#code2

[yanfeijing]

Look for words that are very important in one book, but do not appear many times in the whole library.

[as-if-and-only-if]

hmmm…so like in C++(20) I need to do two things right now. ok—I wrote this post and it turned out to be 4! (4. Not 4!. Thankfully.) C++ coding diary/questions/difficulties below:

The recursive function I’m working with is structurally the following:

void f(x) {

if(cond) {

successCode

} else {

code1; f(g(x));

if(cond2) { code2; f(h(x)) }

}

}

So, it can either call itself with different arguments—possibly twice, one after the other—or it can succeed.

The way it works, though, is by having code1 and code2 update entries in a global array. (In fact, code1 is simply a[something] = a[somethingElse], and code2 is simply a[something] = 1. cond2 is a[somethingElse] == 0.) So we do have to proceed sequentially to some extent.

Ideally, successCode initiates a possibly computationally intensive task on, say, one of my CPU cores, but spins that off and continues on with the recursive call. However, successCode needs to only spin that process off after it’s finished reading from that global array. (Maybe that part will be trivial.) Further, it needs to stall in the case too many of these processes have been spun off already, and wait for there to be an opening to start.

I’m wondering if std::thread has what I need for that.

2. one thing I’m doing which feels “bad” is: well, I need to have some local constants accessible to a recursive function. Right now I’m essentially just calling f(a, x) where a is unchanged across recursive calls and x changes. Does the compiler know how to handle this correctly…? Is there a better way? Like making a class or something? (I would typically just define this recursive function f(x) inside an outer function that took a as an argument, but you can’t do that directly in C++…)

3. another which feels bad is using this global array! I just need a block of memory whose length is fixed for the majority of the time, but which must be (rarely) grown. does a std::vector give me just as good performance as a really long array, I wonder? The main thing I’m doing is accessing and setting bits at a bunch of different indices, not inserting or growing…and it never grows too large, so maybe a long array is fine.

4. And that’s the other problem—I’m setting bits. that means I get to choose between:

a long (~100?) (and mostly empty most of the time) global array of bools (current, default choice)

the rumored-to-be-cursed std::vector<bool>, which is overridden to be space-efficient instead of a vector of bools—but at the cost of a bunch of its vector-ness! is it better? who knows! half the things on the manual page say “eh, we leave it up to the implementation to decide how or even whether to do this.”

a long and mostly empty most of the time bitset

a boost::dynamic_bitset, which is like a bitset but…dynamic…and I don’t know if that’s better. Like I said I don’t really need to grow it.

what if I just had as many unsigned ints as I needed and manipulated their bits with bitshifting somehow, as though the concatenation of the ints were my array. what then. would that be far worse?

The weird thing is that I don’t need space efficiency, but I do, on each success, need to transform (and alter) the content of this array (or whatever) into something which is space-efficient, but in a weird and bespoke way (I use the last 6 bits of bytes). that means im either constantly converting integer indices into (whichByte, whichBit) pairs and accessing/setting bit values in bytes at the result, or I’m doing one single translation of the whole array each successCode. hard for me to say which is more efficient without testing…but the second *seems* better somehow. but integer operations might be really fast. idk.

[iptvarabia]

1000 كود Xtream IPTV 2025 VIP Premium

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[shanecontextualstudiesyr2]

The Red Shoes Analysis – Shane Fernandez 

The Red Shoes is a British film created in 1948 by Michael Powell and Emeric Pressburger. Overall, I enjoyed the film despite it not really being the sort of media I would typically watch. The film has been known for inspiring the horror genre while not being one, which I found quite interesting. Throughout the story the following themes can be seen fairytales, human nature and the unconscious. Before I discuss how these themes I portrayed I would like to highlight some context for the film. The film was written and produced in 1948 which as most people would see is just after WW2.  At the time, this production was highly experimental featuring an extended ballet sequence which I will analyse later as well.  

Firstly, the aspect of fairy tales is more prominent as the story itself is based on and directly references the tale of The Red Shoes written by Hans Christian Anderson[1]. In the original tale, it refers to a poor girl named Karen. She is entranced by a pair of red shoes which she constantly wears, especially to Church featuring a religious theme. However, these shoes have cursed her to dance with her only salvation being her feet cut off and repenting. In comparison, the 1948 adaptation cannot show such an ending with the main lead Victoria Page (an aspiring ballet dancer) asking to have her shoes removed after suffering a critical injury. My speculation for the change in ending would probably be to appease viewers and filming standards at the time as back then films were regulated by the Hayes Code2. These were a set of guidelines that made films ‘presentable’ for the public from around the early 30s to late 60s.

