he mentions that he’s been referred to as “a conqueror.” He also mentions that he’s been called a “ruler” which could very well be taken as a reference to the character’s time as Pharaoh Rama-Tut.
When Sylvie takes a swing at Kang early on, he teleports and ends up laying down behind them in a smug pose. This looks to be a reference to his first comic appearance (1964’s Avengers #8), where the Avengers find him casually laying down in mid-air.
Read more
TV
Loki Episode 6 Review: For All Time. Always.
By Kirsten Howard
Movies
Who is Kang the Conqueror? Powers and Marvel Comics History Explained
By Jim Dandeneau
Kang isn’t rocking any of his familiar comics looks here (although the color scheme is vaguely appropriate), but at least one of the “miniatures” he uses to illustrate his story appears to be.
He Who Remains
While the “He Who Remains” we meet here is definitely meant as a Kang variant of some kind, the character exists independently of Kang in the comics!
He Who Remains has only made a handful of appearances in Marvel Comics, with the first (and most substantial) being in 1976’s Thor #246 by Len Wein, John Buscema, and Joe Sinnott. There, it was Thor and Jane Foster entering the “Citadel at the End of Time” to meet He Who Remains, and they have ALMOST a similar moment to Loki and Sylvie in that one wants He destroyed while the other wants to listen to what he has to say.
The comics He Who Remains was later revealed as the founder of the TVA (just like we see in the MCU) and the actual creator of the Time-Keepers. And while he shares Kang’s fondness for purple, he was never defined as a Kang variant in the comics, and in fact was pretty explicitly not that.
Secret Wars
The Multiversal War idea that plays so heavily throughout Loki also ties into Jon Hickman’s Avengers run where the multiverse has been collapsing onto itself due to the machinations of the Beyonders. As entropy destroys everything, various Earths are pitted against each other and are given the choice of destroying the other or both dying. While this led to a single world run by Dr. Doom, Reed Richards was eventually able to overtake him and bring back the multiverse.
Also with Hickman’s run, there was a moment of Captain America coming across a group of Kangs from different eras (regular Kang, Iron Lad, and Immortus) and explaining that allowing so many to die in order to save so many more is immoral. After the inspirational speech, Kang simply told him, “No one here…cares.”
Ravonna Renslayer
Well, we share the FDR High School pen mystery with this episode, that’s for sure!
After Renslayer decided she wouldn’t be steered towards a complicated future with Kang in the pages of Marvel Comics, she betrayed him and then assumed the name “Rebecca Tourminet,” which we see printed on her diploma back on Earth when B-15 is introducing the TVA Minutemen to the Real Her.
Interestingly, MCU Renslayer doesn’t appear to be aware of Kang or He Who Remains just yet, so perhaps there’s more interesting things coming down the pipe for these time-tossed lovers.
The Ending
“You know you can’t get to the end until you’ve been changed by the journey,” Kang tells Loki and Sylvie. It seems as though Kang has a surprisingly thorough understanding of what makes a good story. This could potentially be a shoutout to Dan Harmon, creator of Community and Rick and Morty, the latter of which Loki showrunner Michael Waldron wrote on. Harmon is famous for constructing “story circles” to help young writers understand the proper beats of storytelling.
The final shot of a confused Loki looking at a massive (and mostly comics-accurate) Kang the Conqueror statue is definitely a reference to the ending of the original Planet of the Apes (a franchise which also has some wacky timeline shenanigans of its own) which gives us a huge twist by having the main character come across the Statue of Liberty and piece together the truth of his world. Then again, it could also fit with the Tim Burton remake where the protagonist comes across an ape version of the Lincoln Memorial.
There’s also a serious Invasion of the Body Snatchers vibe to that ending, with a dazed/crazed Loki trying to explain the impossible to a skeptical audience who clearly don’t believe him.
We wrote in more detail about all the implications of that ending right here.
The Post-Credits Scene
We can’t help but feel that the mid-credits scene that literally and explicitly spells out in actual words that Loki season 2 is happening is a meta-joke at the expense of sites like Den of Geek, who make a big deal out of “explaining” every Marvel post-credits sequence. To which we say…yeah, cool, fair enough!
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Spot anything we missed? Let us know in the comments!
