#did I find any male ones? no

[doctordbd]

“Doctor is it true you looked up jack in the box x reader after watching one too many edits of him on tiktok?”

Me:

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[possamble]

realizing im kind of a weirdo about laios and marcille

[perilegs]

my hair is way too short for me to try a new hairstyle but we'll see what happens

[dbphantom]

Hate having adhd went to go work on my fallout modpack, got distracted while going to disable the steam overlay, ended up in the points shop, went to go edit my profile, decided to change my pfp, found a buried folder I forgot existed, found some old Veneer art I forgot existed, spent 45 minutes looking at all the old photos, STILL HAVE NOT TOGGLED ONE SIMPLE OPTION THAT SHOULD'VE TAKEN 30 SECONDS AT MOST

[longagoitwastuesday]

This has been me lately

[waywardsalt]

oh yeah i’ve got a bunch of loz aus that i haven’t really talked about. a few of them are listed and slightly explained in this poll and explanation reblog but i haven’t gone out of my way to actually list the aus i have and really explain them. so that’s what this post is for. here are some... decently simple explanations of my major aus and what they're generally about

i have two kinds of aus: original aus (loz aus that are set in their own kinds of worlds with their own stories and twists on character roles) and then crossover aus (we all know how this works i just mash loz and a thing i like together)

original aus: (many currently dont have actual titles, so the titles will often just be concept shorthand)

in the court of the crimson king/crimson king au: probably the most developed and closest to being written out. it's got one of the longer premises; set in a industrial-esque hyrule city, following linebeck as the main character, as the adoptive older brother of link and aryll, living with them and their grandmother as the only one able to reliably make money to pay for rent and food, leaving every other week to do jobs, but he moonlights as the 'demon of the gray moon', a masked persona he'd created as a child that had long since become a city-wide urban legend, anonymously taking unsavory jobs from whomever can contact him and offer pay, often working directly for bellum, a childhood friend, the one who enabled and trained him to become the demon, and one of five anonymous leaders of the city. linebeck effectively lives a double life, and tries to stay out of too much trouble to avoid drawing attention to himself or making his adoptive family worry, but he gets dragged into more and more danger as bellum becomes curious about the identities of the city's other leaders, and linebeck falls in love with a man named ganondorf, suspected to be one of those other city leaders. ive got a few posts related to it already: this one being another vague concept descriptor, this one being an actual scene i have written out.

'gimmick' au: i cannot explain the gimmick without spoiling the au. put simply, in this au, hyrule as a whole has been at war for ten years, every race and kingdom taking sides in a conflict that seems to be going nowhere. link joined the hylian army young, and has made his way up the ranks to become trusted by queen zelda herself, and things in the war take an interesting turn as he and zelda discover a new faction, unaligned with any particular kingdom and with unknown motives, and zelda decides to set out to the different parts of hyrule, link and a chosen group of trusted allies in tow, intending to try negotiation one more time before things take a turn for the worse.

sci-fi/space au: the fun one that probably would need to be done in a visual medium. it takes place in a solar system of a few planets, link growing up on the planet hyrule and occasionally traveling to the others as a knight specializing in investigating and taking down dangerous bounty hunters, working for zelda as a friend. he and zelda uncover a plot by the yiga clan to accumulate a number of highly dangerous research and weapons held by each species as they aim to resurrect a demon to wreck havoc on the solar system- the b plot being about the top bounty hunters in the solar system screwing around, eventually colliding with link and zelda's a plot as it begins to involve them.

murder mystery(?) au: one of the older ones, maybe one of the oldest that i still stick with. this might actually be one of the first ones i tried writing. the plot begins when zelda returns to hyrule city years after her father- the former mayor- was murdered, finding that he has been replaced by ganondorf and that while things seem fine enough on the surface, random and organized crime run the show, and she begins a private detective agency as 'sheik', a masked young man, and with the help of impa, and old friend and confidant, she moonlights as sheik and uses her daytime identity as zelda to help chip away at some of the city's biggest problems and finds herself drawn into a long string of murders that appear to be anything but random violence.

