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#destructive plasticity
hiraeth-found · 2 years
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Something shows itself when there is damage, a cut, something to which normal, creative plasticity gives neither access nor body: the deserting of subjectivity, the distancing of the individual who becomes a stranger to herself, who no longer recognizes anyone, who no longer recognizes herself, who no longer remembers herself. These types of beings impose a new form in their old form, without mediation or transition or glue or accountability, today versus yesterday, in state of emergency, without foundation, bareback, sockless. The change may equally well emerge from apparently anodyne events, which ultimately prove to be veritable traumas inflecting the course of a life, producing the metamorphosis of someone about whom one says: I would have never guessed they would “end up like this”. A vital hitch, a threatening detour that opens up another pathway, one that is unexpected, unpredictable, dark.
Ontology of the Accident, Catherine Malabou
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pigeonsareevil · 10 months
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Pet rats are so silly because of how they interact with you. When touching your skin they will act like it's the most delicate thing in the world, they will lick you like crazy but wouldn't dare to even graze their teeth on it, let alone bit you. But the moment they come in contact with your clothes, suddenly all that softness is forgotten and they transform into a vicious beast ready to bite and scratch and destroy everything that comes into their way
Anyway, look at this God of destruction
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mixelation · 6 months
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wait okay i DID fall asleep days ago when i said i would post about this and then was too busy to Blog. but here are some points on the tori/minato au
it is time travel late game plasticity!tori. so just assume she can basically do anything she wants with fuinjutsu (with sufficient time/resources) but she's not a ninja. instead she's just in ame midway through the third shinobi war one day. which SUCKS-- ame is a fucking mess and tori is essentially homeless and no one knows her. so tori's first idea is that she'll LEAVE ame, get to the coast, and then take a boat somewhere with no war. unfortunately this is means crossing through active ninja war zones
the Mood for tori in this is: imagine her muddy and damp at all times. she is floundering around the elemental nations mainly by attaching herself to other civilian groups trying to relocate and, when necessary, scamming ninja. her ability to take down ninja is all over the place, but if she tricks you into making the wrong move, you WILL end up stuck in an unbreakable barrier or dying horribly and she will take your things.
and then the mood for minato is: he's like 19-20, so he's young and more reckless with less direction than i usually write him. he is only JUST now getting an international reputation for hiraishin related shenanigans. he feels dusty and overworked all the time, but also he currently has no strong ties to konoha as a physical place (jiraiya and his genin teammates are rarely there due to war, he and kushina are buddies but not dating, and he hasn't been assigned team 7 yet). so basically he's loyal to konoha but he's not like.... eager to get back or anything. he's fine fucking around in weird corners of the world during his down time. he is basically a Nice Guy but he has no problem with murder as the quickest and easier solution.
the meetcute:
tori is good at what she does but her scams/lies/manipulations obviously don't always work, and failing to trick a ninja can end with dire consequences. she has 'died' a couple times, been imprisoned and moved by ninja and civilian groups AWAY from her goals and had to escape, etc
she is currently having a Very Bad Time. she's been captured by ninja and they're actively harassing/humiliating her. she doesn't have an opportunity to DO anything bout this so she is quite upset
minato shows up and murders the ninja. this has nothing to do with tori's presence-- it's his mission to clear enemies in the area.
minato doesn't care THAT much about helping random civilians who aren't even fire country, but he IS very good and smiling prettily and asking people if they're okay.
he asks tori if she has a safe place to go. she lies and says yes bc she doesn't want to find out what happens if the fucking YELLOW FLASH talks to her for longer than necessary.
but also she is. she is very flustered. she's not used to being saved with no strings attached. he's handsome and being kind to her. she's SO upset
they part ways. tori stomps off into the woods and she's COLD and LOST ALL HER SUPPLIES because she ran away before she could LOOT THE CORPSES.
and! the worst part is!! she keeps having idle fantasies about if she HAD said she needed help and minato? helping her?? WHY WOULD HE HELP HER. how would he 'help' her. she bets it would feel good
she INTENTIONALLY gets herself recaptured while she knows he's in the area just to be saved again. except this time she's a small group of people and he gives the same exact speech and offers help to everyone? he does not seem to recognize her even though she keeps thinking about him? tori NOT special???