The post Marvel’s Loki Episode 6: MCU Easter Eggs and Comics References appeared first on Den of Geek.
from Den of Geek https://ift.tt/3hF0FWP
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kartikdutt · 4 years
Video
vimeo
OFFF 2019 Open Film ARXIV by Mill+ from OFFF Festival on Vimeo.
Mill+ Director Ilya Abulkhanov opened Offf Barcelona 2019 with the debut of his sci-fi short film ‘ARXIV’. ARXIV (pronounced ‘archive’) is an immersive sci-fi family drama is set in two time frames: the deep future, that is left with no future, and the near future, that will bring about the eventual dystopian collapse of society. Protagonist Lew Aron survives both time frames and is set to discover a potential outlet to confront his innermost desire, or what’s left of it.
Directed by Ilya Abulkhanov
Screenplay by R. John Lewis
Based on Characters Developed by Ilya Abulkhanov
Director of Photography Sean Bagley
Edited by Andy McGraw
Produced by Gabriel Blanco and Elizabeth Newman
Executive Producers Zu Al-Kadiri Phil Crowe Stephen Venning Ian Bearce Enca Kaul Rani Melendez
Cast: Lew Michael Curylo Kelly Britt Harris Doctor K. Gregory Niebel May Vienna Weaver Colleague Elijah Howard Doorman Jon Harris Secretary Lucy Boryer Anchor Azize Erim
Girl Reading Book Linda Aleman Patient Erick Medal Diner Patron Ruth Banks Mataya Diner Patron Willard Riley Diner Patron Michael A. Rubio
Co-Worker Hiwot Yimer Co-Worker Canaan Dewey Co-Worker Victoria Johnson Welder Giovanni Della Pace
Casting by Danielle Eskinazi
Production Designer Evi Ellias
Costume Designer Agga B. Raya
Original Music By Jesse Solomon Clark
Sound Design & Mix by Beacon Street Studios
First Assistant Director Miles Johnstone
Edited by Andy McGraw / Cartel Assistant Scott Beatty Producer Greer Bratschie Executive Producer Lauren Bleiweiss
Associate Producer James Morse
Skyler Wahl Production Coordinator Matt Fulton 2nd Assistant Director Rochely Zapata Production Assistant
Production Sound Mixer Ellie Bootorich
Offline Sound Mix Cyrus Shahmir
Art Department Leila Ryndak Property Master Giovanni Della Pace Leadman Shelby Strong Set Dresser Prerna Chawla Buyer Angel Herrera Shopper
Make-up by Victoria Payne
Camera 1st Assistant Camera Nick Cutway 2nd Assistant Camera / Loader Rob Reaves Key Grip & Gaffer Lev Abrahamian G&E Driver Sam Le Bas G/E Swing Aram Martirosyan and Conor Long
Visual Effects by The Mill
Creative Director Ilya Abulkhanov VFX Supervisor / Project Lead Lee Nelson Art Director Sidney Tan Lead Motion Designer Woosung Kang Technical Director / 2D Lead Justin Sucara 2nd Technical Director Greg Park
Motion Design Artists Taehoon Park Kyle Moore Jan Sladecko Sasha Vinogradova Maxim Goudin Greg Park Anastasia Skrebneva
Post Producer Moira Mahoney Post Production Coordinator Matthew Fulton
VFX Supervisor / Creative Lead James Allen CG Supervisor Manjunath Shivaprasad 2D Supervisor Rakesh Venugopalan Asset Supervisor Anish Mohan Line Producer R Anuraj Production Coordinators Noan John Vinod Nathan Niamehr Mimi Milligan
Fx:
Biswajit Tarafdar
3D Artists:
Kartik Arora
Asis Kumar Mahakhud
Sivasubramanian
Sudakshina Sridharan
Vittal Kuntla
Abdul Rehman
Amit Patil
Asit Midya
Kalidas Patil