ruined hyrule 1: i have two au’s with the premise of hyrule being ruined. neither of them have more specific names yet. this one begins with the majority of greater hyrule's population having long since locked themselves in hyrule castle town in order to escape the increasingly dangerous wildlife. zelda, a young girl at the beginning, becomes curious about what lies beyond the city walls, and makes friends with many other children within this sheltered hyrule, and as they grow up together, aim to eventually venture out into the wilderness to see what may have caused the outside world to become so incredibly hostile.

ruined hyrule 2: the other ruined hyrule. set in a devastated hyrule, roughly ten years after the royal family was killed, link failing to save them or hyrule in the time since. he now resolves to set out and indiscriminately destroy every demon that plagues the ruined hyrule, meeting and bringing along various allies, each of which has been uniquely affected by and have different lived in this altered, dangerous shell of hyrule.

modern (school): i also have two modern aus. this one isn’t plot driven, just a concept i have, would work best as little vignettes or something. essentially just the idea of a group of loz characters hanging out together in a modern high school (or college?) setting.

modern: this is the one with an actual plot. follows the general idea of zelda characters living in a modern world only for the typical legends to begin resurfacing and heralding dark events. plot specifics are murky, but that's the general idea.

dark mage: this is the au that where the seas meet the sands takes place in. basically just ganondorf x linebeck shenanigans in this alternate hyrule while actual plot sneaks up on them. named 'dark mage' mostly because the initial idea behind this au was that linebeck would learn magic.

horror au: doesn't have the best name, and it's ended up just being a personal sandbox for me. constantly changing, with the cast and setting often altering if i find that something isn't working or sticking. it's an au i've considered (and even briefly tried) writing in the past, but it's still too fluid, and writing horror effectively is difficult. it's a fun au, though.

mecha au: spawned because i watched neon genesis evangelion. a lot of this au's basic concepts can be found here: x but the short version is that hyrule is being besiged by massive monsters, but each race has created their own mechs to combat them. link is just a farmer who happens to have a strange knack for being a mech user, so is brought in by zelda as a gamble to bolster their chances, and he is tasked with working with a new and less-than-trustworthy crew to help fight those monsters.

'amnesia link' au: an au that sprang up in about a day and hasn't gotten too far since. basic premise being that three years prior to the story, link and a group of allies has faced off against ganondorf and, despite their best efforts, lost, with link being presumed dead by their enemies. now, link has woken up from his coma, his memories gone and hyrule taken over, and, with guidance, must once again travel across hyrule, aiming to rediscover his allies and try to face ganondorf once more.

A quick list of crossovers: I won't explain these in length, since they can range from having their own plot to just being a fun mental concept. So, the things I have made crossover aus with are:

Warrior Cats

Batman

Jojo's Bizarre Adventure

Persona 5

Pokemon

(there are other, smaller ones, these are just the ones i consistently pay attention to)

So! These are the majority of my legend of zelda aus, some of which I may write, some of which just exist in my mind for fun, all of which I wouldn't mind talking more about if anyone is curious!

[the-acid-pear]

It's not easy to be a guy with a weird gender and complicated relationships with its sexuality and romantic attraction and fat and autistic and traumatized to the bone but someone has to do it

[michaelmilligan]

Looking back on the time I felt so guilty because the female characters of any show were never my unchallenged favourites, and I didn't identify myself with them.

Like, I still loved them! Samantha Carter from Stargate, my beloved. Teyla kicks ass. Leia Organa, girl, your hairstlye is either the next big trend or a fashion disaster. Also you kick ass AND get a love interest that doesn't reduce you to being the girl™.

But yeah, I never identified with them, and I thought for the longest time that I was doing feminism wrong. As a girl, I must have wanted to be like those women, right???

However, turns out I was just doing 'being a girl' wrong. Because I wasn't a girl. And I projected onto the guys because I wanted to be a guy.