tori: okay so he's psychological torturing me tori: guess i should.... kill him....? tori: only if we ever meet again though. tori: which we probably won't
so while this interaction will haunt tori for months, minato mostly forgets about it immediately. however there ARE mounting rumors that SOMEONE has a fuinjutsu master running around. it's unclear which village is responsible for it. jiraiya's investigations indicate it's probably a wandering-nin because the things this person is doing make no SENSE from a 'village at war' perspective, because he's following around tori's wildly inconsistent path of destruction. jiraiya only even cares because a few times she's been forced to leave behind active seals, and they're? insane looking???
so the sequence of events that ends up happening is:
minato is in the same area as tori, because he's helping hunt down this mysterious fuinjutsu user. he ends up chasing a bunch of ninja out of a civilian village because it is, in fact, more convenient to him if civilians like him and let him use their resources. he gives them the same speech he always does about are they okay and everyone is safe now. one of the villagers, a young woman, approaches him and is like "hey can you help with this weird ninja technique down by the river, it's killing the fish?" and minato is like "yeah sure" and he follows her down the river and voila! one of the weird seals he's looking for!
and then? somehow?? he ends up IN the river AND the river is fucking BOILING. he gets out because he can fucking teleport, but he hasn't been spamming his hiraishin as much as he will in the future and he ends up having to teleport pretty far away. he's decently injured because BOILING so he seeks medical attention and doesn't go back for a few days. but when he DOES the girl is gone and the villagers are like "oh yeah we have no idea who that was"
tori: hi sorry, you seem to have not noticed i'm the main character. die horribly, i guess
minato: i think the renegade fuinjutsu user is..... a random civilian? jiraiya: proposterous jiraiya: that makes no sense all of konoha leadership: nope, sounds wrong
so now it's minato's personal mission to refind tori, despite konoha leadership's orders to drop it, because he's 100% sure SHE is the mysterious fuinjutsu user. i don't think it would actually take him that long because he is a highly competent ninja and tori is tricksy but she's also... a walking disaster. (basically, she's good at getting herself out of immediate problems, but she's bad at long-term problems, so she does things like "flee before hiding evidence of insane fuinjutsu" and "gives her name as Cup Noodles to more than one person")
meanwhile, tori is wandering around backwater hot water country like, "i did it. i fixed my feelings on the yellow flash. u_u" and he shows up again like "hello!!!" and she's like "NO FUCK"
the problems minato immediately runs into are:
he doesn't actually have specific orders on what to DO about tori, on account of konoha thinking she has to be some sort of bad ass ninja. the game plan for the mysterious fuinjutsu master is basically just "identify and then report back" and he already did that
he COULD just drag her in and sit her down with a yamanaka, and then probably jiraiya would be like "huh, good work, kid" and he would get another accolade for excellent service he doesn't care about. but, consider: he wants to know WTF is up with her, how her seals work, and also how is she doing them if she's not a ninja
he figures out pretty quickly that they HAVE met before, twice, and she targeted him specifically to try and boil him alive. he's had ninja fixate on him before but.... the disconnect between tori's perceived threat and how close she got to boiling him alive is absurd
he's
he's kind of into it?
so the mood then is: tori is being casually stalked by the yellow flash because he just thinks she's neat. she's wildly conflicted about this because she enjoys his attention way too much, but also, she hates how he makes her feel. she hates that her life is 90% being uncomfortable and terrified of being randomly murdered, and she HATES how minato being around makes all of that go away. she hates that she likes fucking around with fuinjutsu with him. she starts doing stuff that will self-sabotage her own quest to LEAVE THE CONTINENT just to get his attention.
the get-together:
tori gets herself into hot water that makes her go "oh, hmm, i may have fucked up for good this time"
current scenario i'm imagining (some rotating needed): iwa is ALSO onto Insane Rando Fuinjutsu User running around, and they end up grabbing tori and moving her into like. an actual field prison for ninja, in a major iwa camp in one of the smaller countries. the rumor among the other captives (mostly konoha ninja) is that they'll be moved to iwa proper eventually, and tori is.... pretty sure she's actually fucked forever if she ends up in iwa
but! she has other prisoners! who are ninja! and she's like: "look, despite knowing i can do fuinjutsu, they don't seem to have the slightest idea HOW i've been doing it, because i can still make a blood seal whenever" and she gets to be an integral part of an escape plan!