 2D Artists Roman Yavorsky Franz Kol Lenz Kol KaiChun Tsai Evan Langley Stephen Paragone Rob Winfield Tim Robbins Gavin Marler Jeff Langlois Alex Candlish Patrick Dirks Lisa Kim Ahmed El-Azma Roger Cerqua Badrinath Chinimilli
P.K. Sajith
Prasanna Bhatt
Ramanjaneyulu Thota
Shivam Shukla
Vinod Gopinathan
Matte Painting Bill Lu Bijo Joy
Jobin Jacob
Netra Mankar
Priyanka Telang
Modeling Joel Kittle
Tracking Michael Lori Elizabeth Hammer Danny Garcia
Rotoscoping & Tracking TRACE
Colorist Adam Scott Color Assistant Logan Highlen
Color Senior Producer Liza Kerlin Color Coordinator Jessica Amburgey
Mural Paintings by Sidney Tan Yi-Jen Liu Hyoyeon Lee
Design Support Eunhae Yoo
Casting Department Danielle Eskinazi / Casting CCDA Casting Assistant Katie O’Connor
Costume Design Assistant Madeline Northway
Title Design by Ilya Abulkhanov
Woosung Kang Taehoon Park Lee Nelson 
Special Thanks Robin Shenfield Dee Allen Chris Harlowe Dan Roberts Chris Knight Glyn Tebbutt
Film Processing by FotoKem Cameras Provided by Keslow Cameras and Robot Heart Co. Shot on Arriflex Cameras and Kodak Film Film Scanning by Technicolor Grip and Electric Equipment Provided by G&J Grip
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Note
hiii i was wondering if you would make a part 2 to the cg nick nelson headcanons? i think he’d be one of the best caregivers in the wholllleeee widddeeeee world! Thank you for your consideration.
Trigger warning ED and SH mentioned
Please, for your own mental health, DO NOT continue reading. This involves ideas and canon events that happen in the books.
For part one, here
1. Nick comforts charlie after he has relapsed of his ED and SH
1.5 Nick doesn't get mad at Charlie for relapsing
2. Nick will share his favorite chocolate with Charlie when small.
3. (Graphic Novel) While charlie was in the mental hospital, Nick would send letters as well as stuffys and small treats that he knows Charlie likes. Yes its inspected by staff, but they understand its a way Charlie copes with his mental health.
4. HE LOVES PIGGY BACK RIDES. Such a goofball while in paris giving Charlie a piggback ride and asking for directions and being so silly!
5. Nick is always by Charlie's side whenever he is regressed. Not in a clingy way but to make sure Charlie is safe. Sometimes Charlie regresses in public when something stressful happens, like when he fainted.
6. Nick will make sure that charlie knows that he is safe around him. Before Charlie met Nick, he didn't tell anyone but Tori about his regression, so it means a lot that Nick is gentle and kind when Charlie is regressed.
7. Charlie will constantly beg to play video games while slipping instead of doing his course work, but Nick makes sure that Charlie is caught up, then plays video games like Mario Kart with him!
8. Nick is stern and assertive when he needs to be with Charlie. Nick never yells! He has sworn he will not ever yell at Charlie, regressed or not.
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rabbittstewcomics · 4 years
Text
Episode 256
DC October Solicits
New Comics Reviews:
Dark Nights: Death Metal 2 by Scott Snyder, Greg Capullo, Jonathan Glapion
Shazam: Lightning Strikes 1 by Dan Jurgens, Travis Moore, Nick Filardi
Empyre 1 by Al Ewing, Dan Slott, Valerio Schiti, Marte Gracia
2020 iWolverine 1 by Larry Hama, Roland Boschi, Andres Mossa
