#coco au

[foggyfanfic]

Echoes on a Toy Guitar

Oneshot Summary: Coco AU. Imelda's parents die in a house fire and it just so happens the only photo she has of them is from her and Hector's wedding. On the Day of the Dead she puts the photo of her, her parents, and Hector on the ofrenda without a second thought. That night, the toy guitar Hector sent for Coco starts playing Coco's lullaby.

TW: Death, implied sex

It started on the Day of the Dead. Imelda’s parents had died in a house fire barely a month before the holiday and the only picture she had of them was from her and Hector’s wedding. She put it up without much thought to her husband standing beside her in the middle of the photo, the only one smiling in what was supposed to be a serious portrait of their wedding party.

“How can I do anything but smile?” he had asked, when her father had complained, “I just married the most wonderful woman in the world.”

Imelda had blushed, and tried to fight down her own love sick smile, but when he’d turned those soft brown eyes her way, she had melted.

So she put the wedding photo on the ofrenda and placed down a few offerings, including the gifts Hector had sent for them three and a half weeks ago. Well, gifts was perhaps not the right word, her parents had asked her to ask him to send them some parts to fix their record player, and he had complied, albeit a few days too late. She didn’t know what she expected them to do with those parts in the after life, but hey, they’d asked for them.

As Imelda placed the wedding photo on the ofrenda, her only worry was that Hector might not have received her letter alerting him that her parents were dead. In the letter sent with the gramophone parts, Hector had mentioned that he was trying to talk Ernesto out of yet another detour that would only serve to lengthen their tour. Based on the return address on the money she’d received two days later, Ernesto had once again gotten his way.

A toy guitar had arrived for Coco the day after, with a note promising he would teach her how to play it as soon as he got home.

She was glad the tour was going well, really she was. They had bills to pay after all, and it was nice to have some savings. However, Imelda missed her husband, and she couldn’t help wishing that he would just come home already. She had started looking at alternate ways for her to make money, perhaps working was a bit below her station, but if it meant their little family could be together more…? Imelda would do it with a smile on her face.

But then on Day of the Dead, less than a month since she’d last heard from her husband, the little toy guitar in Coco’s room started to play music. 

It was when the child friendly festivities were over and Imelda was putting Coco down for bed. Her teeth were brushed, her face was washed, and all that was left for her to do was sing the lullaby her father had written at 8:15 sharp. Coco started singing, and the small guitar sitting on the rocking chair in the corner accompanied her.

Coco laughed and clapped, “Papa sent me a magic guitar!”

Imelda stared at the guitar, slowly nodding, “You know your papa, he wants you to have the very best.”

She tucked her daughter in, kissed her good night, then lifted the toy guitar so she could inspect it for gears. Imelda didn’t find anything, but she decided that they must be there regardless, hidden somehow. It was simply a fancy looking music box, she told herself, that went off by itself after three weeks of lying silent. It meant nothing.

No, that wasn’t true, it meant Hector had tracked down a toy maker and custom ordered a music box for their little girl. That ridiculous man. Didn’t he know Coco would have been happy with a perfectly normal toy guitar? Imelda shook her head, smiling fondly.

When she was done toasting their parent’s memory with her brothers, Imelda changed into her nightgown and laid down to sleep. She thought again of Coco’s “magic” guitar and her heart ached for her husband. It ached so hard that as she fell asleep she could almost swear that she felt a hand stroking her hair, just as Hector sometimes did.

The guitar played Coco’s lullaby the next day, and the day after. Coco was delighted, Imelda was mildly curious about how it worked.

No more letters arrived from Hector. The last gift she got from him was a necklace with Coco’s and his name inscribed on the heart shaped pendant. She wore it every day.

The money he had sent lasted them six months, long enough that Imelda was able to learn how to make shoes and had started doing so before Hector’s money ran out. Her brothers moved in to help her run her new business, they didn’t ask where Hector was, but they eventually did ask about the self playing guitar.

“It’s a music box,” Imelda brushed off the question, “Hector wrote that song for Coco, he must have gotten it custom ordered. Like my necklace.”

Oscar and Felipe had shared a look, a worried frown taking over both their faces. Imelda pretended not to see it, she just focused on the shoe she was making.

The guitar accompanied Coco every night, even when she sang the song a little bit late or early. Most nights, Imelda fell asleep to an invisible hand stroking her hair. She tried not to think about it, she focused on shoes and raising Coco, and tried not to wonder where her husband was.

A year after Hector’s last gift arrived, the radio in her workshop began playing Hector’s songs. Sung by Ernesto.

The first time one of his songs came on the radio, everything in the workshop froze. It was the song Hector had written for their first anniversary, a song that he had never allowed Ernesto to sing.

“It’s not for them Ernesto, it’s not for money,” Hector had said, shaking his head, “It’s for the love of my life, and the many years we will spend together.”

“But Hector-.”

“No,” Hector had stood firm, he always stood firm when it came to songs he’d written for his family, “I’m sorry mi amigo, but this one belongs to Imelda.”

Imelda stared at the radio, Oscar and Felipe did the same. She put down the shoe, and stood to turn it off or perhaps change the channel, but before she had taken a single step towards it, the radio turned off by itself. They could all clearly see the off switch toggle off without anyone touching it. In the ensuing silence you could hear a pin drop, so there was nothing to cover the sound of feet stomping out of the shop and up the stairs. 

A door slammed somewhere else in the house.

“Imelda,” Felipe said.

“I know,” she whispered.

She sat back down, eyes still glued to the radio, and her heart pounding in her ears.

“Oscar, Felipe, I… I need you to run an errand for me,” Imelda eventually said, “the last of the money came from Mexico City, I need you two to go, take Hector’s picture and-. I-if the police there don’t recognize him, he was in Santiago de Queretaro before that.”

“Si Imelda,” they said as one.

“We’ll go pack,” Oscar said.

“We’ll leave on the first train tomorrow morning,” Felipe added.

“Bien,” she heard herself say, slowly nodding.

They left her alone and she sat there holding a half finished shoe for who knows how long before she eventually got back to work. Nothing was confirmed. It could have been… a power surge, perhaps the radio was broken. And the stomping was the pipes banging around. And the hand that stroked her hair every night was her imagination. And the guitar was a music box.

Hector… Hector was probably fine.

Except he wasn’t. A week later she met Oscar and Felipe at the station, they looked at her with mournful eyes and handed her a copy of her husband’s death certificate. The cause of death was listed as curare poisoning. Three days after the toy guitar arrived, Hector was found dead in the street with his suitcase and wallet, but no guitar.

“He… he had a train ticket home,” Oscar said, voice choked up.

Felipe nodded, “He would have been back in time for Coco’s birthday.”

Imelda stared at the sheet of paper and wondered how in the world she was going to explain to Coco that her father was dead.  

“They’re going to send us his personal effects.”

“And somebody to… arrange for the b-body to be moved here. If that’s what we want-?”

“It is.”

“Imelda…”

“We are so sorry.”

She nodded, still staring at the death certificate, “Curare poisoning.”

Her brothers didn’t respond, when she looked up at them they were avoiding her gaze.

“How does somebody… is it a kind of food poisoning?”

“It… no. It’s not something that…”

“They said it doesn’t happen… naturally.”

Something cold settled in her gut. Her husband was poisoned, and left for dead with his wallet but not his guitar. 

And now Ernesto was singing her song on the radio.

“Let’s go home,” Imelda said, she could feel steel crawling up her spine, coating her bones. Her mind whirled with thoughts of violence and grief. She went straight to her workshop and made shoes until it was time to pick Coco up from school. Dinner was thrown together, then eaten, and before she knew it, it was 8:15.

“Coco, mi corazon,” Imelda put a hand on her daughter’s wrist to forestall the inevitable song, “we… need to talk. I need to tell you something, about your father.”

Coco’s face fell. She had stopped asking when her Papá would be home four months after the guitar started playing her song. Imelda hadn’t dared to ask where Coco thought Hector was, Imelda hadn’t dared asking herself where Hector was.

“Where’s Papá?” Coco asked, for what would be the last time.

Imelda swallowed past the lump in her throat, but there was nothing she could do to stop the tears from forming in her eyes, “He… He is not coming home, mija. Your father loved us very much, and he wanted to be here with us, but he… he is with abuelo and abuela now.”

“Are we going to have a funeral for him too?” Coco asked, beginning to sniffle.

“Sí,” Imelda nodded, she would have said more but Coco began sobbing, all Imelda could do was hold her.

Hesitantly at first, then somewhat desperately, the little toy guitar began playing Coco’s lullaby. It didn’t stop there this time, it played every soft song Hector had ever known, one right after another. Coco cried herself to sleep in Imelda’s arms after an hour, but the guitar kept playing until the break of dawn, when it played “Remember Me” one last time, then finally went silent.

Imelda listened to each song, held her daughter, and slowly accepted that her husband was haunting their home.

“Hector, if I can find some way to kill you for dying, I will do so,” she whispered to the room, then when there was no response she continued, “do you have any idea how much we’ve missed you? How much we’re going to-. Hector, you are the love of my life, you can’t just, just-, if you think I’m letting you out of this marriage that easy you have another thing coming!”

She almost, almost heard a chuckle. But it could have been the wind, or an echo from outside.

“Hector, what am I supposed to do?” Imelda squeezed her daughter a little closer, “How am I supposed to raise Coco without a father?”

