#chord sequences

[guitarguitarworld]

Jazz Fusion Chords:How to create them from scales

CLICK SUBSCRIBE! Hi Guys, Today, a look at how to create colourful and interesting jazz/fusion chords: Because, we are dealing with jazz/fusion we will manipulate a scale in modal form. This will be C Mixolydian: Now, let’s add one note above each note of the mode and create 3rds. [Here we can hear the mode in double stops]. Now, we will add another note a 5th above the root and create…

[my-rose-tinted-glasses]

Doctor Who | The Devil’s Chord Jinkx Monsoon as Maestro

[classicalsqueak]

i-III-iv-V or i-V-vi-iii | i-III-iv-V or i-V-VI-III (Chord Progressions) Set 5

For more videos: YouTube (classicalsqueak) / Video Index

For sheet music: Ko-fi (classicalsqueak) or SMP* (published by Ylan Chu)

[strxnged]

i was playing "letter from ajax" on the piano and my dad said he didnt like it im so offended and taken aback. how dare.

[psalmsofpsychosis]

Me: *evil screeching giggles* there's no way spotify can map out what i like i basically listen to every genre known to man

Spotify: so anyway you like it soft and dark. here are your southern gothic and evil folk and atmospheric eastern and synthwave and alt rock playlists.

Me:

[tastierearranger]

Korg Pa5X: rilascio del sistema operativo V1.3.0

Come noto, Pa5X rappresenta il vertice della serie di Professional Arranger di KORG. Completamente riprogettata, rispetto i modelli precedenti, offre sin dal 2022 un avanzato generatore sonoro e un’interfaccia utente all’avanguardia. Nei giorni scorsi, è stata annunciata la versione 1.3.0 del nuovo sistema operativo, che introduce significative nuove funzionalità e ottimizzazioni. Di seguito vi…

[eggmeralda]

april 2020

[archivist-the-knight]

physically restraining myself from going into the tags of *several* hi fi rush posts and infodumping about either aspects of the game that i know about or aspects of different things op is talking about i know about because 1: i dont wanna derail 2: Jesus Christ i know a lot about this game and noticed way too many hidden details.

[doyoulikethissong-poll]

Queen - The Show Must Go On 1991

Innuendo is the fourteenth studio album by the British rockband Queen, released on 4 February 1991. It was the band's last album to be released in lead singer Freddie Mercury's lifetime. It reached the number 1 spot on the UK album charts for two weeks, and also peaked at number 1 in Italy, the Netherlands, Germany, and Switzerland, staying at the top for three weeks, four weeks, six weeks, and eight weeks, respectively. It was the first Queen album to go Gold in the US upon its release since The Works in 1984.

The album was recorded between March 1989 and November 1990. In the spring of 1987, Mercury had been diagnosed with AIDS, although he kept his illness a secret from the public and denied numerous media reports that he was seriously ill. The band and producers were aiming for a November or December release date in order to catch the crucial Christmas market, but Mercury's declining health meant that the release of the album did not take place until February. Nine months after the album was released, Mercury died of AIDS-derived bronchopneumonia.

"The Show Must Go On" was written by Brian May, based on a chord sequence he had been working on. May decided to use the sequence, and both he and Mercury decided the theme of the lyrics and wrote the first verse together. From then on May finished the lyrics, completed the vocal melody and wrote the bridge, inspired by Pachelbel's Canon. The song chronicles the effort of Mercury continuing to perform despite approaching the end of his life. When the band recorded the song in 1990, Mercury's condition had deteriorated to the point that May had concerns as to whether he was physically capable of singing it. May recalls; "I said, 'Fred, I don't know if this is going to be possible to sing.' And he went, 'I'll fucking do it, darling' — vodka down — and went in and killed it, completely lacerated that vocal".

The song was initially not released as a single as part of promotion for the Innuendo album, but was released in October 1991 as the band launched their Greatest Hits II album. The video for the song featured a compilation of clips from all their videos since 1982. Due to Mercury's critical health at the time of its production, a fresh appearance by the band in a video was not possible.

"The Show Must Go On" was released as a single in the UK on 14 October 1991, just six weeks before Mercury died. Following his death on 24 November 1991, the song re-entered the British charts and spent as many weeks in the top 75 (five) as it did upon its original release, initially reaching a peak of 16. In 1992, the song was released as a double A-side with "Bohemian Rhapsody" in the US and reached number 2 in the US.

It was first played live on 20 April 1992, during The Freddie Mercury Tribute Concert, performed by the three remaining members of Queen, with Elton John singing lead vocals and Black Sabbath guitarist Tony Iommi playing rhythm guitar. A different live version featuring Elton John on vocals later appeared on Queen's Greatest Hits III album.