[crazyw3irdo]

terfs will so confidently say things that aren’t even true huh

[betawooper]

im typically indifferent when someone interacts with my posts here or on my art ones in my sideblog, but when it comes to literally anything transfem yoo joo-related and someone likes the post or leaves nice tags, i lose my mind for a while /positive

[wonder-worker]

"The feast of the Nativity of Saint John the Baptist being appointed as the day upon which the coronation of the king [Edward V] would take place without fail, all both hoped for and expected a season of prosperity for the kingdom."

-Excerpt from the Croyland Continuator / David Horspool, "Richard III: A Ruler and Reputation"

Even though Edward IV’s death was unexpected, after twelve years of peace there need not have been too much of a sense of foreboding about the succession. The great dynastic wound from which the Wars of the Roses had grown had not so much been healed as cauterized by the extinction of the House of Lancaster. There was no rush for London, as had happened in earlier, disputed successions. The royal party didn’t set out from Ludlow for ten days after hearing the news of Edward IV’s death, while Richard took his time, too. And the new king had [his mother the dowager queen and] two uncles to support him: his mother’s brother, the sophisticated, cultured, highly experienced Earl Rivers; and his father’s, the loyal and reliable Duke of Gloucester, to whom Edward IV had entrusted unprecedented power and vital military command.

... [Richard of Gloucester] had achieved his goal by a mixture of luck and ruthlessness, and if he made it appear, or even believed himself, that destiny played a part, this only made him a man in step with his times. Modern historians have no time for destiny, but sometimes the more ‘structuralist’ interpretations of the events surrounding the usurpation can come close to it. When we read that ‘the chances of preserving an unchallenged succession were . . . weakened by the estrangement of many of the rank-and-file nobility from . . . high politics, which was partly a consequence of the Wars of the Roses and partly of Edward IV’s own policies’, it is hard not to conclude that an unforeseeable turn of events is being recast as a predictable one. But without one overriding factor – the actions of Richard, Duke of Gloucester after he took the decision to make himself King Richard III – none of this could have happened. That is, when the same author concedes ‘Nor can we discount Richard’s own forceful character’, he is pitching it rather low*.

Edward IV had not left behind a factional fault line waiting to be shaken apart. Richard of Gloucester’s decision to usurp was a political earthquake that could not have been forecast on 9 April, when Edward died. After all, Simon Stallworth did not even anticipate it on 21 June, the day before Richard went public. We should be wary of allowing hindsight to give us more clairvoyance than the well-informed contemporary who had no idea ‘what schall happyne’. This is not to argue that Richard’s will alone allowed him to take the Crown. Clearly, the circumstances of a minority, the existence of powerful magnates with access to private forces, and the reasonably recent examples of resorts to violence and deposition of kings, made Richard’s path a more conceivable one. But Richard’s own tactics, his arrest of Rivers, Vaughan and Grey, the rounding up of Hastings and the bishops, relied on surprise. If men as close as these to the workings of high politics at a delicate juncture had no inkling of what might happen, the least historians can do is to reflect that uncertainty [...].

(*The author who Horspool is referencing and disagreeing with is Charles Ross)

[nomairuins]

i unlocked a new voice earlier btw but i cant do it that much bc it requires me to be nervously laughing and breathing very heavily and it had me gasping for breath for like 30 minutes

[bungusofficial]

mutual how are you so good at getting into arguments with people who agree with you

probably bc i only respond to people who cant write or read

"rape play can be consented to" and "rape can be consented to" are VERY different sentences. n like honestly i shouldnt even have bothered.

if you have such a fundamental misunderstanding of the english language i wont waste my time trying to communicate with you. when every word means something different its not really english anymore is it. if everything u say is so divorced from the english language that i need to ask you to repeat and translate everything i dont think im at fault here

i might just cut contact w anyone in the community because everything i say is misunderstood and misrepresented and not taken seriously if im not sucking up to people.

and so many words have new double-meanings and im led to think i disagree with ppl because theyre fucking incapable of writing a coherent sentence. and then its my fault somehow.

and its not like 'transid' or paraphilia dont exist outside of the radqueer community. everyone wants to change things about themselves. everyone changes. people are into weird shit and have mental disorders. i dont have a problem with peoples experiences.

n if rqs put any effort into what they say (or even didnt blame me for assuming that a word doesnt have any new secret meaning) id treat it the same as the mogai or liom community. whatever. kinda fun. sometimes theres a relatable label

.delete later

[vexx-the-egg]

.