Giant Size X-Men: Magneto by Jonathan Hickman, Ramon Perez, David Curiel
Bettie Page 1 by Karla Pacheco, Vincenzo Federici, Rebecca Nalty, Becca Carey
Engineward 1 by George Mann, Joe Eisma, Michael Garland
Sacred Six 1 by Christopher Priest, Gabriel Ibarra, Jae Lee
Snake Eyes: Deadgame 1 by Chad Bowers, Rob Liefeld, Corona, Federico Blee
Fence: Rivals OGN by CS Pacat, Johanna the Mad, Joana Lafuente
Additional Reviews:
Injustice Omnibus vol 1
Old Guard
Cleopatra in Space
Peacock
Camp Spirit
Killer Camp
News: Comics Industry Updates, DC greenlights Shazam digital first comic, Clone Wars spinoff, Gal Gadot and secret Greg Rucka film adaptation, Bruce Campbell resurrects Adventures of Briscoe County, Tom Taylor's Dark Ages, Rorschach, Usagi Yojimbo to Netflix, Boom/Netflix/Morrison, Noelle Stevenson comes out as non-binary, Noah Centino as Atom Smasher, Madam Satan spin-off, strikeforce cancelled, BRZRKR by Kindt and Keanu Reeves, Hawkeye creative updates, Dynamite and CG, new Chris Evans movie
Trailers: Chucky
Glenn's instant villain cred theory
Comics Countdown:
Gideon Falls 23 by Jeff Lemire, Andrea Sorrentino, Dave Stewart
Avengers 34 by Jason Aaron, Javier Garron, Jason Keith
Once & Future 9 by Kieron Gillen, Dan Mora, Tamra Bonvillain
Superman's Pal Jimmy Olsen 12 by Matt Fraction, Steve Lieber, Nathan Fairbairn
Strange Adventures 3 by Tom King, Mitch Gerads, Evan Shaner
Immortal Hulk 35 by Al Ewing, Mike Hawthorne, Morales, Paul Mounts
Giant-Size X-Men: Magneto by Jonathan Hickman, Ramon Perez, David Curiel
TMNT 106 by Sophie Campbell, Kevin Eastman, Ronda Pattison, Nelson Daniel
Dark Nights: Death Metal 2 by Scott Snyder, Greg Capullo, Jonathan Glapion
Captain Marvel 17 by Kelly Thompson, Francesco Manna, Carlos Lopez
Check out this episode!
0 notes
todrobbins · 5 years
Video
vimeo
OFFF 2019 Open Film ARXIV by Mill+ from OFFF Festival on Vimeo.
Mill+ Director Ilya Abulkhanov opened Offf Barcelona 2019 with the debut of his sci-fi short film ‘ARXIV’. ARXIV (pronounced ‘archive’) is an immersive sci-fi family drama is set in two time frames: the deep future, that is left with no future, and the near future, that will bring about the eventual dystopian collapse of society. Protagonist Lew Aron survives both time frames and is set to discover a potential outlet to confront his innermost desire, or what’s left of it.
Directed by Ilya Abulkhanov
Screenplay by R. John Lewis
Based on Characters Developed by Ilya Abulkhanov
Director of Photography Sean Bagley
Edited by Andy McGraw
Produced by Gabriel Blanco and Elizabeth Newman
Executive Producers Zu Al-Kadiri Phil Crowe Stephen Venning Ian Bearce Enca Kaul Rani Melendez
Cast: Lew Michael Curylo Kelly Britt Harris Doctor K. Gregory Niebel May Vienna Weaver Colleague Elijah Howard Doorman Jon Harris Secretary Lucy Boryer Anchor Azize Erim
Girl Reading Book Linda Aleman Patient Erick Medal Diner Patron Ruth Banks Mataya Diner Patron Willard Riley Diner Patron Michael A. Rubio
Co-Worker Hiwot Yimer Co-Worker Canaan Dewey Co-Worker Victoria Johnson Welder Giovanni Della Pace
Casting by Danielle Eskinazi
Production Designer Evi Ellias
Costume Designer Agga B. Raya
Original Music By Jesse Solomon Clark
Sound Design & Mix by Beacon Street Studios
