"Yıllar boyunca kablosu çekilmiş,ölü bir radyo gibi yaşamıştım.Hayatın diğer alanları gibi kadınlarda ilgilendirmiyordu beni.Ölü bir radyo havada ki frekansları algılayabilir mi hiç?"
Hayata küsmek bu kadar kolay mı?
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azula as zuko’s evil advisor is so funny to me i actually fuck so hard w this concept. she gives zuko advice and then zuko looks across the room to sokka and sokka just discreetly gives him a thumbs up or thumbs down. one weekend sokka, aang, mai, toph, suki, katara, and anyone else who might have a modicum of common sense all go out of town for like. omashu coachella or smth. and when they come back the entire palace is in shambles, zuko’s just sitting on his throne shinji style, and he’s just like “i’m so sorry….. her advice seemed so cogent….. she made trickle down economics seem so reasonable……. why weren’t you there….. YOU SHOULD HAVE BEEN THERE, GODDAMMIT!!!!!!!” while azula slyly sips from a cunty chalice she had personally made just for moments like this.
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touya is halfway through his workday, grease up to his elbows, little jumpsuit half undone down to his waist, when iguchi comes in to tell him "someone's askin' for you out here".
he's not sure who it could be, but there's no telling, so he just decides to take a smoke break and wander out of the automotive garage, maybe imagining one of siblings out on the pavement.
but the minute he sees you, he stops. nearly drops his cigarette on a rough, "oh shit."
it's been a while since he's seen you, a year or two, and the packet of paper in your hand can only mean one, bullshit thing.
"nah, nah, nah, i ain't signing any papers," is how he greets you, shaking his head the minute you start up the path with a big, determined frown. touya doesn't run, but he sure twists on his heel and starts back up the path, too, as you start calling out his name.
practically all of his coworkers are watching when he comes back into view, not bothering to hide how nosy they're being. their audience makes you falter just a tad and touya clings onto it; anything to stop you.
"never a good sign when your wife comes to find you at work."
there's a long silence, from everyone. when he looks back at you—at your manilla folder and carefully stapled documents, your petition for divorce—your eyes are heavy and wet, almost the same way they were when the two of you stood in a courtroom, lying about your age in order to pledge until death do you part.
almost. now they're just sad.
from somewhere in the garage, toga calls out a bewildered, "you have a wife?" that makes him feel a way he can't understand, both amused and devastated all at once.
your wedding ring isn't on your finger, but if he stares long enough, he can maybe see the difference in color of your skin, a former tan-line that's begun to fade.
he sold his for stuff he shouldn't have been buying, stuff that ruined him and you and your marriage, a long time ago.
but touya only smiles, and calls back, "yeah, i do."
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It's kind of fascinating to me that towards the end of P&P, Elizabeth has become protective of Darcy and either a) actively tries to insulate him from Situations or b) wishes that she could and gets stressed that she can't.
Darcy deeply loves her and is very ready to do whatever he can to secure her happiness, but narratively, I think the emphasis at the end is very much more on Elizabeth's protectiveness towards him.
It's like:
When Bingley and Darcy first come back to Hertfordshire, Darcy is very quiet and Elizabeth can barely bring herself to say anything—until Mrs Bennet insults Darcy. Then Elizabeth speaks up.
Mrs Bennet enlists Elizabeth to separate Darcy from Bingley with another insult to Darcy. Elizabeth finds this both convenient and enraging.
That day, Elizabeth decides to privately tell Mrs Bennet about her engagement to Darcy, specifically so that Darcy will be spared Mrs Bennet's first unfiltered response.
Elizabeth fiercely defends Darcy's character and love for her, as well as hers for him, to Mr Bennet. She not only says she loves Darcy but that it upsets her to hear Mr Bennet's criticisms of him.
Elizabeth is both relieved by Mrs Bennet's ecstatic reception of the engagement and a bit disappointed by how completely shallow she's being about it, and 100% sure she made the right call in keeping Darcy away.
Elizabeth defends Darcy against Darcy himself, repeatedly.
There's a period where Elizabeth seems to unwind and laugh, but this passes, especially after Charlotte and Mr Collins show up. Darcy manages to stay calm around Mr Collins (I think this is framed as a significant and admirable achievement for him), but Elizabeth does not like him being in a situation where he has to deal with Mr Collins in the first place.
Elizabeth tries to shield Darcy from being noticed by Mrs Phillips and Mrs Bennet, who do seem to make him pretty excruciatingly uncomfortable.