The rocking chair rocked without anyone touching it.

“Sí, sí, you’re here, but you’re not here Hector,” she frowned at the toy guitar firmly, “you can’t help her with her homework, or run errands while I make dinner. You won’t be there to dance with her at her quinceanera, or walk her down the aisle. You… you’ll be a face on the ofrenda, a hole in the family photo, and a lullaby on a toy guitar. That is not the same thing as being here.”

There was once again, no response, but she didn’t need to see or hear her husband to know he was wearing the same kicked-puppy look he’d worn the first time Coco had gotten sick.

“You never should have left, we could have made do without the money,” Imelda sighed, then said, “I love you Hector, I always will.”

A hand began stroking her hair and she closed her eyes, trying to shut out the tears that fell anyways.

Imelda wasn’t surprised when she got Hector’s things back and his songbook was nowhere to be found. She wasn’t surprised when rumors spread about his fate, and soon the whole town knew he’d been murdered. She wasn’t even surprised when the sheriff showed up at her door and asked if she wanted him to investigate Ernesto.

“I am gathering evidence, anything you can add will be most appreciated,” she’d said, chin raised high.

“What you planning to do?”

“I simply wish to ensure that my husband is remembered well.”

Imelda was surprised by how many people showed up for Hector’s funeral, although she probably shouldn’t have been. Hector was a kind man, a charming one, she was far from the only person who loved him. Still, the crowd that gathered for the modest service was almost overwhelming in its size. The amount of well wishes and offers of help was enough to almost break through her defenses and pull the tears from her eyes.

“The only assistance I require is in gathering proof,” Imelda said, to each person that offered their help, “If you could write down any memory you have of Hector and that man you  think may be relevant, I would like to collect them.”

The memories came, and they kept coming. When they could afford to do so, Oscar or Felipe would travel to the towns Hector had played in, and ask around at the venues Hector had written to her about.

Before Imelda knew it, another year had passed, and the guitar still played Coco’s song every night.

Ernesto’s voice was almost inescapable, it seemed that every other song on the radio was written by Imelda’s late husband. 

The radio in the workshop would change channels the minute Ernesto started singing. It freaked Oscar and Felipe out at first, but they got used to it, at one point Oscar had even asked for a song to be turned up. The radio had obliged, even as Oscar had frozen solid, staring into the distance as he realized what he’d done.

One night, Imelda sat in front of her vanity, brushing her hair out before bed, and when she looked at the window in the mirror, she could see Hector’s silhouette. She couldn’t see his face, but he was turned towards her, doubtlessly staring at her with a soft smile on his face, like he’d done so many nights before.

There was something about it, about this ghost of her husband sitting in the window, likely giving her the same love sick look he always had, that broke her. As she started sobbing the silhouette came closer, then disappeared. A hand stroked her hair until her tears dried. 

She drifted towards her bed and curled up in a little ball under her covers, holding herself as tightly as she could. Arms wrapped themselves around her and out of habit she went to place her hand over his, but there was nothing there for her to hold.

Imelda didn’t sleep that night.

By the third anniversary of his death, she had collected every story of her husband there was to collect. Whenever she wasn’t in her workshop, or taking care of Coco, Imelda was putting the stories in order.

A poster of Ernesto reached Santa Cecilia. He had Hector’s guitar. 

Imelda had to stop the musicos in the square from burning the poster, “I can prove that guitar is Hector’s, let me have this. And if you find any other pictures of Ernesto with my husband’s guitar, send them to me.”

The pictures soon came flooding in as well.

With the evidence compiled, Imelda began checking out law books from the library. The librarian ordered books on copyright law and intellectual property.

One night, at 8:15, Coco sang her lullaby along with the guitar, then stared at the toy.

“Mamá, when you said Pá was with abuelo and abuela… are you sure?”

Imelda hesitated, but eventually said, “Your father loves us very much.”

“He’s not stuck, is he?” Coco asked, brow crinkling in concern.

Imelda hadn’t known for sure how to answer that, but she shook her head and simply said, “No mi corazon, he’s just not ready to leave us.”

Coco accepted this with a little nod, “Good night Mamá, good night Papá.”

Imelda pressed a kiss to her daughter’s hair, stood and walked to her own room, doing her best to keep her steps calm and even. As soon as the door to her bedroom was closed she hissed, “You’re not stuck, right? You’ll be there to meet us when it’s our time, right Hector?”

The room was silent. Imelda waited for something, a sign, a whisper, a miracle, but there was only the faint sound of music coming from outside. She sighed and got ready for bed.

As she drifted off she heard a voice, an achingly familiar voice say, “I will never leave you again.”

It took until a little after the fifth anniversary of her husband’s death for Imelda to feel sure that she had all the evidence she needed, and a thorough enough understanding of the law to keep from getting steamrolled over by Ernesto’s lawyers. Now she just needed to figure out the best way to come forward.

Her confidence flagged. She was just one woman and she had no proof that Ernesto had killed Hector, just that Hector had written all of Ernesto’s songs. And that he wasn’t receiving any credit.

She could surely sue and receive enough money to set her family up for generations to come, but she didn’t want money.

Imelda had never cared about the money her husband’s songs brought in.

Then, it happened. It was a normal day, she was making shoes with her brothers, listening to the radio and keeping half an eye on the clock. Coco would come home from school soon, and Imelda would have to get started on dinner. The radio jumped around, avoiding Ernesto as it always did.

And then, “Remember me…”

It was like the first time the radio had played one of Hector’s songs, but somehow ten times worse. Oscar and Felípe froze, and so did their breath as it hit the air and turned to mist. The only movement Imelda could muster were a few shivers as the temperature in the room plummeted.

She smelled Hector’s cologne, just a quick whiff of it, and she heard a guitar. Not a stolen guitar playing a stolen lullaby over the radio, but one that floated invisible through the house, echoing and rageful and drowning out all other sound.

The radio lifted itself into the air, and then slammed onto the ground, it cracked but played on. So the radio slammed into the ground again and again until it was nothing more than a pile of broken pieces.

The guitar settled, then disappeared, the temperature returned to normal. 

Oscar and Felípe gulped in unison, each as white as a sheet. Imelda, took a few deep breaths, she put down the shoe she had just started and stood.

“Oscar, Felípe, will you go wait for Coco? Take her for ice cream,” Imelda said, and they were nodding, racing for the door before she’d even finished talking.

When they were gone, the room was briefly still, Imelda fought hard to keep her eyes from drifting down to the pile of rubble that had once been her radio.

Invisible arms wrapped around her legs, then she heard Hector weeping.

If she could have touched him, she would have bent down and pulled him into her arms. She would have rubbed his back and kissed his face and told him she loved him. If she could touch him she would have dragged him up to their room and held him until he fell asleep.

But if she could touch him, he wouldn’t be dead, would he?

So all she did was wait. The weeping went on for what felt like hours, and her feet ached by the time the arms wrapped around her legs released her. But she didn’t dare move, standing there and waiting was the only thing she could offer her husband.

When she looked down at her skirt, the lack of tear stains made her want to hit something.

“Hector, go upstairs, go rest. Or whatever it is ghosts do when they’re tired, I will clean up the radio.”

The broom in the corner fell over, Hector had always hated it when Imelda cleaned up after him. It didn’t happen often, if he made a mess he was always sure to clean it up before she got to it, but sometimes even the best of men get sick. Rather pathetically, the broom started trying to drag itself over to the destroyed radio.

It barely moved, Imelda wondered if Hector had tired himself out with all the theatrics.

“Go,” she said firmly, “I will handle this.”

The broom gave up, a kiss lingered against her cheek for a second or two, then she was alone. 

Imelda frowned as she realized she could feel the difference between Hector being in the room and him not being there. The startling thing was that she hadn’t felt the absence of his presence since… well, for a long time. Was he always watching her? 

It wouldn’t be too out of character for Hector to spend all day staring at her, grinning like a damn fool, the thought that he was doing that even now made her heart ache. But he had been such a vibrant man, a man who so enjoyed life and all it had to offer. He hadn’t spent all of his time staring at her, there’d been too much else to hold his interest.

There had been food to eat, and by extension recipes to learn, songs to write, guitar strings to pluck, a daughter to play with, and an endless list of random hobbies to try.

Now, what did her husband have? A wife to watch, a toy guitar to play for the daughter he loved, and a best friend to hate.

When Imelda was done cleaning up the shop, she went upstairs and sat on the edge of her bed.

“Hector, mi amor, are you happy here?”

There was, of course, nothing but silence.

“We love you, we miss you, a-and I wish-, I do not want to let you go. But I love you Hector,” her voice broke and she stared down at her lap, “I-I can’t-. It’s bad enough knowing what was done to you, what was taken, seeing you suffer like this? Por favor, if there is somewhere you can go, if there is an afterlife that will hold some peace for you-.”

The bed shook, and she heard that guitar again. It wasn’t quite as angry as before, rather it strummed out a tango much like the ones they used to dance to.

Next to her ear, rougher than she’d ever heard it in life, her husband’s voice growled, “I will never leave you again.”

Imelda stopped breathing.

The bed stilled. The guitar faded. She took in a shaking breath.

When Coco got home, Imelda sat with her and explained that Ernesto had started singing Coco’s lullaby. Imelda told her that she didn’t want to hear that man singing Hector’s songs anymore, so she would no longer be allowing a radio into the house. 