Since its release, the song has appeared on television and film, including Moulin Rouge!.

"The Show Must Go On" received a total of 85,2% yes votes! Previous Queen polls: #29 "Mustapha"

[simjaexy]

𝙏𝙚𝙖𝙘𝙝 𝙈𝙚 𝙋.𝙅

pairing ⇀ bf! park jongseong x (f) reader

synopsis ⇀ you stop by jay’s studio to visit him and end up with him teaching you how to play the guitar. what you also end up with is his fingers inside you.

genre ⇀ smut

warnings ⇀ lower case intended, minors dni, cursing, making out, grinding, fingering, choking, cum eating, name calling (slut), lmk if there more!

w.c ⇀ 1.1k

a/n ⇀ i was planning on making it longer but i had another one shot coming soon so i’m finishing that one up. lmk what you think of this drabble! not proofread!

masterlist here!

the soft hum of a guitar filled the air as you stepped into the studio. jay was sitting on a stool, his fingers dancing effortlessly over the strings. the notes he played were soothing and intricate, creating a beautiful melody that resonated throughout the room. he looked up and smiled when he saw you, his eyes lighting up with a mix of surprise and joy.

"hey, I didn't expect you to drop by.” he said, setting his guitar down for a moment.

you smiled back, feeling a flutter in your chest, "I was curious to see you in action. plus, I was hoping you could teach me a few things."

jay's grin widened, his excitement palpable. "i'd love to.”

you walked over to him, and he handed you the guitar. his hands were warm as they guided yours to the correct positions on the strings. he explained each chord with patience, his voice soothing and encouraging.

"okay, this is a g chord," he said, placing your fingers on the frets. "now, press down firmly and strum."

you strummed the chord, and a pleasant sound resonated from the guitar. jay’s eyes sparkled with pride. "see? you're a natural."

as you continued to practice, jay moved closer, his presence comforting and alluring. he showed you how to transition between chords smoothly, his fingers occasionally brushing against yours making you flustered. each time you made a mistake, he was quick to reassure you.

"it’s all about practice," he said, his voice gentle. "everyone starts somewhere."

you nodded, feeling more confident with each passing minute. the studio seemed to fade away as you focused on the guitar and jay's guidance.

"now, let's try a simple melody," jay suggested, his enthusiasm infectious. he played a few notes, demonstrating the sequence. "give it a shot."

you followed his lead, your fingers moving hesitantly at first. but with jay's encouragement, you soon found a rhythm. the melody was simple, but to you, it felt like an achievement.

"you’re doing amazing," jay said, giving you a gentle squeeze on the shoulder. "we should do this more often."

you looked up at him, your heart swelling with gratitude, but you felt another feeling from the way he squeezed your shoulder with a gaze you couldn’t describe, "i’d like that."

as the session went on, you couldn’t help but watch jays fingers as they strum softly against the guitar. you felt your heart pang when he used his two fingers to slide up the string (yk what i’m talking about). you shook your head and cursed at yourself for thinking like that in a heartfelt moment. jay then looked up at you with a grin.

"You're a quick learner," he said, his eyes twinkling. you felt a faint hotness upon your cheeks and looked away.

“w-well thanks to you.” you stuttered. jay hummed and stood up making you stare at him confused. slowly he leaned into your space causing you to back up against the desk.

“i’m not stupid baby. i see how you looked at my fingers. what were you thinking?” jay muttered. you felt yourself getting embarrassed and put your hands on his chest.

“i-i wasn’t trying too make it weird-“ “then you should be ashamed for making it like that.” he cut you off. you gasped when you felt one of his hands creep against you waist, gripping it softly.

“well don’t back out now. tell me what you were thinking.” he smirked. you whimpered when he suddenly lifted your skirt up revealing your wet panties.

“seongie-“ “tell me. what were you thinking when i was playing the guitar?” he suddenly snapped.

“y-your fingers. they looked g-good.” you whined when you finally felt him dip his hand in your underwear.

he started off slowly by rubbing your wet folds, the sound of stickiness and wetness filling the air. you moaned in pleasure and tried to grind, but that earned a slap on the thigh from jay.

“you like my fingers? like it when they’re deep in your pussy?” he rasped out. you cried out when he circled your bud making you arch your back. he lifted you up swiftly and set you on the desk.

“seongie please! i want your fingers.” you moaned. jay smirk never faltered even when he shoved his fingers in you without warning.

you let out a silent moan feeling his thick long fingers stuffed in your pussy. you wrapped your arms around his neck.

“oh fuck! m’there!” you gasped. jay pace was deep and slow causing you to shiver in pleasure. your legs shaking beside his waist.