but she gets left behind/immediately recaptured because no one ACTUALLY cares about her and helping her >:(
i might change this but ONE concept i have for how this pans out is that hiruzen's non-asuma child (konohamaru's parent) is one of the captives. so it's a VERY politically important captive who isn't necessarily very badass by themselves. so the mood is like "this person needs to be rescued, but they're not like some A-tier person who can rescue themselves," which is why minato himself gets sent in
tori, while she's being smacked around by iwa leadership for being a part of the escape attempt that lost them their most valuable captive, realizes that she did actually fuck up in attempting to escape, because she HAD a shot at Konoha rescuing her if she stuck with the other captives, but now those captives are free, and no one is coming for her
MEANWHILE, minato has connected witht he escaped konoha-nin and pieced together that tori was with them but they left her behind
minato: oh minato: BRB
and i've decided in THIS au, THIS is minato's "kills 1000+ Iwa-nin in one shot" moment
so he shows up, covered in blood, kills the guy who's been torturing her, and is like "tori, are you okay?" and it's his speech he gives everyone except he's not using his pretty smile she now KNOWS is fake and he's tenderly wiping blood off her face
and tori is just. SO fucking weak to this. you became the most lethal ninja in history? for h e r?! 🥺🥺🥺
and then they make out 😌
i'm not sure how the rest of the story goes. i think minato's preferred way forward would be for tori to go into konoha's employment, but i don't think she'd like that. but also she suddenly is less interested in leaving the continent so now she maybe has to fix some things?
tori: oh you have a genin team now? um unrelated but there is a cave near kannabi bridge with an old man you must kill minato: wh minato: why do you sound like like a wizard giving me a quest minato, a month later, finding Uchiha Madara in a cave: minato: minato: TORI WHAT THE FUCK
but anyway after that when she's like "we have to find a plant guy and kill him too" then minato is 100% on board because she is. some sort of witch?
also she lets him draws a hiraishin marker on her For Safety and he's weirdly horny about it
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thewhimsyturtle · 17 days
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I knocked over my outdoor plastic plants, buried them, and sat on them, but this corner still won't let me out?? Mom, this corner is broken!
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toptophat · 1 year
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Like/Reblog this to be promoted to BOY - MINION BOY!!!!
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angryplebianart · 7 months
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Murdoc: none of my enemies will find me on this remote island!!!! muahaha
Also Murdoc: "hey all, here on my radio show I will repeat my exact location every few minutes because I think no one is listening lol did I mention how silly and funny (and drunk) of a guy I am"
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botherbug · 1 year
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source
large file, smaller file
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appri-dot · 6 months
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Various kitchen utensils
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pigswithwings · 2 years
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Can tech really die? Let's find out!
A stimboard for the destruction of computers, phones, televisions, and other technology.
X | X | X
X | X | X
X | X | X
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quietwingsinthesky · 11 days
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sometimes i think about my spn oc and how i rewrote everything about amara to interact with the story i was trying to tell about her. there were some really neat ideas in that i need to recycle for something one day. like, in the show proper, they just let amara take over a human baby and that’s fine, but amara’s not Meant To Be Here. this entire universe is one constructed in her absence. saying she can possess a human body should be like saying if you took a person and sent them to a universe where 1+1=3, they could just figure out how to function within that.
which in story took the form of Amara being something that could not be Understood, only Rationalized. a force locked outside the narrative who could only get inside and destroy things if given a role within it. by the Winchesters as A Monster To Face. by Chuck as Wayward, Unreachable Sister. and by miss oc as. simultaneously a projected creature to be saved, an amalgamation of injustices done to herself (and others) that would never be righted but could be made up for by being a part of this. and as something impossibly powerful that could be both protection and purpose.
and the Darkness wasn’t any of those things, really, but to have agency in her own story required new shackles, but ones she was always straining against. she wouldn’t fit inside the confines of a human mind, let alone a body, at least not well enough to leave it Intact. like lucifer burning through nick, but Worse. because the burns were an expected outcome of skin not strong enough to hold him. humans were built for angels, some were built better and some worse, but they’re meant to work. putting amara in human skin should disconnect the skin and mind and soul from the reality her brother built itself, i think. slowly. bit by bit.