“From here on out if you want to hear music, you will have to rely on a record player,” Imelda said, sternly.

Coco nodded, “I understand, I don’t want to hear that murderer sing Pá’s songs either.”

“You-, who told you that Ernesto was a murderer?”

“I don’t know,” Coco shrugged, looking up at Imelda with a confused pout, “everybody I guess. Everyone in town knows what happened to Papá, was I not supposed to?”

Imelda sighed, “No, I just- I suppose I wanted to protect you from all that.”

Coco didn’t say anything, she just stared down at the table in between them.

A few months later, word reached their little corner of the world that Ernesto would be starring in a movie. A plan started forming in Imelda’s mind.

She kept up with his interviews as he promoted his movie, taking notes. She also started searching for a lawyer.

One night after everybody else was asleep, she set the law books down on her desk, and set her notes aside. Imelda stood, stretched, and walked to her dresser to pull out her nightgown. As she unbuttoned her dress, the room grew warmer.

Imelda frowned when that guitar came back, she hadn’t heard it in months, and she had assumed it only happened when Hector was feeling emotionally charged.

She shucked the dress and the guitar got louder, she glanced at the mirror and jumped when she saw her husband’s silhouette standing right beside her. Invisible hands began pushing her slip’s straps off her shoulders.

“Ay for god’s sake, you’re dead Hector, I can’t even begin to describe how inappropriate-,” she started to say, but cut off when he kissed her neck. 

She had missed her husband, in many, many, ways.

Imelda sighed, “Why now? It’s been almost six years?”

Her slip fell to the ground and her corset opened by itself. Kisses and love bites continued to make their way up and down her neck. Her linen chemise started opening button by button.

“You’ve figured out how to touch me, have you figured out how to let me touch you?”

The mouth on her neck paused, then grinned, it kept going and the guitar sounded almost teasing. She could just see Hector’s eyes sparking with mischief, and she felt a reflexive smile spread across her face.

The chemise joined her slip and corset on the floor, as did her bloomers. The knee high socks were allowed to stay, she noticed.

Hands gripped her hips and began directing her to the bench at her amour, and she gasped. Hector always had her sit there when there was something very specific he wanted to do to her.

“Hector,” she whispered, “this-. We shouldn’t. None of this should-.”

The back of her knees hit the bench and she sat, invisible hands spread her legs wide and she could almost feel him pressing against her as his mouth reappeared on the tops of her breasts. Her knickers started creeping down her hip and she instinctively lifted herself off the bench long enough for them to be pulled off completely.

She closed her eyes, and let herself forget that her husband was dead. His hands caressed her softly and his mouth sucked on her sweetly, as a guitar plucked out an impassioned love song.

After that night she barely went a day without her husband's caress.

He was becoming stronger, she realized, he touched her more, interacted with the house more, his silhouette appeared in the mirror more. Another month, and she stopped bothering with the record player, whenever she was home the invisible guitar followed her from room to room.

Ernesto’s movie came out, two weeks later the lawyer she had chosen knocked on their door. She invited him in, and swallowed back her amusement as he tried in vain to find the source of the playful song Hector was strumming.

“I can not prove any violent crime, but I can prove that my husband’s songs and guitar were stolen,” Imelda said, after briefly bothering with pleasantries.

“Stolen by who?” the lawyer, Señor Bererra asked.

In answer, Imelda placed the family photo of her husband holding what was at the time a brand new guitar down on the table, followed by some of the letters Hector had sent with song lyrics and dates.

Señor Bererra picked up the photo and stared at it, jaw slowly growing slack, “Is that…?”

“That bastard was my husband’s best friend,” Imelda all but growled, and Hector began playing a war march, “he was at our wedding, he was my daughter’s godfather! Then my husband showed up dead in the street with no guitar, no song book, and all of his valuables. And now, he’s playing my daughter’s lullaby as a tawdry love song!”

Bererra gaped, “I-I think I need further proof. What you’re implying is that-.”

“I know what I’m implying, and I’d be happy to provide whatever proof you need,” Imelda pulled out a folder, “here are the receipts from when we bought that guitar, and correspondents between Hector and the guitar’s maker discussing the design. Oh, did I mention it was custom made for him? Here is a signed letter from the guitar’s maker verifying that he made the guitar for Hector, not Ernesto. Here is a wedding photo with Ernesto, myself, and Hector, here is a photo of Hector and Ernesto preparing for a performance in Mexico City two days before my husband was poisoned. Ah, speaking of which, here is my husband’s death certificate and a signed letter from the coroner verifying he most likely died of curare poison. Anything else?”

Instead of responding, he shuffled through everything, shock giving way to grief. Eventually he put everything down, and sat back in his chair.

“I have all of his albums,” he said, in a quiet voice.

“I would thank you to keep them far away from this house. None of us wish to hear Hector’s songs being sung by that scum.”

He didn’t show any sign of having heard her and for a minute she worried she had chosen poorly. He shook his head, sighed, then started nodding instead. With a resigned look he held his hand out for her file, when she handed it to him he immediately began flipping through it.

Imelda waited. Before long, Hector began playing random melodies, and plucking out experimental new songs.

Finally, Señor Bererra put everything back, closed the file, and pushed it back towards her, “You are right, you won’t be able to prove Ernesto de La Cruz killed your husband, not with his team of lawyers. However, you have enough here to end his career if it were to come to light, you and your daughter will be set for life.”

“We are already taken care of,” Imelda waved his words off, “I want my husband to be remembered as the artist he was, I want the entire world to know that he wrote those songs, that he was the genius behind Ernesto’s success. And if I have to burn everything Ernesto has built for himself to the ground in order to make that happen, well! I will consider that a perk.”

He pursed his lips, “Coming forward with this information would be extremely risky, for you and your daughter.”

The guitar music abruptly stopped.

“I am not afraid of Ernesto. That vapid-.”

“It is not Ernesto de la Cruz I am speaking of, although I think it bears mentioning that we have reason to believe he has already killed once for success. It is his fans. They will not accept this easily, some will accuse you of lying, they may come after you and your family in a misguided attempt to protect their idol.”

Imelda drummed her fingers on the table. She hadn’t considered that.

Hector plucked out a nervous melody, he had never been one for caution, not until Coco was born. Even then, while he had staunchly guarded their daughter from every swinging cabinet door and potentially dirty fly, he hadn’t bothered exercising the same care when she was out of his arms. But Imelda recognized his plea for caution in the song.

“I will talk to the sheriff,” she decided, “see what protections he can offer us.”

And she would abandon some of the flashier plans she had made. Much as she would love to grind Ernesto under her heel, she would not allow any harm to come to her little girl. As long as people knew the truth about Ernesto and Hector, that would be enough.

“Ah, sí, that is an excellent idea,” Señor Bererra agreed, “in the meantime, we should have copies made of all this. And I will begin drafting some letters for some friends of mine. This will be quite the undertaking, I will most likely need help.”

“Very well,” she nodded, “is there anything else you need from me?”

The meeting went by swiftly after that, Señor Bererra explained what she might expect to happen next, what letters he would be writing, what judges and agencies he would be contacting. All that. She offered him one of the guest rooms, since he had come all the way from the city, and he accepted.

At dinner that night he seemed quite charmed by Coco’s questions about his job, and increasingly confused by the guitar music that followed Imelda in and out of the room.

He didn’t ask, not at dinner, and not in the morning on his way to the train station. 

Imelda spoke to the sheriff and he offered to round up volunteers to guard her house when the news broke, she accepted, despite her pride. She had her daughter to think of, after all. 

By the time Señor Bererra returned with his secretary to make copies and take pictures of the evidence, the towns’ musicos had formed a militia they were calling the Hector Riveria Revenge Patrol. Hector was quite touched.

Then, things started happening very quickly.

Señor Bererra got in touch with somebody in the government who did something concerning copyright.

News broke two weeks later that Ernesto was being investigated for multiple copyright violations. 

A reporter came to town and asked around the square about Ernesto, and Hector. Somebody, Imelda didn’t know who, spilled the whole story, suspected murder and all.

The story hit the front page of multiple newspapers, mere days after it became known that Ernesto had another movie in the works.

More reporters came.

Then the fanatics arrived. Imelda had expected yelling, anger, even violence. She hadn’t expected a group of fans to camp out in the streets outside their home with a record player and every single one of Ernesto’s albums. Señor Bererra advised her that throwing shoes at them might hurt her case.

Hector did his best to drown them out, but the anger and pain in his songs hurt just a little more than the sound of Ernesto singing Hector’s wedding vows.

After two weeks of those bastards camping outside, Imelda stepped out of the house to do the grocery shopping, only to be met by wolf whistles and drunken offers. 

“Oh terrific,” she grumbled, eyeing the pile of yelling morons leaning on the house across the street, “somebody gave them tequila.”

“Ay mamacita,” a red faced man hollered, trying and failing to get to his feet, “how’s about you let me give you a reason to remeeeemmmber meeeee.”

A barrage of drunken giggles and guffaws followed his attempts to sing Coco’s lullaby, and they only grew louder when the man finally got to his feet, managing to dance with all the grace of a lame rocking horse.

Hector started playing louder, and the wind picked up.

When the man was swaying in front of the record player, he let out a startled shout, then fell onto the table holding the record player, smashing it.

