#cherry 2021

[ihearthes]

🍒

[tzthrowbacks]

the happiest🫠

[blmpff]

✨ Various Tropes: Head Pats (2/?) ✨

TITLES IN ORDER: 1. No Regret (2006) 2. Addicted (2016) 3. Gaya sa Pelikula (2020) 4. Secret Roommate (2020) 5. Kieta Hatsukoi (2021) 6. Gen Y 2 (2021) 7. Light (2021) 8. Cherry Blossoms After Winter (2022) 9. Love Mate (2023) 10. The Eighth Sense (2023) 11. I Feel You Linger In The Air (2023) 12. Playboyy (2023)

[cherrymagiczip]

#1 #2 #3

[sekainoutahime]

Singing With You in a World Where Cherry Blossoms Dance!

[lilyinthevalley-art]

Some old matchablossom drawings I did a few years ago! 😁

[kojiarakiartworks]

April 2021 JAPAN NAGANO AZUSAGAWA SA

© KOJI ARAKI Art Works

Daily life and every small thing is the gate to the universe ：）

[kashiomi-art]

Cherry pie witches

[caelichythcat]

a lone genius. an innovator

[niqosblog]

Why Do People Distrust Reboots of Cartoons?

An Analysis

Root of The Trust Issues

I feel like ever since Teen Titans Go, people have lost faith in reboots of classic shows. Especially since their only basis is "this is a show for little kids", and they expect it to be immature and plotless.

You can't just announce that you're making a TV show reboot of a classic with a more simplistic art style without expecting backlash.

Just saying "I like the [insert media] reboot!" Everyone is gonna be on your back and say that it's a bad lifeless reboot. But I believe that some are actually good. They have kept up similar themes and still progress with the modern world.

The Exception

If we're really getting into this topic, may I say that Voltron: Legendary Defender is a reboot that people loved to pieces. Even with its awful ending, people still loved it. Yet no one asked for it.

No one looked at the old Voltron and said "I wish there was a reboot".

Was the show good? YES!

It performed amazing during its run. It had a strong fan following to it as well.

Was it bar for bar, character for character accurate? NO!

Keith was supposed to end up with Allura, going so far as to marry her. Pidge was actually a clumsy dwarf boy that had a crush on Allura. Hunk was some buff white guy rather than a chubby Samoan dude.

Yet, did people complain? ALSO NO. And the only reason why, was the art style.

Simplistic Art Style

Then we get to things like the My Little Pony and Strawberry Shortcake Reboot. These are objectively good reboots as a stand alone, without a nostalgia bias.

They have representation, life lessons, friendship themes, basically everything that the original was. But the fact it's a 'reboot' is what throws people into hysteria.

Strawberry Shortcake was always a spunky girl who would always problem solve in a kind and caring way. Always true to her friends, loved making friends.

She is such a stereotypical good girl that the show even pokes fun at it. Making jokes that she's too trustworthy and friendly. And they keep this trend in the reboot. Yet people didn't watch it.

And you want to know why?

"it looks lifeless" "it lost its spark" "the designs are ugly"

Why This Argument Sucks

This isn't a real argument. Exhibit A would be Teenage Mutant Ninja Turtles (TMNT).

We can agree that TMNT has kept a consistent art style. Mostly consisting of the big eyes, similar body shapes, wide mouths... The only two thing differentiating them being the eye covers and weapons.

Now in the reboot, there are several differences.

Raphael - Stocky, beefy, wider, taller, snaggle tooth

Leonardo - skinner waist, broad shoulders, long head, slightly muscular arms, eye markings

Donatello - basically the same as Leo but he has skinner arms, and goggles

Michaelangelo - rounder, shorter, bigger eyes, more colors

Unlike the other adaptations, where they look like the same copy and paste character with a slight hue shift, they actually look different. But before it came out, there was a lot of backlash of the characters looking ugly.

That soon changed when clips started circling around that people gave it a shot. And guess what. They liked it! They called the characters charming and unique, and even got a huge fandom from shares on Tiktok and advertisements from the program airing the show.

Sure, people did complain about the simplicity. But they eventually came to enjoy it. So why can't people keep the same energy for other reboots?

Nostalgia

The biggest factor of all is nostalgia. I loved Strawberry Shortcake: Berry Bitty Adventures. And I dabbled in watching the 2003 version because I loved it when I was a kid. Yet, I still love the reboot.

Berry in the Big City isn't a bad reboot, people just don't want to give it a chance because of the nostalgia factor. They grew up with the 2003-2009 version and expect no changes, and when things did change they threw a fit.

I don't know how to tell you this, but this show was made for KIDS. Not teenagers looking for a fun watch, not adults looking for a taste of classic TV, but children.

Sure, there are some teens and adults who love this show because they might be a babysitter or an older sibling. Or maybe just someone who heard it was good and wanted to give it a watch.

But if your only reason for disliking a show is that "it's not my [insert character]" is showing that you're just scared of change. If I'm really being honest, BITBC shows more personality in their characters.

Back in Berry Bitty Adventures, they all felt like the same girl just with a different goal. Here, Strawberry is more hyperactive and passionate, Blueberry is going with the flow and airhead-ish, Orange is a competitive athlete, Lemon is an emotionally closed off inventor, Lime is a nerdy fashionista.

And they all look different.

I have confused Raspberry Torte and Strawberry in 2009 more times than I can count. Even characters like Cherry Jam and Blueberry who have a different color scheme, look similar when desaturated.

And if you feel hurt by the fact that I'm saying cons about a series you loved as a kid, then you're part of the problem.

I don't expect you to say that "oh, yeah, I can see that." but instead, admit that not everything you grew up with was perfect.

And if Strawberry Shortcake isn't enough proof that people glorify the original too much, may I remind you people continuously hate the Monster High reboot.

The original had racial stereotypes, outdated jokes, sexist characters, toxic relationships (that for some reason stayed together), misrepresentation of disorders, and way more.

The reboot actually tries to be sensitive to who might be watching their show. They made Asian coded characters not yellow, they properly represent disabilities, they don't make Abbey's foreign accent a joke, they have body diversity. And g1 is apparently still superior.

Another reminder is that when g1 tried to make progress with their first gay character, they back tracked it and made it subtext. There will always be a problem with g1 Monster High, the only people who ignore it are people who are scared of change.

Conclusion

Are you supposed to watch all reboots from now and forever into eternity. No. This is just a thing I noticed when goons glaze on a cartoon that they (probably) didn't even watch getting a reboot.

There are bad reboots out there, (I'm looking at you Velma..), but I feel like if you just watched a couple episodes you'd find them more enjoyable. The original doesn't disappear when you watch a reboot. In fact, most of the examples I've mentioned are free on YouTube.

[stanleyl]

🥶

[waitmyturtles]

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Back in my Cherry Magic rabbithole….

[blmpff]

✨ Various Tropes: Wait, Don't Go (2/?) ✨

TITLES IN ORDER: 1. History 3: Trapped (2019) 2. Dark Blue Kiss (2019) 3. Light (2021) 4. A First Love Story (2021) 5. Hold Me (2022) 6. Ghost Host Ghost House (2022) 7. Cherry Blossoms After Winter (2022) 8. Low Frequency (2023) 9. Love Class 2 (2023) 10. Unintentional Love Story (2023) 11. Kiseki: Dear To Me (2023) 12. My Dear Gangster Oppa (2023)

[cherrymagiczip]