First Assistant Director Miles Johnstone
Edited by Andy McGraw / Cartel Assistant Scott Beatty Producer Greer Bratschie Executive Producer Lauren Bleiweiss
Associate Producer James Morse
Skyler Wahl Production Coordinator Matt Fulton 2nd Assistant Director Rochely Zapata Production Assistant
Production Sound Mixer Ellie Bootorich
Offline Sound Mix Cyrus Shahmir
Art Department Leila Ryndak Property Master Giovanni Della Pace Leadman Shelby Strong Set Dresser Prerna Chawla Buyer Angel Herrera Shopper
Make-up by Victoria Payne
Camera 1st Assistant Camera Nick Cutway 2nd Assistant Camera / Loader Rob Reaves Key Grip & Gaffer Lev Abrahamian G&E Driver Sam Le Bas G/E Swing Aram Martirosyan and Conor Long
Visual Effects by The Mill
Creative Director Ilya Abulkhanov VFX Supervisor / Project Lead Lee Nelson Art Director Sidney Tan Lead Motion Designer Woosung Kang Technical Director / 2D Lead Justin Sucara 2nd Technical Director Greg Park
Motion Design Artists Taehoon Park Kyle Moore Jan Sladecko Sasha Vinogradova Maxim Goudin Greg Park Anastasia Skrebneva
Post Producer Moira Mahoney Post Production Coordinator Matthew Fulton
VFX Supervisor / Creative Lead James Allen CG Supervisor Manjunath Shivaprasad 2D Supervisor Rakesh Venugopalan Asset Supervisor Anish Mohan Line Producer R Anuraj Production Coordinators Noan John Vinod Nathan Niamehr Mimi Milligan
Fx:
Biswajit Tarafdar
3D Artists:
Kartik Arora
Asis Kumar Mahakhud
Sivasubramanian
Sudakshina Sridharan
Vittal Kuntla
Abdul Rehman
Amit Patil
Asit Midya
Kalidas Patil
 2D Artists Roman Yavorsky Franz Kol Lenz Kol KaiChun Tsai Evan Langley Stephen Paragone Rob Winfield Tim Robbins Gavin Marler Jeff Langlois Alex Candlish Patrick Dirks Lisa Kim Ahmed El-Azma Roger Cerqua Badrinath Chinimilli
P.K. Sajith
Prasanna Bhatt
Ramanjaneyulu Thota
Shivam Shukla
Vinod Gopinathan
Matte Painting Bill Lu Bijo Joy
Jobin Jacob
Netra Mankar
Priyanka Telang
Modeling Joel Kittle
Tracking Michael Lori Elizabeth Hammer Danny Garcia
Rotoscoping & Tracking TRACE
Colorist Adam Scott Color Assistant Logan Highlen
Color Senior Producer Liza Kerlin Color Coordinator Jessica Amburgey
Mural Paintings by Sidney Tan Yi-Jen Liu Hyoyeon Lee
Design Support Eunhae Yoo
Casting Department Danielle Eskinazi / Casting CCDA Casting Assistant Katie O’Connor
Costume Design Assistant Madeline Northway
Title Design by Ilya Abulkhanov
Woosung Kang Taehoon Park Lee Nelson 
Special Thanks Robin Shenfield Dee Allen Chris Harlowe Dan Roberts Chris Knight Glyn Tebbutt
Film Processing by FotoKem Cameras Provided by Keslow Cameras and Robot Heart Co. Shot on Arriflex Cameras and Kodak Film Film Scanning by Technicolor Grip and Electric Equipment Provided by G&J Grip
0 notes
evilpeacock · 5 years
Video
vimeo
OFFF 2019 Open Film ARXIV by Mill+ from OFFF Festival on Vimeo.
Mill+ Director Ilya Abulkhanov opened Offf Barcelona 2019 with the debut of his sci-fi short film ‘ARXIV’. ARXIV (pronounced ‘archive’) is an immersive sci-fi family drama is set in two time frames: the deep future, that is left with no future, and the near future, that will bring about the eventual dystopian collapse of society. Protagonist Lew Aron survives both time frames and is set to discover a potential outlet to confront his innermost desire, or what’s left of it.