The guffaws turned to angry shouts.

“Who pushed me?!” The man shouted.

“My record player!” One of his compatriots, presumably the one who owned the now obliterated record player, gasped.

“Hey! That record was limited edition," yelled another.

“Aw the music,” the fourth man lamented, then took another swig from the bottle in his hand.

“I mean it, which one of you assholes pushed me?” 

“Nobody pushed you, you moron, you fell and smashed my record player!”

“No, no, somebody pushed me! I felt it.”

“Do you have any idea how much that record cost me?”

“That record-?! Do you have any idea how much the record player cost me?!”

“I know one of you assholes pushed me, now fess up or I’ll-.”

“Or you’ll what?! Break my record player?”

“And my record!”

“Hey lady, do you have a record player we can borrow,” the fourth man called out to her, over the arguing.

“Would you forget about your damn record for a second?!”

“It was limited edition!”

“You know what?!” the first man pushed both of his companions, “There! See how you fucking like- oof.”

Predictably, the three men stumbled their way through a drunken brawl, while the fourth grumbled and scooted away from them. Meanwhile, one by one, all of the records they brought started floating up and smashing themselves against the side of the building they’d been sitting against. By the time the sheriff arrived to break up the fighting, there was only one album still intact.

The sheriff “accidentally” stomped on it as he dragged one of the men off the others.

Hector’s chuckle echoed down the street.

Imelda spent her time in the market racking her brain for a single instance where Hector had followed her out of the house. She had only ever felt his presence in their home, she had assumed he couldn’t leave it. But now the faint sound of Hector’s guitar followed her as she ran her errands.

There were more fanatics, most weren’t calculating enough to actually reach Imelda, usually she only found out about these fans when she had company over and the men would boast about how they’d ran this fan or that out of town. One memorable exception was a young woman with a sweet smile, and a mean right hook. She managed to sneak past the musicos and the Hector Riviera Revenge Patrol to knock on Imelda’s door. 

As soon as Imelda opened the door the young woman attacked her, fortunately, Imelda had been holding a shoe at the time and had no qualms with using it.

She’d sported a shiner for the next week, anyone who saw it reacted with either sympathy or awe.

Mostly awe.

Things only got worse after Imelda traveled to the city to tell a judge her story. The courthouse had been surrounded by reporters and fans alike, and she was encouraged to play up her grief for her husband as the cameras flashed. The courtroom itself was empty with the exception of her, the judge, the stenographer, and the lawyers. She was offered a truly obscene amount of money to drop the case.

“Exactly how much money do you think I’d need to convince death to give my husband back?” she had asked the opposing lawyers with narrowed eyes, “I will accept no less.”

They hadn’t responded, and she had turned away from them in disgust.

The judge accidentally let slip to the press that after hearing her testimony he felt the case was all but over. The fans who rolled into town started seeming a bit desperate. Somebody painted threats on the side of her house. A few rocks were thrown through her window. A young couple were caught in the act of trying to burn down the house.

A few months into this pandemonium, Imelda stepped out of her house to head to a meeting with the sheriff and almost tripped over a young man holding a guitar. The boy had been lying on her stoop but immediately got to his feet, stuttering apologies as he did. Imelda examined him closely.

He didn’t look like any of the musicos from town.

“Who are you? What do you want? If this is about de La Cruz my lawyer has advised me-.”

“No! Well, yes, but also no-. I uh, I don’t really,” he shrugged, “I-I guess I just want to um p-pay respects? Or um apologize? I don’t know. I just um wanted to acknowledge, you know, how not great what you’ve been through is?”

Imelda frowned at him suspiciously.

He shuffled his feet and shrugged again, “I know you’ve probably had a lot of Ernesto fans knocking at your door, I read about that stuff in the news sometimes, b-but-. Well, maybe somebody else has come to offer their condolences, I mean, I hope other people have. B-but as an ex Ernesto fan, I-I feel like I should be one of them?”

“Ah,” Imelda said, not sure how to take this, “I am headed to the sheriff, do you know your way to the cemetery?”

“No?”

“Come, I will give you directions, you can pay your respects there,” she started walking, not bothering to check if he kept up with her. After a few beats he appeared in her preferary, so she launched into her explanation on how to get to Hector’s grave.

The boy hared off as soon as she was done, but reappeared outside her door as the sun fell, nervously strumming on his guitar.

“You’re back,” she informed him, through the window above his head.

He glanced up at her, then nodded, “I’ve been a traveling musician for a while, I don’t really know where else to go.”

“The inn.”

He grimaced sheepishly, “I’d need money for that.”

“Then take your guitar to the town square and make some.”

“I uh I can’t.”

“Why not?”

“Well… the only songs I know are- are your husbands.”

“Ah.” Imelda opened the window so she could stare at him.

“It doesn’t feel right, y’know? Singing his songs,” the boy told her, “not after what happened to him.”

Imelda sighed, leaning crossed arms on the window sill and staring up at the stars, “What do you want? My permission?”

The boy took a couple beats to think about it, “No, I think even if he came back from the dead and gave me permission it still wouldn’t feel right. It- I- His ability to sing his own songs was stolen from him, I-I could never-.”

He cut himself off and sighed, heavily.

Hector played a sad melody that echoed into the street. After a few beats, the boy strummed along, then trailed off.

“I don’t know what to do now,” he whispered.

“I know the feeling,” Imelda quietly admitted. It was easier, somehow, to be honest with this stranger than it was to be honest with her well-wishing neighbors.

The boy looked up at her, eyes shining with sympathy.

“My husband and I used to sing and dance together on nights like this,” she closed her eyes and listened to her husband’s ghost play a song of tragedy, “I still love music, I still love dancing, but to do it without him? What would be the point? It would never hold the same joy as it did when he was alive.”

“So you’ve just stopped dancing?”

“I… I have found other sources of joy,” she said, “other things that keep me going. Like my daughter, or the shoes I make, even the fight to ensure my husband is given the credit he is due. I do not dance any more, but then again, I didn’t use to know the pride to be found in a well made pair of shoes.”

The boy nodded, slowly, eyes growing distant. He looked down at the guitar in his hands, strummed out a few chords, then sighed and leaned his head back against the wall of her house.

“Your husband was a genius-,” he started to say, but was cut off when Imelda broke out laughing.

Hector briefly stopped playing, then when he started again the song was at once playful and angry.

“Sorry, sorry, I-, sí, of course he was incredibly talented, he had a real gift,” she got herself under control, “b-but he also was an idiot. A complete fool.”

“What? Really?”

“Sí, first and foremost, he could have had any woman in town, but he chose the most difficult one he could find,” Imelda said, with a wry smile, “then there was his complete inability to make breakfast, he could make lunch and dinner just fine, but breakfast? If it was before that first cup of coffee it was beyond him. He was terrible at mopping, somehow, but always insisted that if he tried one more time he’d get the hang of it. And he always had way too much faith in people, the poor fool thought everybody in the world was as good hearted as he was.”

The boy gave her a few beats of silence, a chance to say more, then said, “He sounds pretty great.”

She took a deep breath to keep from crying, “I could talk about him all day, and only ever cover half of what made that idiot the love of my life.”

“I’m sorry he’s gone.”

Imelda didn’t respond, all too aware of the love song Hector had started playing.

Eventually, she gave the boy some food, and enough money to pay for a night at the inn. The kid hung around a month or two, joining the musicos in the square, only ever playing accompaniment. He helped to run a few of the more stubborn fans out of town, and last Imelda saw of him he was following some doe eyed girl to the train station, carrying both of their suitcases.

He was not the last of Ernesto’s ex fans to come give their condolences. Soon, there were as many well wishers running around town as there were enraged fanatics. Imelda never let any of them into her home, but she did agree to a memorial being set up for Hector in the town square.

Hector’s songs stopped sounding so sad.

Finally, there came the vultures in their fine suits. Lawyers who promised to get her three times the cash el Señor Bererra could, talent agents offering up a career with the stars if she sang Hector’s songs, even a few fellows with cameras who wanted to make a documentary about her situation.

After consulting her lawyer, Imelda sent each of them packing, but kept the contact information of the most earnest seeming documentarian.

“My only wish is for my husband to be remembered, for him to have the credit he is due,” she told him as she accepted his business card, “I don’t want any of this attention, but perhaps, when the court case is over, you might tell his story.”

“I would be honored,” the starry eyed young man had said, almost breathlessly.

When he was gone and the door was closed, Imelda remarked to Hector, “Hope that boy was just playing innocent, they’ll tear him to shreds in that business if he’s actually that naive.”

Hector chuckled, playing something light.

“Would you want your story told? They’d put it on the silver screen, you’d be even more famous than you are now,” she asked, walking towards the kitchen.

The guitar trailed off and she felt a sigh brush the back of her neck, a ragged voice next to her ear said, “I only want to come home.”

She stopped walking, staring straight ahead. She tried to swallow the emotion rising in her throat, then took a deep breath and continued on with her chores. The guitar picked back up, playing a song of longing.

Slowly, things started to wind down. The money from the various lawsuits started to trickle in, and just to make a point, Imelda donated most of it. As far as she cared, the day was won as soon as the world learned the truth, she never wanted the money. She wanted her husband, alive and whole, and if she couldn’t have him, she wasn’t about to accept Ernesto’s blood money as a substitute.