“such a slut for me. you’re lucky it’s soundproof.” jay commented. you nodded your head dumbly and tried grinding on his fingers. he stopped your movement making you groan.

“you’re not gonna cum until i tell you too. understand?” he said. you shook your head in disagreement.

“seongie no-“ “then you’re not cumming at all.”

you whined and sniffled, feeling his fingers still stuffed inside you. you nodded your head, “fine okay!”

he smiled and started moving his fingers again but this time faster. you gasped and cried when he angled his fingers deeper, “oh my god jay!” you screamed.

you felt your climax coming and repeatedly tapped his shoulder. he ignored you and continued to abuse your pussy. you felt your body shake as tears fell down your face. jay kissed your tears away and wrapped his free hand around your neck, slightly squeezing.

“remember what i said.” he spoke. you whimpered and nodded. your climax so close and yet so far. jay groaned when he felt your pussy squeeze around his fingers. fuck, he wanted to fuck you so bad.

“j-jay please. i’ve been good.” you sighed. jay stared at you for a few minutes before humming.

“go ahead.” was all he said before you finally came. your orgasm coming hard. you let out a shaky moan when he slowly pulled out.

you panted harshly, your back laying against the cold wall. you gasped when you watched jay out his fingers in his mouth, licking all your cum. he winked at you teasingly and kissed you. you let out a sigh feeling your slick in your mouth.

he broke the kiss and softly kissed your forehead, “we have to go now before i cum in my pants.” he said. you giggled and stood up. you felt your cum in your underwear and pouted.

“you should’ve taken my underwear off.” you complained.

jay grabbed your hand, “don’t worry. i’ll clean you up when we get home with other things.” he smiled before sticking out his tongue causing you to gasp and slap his chest. the only thing you got back was his beautiful laugh.

[guitarguitarworld]

Alternate Picking John Mclaughlin Style v7 1 EXERCISE.

CLICK SUBSCRIBE! Alternate Picking John Mclaughlin Style PLEASE WATCH VIDEO ABOVE FOR DETAILED ANALYSIS: Hi Guys, Today we will look at a ii V7 extension in the improvisational style of jazz/fusion guitarist John McLaughlin. HARMONY/CHORD SEQ This is a cadential ii V7 I, but before the chord I resolution there is an added chord. This is chord Vii as a Dominant 7th. In this case this is…

[codacheetah]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[classicalsqueak]

I-IV-V or I-V-vi (Chord Progressions) Set 1

For more videos: YouTube (classicalsqueak) / Video Index

For sheet music: Ko-fi (classicalsqueak) or SMP* (published by Ylan Chu)

[peachesofteal]

John Price/female reader The Ocean Anthology

It’s a hollow knock that pulls you from sleep.

The Ranger is standing on the slanted slats of your front porch, Aly in his arms, cradled to his chest. Her too long legs hang over in a heap, face sweet and soft, spun in the silken bliss of sleep.

“John.” His name is a croak, a splinter of confusion on your tongue. It’s four in the morning.

“Sorry to wake you,” he shifts his daughter’s weight, and you shake your head wordlessly, “there’s a problem, up at the forestry camp. Normally Mari would…” his mouth twitches, trailing off, sequencing into a helpless, silent request.

“Of course.” Frigid air spills around his shoulders, curling into your living room, and you press the door firm after him, turning to where he lowers Aly onto the couch, broad palm sweeping over forehead and tucking her in her blanket, plus yours.

“She’ll be no trouble.” He murmurs, shoulders rolled back.

“Sure, yeah. It’s fine.” You whisper, following his lead to the door, standing in his shadow.

“I’ll be back, before it’s time for her to start school. And she can handle herself for breakfast.” Rough hands cradle your elbows, cracked callouses and torn skin snagging on the flimsy cotton of your long sleeve t shirt.

Aly truly is, no trouble. Once she's up, rubs the crystal sleep from her eyes and orients, she hops off your couch and into the kitchen where you're at the table with a hot mug.

"Breakfast?" Hopeful eyes glance at your pantry. "Got stuff to make pancakes in there?" You laugh.

"You want pancakes?" She shifts her weight, bashful.

"Dad doesn't let me have them much."

"Alrighty. Let's make some pancakes then."

You manage a too tall stack of fluffy pancakes before there's a knock at your front door. Aly, like any child, wanted chocolate chips in hers, but she settled for blueberry, and just as she's about to have her first bite, cold wind whips through the house like a lash.

"Hi." Fuck. Is he going to be mad you made his kid pancakes? He evaluates the table, sweeping gaze traveling from Aly back to you, leisurely rolling up from your toes.