Directed by Ilya Abulkhanov
Screenplay by R. John Lewis
Based on Characters Developed by Ilya Abulkhanov
Director of Photography Sean Bagley
Edited by Andy McGraw
Produced by Gabriel Blanco and Elizabeth Newman
Executive Producers Zu Al-Kadiri Phil Crowe Stephen Venning Ian Bearce Enca Kaul Rani Melendez
Cast: Lew Michael Curylo Kelly Britt Harris Doctor K. Gregory Niebel May Vienna Weaver Colleague Elijah Howard Doorman Jon Harris Secretary Lucy Boryer Anchor Azize Erim
Girl Reading Book Linda Aleman Patient Erick Medal Diner Patron Ruth Banks Mataya Diner Patron Willard Riley Diner Patron Michael A. Rubio
Co-Worker Hiwot Yimer Co-Worker Canaan Dewey Co-Worker Victoria Johnson Welder Giovanni Della Pace
Casting by Danielle Eskinazi
Production Designer Evi Ellias
Costume Designer Agga B. Raya
Original Music By Jesse Solomon Clark
Sound Design & Mix by Beacon Street Studios
First Assistant Director Miles Johnstone
Edited by Andy McGraw / Cartel Assistant Scott Beatty Producer Greer Bratschie Executive Producer Lauren Bleiweiss
Associate Producer James Morse
Skyler Wahl Production Coordinator Matt Fulton 2nd Assistant Director Rochely Zapata Production Assistant
Production Sound Mixer Ellie Bootorich
Offline Sound Mix Cyrus Shahmir
Art Department Leila Ryndak Property Master Giovanni Della Pace Leadman Shelby Strong Set Dresser Prerna Chawla Buyer Angel Herrera Shopper
Make-up by Victoria Payne
Camera 1st Assistant Camera Nick Cutway 2nd Assistant Camera / Loader Rob Reaves Key Grip & Gaffer Lev Abrahamian G&E Driver Sam Le Bas G/E Swing Aram Martirosyan and Conor Long
Visual Effects by The Mill
Creative Director Ilya Abulkhanov VFX Supervisor / Project Lead Lee Nelson Art Director Sidney Tan Lead Motion Designer Woosung Kang Technical Director / 2D Lead Justin Sucara 2nd Technical Director Greg Park
Motion Design Artists Taehoon Park Kyle Moore Jan Sladecko Sasha Vinogradova Maxim Goudin Greg Park Anastasia Skrebneva
Post Producer Moira Mahoney Post Production Coordinator Matthew Fulton
VFX Supervisor / Creative Lead James Allen CG Supervisor Manjunath Shivaprasad 2D Supervisor Rakesh Venugopalan Asset Supervisor Anish Mohan Line Producer R Anuraj Production Coordinators Noan John Vinod Nathan Niamehr Mimi Milligan
Fx:
Biswajit Tarafdar
3D Artists:
Kartik Arora
Asis Kumar Mahakhud
Sivasubramanian
Sudakshina Sridharan
Vittal Kuntla
Abdul Rehman
Amit Patil
Asit Midya
Kalidas Patil
 2D Artists Roman Yavorsky Franz Kol Lenz Kol KaiChun Tsai Evan Langley Stephen Paragone Rob Winfield Tim Robbins Gavin Marler Jeff Langlois Alex Candlish Patrick Dirks Lisa Kim Ahmed El-Azma Roger Cerqua Badrinath Chinimilli
P.K. Sajith
Prasanna Bhatt
Ramanjaneyulu Thota
Shivam Shukla
Vinod Gopinathan
Matte Painting Bill Lu Bijo Joy
Jobin Jacob
Netra Mankar
Priyanka Telang
Modeling Joel Kittle
Tracking Michael Lori Elizabeth Hammer Danny Garcia
Rotoscoping & Tracking TRACE
Colorist Adam Scott Color Assistant Logan Highlen
Color Senior Producer Liza Kerlin Color Coordinator Jessica Amburgey
Mural Paintings by Sidney Tan Yi-Jen Liu Hyoyeon Lee
Design Support Eunhae Yoo
Casting Department Danielle Eskinazi / Casting CCDA Casting Assistant Katie O’Connor
Costume Design Assistant Madeline Northway
Title Design by Ilya Abulkhanov
Woosung Kang Taehoon Park Lee Nelson 
Special Thanks Robin Shenfield Dee Allen Chris Harlowe Dan Roberts Chris Knight Glyn Tebbutt
Film Processing by FotoKem Cameras Provided by Keslow Cameras and Robot Heart Co. Shot on Arriflex Cameras and Kodak Film Film Scanning by Technicolor Grip and Electric Equipment Provided by G&J Grip
0 notes
karoltabis · 5 years
Video
vimeo