[3]

As opposed to repenting, leaning to the more religious aspects of the tale, the film has the following Victoria - “Julian?” Julian – “Yes, my darling?” Victoria replies “Take off the red shoes”.

In terms of the theme of The Unconscious, a particular quote stands out to me. A conversation between Lermontov and Page goes as follows. He questions her “Why do you want to dance?”. She ponders this before asking him to his surprise “Why do you want to live?” He states that he must which she agrees to for the same reasoning. To me throughout the story, I have viewed Lermontov as a manifestation of her desire to dance and this conversation acting as a test of her convicting or something akin to it. Despite having this drive, Page still has conflict where she says “Julian, I love you!” to which he responds, “But you love that more”. Personally, this shows that her unconscious desires are more prevalent, and she has less agency over her actions. This could be a slight nod to the lack of rights women had at the time though is just more speculation.

Something I would like to briefly touch on is how Page is treated between Lermontov and Craster. They seem to be as selfish as they are ambitious, with the former trying to make her the most successful dancer regardless of her other dreams. The latter on the other hand, aspired to advance his musical career and keep Page by his side once they had fallen in love regardless of her notable desire to dance. During a confrontation between all 3, while Page is breaking down, Lermontov states “If you go, I’ll never take you back! Never!”. Prompting Craster to say “Vicky, do you want to destroy our love?!”. I find it interesting that these two who care deeply for Victoria in contrasting ways are too consumed by their own ambitions to let her truly decide for herself, which could also support my idea on women’s rights being shown.

A blog analyzing the story has a point that I could not help but be captured by relating to the ‘love triangle’. ““Lermontov views this romance with disdain. For him it is as unthinkable as a nun falling in love. Lermontov’s philosophy is that artists should “ignore” human nature and dedicate themselves solely to their chosen vocation.””[4] This further supports my views of the two men’s perspectives on Page as a ‘tool’ or ‘asset’ for them.  

[1] -  Royal Shakespeare Company (1879) History of The Red Shoes. Available at: https://www.rsc.org.uk/the-red-shoes/about-the-play/history-of-the-red-shoes#:~:text=The%20Red%20Shoes%20is%20a,even%20wearing%20them%20to%20church. (Accessed: 15 November 2024)

[2] - StudioBinder (2021) What is the Hays Code — Hollywood Production Code Explained. Available at: https://www.studiobinder.com/blog/what-is-the-hays-code-1934/ (Accessed: 15 November 2024).  

[3] - The Red Shoes, 12:45 01/08/2009, BBC2 England, 130 mins. https://learningonscreen.ac.uk/ondemand/index.php/prog/001622ED?bcast=33009436 (Accessed 15 November 2024) 

[4] -

Nitrateglow. (2023) ‘Movie of the Month: The Red Shoes (dir. Michael Powell and Emeric Pressburger, 1948)’, WordPress, 5 January. Available at: https://nitrateglow.wordpress.com/2023/01/05/movie-of-the-month-the-red-shoes-dir-michael-powell-and-emeric-pressburger-1948/#:~:text=Lermontov%20views%20this%20romance%20with,solely%20to%20their%20chosen%20vocation. (Accessed: 15 November 2024)  

[lokersayacom]

Lowongan Kerja Purchasing Import / Lokal

PT RANS yaitu perusahaan gres yang bergerak dibidang medis yang menawarkan alat-alat medis elektromedik dan non-elektromedik. RANS memerlukan 1 orang staff selaku purchasing import/lokal, yang memiliki kualifikasi sbb:1. Memahami HS Code2. Mengerti regulasi import3. Memahami INATRADE Tanggung Jawab Pekerjaan : Staff purchasing bertanggung jawab atas:1. HS Code2. Regulasi import dan3. Aplikasi…

[moonlightink7]

ii mean ii'm no codiing expert (have a laugh at the 2ollux fiictive here, ha ha) but iif we work wiith the fact that the program ~ATH work2 uniiquely wiith the fabriic of the multiiver2e, we 2tart gettiing 2omewhere. nothiing need2 two be iimported for thii2 to happen, 2o we'll operate under the a22umptiion that ~ATH a2 a program automatiically iimport2 any defiined piiece of code iin the oriigiinal coder'2 knowledge. we know 2ollux code2 viiru2e2. that'2 hii2 thiing. what ii'm 2ayiing ii2 (NULL) could be a cur2e he defiined iin a diifferent thread of code for 2hiit2 and giiggle2 two u2e on a troll he wanted two be partiicularly unfortunate. he obviiou2ly diidn't iintend for that troll two be Karkat.