and at the same time, i’d gone and written the kind of wild scenario you really can only write for your thirteen year old mary sue, given that spn oc the part of herald/high priestess/failed vessel. which she pursued with wild abandon like that would fix anything wrong with her <3
in the end, running alongside the borrowed family theming of the original show was my own theme of “how much self-annihilation will you accept to make your point. are you accepting it, really. or are you seeking it.” not just physically, in letting something unmake the base components of what you are as it tries to fit inside you or in it constricting and suffocating itself beyond self-recognition to get inside in the first place, but, obviously, it’s supernatural, how much selfhood do you cede to your family. is it worth it.
it was interesting, if nothing else. let thirteen year old me cook. she had ideas.
#spn oc#don’t mind this i’m rambling about nothing i felt nostalgic about her (<- my oc)#there was also an explanation in the mix for why amara was called amara in this au too despite. you know. not being a baby.#and it was like. a vessel’s desperate attempt to separate itself from the thing inside it by naming it something other than itself.#like a last moment of self-preservation. the opposite of lucifer using nick’s face and us all agreeing to think of it as his. you know?#and amara means beauty.#it’s a very human need. to name things. and the thing is that humanity itself is antithetical to what amara is. in this au.#not because of any inherent quality of it. but because it was not made with her in mind.#i keep bringing up lucifer but he’s such a good comparison case of what thirteen year old me was trying to construct here#and what i can better explain now that im. not thirteen. but its that. lucifer has beef with humans because they have common ground.#the only reason he can hate them is because they’re recognizable to him. terrible little cockroaches. but something he understands.#amara as i conceived of her could not hate or love or understand humanity. or the world. or anything as we know it. because it was not made#to be seen by her. it was made with the express purpose of her never encountering it.#when i was thirteen i wanted her to be so much more alien than she was. unfortunately this is supernatural and supernatural deals in#Just Some Guy forever and ever <3#but it was my story so i made her fucked up and weird and beyond comprehension.#except. of course. when forced to bend into a shape that makes her Not her.#i don’t think proper envesseling would have been a process either her or the oc survived. not because they’d die but because they’d get.#stuck? i think? that was what the intent was. that they’d get melted together like plastic toys.#chuck had a nice smooth envesseling in this au because these toys are made for him.#and angels need consent and angels get bleedover from their vessels because the toys are shared with them but they’re closer to being toys#themselves too.#i’ve rambled enough honestly no one cares about this but me aksjfkjfks#what was i talking about. right! the naming!#the naming of amara is a nail in her coffin because she is named and it is so human to be named and to be perceived and to be shaped by that#perception. even without malicious intent. even to be looked at as destruction itself and be named beauty.#in the same way you kill what something could be by learning what it is. the way a unicorn dies when you discover how rhinos were drawn.#does that make sense? that’s what kills her. bit by bit.
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theofaron · 2 months
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anyway my fave thing is when Murdoc says he kidnapped and gassed 2D and thought it was really weird his shadow looked like the boogieman ontop of admitting he did several things he swear he saw boogie do
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damondays · 1 year
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One day I'm gonna sit my ass down and analyze the blur albums. Like I especially wanna talk about the self titled, but I feel like I'd first need to start with the previous ones just because it's relevant for the S/T. And now I'm also interested in talking about BoD, but I have like seven albums to get through before that and I think it would be neat to just do it as a complete thing (tho idk if I have much to say about some, esp Magic Whip except that I think it's good music? Idk if it says as much as the other ones?) anyway...
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unfortunately the young master finds himself still confined to his zencone
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thewhimsyturtle · 4 months
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My corner is not a "disaster", Mom! I can still get into my hidey hut just fine, see?  You just don't understand my redecorating genius!
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I'm just gonna blame all the weird characterizations & directions post-Plastic Beach Gorillaz is going in as the after-effects of The Evangelist pulling some dimensional strings in a desperate move to prevent the end of the Gorillaz' world by ocean draining
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Aphorism 180. The Philosophy of Tropical Littorals and Seashores.
Satyendra Sunkavally.
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