Mill+ Director Ilya Abulkhanov opened Offf Barcelona 2019 with the debut of his sci-fi short film ‘ARXIV’. ARXIV (pronounced ‘archive’) is an immersive sci-fi family drama is set in two time frames: the deep future, that is left with no future, and the near future, that will bring about the eventual dystopian collapse of society. Protagonist Lew Aron survives both time frames and is set to discover a potential outlet to confront his innermost desire, or what’s left of it. Directed by Ilya Abulkhanov Screenplay by R. John Lewis Based on Characters Developed by Ilya Abulkhanov Director of Photography Sean Bagley Edited by Andy McGraw Produced by Gabriel Blanco and Elizabeth Newman Executive Producers Zu Al-Kadiri Phil Crowe Stephen Venning Ian Bearce Enca Kaul Rani Melendez Cast: Lew Michael Curylo Kelly Britt Harris Doctor K. Gregory Niebel May Vienna Weaver Colleague Elijah Howard Doorman Jon Harris Secretary Lucy Boryer Anchor Azize Erim Girl Reading Book Linda Aleman Patient Erick Medal Diner Patron Ruth Banks Mataya Diner Patron Willard Riley Diner Patron Michael A. Rubio Co-Worker Hiwot Yimer Co-Worker Canaan Dewey Co-Worker Victoria Johnson Welder Giovanni Della Pace Casting by Danielle Eskinazi Production Designer Evi Ellias Costume Designer Agga B. Raya Original Music By Jesse Solomon Clark Sound Design & Mix by Beacon Street Studios First Assistant Director Miles Johnstone Edited by Andy McGraw / Cartel Assistant Scott Beatty Producer Greer Bratschie Executive Producer Lauren Bleiweiss Associate Producer James Morse Skyler Wahl Production Coordinator Matt Fulton 2nd Assistant Director Rochely Zapata Production Assistant Production Sound Mixer Ellie Bootorich Offline Sound Mix Cyrus Shahmir Art Department Leila Ryndak Property Master Giovanni Della Pace Leadman Shelby Strong Set Dresser Prerna Chawla Buyer Angel Herrera Shopper Make-up by Victoria Payne Camera 1st Assistant Camera Nick Cutway 2nd Assistant Camera / Loader Rob Reaves Key Grip & Gaffer Lev Abrahamian G&E Driver Sam Le Bas G/E Swing Aram Martirosyan and Conor Long Visual Effects by The Mill Creative Director Ilya Abulkhanov VFX Supervisor / Project Lead Lee Nelson Art Director Sidney Tan Lead Motion Designer Woosung Kang Technical Director / 2D Lead Justin Sucara 2nd Technical Director Greg Park Motion Design Artists Taehoon Park Kyle Moore Jan Sladecko Sasha Vinogradova Maxim Goudin Greg Park Anastasia Skrebneva Post Producer Moira Mahoney Post Production Coordinator Matthew Fulton VFX Supervisor / Creative Lead James Allen CG Supervisor Manjunath Shivaprasad 2D Supervisor Rakesh Venugopalan Asset Supervisor Anish Mohan Line Producer R Anuraj Production Coordinators Noan John Vinod Nathan Niamehr Mimi Milligan Fx:
Biswajit Tarafdar 3D Artists:
Kartik Arora
Asis Kumar Mahakhud
Sivasubramanian
Sudakshina Sridharan
Vittal Kuntla
Abdul Rehman
Amit Patil
Asit Midya
Kalidas Patil
 2D Artists Roman Yavorsky Franz Kol Lenz Kol KaiChun Tsai Evan Langley Stephen Paragone Rob Winfield Tim Robbins Gavin Marler Jeff Langlois Alex Candlish Patrick Dirks Lisa Kim Ahmed El-Azma Roger Cerqua Badrinath Chinimilli
P.K. Sajith
Prasanna Bhatt
Ramanjaneyulu Thota
Shivam Shukla
Vinod Gopinathan Matte Painting Bill Lu Bijo Joy
Jobin Jacob
Netra Mankar
Priyanka Telang Modeling Joel Kittle Tracking Michael Lori Elizabeth Hammer Danny Garcia Rotoscoping & Tracking TRACE Colorist Adam Scott Color Assistant Logan Highlen Color Senior Producer Liza Kerlin Color Coordinator Jessica Amburgey Mural Paintings by Sidney Tan Yi-Jen Liu Hyoyeon Lee Design Support Eunhae Yoo Casting Department Danielle Eskinazi / Casting CCDA Casting Assistant Katie O’Connor Costume Design Assistant Madeline Northway Title Design by Ilya Abulkhanov
Woosung Kang Taehoon Park Lee Nelson 
Special Thanks Robin Shenfield Dee Allen Chris Harlowe Dan Roberts Chris Knight Glyn Tebbutt Film Processing by FotoKem Cameras Provided by Keslow Cameras and Robot Heart Co. Shot on Arriflex Cameras and Kodak Film Film Scanning by Technicolor Grip and Electric Equipment Provided by G&J Grip
0 notes