You don’t know how he does stuff like this. What does this even mean? It’s nonsense. Is it even syntactically viable?? Are you allowed to color text like that??? ARGH. Maybe you should ask him about it some time.

…hm.

You see, at first glance, this code does look syntactically viable, but only if we don’t pair the brackets in the way the coloring implies. If we write the code like this:

Then it’s a loop bound to the lifespan of Universe 1. Inside that main loop, it’s running a loop bound to the inverse of Universe 2′s lifespan - my guess being that this loop only runs while Universe 2 is dead.

If Universe 2 is ever registered as ‘alive’, the program waits for the blue THIS to die, and then continues. And when the main Universe 1 loop ends, it will wait for the red THIS to die, and finally exits. 

In other words: This program will exit when U1 is dead, U2 is alive, and both ‘bifurcated’ iterations of THIS are dead. 

However, the red/blue coloring implies that the brackets are paired in a completely nonsensical way. 

I’m with Karkat here, This is nonsense. You can’t put the top half of one code block inside another - at least, not in any language I’ve worked with. I’m sure there are weird, esoteric languages that do it, but it’s definitely not the syntax du jour.

This ‘merged bracket’ interpretation is probably the correct one, though, since the colors match up. The reason this compiles at all is probably due to the special behavior of bifurcate THIS[], which we’re not privy to. 

I do have a theory about what bifurcate is doing here, but… oh my god , guys, this is so silly. Will I post it? I’m going to post it. 

TA wears 3D glasses, right?

What if we’re meant to do the same?

If we view these two loops as not inside each other, but adjacent to each other in 3D space, then this code makes a lot more sense. Suddenly we’re just looking at two simple death loops - one which which exits when U1 dies, and one which exits when U2 lives. 

They’re not blocking each other, because they’re probably executing on different threads, which may be the true function of bifurcate. Viewed like this, this code becomes a simple, multithreaded script that works similarly to my original interpretation - the difference being that now, the colors match up properly. It’s kind of beautiful, to be honest. 

Now that I’m viewing this program as two threads, it seems as if the blue loop waits for the red thread to die before it can exit, and vice versa. 

If I’m right about this, it means that this program is deadlocked - neither thread can exit, because it’s waiting for the other one. The two threads are back to blocking each other, and this program will never exit.  

This code, when executed, immediately causes the user’s computer to explode, and places a curse on the user forever, along with everyone he knows, and everyone he’ll ever meet.

Not surprisingly, later on you would run this code in a fit of stupidity.

None of this, however, explains why it curses the user. 

I think I need to borrow Karkat’s ~ATH manual. 

[inland--empire]

TEMPLE: 1 am nam1ng my ch1ld after my favorite an1mal, th1s 9robably won't havd any consequences when conv1n1ng 1t w1th out last name

Oh of course not

TERCES: wait i have 2 name that thing? uhhhhhhhhhh *looks through 2ecret code2 book* cae2ar why not

[sonali2345]

The Miniature Powerhouse: Unraveling the Potential of Button Cell Innovations" 

Button cell is a type of single cell battery that resembles the shape of a button. The diameter of these sales ranges from 5mm to 25mm. The button cell batteries are normally used to power small electronic devices such as toys, wrist watches, pocket calculators, and others. These cells are usually disposable primary cells. The anodes on these cells are generally made above zinc or lithium and the cathodes are made up of compounds such as manganese dioxide, silver oxide, carbon monofluoride, or others. 

Request The Sample PDF Of This Report:    

scenario analysis: 

The outbreak of the COVID-19 pandemic has severely affected the growth of the global button cell market. 

Because of the global economic slowdown caused by the pandemic, the demand for electronic appliances and gadgets decrease exponentially. As a result, a severe decrease in the demand for button cell was observed in the electrical and electronic sector as well as among the consumers around the globe. 

Moreover, China was a major market for the button cell and thus the complete shutdown of the nation caused a great deal of damage to the growth of the global button cell market. 

Top impacting factors: Market Scenario Analysis, Trends, Drivers and Impact Analysis 

There has been a growth in disposable income among the consumers with the rise in urbanization around the world. This has caused a rise in buying powers after consumers that resulted in an increase in demand for consumer electronic products in the market. This rise in demand for electronic gadgets has played a major role in driving the growth of the button cell market around the world. The low production cost and the compact size of button cells also make it a popular choice for different electronic devices that are designed to be compact and smaller in size. Several major manufacturers are investing in significant sums of money to boost their production rate and thereby gain competitive advantage in the market. However, the low recyclability and the use of harmful chemicals in the cells are creating several concerns among many governments for their effects on the environment and this limits the market growth. 

