never not thinking about patpran and their blue and red following them throughout their lives in the show and how it comes to the perfect culmination when they exchanged their graduation robes while celebrating their passing out of college in a place of their union, where and with people they dont have to hide from, tong and junior, my beloveds <3
92 notes
·
View notes
Teaching a Whole New Generation the Alphabet
And so you think you're A-ble
To survive this mess by B-ing a prince or a princess
You will soon C
There's no escaping trage-D
And E-ven if you put in heaps of F-ort
You're just wasting ener-G
Cause your life as you know it is H-ent history
I have suffered in this J-l
I've been trapped inside this K-ge for ages
This living L
But if I try I can rem-M-ber
Back before my life had N-ded
Before my happy days were O-ver
Before I first heard the P-ling of the bell
Like you I was Q-rious
So innocent I R-sked a thousand questions
But unl-S you want to suffer
Listen up and I will T-ch you a thing or two
U listen here, my dear
You'll be punished so se-V-rly if you step out of line
And if you cry it will be W should stay out of trouble
And remember to be X-tremely careful
Y?
Y? Y? Did you hear what we said?
Just you wait for Phy-Z!
- Matlida the Musical, 'The School Song'
162 notes
·
View notes
A Spectacular Fashion Voyage with Taylor Swift's Eras Tour!
As the final notes of the American leg of Taylor Swift's Eras Tour echo in our hearts, let's revel in the extraordinary fashion journey she's gifted us with! From the mesmerizing Lover era to the captivating depths of Reputation, each phase unveiled a distinct style, outfits that spoke volumes, and an aesthetic that transcended time.
She starts the show in her Lover Era with “Miss Americana and the heartbreak prince” followed by the first bridge of the night form “cruel summer”. For this era she has worn three custom bodysuits from Versace, all of them full of rain stones in shades os pink, blue, gold and purple, inspired byDuring this set in “The Man”, over the bodysuit, she wears a sparkly blazer as a dress, also from versace.
Fearless is next, Roberto Cavalli was in charge of creating these dresses that Swift rocked while dancing in a storm. The gold fringe dress was reminiscent of a similar look the designer created for her Speak Now Tour in 2011, the three dresses rememore the ones she wore back them, golden fringe and tassels that belong to her more than ever.
Long story short, while performing various songs from her album Evermore she took the stage in a yellow Etro dress that featured a corset top and beading detail down the front. For her magical performance of “Willow” she added a matching Etro cape. Playing into the woodsy nature of the Evermore album with a darker burgundy color and ruffles throughout Marco de Vincenzo, creative director of Etro, designed another dress for this set.
One of her most dramatic looks was the Roberto Cavalli one-legged jumpsuit. The design features a black sheer sleeve, glittering material and a three-dimensional embroidered snake motif winding from the bottom of her leg to the top of her neck. The ruby red snake contrasts with the black bezels of the design, it was reminiscent of the many bodysuits Swift wore during Reputation Tour as it was covered in black sequins scales.
For the end of a decade and the start of an age, she wore a custom-made Zuhair Murad Couture tulle ballgown – featuring beautiful beading, sequins, pearls and crystal embellishments all over the voluminous skirt and bodice. The impressive dress required 50 metres of tulle, while the elaborate design took more than 350 hours of handwork to create in the brand's atelier. In addition to the shimmering Zuhair Murad gown, after the release of Speak Now (Taylor’s Version) she wore a beautiful lilac Nicole + Felicia ballgown, featuring a tiered tulle skirt that captured the light beautifully, thanks to its crystal-embellished finish. Another gown Swift fought dragons is was a Elie Saab one covered in flower apliqué and shimmery beading.
She was never good at telling jokes but the punchline goes, and she know it too well because she wore a sequinned Ashish t-shirt embroidered with quotes such as “Who’s Taylor Swift any wat? Ew”, “A lot going on at the moment” and “we are never getting back together like ever” with a Gladys Tamez Millinery hat that she gave to different fans every night.
So far we had a marvelous time leading to Folklore where the singer performed in a more delicate look in the form of a floaty, layered lilac dress by Alberta Ferretti. "Thinking about these stage dresses for her also pushed me to reflect on my career milestones," explained Ferretti. "I think what we have created reflects this journey where the key elements of my style stand out: lightness, femininity, romance, attention to detail and a delicate, gentle seduction." She wore a green chiffon gown with a deep neckline, flowing sleeves and embroidered leaf detailing, designed by Alberta Ferretti too. Swift added to her repertoire of beautifully designed dresses in a custom-made orange Etro gown, with an embroidered ruffled bodice.
Darling, she’s nightmare dressed like a daydream in three shimmering two-pieces by Roberto Cavalli. Its beautiful design gave the illusion of crystal water droplets, which moved effortlessly as she performed onstage. She wore the outfit with her go-to sequin Christian Louboutin boots. For the surprise song, Taylor topped this cavalli matching sets with Jessica Jones ruffled dresses in matching colours.
From sprinkler splashes to fireplace ashes, the last part of the show started with a midnight blue bodysuit full of sequins and rainstones with a matching garter by Oscar de la Renta. In a lighter shade of blue, Zuhair Murrad designed another beaded bodysuit. In the lasts shows in LA, she also wore a bodysuit similar to the one she wore in the 1989 tour, with cut-outs and fringe bottom. Every time, everybody agrees that Taylor Swift wears the best looks on stage, and for Anti-Hero Taylor wears her second Oscar de la Renta look consisted of a sequinned 'aurora borealis' T-shirt dress with a co-ordinating lavender faux fur coat, which also featured delicate crystal droplets. For Karma she vibes like that with a tassel coat just to say see you later to the swifties.
An epic wardrobe, just like her music, just like @taylorswift
If you want to know more about fashion you can follow me on ig itsjessania 🩷✨🫶🏻💕
25 notes
·
View notes
How are you colour coded?
Thanks for the tag, @antvnger!
"...These things are just full of surprises, aren't they? Do what you will with this information."
8 notes
·
View notes
Chapters: 1/1
Fandom: Star Wars: The Clone Wars (2008) - All Media Types, Star Wars - All Media Types
Rating: General Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Relationships: CC-2224 | Cody/CT-7567 | Rex
Characters: CC-2224 | Cody, CT-7567 | Rex
Additional Tags: Poetry, Short Stories, Ficlets, Inspired by Fanart, Open to Interpretation, Alternate Universe - Canon Divergence, True Colours, colour coding, Codex - Freeform
Series: Part 30 of Poetry Shorts Collection (Various Fandoms)
Summary:
A poem of Rex and Cody, their different colour coded personalties.
Part of Poetry Shorts Collection of various fandoms
9 notes
·
View notes
Prompt: Quest
@wolfstarmicrofic - 100 words
“So... the quest is: convince Moony to give me a second chance.”
“In all honesty, this Snape thing was a shite move.”
“Shut up, Peter, we are being good mates here.”
“Yeah, yeah, I get that, but why is this so...”
*wild whispering*
“Honestly? Oh... that... makes sense then. So Sirius, how do we start?”
“If I knew I wouldn't ask you two, would I? Unfortunately I can't even get a word out, when he looks at me now.”
“Well... You don't really need words... You could just kiss him. Worked with Lily.”
15 notes
·
View notes
Lucy likes fitting things into neat boxes, schedules, planners, colour coded and neat; but acknowledges that the world and its complexities often cannot be distilled this way.
https://medium.com/the-brain-is-a-noodle/nuance-e46952ad9b3a / #AuthorBio
5 notes
·
View notes