Italian Dyer's Notebook
Autograph manuscript, circa 1856-1866
This warped and worn nineteenth-century Italian manuscript appears to be a working manual and color inventory of a wool dyer in mid-nineteenth-century Italy. The handwritten entries are dated between 1856 and 1866, suggesting that the notebook was used and added to over a period of time. The work includes more than 500 numbered and itemized recipes for dyes. Recipes are illustrated with more than 800 wool and fabric samples adhered to the pages. The samples range in colors from shades of brown to vivid fuchsia, turquoise, and mustard. The samples include fabrics of wool, felt, and cotton, as well as raw wool and coils of yarn. Ingredients listed include mud, urine, arsenic, and vitriol. Pages 192-219 contain longer descriptions of dying processes, one attributed to Giacomo Udinese and another to Cesare Bizzi.
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can’t fight your own nature! but you sure can try!!
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Sonia Delaunay
Compositions, Couleurs, Idées, 36 plates
1930
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"Rainbow at Sea," made by Chris Cicotello
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Finished earlier today. I was going for a bit of a stained glass effect, and it more or less worked. Cross-stitched outline with coloured blackwork fills.
Pattern here.
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In Botiza women use pigments extracted from plants, flowers and bark to colour their wool. Preferably the pigments of summer flowers are used, because the spring-pigments contain to much water - Mick Palarczyk
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Flowered Textile Design, possibly by William Kilburn (1745-1818) by English School (colour lithograph)
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skeleton hand & rose patch 🥀 based off of a similar design for a pin i made earlier this year! 100% hand stitched ❤️
available! sold, thank you!!
more embroidery on my etsy
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Multicolour Tibetan, Christoph Hefti, 2015
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Color gradation sampling.
Wool on cotton seine warp.
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Amy Qualls
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<3
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