In terms of market share, the Asia-Pacific region accounts for the major share of the global button cell market. Because of the presence of a huge electrical and electronics sector in different nations of the region including India, China, and Japan. The market in North America and Europe is also expected to witness lucrative growth due to the rapid technological advancements and high demand for electronic gadgets in the developed nations of the region. 

Enquiry Before Buying: https://www.alliedmarketresearch.com/purchase-enquiry/11098    

Key benefits of the report: 

This study presents the analytical depiction of the global button cell industry along with the current trends and future estimations to determine the imminent investment pockets. 

The report presents information related to key drivers, restraints, and opportunities along with detailed analysis of the global button cell market share. 

The current market is quantitatively analyzed to highlight the global button cell market growth scenario. 

Porter’s five forces analysis illustrates the potency of buyers & suppliers in the market. 

The report provides a detailed global button cell market analysis based on competitive intensity and how the competition will take shape in coming years. 

 Button Cell Market: Global Opportunity Analysis and Industry Forecast, 2020–2027 Report Highlights 

Aspects & Details  

By Material 

Alkali 

Organic 

By Letter Code2 

L - Alkaline 

S - Silver 

P - Zinc-air 

C - Lithium 

Z – Nickel 

By Application 

Watches 

Medical Devices 

Automobile 

Others 

By Region 

North America  (U.S., Canada, Mexico) 

Europe  (France, Germany, Italy, Spain, UK, Russia, Rest of Europe) 

Asia-Pacific  (China, Japan, India, South Korea, Australia, Thailand, Malaysia, Indonesia, Rest of Asia-Pacific) 

LAMEA  (Brazil, South Africa, Saudi Arabia, UAE, Argentina, Rest of LAMEA) 

Get a Customized Research Report @ 

Key Market Players 

Camelion Battery, GP Batteries, EVE Energy, Panasonic, Vinnic, NANFU, Seiko, Varta (Rayovac), TMMQ, Renata Batteries (Swatch Group), Toshiba Energizer, Sony, Maxell (Hitachi) 

[portugaldesignlab]

MIDJOUNREY UPDATE

Heya @everyone we're gonna test V1 of our Midjourney "Style Tuner" todayWhat is the Style Tuner?

The Style Tuner lets you make your own Midjourney style

Even though we call it a "style" it's a bit more than that, it's really controlling the "personality" of the model and it influences everything from colors to character details

You can optimize specifically around a single prompt or setting (including non-square aspect ratios, image + text prompts and raw mode)

How do I use it?

Type /tune and then a prompt

Select how many base styles you want to generate (cost is proportional here)

After clicking submit it'll show you estimated GPU time. Click to confirm.

A custom "Style Tuner" webpage will be created for you. A URL will be sent [via DM] when done.

Go to the Style Tuner page and select the styles you strongly like to make your own

Most guides/mods recommend selecting 5-10 styles (but any number works)

Use codes like this /imagine cat --style CODE

Remember you can make TONS of styles with a single Style Tuner! Always try a variations and play.

More Information

You can generate random style codes via --style random (without a Style Tuner)

You can combine multiple codes via --style code1-code2

You can use --stylize to control the strength of your style code

You can take any style code you see and get the style tuner page for it by putting it at the end of this URL

https://tuner.midjourney.com/code/StyleCodeHere

Using the style tuner URL that someone else made does not cost any fast-hours

(unless you use them for making images with the codes) Please note: Styles are optimized for your prompt and may not always transfer as intended to other prompts (ie: a cat style may act unexpectedly for cities, but a cat style should transfer to a dog) Please share your favorite codes and even "Style Tuner URLs" on ⁠style-tuner and let us know what you think in ⁠ideas-and-features More documentation can be found here: https://docs.midjourney.com/docs/style-tuner

[allthebrazilianpolitics]

Spotlight: taxation of executives in Brazil

i Employees – Brazilian tax and social security aspects -Brazilian tax residents

Brazilian residents are subject to individual income tax (IIT) on a worldwide and cash basis. This means that IIT is imposed whenever income is paid, credited, delivered or made available in any other way to a Brazilian resident individual in the country or abroad.