Ultimately, Elizabeth ends up trying to keep Darcy to herself or to shepherd him around to relatives he can handle more easily, and is so stressed at this point that she just wants to get married and escape to Pemberley.
After their marriage, things are actually great at Pemberley and in their married life, despite the occasional complication.
Lydia writes a congratulatory letter to Elizabeth, asking for Darcy to get Wickham a promotion unless Elizabeth would rather not bring it up with him. Elizabeth really does not want Darcy to have to deal with this and handles it by privately setting aside a Lydia fund out of her personal expenses. (IIRC, it's not clear if Darcy even knows about this.)
Elizabeth also is the driving force behind Darcy's reconciliation with Lady Catherine.
This could read as an unsettling, unbalanced dynamic and a very odd ending point for the arc of a woman like Elizabeth, but in the context of the overall novel, it doesn't feel that way. Or maybe I'd see it more that way if I interpreted Darcy (and for that matter, Elizabeth) + their arcs differently? But as it is, I do think that by this point in the story they are genuinely doing the best they can, independently and for each other, and they've both come a long way. They shine in different contexts and support each other as much as they can in the circumstances that do arise.
It seems very them, in terms of their temperament and abilities, that Elizabeth would put all this effort into shielding Darcy, while at the same time, Darcy completely cuts off Lady Catherine for insulting Elizabeth and only ever speaks to her again because Elizabeth wants him to.
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Some Apocalypse Seer twins,
Also the first of my January Speedpaints (Aka make-up work for my missed december speedpaint. I will be doing a second one mid-January.)
Was suggested by @soniclozdplove a few weeks ago. (the suggestion was technically just "seer twins" but i went the apocalypse boys route. I felt the need to draw a billowing cape lol.)
i kinda want to rant about some shit, particularly to do with Donnie's cloak, like how it's darkened over the years, and how between the dark cloak and the fact that if Donnie "rescues" someone they either come back dead or soon to be dead (compared to Leo who's rescues always live), he ends up with a Grim Reaper sort of reputation. But, then again, that's really it on the subject and i'm pretty exhausted rn.
anyways, video link will be up once it's available.
Edit: Speedpaint Link
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In watching more interviews with Liv about Van and the escalation of Van's pragmatism to such dark degrees, I find myself genuinely baffled that anyone could ever think Van the bad guy. I mean, I'm perplexed at finding ANY of these girls The Bad Guy. The bad guy is the situation. It's being lost. It's freezing. It's starving. It's being scraped down to the barest bone of being alive. They make choices that might be snippy, or cruel, or hard-headed, sure--Shauna refusing to just hash it out with Jackie; Jackie being too stubborn to come inside; Taissa refusing to discuss her situation plainly; etc--but by the time we reach the end of season 2, it doesn't even matter. Petty bullshit doesn't matter. Jealousy doesn't matter. Those things are still going to be present and complicated, because--for all their choices, for all the distancing they're trying to do--these kids ARE still human beings. But it isn't the point.
The point is survival. Plain, simple, straightforward. Van's pragmatism is survival. It is the difference between living another day with blood on your teeth or dying pretty. It is the difference between fighting forward through the fire and the snow and the hell of it all, and laying down to die. Van knowing, in watching the ritual violence of Shauna beating Lottie nearly the death, that they will be killing and eating one another soon. Van coming up with the cards for the hunt. Van not blinking when the moment comes, Van choosing a weapon that doubles as a tool to bring the body back, Van refusing to apologize for staying alive--it's not evil. It's not Bad Guy behavior. It's purely about survival, because there is nothing else left to her--or to any of them. They can play the pretty little Sweet Angel Girl game and die, or they can get dirty, bloody, horrific and fight. Van chooses the fight. Van chooses to fight for herself, for her lover, for her team, even knowing not everyone is going to make it out...because the alternate path there is that no one makes it out. Van knew the baby wouldn't live. Van knows the rest of them won't, either. Not unless they start making the hard choices.
And, honestly, the fact that Van sees this narrative coming. Comes up with this plan. Brings out the cards. To me, that is the opposite of Bad Behavior. That is as close to justice as anyone can find in the wilderness. If someone else came up with an idea, maybe it would have come down to voting--but that would have had such a human element to it, with bitterness or hostility or whatever ultimately petty shit always comes of humans selecting who to Other. The cards don't leave room for that. It isn't fair, because the situation isn't fair, because Man vs. Nature isn't fair, but it's as close to a just system as they could possibly find. It's the kindest solution to an unwinnable game. Not to bring it back to American Gods again, but all I can think is "it's easy, there's a trick to it: you do it, or you die." Van gave them that.
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