[katszumi]

“have you seen the abs on that man?” hagakure sat across of you. “sexy on a stick, i swear!” she giggles. she was going on and on about the guy that starred in the superman movie you girls put on last night. henry cavill was his name.

mina agrees with her statement with a nod. “he’s the hottest white man i’ve ever seen before.”

“sure, he was hot, but are we forgetting the misogynist comments he’s made? sexy is one thing, but being controversial is a whole ‘nother thing.” uraraka inserted her input.

“oh, please. i’d cook and clean for him anyday he asks.” mina retorted. both uraraka and yaoyorozu shake their head in shame.

“speaking of controversial.” uraraka murmurs under her breath, you peer over your shoulder, wondering the intent of her statement.

you notice bakugou making his way over to your desk, his eyes planted on you and you only. you shift uncomfortably. why the hell would he be coming to you? did you do something?

once he makes his way to your desk, you look up at him with a half smile.

“hey, bakugou. what’s up?”

his eyes analyze the other girls before looking back down on you.

“my pencil?”

you flutter your lashes at him. “pencil..?” you repeated in a trance of confusion.

he groans. “the fuckin’ pencil i gave you last week. i need it back.”

now it all clicks. you nod, laughing nervously because of your stupidity. you reach in your backpack and grab the black mechanical pencil that you forgot to lend back to bakugou.

your arm extends to the male in front of you, waiting for him to snatch it back.

“sorry.”

he gently grasped onto the pencil, his hand brushing against your fingers for a small moment.

“it’s whatever. just rather not be the one to find you after i lent you something.” he shoved the pencil in his pants pockets, leaving his hands in there. “that’s one of the last pencils i have.”

you shoot your eyebrows up in defense, quickly lowering them after. your eyes falling down to your desk for comfort.

“well, hope you take care of that one.” it was a half-joke. a lame one, might you add. you were just unsure on what to say. especially since it seemed like bakugou was lingering around your desk. as if he didn’t want to return to his seat just yet.

“so, what’d you score on your test?”

“ah…it wasn’t the best, but it wasn’t horrible.”

“well?” was he really desperate to know that bad? you knew bakugou was smart, so he probably only wanted to know so it could boost his ego.

you rubbed your arm out of shame. “a seventy-nine.” you stared at his face to recognize any humility or laughter, but there was none.

he shrugged. “should’ve asked for my help if you needed it.”

right. you almost forgot that bakugou offered to help you study and go over notes with him for the next test. it was such an out-of-bakugou thing to do that you nearly didn’t take him serious.

you nodded slowly, processing his information.

“i was planning on making it up, so maybe for that.”

“fine.” his short one-worded response was dull. but what else did you really expect? “next time, don’t steal my pencil.” was his last comment before leaving your presence.

you sat in your thoughts, reeling the conversation back in your mind. what the hell just happened? it was the most simple yet confusing conversation you’ve ever had. was bakugou joking with you or was he seriously irritated with the pencil situation?

regardless, you made a mental note that bakugou was very protective over his mechanical pencils.

once bakugou returned to his seat, he unzipped his backpack, secretly opening his pencil box. within the box were a collection of pencils. there were so many pencils that he could give one to all of class 1a and 1b and still have few left.

aside sat denki who was clearly peeking inside of bakugou’s bag.

“damn, bakubro. you saving up pencils for a potential pencil outage or something?” it’s denki. of course, he never used his inside voice.

“i will literally blow you out this fuckin’ window and across the lot.” bakugou turns his head immediately, a faint pink blush spreading across the apples of his cheek.

bakugou just didn’t want you to know that the pencil was obviously an excuse to talk to you.

pt 2 of the study sesh