Income obtained by Brazilian individuals can be divided into two legal categories:

ordinary income – based on the rules of the Brazilian National Tax Code2 and Income Tax Regulations (RIR/2018),3 any remuneration for work performed by an individual or any remuneration on capital, or both considered together, is considered as ordinary income for IIT purposes. Ordinary income received by a Brazilian resident is subject to IIT and assessed monthly, in accordance with progressive rates from zero per cent to 27.5 per cent; and

capital gains – the taxation of capital gains in Brazil is triggered in events of disposal of assets or rights by Brazilian taxpayers in the country or abroad, as well as transactions involving financial investments abroad. Unlike the ordinary income regime, capital gains taxation has a commercial and financial nature, arising from the sale of assets or rights and financial investment transactions. Taxable capital gains are subject to IIT taxation calculated at progressive rates from 15 per cent to 22.5 per cent, based on the amount of the gain.

In an employment relationship, the employer is the party liable for the payment of the IIT due by employees under the withholding mechanism – via the withholding income tax (WHT) obligation – based on the progressive rates described above (zero per cent to 27.5 per cent).

Continue reading.

[yanfeijing]

Calculate the relative frequency of words in each sentence

[blackbeargear]

View this post on Instagram

A post shared by Black Bear Gear (@blackbeargear)

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[thekinrusewasa]

II u2ed two hate weariing my gla22e2 but now that II don’t have them II really want two wear them.

[code2works]

Code2 Promo 2022 from Code2 on Vimeo.

Welcome traveller...

[archivesmm]

Youtube channels for learning Tech.(Burmese Language)

For Data Science

https://www.youtube.com/c/MYANMARDATASCIENCE

For Web development & programming

1) https://www.youtube.com/c/MSquareProgramming

2) https://www.youtube.com/c/SoeThihaNaung

3) https://www.youtube.com/c/Programming72Coder/playlists

4) https://www.youtube.com/c/FullStackDEVMM/playlists

5) https://www.youtube.com/channel/UCy5kPWN8nIt09N0N0U07XsQ

6) https://www.youtube.com/channel/UCG2rjWL2i6_KfCtjkQ9PKKQ

7) https://www.youtube.com/c/Code2

For Programming

1) https://www.youtube.com/c/ProgrammingMM

2) https://www.youtube.com/c/WaiferKolar

3) https://www.youtube.com/c/RubyLearner

4) https://www.youtube.com/playlist?list=PL0d0T6i8c-JV7Zdl4P_hFuTQmpROSnkq1

For Hacking

https://www.youtube.com/c/XCodechannel

For Networking

1) https://www.youtube.com/channel/UCHDzgp7O9PiLgFix1vPO4nQ

2) https://www.youtube.com/user/RHCTechnologies

For Game Development and Animation

https://www.youtube.com/channel/UC8bQhhv-rujzCd9JXrzS-iw

For Adobe Photoshop

1) https://www.youtube.com/playlist?list=PL1Xr21zX1Bkt5UeF8cRt3QMWxrE2dWgaT

2) https://www.youtube.com/playlist?list=PLxX0rKg6_TSS1UEBLwAlA5BUbCT0ORzu5

3) https://www.youtube.com/playlist?list=PLY8XxtteJIC9IMvPTXZvpv_0Ckl9OdCoU

4) https://www.youtube.com/playlist?list=PLWGFI3519BdcuyLbY6y5J7Egc_Gv2Y-vW

For Adobe PageMaker

https://www.youtube.com/playlist?list=PLY8XxtteJIC9Zg8USBddRtldEKeD00DDi

For Adobe Illustrator

1) https://www.youtube.com/playlist?list=PLxX0rKg6_TSQ1i9DE-AYrGkKKwxzA4Iy8

2) https://www.youtube.com/playlist?list=PLY8XxtteJIC9vp9zk6BshyqogfCEwz8gw

For Adobe Premiere Pro

https://www.youtube.com/playlist?list=PL2BmiqihMErSVWc4YDAcm0Dkrz9OXnL_M

For Adobe After Effect

1) https://www.youtube.com/playlist?list=PLExIbDUy8mQv3TE0r6yq1vrwZ9e5FFl1x

2) https://www.youtube.com/playlist?list=PLxX0rKg6_TSR_MEhbYIDwNd74rkzwO5C_

For Microsoft office package ( Words, Excel & PowerPoint )

1) https://www.youtube.com/c/KCCComputerTrainingCentre

2) https://www.youtube.com/channel/UCtekc7i_mhT9qEAfXFb0sgQ

3) https://www.youtube.com/c/MCKSharing

4) https://www.youtube.com/channel/UC9dM_LB3OB8iRMkC0U4BrMA

5) https://www.youtube.com/channel/UCZu4G6gPMucHDwqPvtzUKkQ

6) https://www.youtube.com/c/EduplusMyanmarOfficial

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