The well wishers and mourners now outnumbered the enraged fans.

Hector followed her wherever she went.

Coco started trying to learn how to play the guitar.

And somehow, Imelda felt that things weren’t quite over, that it wasn’t safe to let her guard down. So, she always answered the door with a shoe in hand, even though every time she opened it she was met with a friendly face.

Imelda thought perhaps she would finally have closure when she got Hector’s guitar back. Yet, even once it was sitting on their family’s ofrenda, surrounded by wedding and family portraits, there was still this nagging feeling that things weren’t over.

She wasn’t done, there was still more to do.

One night, a week after the last of Ernesto’s blood money had been donated, Imelda sat at her kitchen table. Her hands were cupped around some cinnamon tea that had long since gone cold. She was still, but her thoughts raced.

When they reached the finish line, she all but deflated.

“You need to move on,” she told the gently strumming guitar that had been trying to soothe her all night, “please Hector, I need to know you’ve found peace.”

His voice was quiet, but the kitchen shook from the emotion it held, “I will never leave you again.”

“Trust me, I am aware,” she huffed, being very careful not to shout and wake the whole house, “there will never be a day that goes by where I won’t miss you. But I’m not asking you to leave, not forever. I am asking you to move on, to go… I don’t know, wait for us at the pearly gates. Visit us on the day of the dead, and play Coco’s lullaby in heaven every night, but stop-. Hector, please, stop punishing yourself.”

As soon as those words were out of her mouth, Imelda knew what was left to do.

The air was still, the guitar silent. She could feel him, however, like a thick blanket on her shoulders, like a warm hand in hers, like a vow on their wedding day. She could feel him standing taut, every intangible muscle in his body tensed for action.

Imelda closed her eyes and prepared herself to lose him, to truly be without him.

“I forgive you, Hector,” she whispered, “I forgive you for leaving, I forgive you for dying, I forgive you for not being here. You can stop atoning now. You can rest.”

Like a cut guitar spring, the tension snapped and the heavy warmth lifted from her shoulders. She held her breath, waiting for the guitar to pick back up.

It didn’t.

“Hector?”

There wasn’t so much as a single note.

Imelda’s breaths sounded like thunder in the empty kitchen. One of them shook, then the next one came out sounding like a whimper. She buried her face in her hands and sobbed. No invisible hand stroked her hair, there was no mournful melody to assure her she wasn’t grieving alone, it was just her, crying as quietly as she could in the empty room.

When she heard the creak of a floor board, she cut herself off mid sob. Holding her breath, she listened as quiet footsteps approached the kitchen, coming from the foyer where the stairs up to the bedrooms were. Swallowing a curse she took out her handkerchief and did her best to clean her face.

The footsteps were too heavy to be Coco’s and the only other people in the house were Imelda’s brothers, so when somebody pushed the kitchen door open behind her, she said, “Sorry hermano, I didn’t wake you, did I?”

But it wasn’t one of her brothers who responded.

“Oh no Imelda, you didn’t wake me,” a deep, smooth voice replied, “I’ve been up for hours. Drove all through the night to get here, in fact.”

Imelda gasped, standing from her chair and turning, “Ernesto?!”

He closed the door behind him, and smiled at her cooly, simmering rage lighting his bloodshot eyes. Ernesto’s hair was not quite perfect, his suit almost wrinkled, his stubble just a tiny bit more visible than was considered decent. By his standards, he was an absolute mess.

“Hola Imelda, how have you been,” he said, as casual as you please, despite the revolver held in his right hand, “I myself, I haven’t been well. You see, I’ve lost everything thanks to-.”

It took a few seconds for her brain to register what she was seeing, who was in her kitchen, then it clicked and without thinking, she took the chair and hit him with it.

“You’ve lost everything?!” She yelled as he staggered back, no longer caring if she woke the rest of the house, “You’ve lost everything? Hector has lost his life! I have lost my husband! My daughter has lost her father! All because you couldn’t write your own damn songs.”

He tried to speak, but she hit him with the chair again.

“Was it worth it? Was all the fortune and fame worth killing your best friend?!”

“It was,” he raised the revolver before she could hit him again, and although she snarled, still enraged, she stopped.

The last thing she wanted was for Coco to lose both of her parents.

“Well, good for you then,” she sneered, “so glad my husband’s death was so profitable for you.”

Ernesto glared, cocking the gun, “I worked hard to get where I was-.”

“Worked hard! Hah! Oh what?! Did your hand get tired stirring the poison in Hector’s drink?”

“Shut up,” he hissed.

But Imelda shook her head, “This isn’t one of your movies Ernesto, I’m not following your script. You killed my husband-.”

“You can’t prove that.”

“I don’t have to,” she smirked, “you wouldn’t be here threatening me if I did.”

“I suppose you’re right,” he sighed, “you didn’t need to prove it to ruin my life, which is why I’m not here to threaten you.”

“Then what do you want?” she snapped, putting the chair down so she could put her hands on her hips.

“You know what the most painful part has been?”

“The feeling of the devil clawing at your soul?”

“What all this has done to my legacy,” he ignored her, apparently determined to get through whatever monologue he’d prepared for her, “I was going to be remembered as one of the greatest artists who ever lived, people would have worshiped me for the next hundred years, I was going to go down in history. But now? Now you have taken my legacy and turned it into ash to spread on Hector’s grave.”

“Hector shouldn’t even be in a grave,” Imelda said, through gritted teeth. If she wasn’t a mother, if she didn’t have Coco to think of, she would hit him with the chair again.

“And yet, he is. What good does it do to take my success and give it to him? He has no use for fame and fortune,” Ernesto chuckled a little and she snarled almost against her will, “even when he was alive, all this meant nothing to him. For whatever reason, all he wanted was you.”

“Did you ever stop to think that he would have let you sing his songs if you gave proper credit? That you could have had your fame and fortune, and he could have come home safe and sound?” Imelda interjected, she didn’t want to listen to this monster’s practiced speech, she wanted to know how he lived with himself, “Did you even try to negotiate, or did you skip straight to murder?”

Ernesto sighed, “I wanted to sing to the world, he wanted you. Since you have taken my dream from me, it is only fair that I take his.”

“You’ve already taken his dream, you killed him, remember?” she shook her head, making a sound of disgust, “All he wanted was to come home and you stabbed him in the back for it. You understand that, don’t you?”

“Imelda, do you understand I am pointing a loaded gun at you?”

“Sí, it’s the only thing stopping me from beating you to death with a chair.”

“I’m here to kill you Imelda,” he took a step towards her, “you have killed my dream for Hector’s sake, so now I am killing Hector’s dream.”

“You’re going to kill me?”

“Sì.”

“No matter what I do?”

He nodded, and started to speak, but didn’t get the words out before she had raised the chair once more and knocked him back a few steps. The anger was still there, but now she was fueled just as much by fear, fear that if she hesitated Coco would be left an orphan by the night’s end.

Ernesto tried to point the gun at her, but she knocked his arm away even as he pulled the trigger. The sound of the bullet leaving the chamber was deafening, but Imelda didn’t dare let it cow her. She swung the chair again, forcing him to jump back in order to avoid it. 

He raised the revolver again, and pulled back the hammer. She raised the chair for another blow, stepping towards him, but knew there was no way she’d beat his trigger finger.

The kitchen started to shake just as the second bullet whistled past her ear.

Imelda almost didn’t hear the guitar music over the sound of her own heartbeat. She had to put the chair down again so she could use it to steady herself as Ernesto was thrown to the floor.

The revolver flew out of his hand and across the room.

“What in the-?!” he started to say, then cut off when he apparently recognized the melody playing.

Imelda had never thought Coco’s lullaby could sound so haunting.

“Remember me,” Hector’s voice echoed low, multiplied and layered on top of itself, at once a guttural growl and a choir of  hissed whispers, “and prepare to say goodbye.”

“H-Hector?” Ernesto tried to right himself, only to get slammed back onto the floor.

“Remember me. You owe me for your life.”

Ernesto struggled against whatever force was holding him down as the shaking settled and the air froze, “Hector, what-?.”

“You tried to send me to heaven,” Hector sang, “but now you’ll burn in hell.”

Ernesto was lifted from the floor and pinned to the cabinets instead. 

“You killed me for my daughter’s song,” slowly, Hector appeared above Ernesto, face colder than it had ever been in life, his feet didn’t quite touch the floor, “I hope it served you well.”

The gun dragged itself back into Ernesto’s hand and he struggled against it as it raised itself to his temple, “How-?! What-?! No. No!”

“Remember me. The blood you spilt got you far,” Hector sneered, “Remember me. My stopped heart got you where you are.”

“Hector, I’m-. Please, I’m sorry, Hector please!”

“No, don’t try to beg! When you took everything from me,” Hector shook his head, fists clenched, “I’ll let you have one last breath to…”

Hector trailed off, the guitar plucking out a crescendo while a mismatched beat underscored the whispered echoes of his latest refrain.

“Remember me,” Hector commanded, disappearing from sight even as the hammer pulled itself away from the barrel.

As the guitar finished with an angry flourish, Imelda realized that mismatched beat was not accompinate like she’d assumed, but footsteps. The kitchen door slammed open and people spilled into the room. 

Imelda didn’t look at them, she couldn’t take her eyes off Ernesto as tears spilled down his cheeks. With the gun still jammed between his hand and his temple, the trigger twitched away from the barrel.

