Is Dan's shadow a succubus? Or more appropriately an incubus?
Homie, how would I know?! I'm watching the same show as you. If I knew what that shadow was, I wouldn't need to suffer through the last seven episodes. I was too busy being scared for my life the first seven episodes to truly think about what that shadow was, and now I have to sit through seven more just like alls the rest of ya to figure this puzzle out!
But why are we gendering the shadow? Is the shadow male? To me, the shadow is just energy, possibly a physical manifestation of Dan's trauma; therefore, is it an extension of him. Like Peter Pan's shadow!
@kenjiyabuki went full big-brain and noticed the painting in the background of Brother Anurak's office is Henry Fuseli's The Nightmare.
Ain't no detective like a Tumblr detective.
And because of this, I immediately went to my favorite art historian (I go to departments often asking BL-related questions which is one perk of working in higher ed), and she immediately said, "It's about sex."
More specifically, repression of desire.
Not everyone subscribes to this interpretation, but . . .
There is a mirror and a vial of water in the left bottom corner on the table in the painting. Mirrors mean truth and serve as a bridge between the two worlds (truth/lie, life/death, conscious/subconscious), while water (describe as a mirror-like substance) also serves as a bridge between two worlds. We don't see the mirror fully, so we don't see the truth of the situation, but two worlds are colliding within the painting.
We've seen a good amount of mirrors in the show.
And water.
The show doesn't have a crazy-looking horse in the background unless we are considering the makruk pieces, which are called "horses" and not "knights" like in chess, the horse in this scenario.
That's a stretch even for me, but we still have the bare basics - a person with the weight of desire resting on him.
A desire to be comforted when nobody holds him.
A desire to be protected when he feels abandoned.
A desire to feel normal.
And Trin had the same desires.
There is definitely some funky business happening at the school because Trin and Dan are linked through their desires and experiences, but the shadow was there long before Dan stepped onto the campus.
Detour - In the third episode, the monk told Dan in order to change his karma, he needed to forgive when the time came after Dan saw his dad briefly playing makruk in his dream. At the end of that episode, Dan saw his father's ghost while he was acting the ghost scene from Hamlet, which is a play about revenge and forgiveness.
The shadow led Dan through a tour of his family's happiest moments in episode four right before he encountered his father again.
And his father asked for his forgiveness.
To which Dan said "hell to the no"
And this is why I think the shadow IS Dan. The monk told him to forgive to change his karma. The shadow led Dan to do just that, but Dan didn't; therefore, he didn't beat his karma and ghost-dad told Dan he was becoming everything he hated. Was this conversation all in Dan's head? Was he, through the shadow, guiding himself to be better than his father? And did he override his subconscious to seek revenge instead because that's what he truly desires?
More interestingly is what shows up every time someone chooses revenge over forgiveness - Trin! Rather than the shadow lurking in the water after Dan's dad died, Trin was waiting for him.
Trin was waiting for him in the bathroom to lead Dan into the funhouse when Nai decided to teach Anan a lesson.
And Trin showed up right before Anan attacked Dan.
Each time, the mirrors and water are present, so wouldn't that make Trin The Nightmare?
Of course, I, a color demon must mention how I find the use of red fascinating mostly when thinking about it in correlation to the painting since red is behind the nightmare figure.
And it spreads underneath the sleeping person in white as if that innocent person is being surrounded by this desire.
All of this is to basically sum up that Trin has a face. The shadow doesn't. Trin is a person. The shadow isn't. Just like those headless figurines the locals use as stand-ins for them to appease the wild ghosts and protect them from harm, Dan's faceless shadow could be his way of protecting himself and hiding his desires from outside forces.
And Trin could be a way to expose all that's hidden, including those desires.
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Prompt 218
“Moom, there’s yellow-eyed creeps fighting ninjas outside the window again!”
Danny sighed, taking a deep breath- in for ten, out for eight- as he set the pot he was cleaning back in the sink. Dan- currently six- came running in from the living room of the apartment, where he was watching TV. Or he should have been if not for the bullshit outside.
He sighed again, picking up baby Ellie- currently closer to two- out of her highchair (even if she could just float out) and let his oldest drag him to the window. Sure enough, another fight was happening, with no vigilante in sight stopping it. Look, he knew most people didn’t live here, but it was still rude.
“Jordan, remember how I told you how violence isn’t always the answer?” Danny asked sweetly, Dan’s expression shifting to a wicked grin as he opened the window. “Feel free to practice tossing some fireballs while I clean up your sister, yeah?”
Ah, the sweet sound of surprised cursing and startled ecto-signatures. Maybe they’d be polite enough to take their spar elsewhere.
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