You ignore the clench in your stomach.

"Those look good."

"Oh, uh... you want-"

"Blueberry?" At this, Aly's fork freezes, eyes darting from her plate to her father before turning back to breakfast.

"Y-yeah. Didn't have chocolate chips, and plain pancakes are kind of boring." His mouth twitches, sloping to one side with a furrow of his brow, chord of sadness striking his irises. There one second, then gone. A warm breeze of the cusp of summer’s end, something you can’t quite catch. You think he’s going to ignore you, the moment suspended in the void of your kitchen, batter caked bowl and whisk shuffled haphazardly towards the sink, splatters of it on the tile. He hums.

“Good choice.” The flannel is nearly too small for him, clinging to his shoulder, the breadth of his body, thick forearms stretching the buttons where the cuffs are rolled up to the elbows. You're tongue-tied in the passing silence, before he puts you out of your misery. "You've got something," a thumb to the corner of his own mouth, rubbing against something that isn't there, as you stand, lost in a moment of desiderium that slams into you with full force, "here."

He licks his thumb, then he reaches.

He rubs your skin, instead. The corner of your lips. Pasty batter splattered and dried, now gone beneath his circling touch. It's... fatherly, in passing. A short glimpse into the moment would convince you he's being kind, helpful, but the way his venetus gaze lingers on your lips, and rolls up to your eyes... it's more than patriarchal. It's heated, and dark, flashes of secrets and songs you've never heard.

"T-thank you."

"Will you go out today?"

"Oh, uh... yeah I had hoped to."

"In the kayak?" You nod. His lips twitch.

"I'll take you, in the boat." The words he gave you the first time you looked for the Orcas ring in your ears.

"I thought I had to earn it?" A sliver of possession gleams in his eyes.

"You will."

[objectivelyimpermanent]

73 yards theory: The woman didn't say anything in particular to make everyone run away from Ruby. Instead, interacting with her broke the perception filter, which was the Fourth Wall.

This season has multiple moments of breaking the Fourth Wall already. For example, the wall-breaking aspects of The Devil's Chord, like the glances and winks into the camera, the Doctor's "non-diegetic" music comment, and the NuWho music themes that Ruby started to sing when Maestro split open her soul. Additionally, 73 Yards had no title sequence, and other aspects of this episode could be hints at wall-breaking. The knowledge Ruby retained of visiting Wales a third time at the end of the time loop (rather than cross-temporal memory) could be non-diegetic knowledge; when everyone turns their heads back towards Ruby after interacting with the woman, the shots are angled so that they look directly into the camera—this could imply that rather than looking at Ruby, they're looking at the audience, and therefore becoming aware that they are not real. Pushing it further, Ruby is the camera (or more metaphorically, the perspective character). And finally, when Ruby fulfils the timeline and dies, the shot at the end of the episode becomes from the perspective of Ruby as the woman, and so interacting with the woman could be likened also to interacting with a camera, thus breaking the Fourth Wall. This idea of the woman as camera is supported by the insinuation in the same section that the woman follows Ruby as a kind of "life flashing before one's eyes" event at the end of Ruby's life—she is an Observer, an objective observer of her own life, existing outside of the narrative.

Ruby mentioned to Kate that there were some things that she just knew about the woman, like that she/Ruby would die if she attempted to separate them by boarding a boat. This was linked to the idea of the woman as being/having a perception filter, like the TARDIS, which made her perpetually indistinct. Breaking the perception filter fills someone with the knowledge that they are not real. The people constantly say "Ask her" because as one of the protagonists, the world actually revolves around Ruby. I imagine one would feel a lot of resentment at having one's doubts at one's cosmic significance confirmed, and then being able to put a face to someone to whom some of the blame for your cosmically insignificant existence could be assigned. Of course, Ruby initially believes that "Ask her" refers to the woman, but the woman is Ruby. So in either case, the "her" refers to Ruby; and the ambiguity is deliberate, both because of the reveal that Ruby is the woman and because the statement is so accusatory that it could mean "Ask the woman" (and therefore break the Fourth Wall yourself) or "Ask Ruby" (who is the protagonist and somewhat to blame for everyone else being side characters or background characters).

[tastierearranger]

Dilagano progressioni di accordi negli arranger

Il recente lancio di nuovi arranger nell’area delle tastiere di primo ingresso ha evidenziato un elemento comune che merita attenzione. Non so quanti di noi l’abbiano notato. Roland Go:Keys 3 (e Go:Keys 5), come Yamaha PSR-E383 (e PSR-EW320) includono interessanti funzionalità per la riproduzione di sequenze degi accordi. Queste funzionalità, già presenti da anni negli arranger di fascia alta,…