“No!” It wasn’t just one voice, but several. All combined the shouts were almost enough. But they couldn’t quite drown out the gunshot.

Ernesto’s body collapsed back onto the kitchen floor.

Imelda felt Hector’s presence slip away.

“Imelda,” one of her brothers, she didn’t bother to check which one, shouted as they pulled her into an embrace, “thank god, when we heard the gunshots-. The door, it wouldn’t open and-, and-, oh thank god you’re ok.”

“Señora Riviera,” the sheriff put a hand on her shoulder, “are you alright, did he hurt you?”

“He tried to kill me,” she said, faintly.

Several people gasped, and there was a great deal of shouting. A few people surrounded the body, blocking it from her view. She blinked, the world suddenly coming back into focus.

“Coco? Where is she, is she ok?” Imelda asked, raising her voice to be heard over the noise.

“She’s with Oscar,” Felípe told her, only half letting her go, “come on, I’ll take you to her, before she comes racing in here and sees-. I’ll take you to her.”

Imelda allowed herself to be led away, the last thing she wanted now was for Coco to see a dead body in their kitchen. The sheriff called out a promise to take care of things behind her, and she turned to give him a polite thank you, but he was already bent over Ernesto’s body.

Felípe took her to the workshop, where she could hear a soothing melody playing on an invisible guitar. Inwardly, she sighed and wondered if she would ever convince Hector to move on after this.

When she stepped through the workshop door, Coco looked up and shouted, “Má!”

“Mija!”

They ran into each other’s arms and squeezed tight, Coco started crying. Imelda did her best to soothe her even as it started to sink in that she almost lost her life. Her daughter was almost orphaned. Then what would have happened to her?

Imelda shoved those thoughts away and focused on her little girl. She let the sheriff do as he promised and spent what was left of the night hugging Coco close.

When Coco was eventually asleep, and Imelda was alone with an invisible guitar, she drifted off. The transition from waking to dreaming was almost seamless. Almost.

“Ah, you’ve learned a new trick,” she remarked hollowly, even in her dream, she felt boneless, exhausted. She couldn’t stop picturing Coco in her funeral garb.

They were dancing, her in her wedding dress, him in his musico suit. He’d saved up and got a real suit for the wedding, a modest suit, but one meant for formal occasions rather than preforming; it had met an unfortunate accident shortly after arriving from the tailors. In hindsight, Imelda wondered if the accident had anything to do with the fact that Hector had lived with Ernesto at the time, Ernesto had never wanted Hector to settle down.

In real life, her family’s courtyard had been full to the brim with people. Here in her dream, it was just them. Cheek to cheek.

“Sorry I wasn’t there,” Hector’s voice only sounded a little muffled, a little distant, “I-I was saying goodbye to Coco.”

Imelda blinked a few times, before the words made sense, “So, you’re moving on?”

“Uh, sí, eventually. I uh, I have to wait until the day of the dead,” he smiled sheepishly, she couldn’t see the smile, but she felt it pressed against her face and knew exactly what it looked like, “it-. I will need-. Leaving won’t be easy.”

Imelda nodded, then pulled back so she could see him, she drank his face in but couldn’t manage anything else, it took almost everything she had in her just to whisper, “I will miss you.”

“I will visit, every year, I promise,” he held her tighter, but the sensation was muffled, “although not like this. I-I don’t have any unfinished business anymore. Once I move on-.”

He cut himself off, but Imelda’s tired mind eventually churned out what he’d left unsaid. Hector would be at peace, but that meant she would lose him. For real this time. She swallowed back the urge to rescind her forgiveness, to come up with some other reason why he should keep haunting them. He could touch her sometimes, and talk to her in her dreams, and play his guitar. It was almost, almost, like he was alive.

But she loved him too much to keep him, “Promise me you’ll be happy. Wherever you go when…”

“I will be as happy as a man can be when he is separated from the love of his life, and his daughter.”

Imelda nodded, closing her eyes, resting her chin back on his shoulder, “Good enough.”

“And I will wait for you,” Hector said, “at the gates. However long you take, however long we are apart, I will wait for you, mí amor.”

They spent the rest of her dream dancing in silence, tears mingling on their joined cheeks.

The last month didn’t last near long enough. Hector managed to appear to her four more times, but never as solidly as he had on that night; he appeared to Coco once, to give his final goodbye, but Imelda didn’t find out about that until days after it happened.

It ended on the Day of the Dead. Imelda allowed Coco to stay up all night, and they danced along to the invisible guitar that followed Imelda wherever she went. Eventually, Coco could barely keep her eyes open, but stubbornly persevered through the night. Finally the toy guitar Hector had gifted Coco plucked out Coco’s lullaby, the last few notes seeming to echo through the room as the sun rose. 

Then it fell silent.

[mirrorofliterature]

new coco canon divergence idea:

rosita to imelda in the LOTD, circa 1980s: I think you may benefit from therapy, my friends says it really helps!

imelda goes to therapy because she's curious + willing to go along with rosita's suggestion to make her happy.

therapist: so a lot of your issues seem to stem from your husband. maybe talking through these things with him will help?

imelda: no, I'm good :) I don't care about him anymore :) he means nothing to me :) :) ;)

therapist: *looks at music ban* of course, imelda

imelda finally decides to try this out because hey, therapy is a controlled environment and she still has stuffTM to say to héctor because the 1920s Was Not A Good Time for single mothers

therapist, to héctor who has come because reconciling with his wife is #goals: please be civil to each other

imelda: why did you never come back???

[subtext: why did you leave me? why did you leave COCO? were we never enough? these things have haunted imelda for decades, festering hurt under her outward hatred]

héctor, confused: I was dead???

chaos ensues

[pencopanko]

An old sketch from 2019; in which I had this idea of post-canon Miguel dying of old age (sorta, he was around 70 when he passed), but due to the events of 2017 La Muerte decided to give Miguel the ability to return to the Land Of The Living as his younger self but as a human "alebrije", tasked to become a guide to spirits who cannot cross over to the Land Of The Dead. He can only be seen by lost souls and their families, taking the shape of his younger self in the Land Of The Living.

This AU was heavily inspired by GeGeGe No Kitarou, one of my favourite Japanese medias growing up as well as Mononoke and my general love for stories on guiding lost spirits.

[gamerbearmira]

Coco inspired Encanto AU, but instead of music, it's colors. Alma believes that is that night they had worn more muted colors, neutrals even, they would've blended in better and they wouldn't have been caught and Pedro would still be alive.

I think maybe the outer skirts of the village have more color, but the closer you get to Casita, the less colors are present in the homes and surroundings. I wanna say it's affected to the point where if you look hard enough, the grass lining Castita has a greyish green hue.

Mirabel secretly wears colors. She has a double sided skirt, and the underside/second side of her skirt is filled with color embroidery, and at night, she flips it around. And just. Either works on it or spins around.

Irrational thinking at its finest

This is one of many ideas that I refuse to bombard y'all wit

Alma when she sees color:

[dragoneyes618]

I keep thinking of an AU where Imelda died only a couple of months or years after Héctor did. So all that's left is Oscar and Felipe and Coco, and the twins aren't able to take care of Coco. They want to, but they're, like, teenagers, and there's no other family to help them. They don't have much money; they don't have steady jobs, only being hired by whoever needs any odd jobs done around town, or maybe they do but it doesn't pay enough. They don't know how to make shoes as well as Imelda did, they're not earning enough.

Now, the twins themselves would be fine. They can rent a room or live out of the inn or something. But they can't have that for Coco.

Coco needs a home. She needs proper nourishing food, she needs to have a place to live that won't keep changing all around town every couple of months, she needs toys and clothes, she needs people who'll be able to devote all their attention to her like her parents did. The twins aren't able to give her any of this, not at the moment with things as they are.

So they ask Ernesto care for her.

Sure, they haven't seen Ernesto ever since Héctor ran off on them a couple years ago, but he was Héctor's best friend, he knows Coco, he used to babysit her sometimes. Ernesto's not as famous yet as he will someday be, but he's pretty well known, so it's easy for the twins to track him down, and he has plenty of money, enough to easily afford to take care of a child, or hire caretakers, or whichever he does. Coco will always have enough to eat, a safe place to live, with someone familiar. It's not the same as her parents, of course, but it's the best they can do. They figure Ernesto will be able to care for her until they earn & save enough money to get on their feet and properly raise their niece. Hopefully it won't take too long.

Ernesto agrees to take Coco in. Not that he wants to, but of course his reputation is very important to him, and it'd look bad if he refused to care for his missing best friend's orphaned daughter. 

I haven't figured out yet if he ends up doting on her like a daughter because he feels guilty about Héctor, or if he avoids her as much as possible because she reminds him of Héctor, or if he's cruel to her because he's still angry at Héctor for leaving him (twice - the second time when he decided to go home, the first time when he married Imelda) or what.

On the plus side, at least Imelda and Héctor get to reconcile in death. Since Imelda died so soon after Héctor, maybe she was still holding out hope that he'd come home at the time, thinking he was sick or his letters had been mislaid or whatever she must have been thinking in canon when his letters first stopped. And she wouldn't have so many years of bitterness against him for leaving. So when she encounters him in the Land of the Dead she figures that some tragic accident must have befallen him on the road and Ernesto for some reason never told her (as opposed to in canon where when she saw Héctor after she died she probably thought he'd died twenty or thirty years after he'd left her and Coco or something).

[stardustpinkart]

Coco "Thumbelina AU!". This is based on the Don Bluth version, but I will make some refs to lesser known or diffrent versions here and there :)

This is just a colour character model sheet, in time I hope to put some scene redraws up.

Hector is just a happy tiny little person, still loves to dance and music. But he is a lil lonely becuase he seems to be the only little person in the world... Untill meeting Princess Imelda of the fairies.

Unfortunatley for the lovestruck couple, the wicked Ernesto has his eye on the talented musico too. And not just for his music...

[indoraptorgirlwind]

ANT-MAN COCO AU PART 1

(Notes: yes, i know these characters are not related but i wanted to do a twist for this au)

Peter Parker narrating*

"Sometimes, i think i'm cursed, because of something that happened long before i was born. See, many years ago, there was this dad who was a superhero. He had a whole team with his family. But he also had a dream. To rescue the world and sing. He went to use his abilities on another place, but never returned. And the mama... she didn't have time to cry over that walk away superhero. After banishing all superhero related things from her life, she made her income by making shoes. You know, she could have make candy, fireworks or even those cool luchador suits!. But she had to choose shoes! Then she taught her daughter to make shoes, and then to her son-in-law, and the tradition kept by generations. Superheroes had torn her family away, but shoes held them all together, even after she passed away. That woman was my great great grandmother, mama Hope. She died long before i was born but my family tells their story on every day of the dead. And her little daughter is my great grandma, mama Cassie. She doesn't remember things so well, but i still love her! My family may be shoemakers but i...am not like them! I know i shouldn't like superheroes, but its not my fault! It's his! Darren Cross! The greatest superhero of all times! When he brought his shrinking and grow abilities to the world, people fell in love with him. He had movies, discs, he could even fly! He had a lot of abilities! Until one day he got crushed by a giant bell...I wanna be just like him!" *Peter gets interrupted by a random superhero on the plaza that was having his shoes fixed by Peter, snapping him back to reality*

"Calm down kid, i asked for a shoeshine, not the story of your life!"

After Peter got some advices from the superhero, his abuelita Yelena suddenly appeared, menacing the superhero with a chancla, scaring him away. After she got Peter scolded by going to the plaza which was filled with superheroes, she taught him the importance of altars on the day of the dead. Peter heard about the superhero suit contest, so he decided to participate on it. The problem was to figure out a way without being noticed by his family. Peter didn't realize he was being followed by Cosmo, a street dog that tried to eat the food from the ofrenda. When Peter got her away, the photo of mama Hope fell, and when he was worrying because the glass broke... he realized... the photo had a man without head, because it was ripped from the photo... then he noticed something curious... His suit was just like Darren Cross' suit! Peter got so excited and grabbed the photo and climbed the ceiling, anouncing his family that he wanted to become a superhero because Darren Cross was his great great grandfather. However, when mama Yelena saw this, and found superhero related stuff he had hidden alongside a spider-like suit he had created, she scolded him by telling him how much of a terrible father he was, ripping Peter's suit. This act made Peter flee from home, between tears. He went straight to the superhero contest, but because he had no suit anymore, he tried to steal Cross' suit for a moment, and when he wore it and set the helmet on...something happened....When the people entered to see what was going on, Peter thought he was in trouble, but he got even more scared when the people didn't see him and even pass through him! Just when he thought that what was happening was scary enough, after falling to a tomb and being rescued by a lady, he panicked away when he saw that she was a skeleton! And there were more of them through all the cementery!

Peter was very scared to say the least, but then suddenly, he bumped into an old man. Despite his fear, he apologized

"Are you okay sir?" He asked. Suddenly, the man revealed to be papa Harley

"Peter, is that you? You're here here?!" His voice caught more relatives attention, such as tia Kate and tia Natasha! Then suddenly, a man and a woman ran together at his dead family, they were tia Wanda and Tio Pietro! They looked worried...

"it's mama Hope!" Wanda said

"she couldn't cross!" Pietro continued

They also freaked out when they saw Peter, but the family was decided to take him with mama Hope to see if she could fix things up. Peter was truly astonished by what he was seeing. There was a huge marigold bridge and just beyond it, a huge town with an undescriptable beauty and colors, happiness and alebrijes! It was all just so magnificient. Then in some guard station, Peter saw that there was a guy trying to cross the bridge, but getting caught by some guys. Pretty sad for those who didn't have a photo on their ofrenda... When they arrived at an office, there was Hope, hitting a computer with her shoe. She was also weirdened out by Peter's presence, but she was more annoyed than scared.

When the clerk explained them that Peter got cursed by stealing something from an ofrenda, they discovered it was the ant-man suit Peter wore. This got Hope even more upset, as Peter broke the no superhero rule. Then the clerk said they had to send him to the living world before the sunrise

"What happens after sunrise?" Peter asked

"hijole Peter, your finger!" Harley interrupted. Peter watched in horror as the top of his finger was becoming an skeletal finger, he almost fainted.

"The only way to go back to the world of the living is to get blessed by a relative" The clerk explained. He picked up a petal of cempasuchitl, and gave it to Hope, explaining that she had to give Peter her blessing and then give him the petal.

"Peter...i give you my blessing to go home, and never get involved into superheroes again!" She suddenly snapped

"What? It's not fair!" Peter protested "She can put the conditions she want" the clerk added.

Peter sighed and agreed, and as long as he grabbed the petal, he was back at the living world again.

[everyfandomsprincess]

Coco au where everything is the same except Miguel can’t sing

[dovelylittlebird]

Completely wild thought buuut

Kind of a Coco Roleswap AU?? Where instead of Imelda being the one to scorn Hèctor and Coco always having faith that he will return...

It's Coco who shuns her father and Imelda is the hopeful one

[queenofthedisneyverse]

Medio Vivo au - Disney Multiverse au

TW: some angst

November 25, 12:45 am, 2017

Hector...He's gone

Miguel tried so hard to get back to his family but most importantly Coco. He can't sing the song to her and he won't be able to see his family anymore. It was almost sunrise but he didn't have to know that because he can see his skin becoming more transparent by the second.

All the boy could do is cry he didn't have anything else going for him. Hector is forgotten, his family probably hates him, his dead family probably hates him, not to mention that he would probably be stuck in a sinkhole forever.

The day he had weighed down on him and he was beginning to pass out.

He laid down on the hard rock surface and his eyes were forcefully closing but before they fully closed a light shined bright in front of him and then darkness.

-

When the boy woke up he wasn't sure where he was. Did Imelda find him? was he back at home? was it just a dream?

He looked around trying to guess where he was. The walls were a peach color, the window beside him had the sun lighting up the room, and a large closet faced him.

Wait the SUN?

Miguel got reminded of what happened last night and looked at his hands and saw that they were bone just shiny white bone. He removed the sheets from off his legs and you guessed it. bone.

All the hope in the boy had disappeared once more and he laid back down on the bed looking up at the ceiling.

He was going to cry again but someone opened the door to his room.

"oh good your awake" a voice spoke with excitement

Miguel looked up and saw a woman with a green blouse, dark brownish skin, black glasses, brown bangs, dark freckles, and mocha-colored pants. She was holding a plate that had bacon and eggs in one hand and a plate with pancakes in the other.

"Hello I know you don't me but my name is Dragon and here's your breakfast," She said as she walked over to him and sat the food down on the bed.

Miguel was outright confused, flabbergasted, and befuddled, he was BAMBOOZLED. why was there a human in front of him? wasn't he in the land of the dead? wasn't HE dead?

The silence from him made Dragon understand the situation.

"I know what happened to you was quite...traumatic but...you will have a good life here I promise" she assured him.

"I'll give you some space if you need anything just come the down the stairs to your right" she got up and left the boy alone to think.

Miguel pov

What just happened? who was that lady? why is she human? why is her name dragon? Where am i?

I look at the door she walked through and decide to investigate. I got up and opened the door. Once I do I see a row of other doors next to mine that leads to somewhere but I remember she told me to go down the stairs to the right.

3rd person pov

Dragon wasn't wrong he was going to have a happy life here...he just needed to heal with time. Thankfully he has people here who will help him get through it. During this time Miguel made a new name for himself

Medio Vivo is his new name. Medio Vivo means "Half alive"...get it? He will usually go by Medio or Vivo for short.

thankyou @ghostbrother30 for the idea

You can find dragon's info here

[tulliok]

Carol Cho (Coco Pommel)

My take on Coco Pommel for the 1920s AU!

As a Korean-American immigrant and designer fresh out of university, Carol works tirelessly as an apprentice for the fashion house, Polomare, in hopes of joining the prestigious fashion scene of New York City. Unfortunately, due to Polomare’s unsavory business model of imitating the more innovative houses of Europe, she finds herself unfulfilled and desperate for new opportunities.

[mirrorofliterature]

abuelo

elena is ten and alone, cursed and sitting on a bench alive in the land of the dead. how she got there isn’t important: what is important is this.

she is brought quickly, swiftly, to the department of family reunions, thick hair tied into pigtails with soft purple ribbons, the same colour as her abuela’s dress.

and she gets asked the rather simple question: “who is your family, here in the land of the dead?”

and elena, guileless and brave and fierce but still ultimately ten, answers, carelessly: “my abuelo.”

you see - you see, elena’s abuelo on her papá’s side had died just that year. elena doesn’t think about her other abuelo - in fact, she doesn’t consider him much of one at all, just that dastardly husband of the best abuela in the world -

but she does say abuelo, and she does say mine, and well. nobody has ever dared accuse the department of family reunions of not keeping meticulous records.

so that brings us back to the here and now: a little girl with purple ribbons in a waiting room in the land of the dead, and a burgeoning argument outside.

no one was there with elena except one staff member, and well. no freshly-minted staff member would be prepared for this .

“héctor!” and elena perks up, even though the voice is angry, even though she is a little confused, because: that’s her abuelo! she has missed him so much. “what are you doing here?”

papá alberto says his name like a curse.

“I don’t know,” someone else says, someone elena does not know, another man. younger, less certain. “I - well. I try to keep the department on my good side. but.” a nervous laugh. “how’s the family?”

papá alberto remains quiet for a few solid beats. “good. but why would you care?”

a nervous chuckle. “well. I want to hear about how things have been going in santa cecilia.”

a strained, heavy silence pierces through the air.

elena cocks her head, curious about this stranger - this héctor - who angers her papá alberto. adults never tell her the full story.

“how’s mi familia ?” the other man - héctor asks - his voice now painfully desperate. “I have never been able to cross over - ernesto won’t talk to me - I just.”

something cracks.

“I just want to know,” héctor finishes, soft and unsure.

"you just want to know?" papá alberto asks, mocks. "it's decades too late for that, héctor!"

"you think I haven't tried ?" héctor asks, this stranger making her abuelo upset.

"no one has seen hair or hide of you since 1921!"

elena tilts her head to the side. who is this man, and how does he know her papá alberto? she wants to tell him off, to stop making papá alberto upset, like mamá imelda would, wagging her shoe fiercely.

"that's when I died!" héctor says, anguished.

a pause: one, two, three. elena leans forward.

the next time papá alberto speaks, it is a little softer. “you died in 1921?”

“did you not know?” another pause, this time more pained. “does no one in santa cecilia know?”

elena leans forward, intrigued. nothing much happens in santa cecilia - day by day life comes and goes, and that estupido músico is from it, the one all the tourists fawn over, but not much else.

papá alberto’s silence is enough answer.

another question, softer and more uncertain. “does imelda not know?”

“your wife is included in everyone,” papá alberto says, shortly. “I did not know you were dead before tonight.”

there is a loose connection forming, between héctor and abuelita, mamá imelda - but a wife from santa cecilia named imelda is not conclusive evidence in elena’s mind, a mere curiosity. she is ten years old and alive in the land of the dead, after all, and her mamá imelda's husband has long been a non-entity in her head. she is not scared, certain in her papá alberto’s ability to fix everything.

it is one of the most certain things in elena’s life: that her mamá’s papá is a non-entity, a scoundrel and a liar, who left without a word - not someone who died.

right?

héctor speaks next, cheerful in a way that sounds forced. “foolish me, thinking my best friend would tell my wife I died! what’s next, did he also frame me for robbery when I was dead and buried?”

“ah,” papá alberto says, stumbling a little, “not that I’m aware of? but everyone does think - well.”

"I gathered, gracias." the faux cheerfulness drops. “that explains a lot, alberto. I died! I didn't -”

a repetition, a yearning, like he is trying to reach between the land of the dead and the land of living and tell people the truth, tell his wife the truth.

it will be scandalous news in santa cecilia, that’s for certain.

(elena still does not make the connection. why would she? she has never known her mamá’s papá name, knows nothing more about him than that he was a good-for-nothing walkaway músico.)

(that’s all about to change.)

“I know,” papá alberto says, a little faintly. “you never seemed the sort to - well. you dying makes more sense. we’ll discuss that later. we have more pressing matters to attend to.”

“of course,” héctor replies, smoothly. “did the department call you here too?”

it looks like they have stopped fighting and that elena is going to get her blessing and going to give her papá alberto one big hug and then go back home, with a secret to tell the whole town.

“the reason the department called me,” papá alberto says, slowly, “is that my granddaughter - she’s only ten - got herself cursed and needs my blessing to return to the land of the living, or so I have been told.”

“oh, poor chamaca !” héctor sounds genuinely troubled. “well, I shouldn’t hold you any longer, thanks for telling me my family doesn’t know that I’m dead!”

a clatter of feet, and elena looks towards the door, but it still doesn’t open, not yet.

“wait, héctor. I know why they called you,” papá alberto says, before stopping.

he never hesitates.

“she’s your granddaughter, too.”

[pencopanko]

Revolutionary Girl Utena-inspired Coco AU... but it's focused on Rosa Rivera

In 2017, the second eldest son of a family of shoemakers embarked on a journey to Escuela de la Cruz to discover his family's true roots after discovering that his great-great grandfather had been Héctor Rivera; a songwriter and fellow musician who used to travel with Ernesto de la Cruz before his untimely disappearance in 1921. An event which triggered a 100-year long music ban, and the establishment of a new school "dedicated to his name".

It had been four years, and nobody had neither seen nor heard from Miguel Rivera since.

Not wanting history to repeat itself, the head matriarch of the family along with her sons and their wives gave their blessings to their children, Rosa Rivera and Abel Rivera to go to Escuela de la Cruz and bring Miguel home. At first, the youngsters were reluctant but after a prophetic dream that Rosa had of her ancestors, Miguel's whereabouts, and an enchanted academy in the heart of México City the two of them finally complied.

Little did they know that the time and space continuum worked in a different way in Escuela de la Cruz. Everyone who entered the school grounds stopped aging, the dead were able to communicate with their descendants directly... and no living thing could ever leave. In order to be able to leave the school, students would have to face a series of duels with the final showdown being a duel with the headmaster: Ernesto de la Cruz himself. And nobody had succeeded past the headmaster's great-great grandson, Marco de la Cruz.

Including Miguel Rivera, who had been stuck in his 12-year-old body all this time... and the ghost of Héctor Rivera. The only ghost who could not leave the school premises.

After a series of misadventures and armed with weapons from their ancestors (a pair of boots and an enchanted rapier/rifle thing from Mamá Imelda & Tía Victoria, a pair of golden gauntlets from Tía Rosita & Papá Julio, and a guitar from Papá Héctor; all of which had been modified and enchanted by Tíos Óscar & Felipe), Rosa, Abel, and Miguel had found themselves in the middle of a century-long feud of music, family, shoes, and betrayal. Rosa even had found herself in an odd romantic tug-of-war with the cocky yet well-meaning(?) Marco.

And so as the next-next matriarch of her family, Rosa would have to learn to fully embrace who she is and lead her family to... a "revolution"? Whatever that is.

[hazyhae]

texts: plug!dream + going to another plug ˖𖥔 ݁.𖧧

a/n: inspo has been kinda low and i’m still working on indica dreams pt2 so in the mean time here’s another text post!! plugs aren’t like this irl (usually) dreamies are just down bad. hope you enjoy!

cw: mentions of weed, cursing, mentions of violence (jeno wants to fight), down bad dreamies, petnames: pretty, angel

[dragoneyes618]

You know, I've seen Coco AUs where Imelda gets cursed, and AUs where Coco gets cursed. I've seen AUs where Elena, with or without Victoria, gets cursed. I've seen AUs where Rosa gets cursed, with or instead of Miguel.

That covers every generation of the Rivera family...except one.

Where are the AUs where someone from Miguel's parents' generation, one of Héctor's great-grandchildren, gets cursed?

What would happen if, say, Miguel's father Enrique had been cursed instead of him?

[stardustpinkart]

Part of the "Niña" AU. I imagine, Hetty died about 2003-2005, and after a year on the street, she met Hector. They became friends and she hung around with him, so I EXPECT, if thats up to the "Coco" canonline of 2017 theyve been friends for a long time. IF she was part of the story she'd of course help Hector like Miguel and the rest of the family, she'd be there. At first looks like Hector will fade away but, he stops glowing and rattling, so, they assume Miguel managed to do what he set out to do!

I spect Hector might be in a hospital for a little while, everyone worried he might suddenly dissapear, and slowly regaining his strength. The familia and Hetty would be with him constantly, slowly working things out, sharing stories, jokes, making things better. I dunno how quickly of course things could be found out, cuz, I wonder how much real world knoweldge passes to the land of the dead? I think I heard somewhere Miguel could send letters to the LOTD via Pepa and Dante, and I'm sure the news would pass in there anyway after Ernesto was caught on camera addmiting what he did. Anyway. Hetty of course was VERY happy things worked out for Hector. The truth came out, his family understood and they got him back. BUT, she also figured, well things were gonna change now. He wasent nearly forgotten anymore, so he would of course go live with his family now. And he would be famous instead of Ernesto now(I can imagine there was a lot of paparazzi and news, though might take some weeks to be solid). In any case, she doubted she would be part of his life anymore, they'd just go there seperate ways. So, she went back to living in Shantytown, happy for her friend, but missing him... Only to be surprised when he turns up at the shack! When he got better he was worried when Hetty suddenly stopped visiting. He wants her to come live with him, she'd be more than welcome. Which stuns her. "But Hector-T-There your family, of course there gonna want you-Why would-I mean it doesent-" "I want you. I care about you. You really think I'd forget you?"

commision from @swanpit