#dj professor k

[rico-tyrell]

SEGA has finally announced;

NEW JET SET RADIOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO

[deanthe]

JET SET RADIOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO

[genczilla]

[7grandmel]

Todays rip: 02/03/2024

One-Winged DJ

Season 7 Featured on: The Year of Grand Dad Sound Selection [Side A]

Ripped by duuzu, digboye, COCONABE, l4ureleye, Netyasha Roozi, Jiko Music Performed by Chase Beck

You may have noticed that I try to keep an air of suspense when doing posts on the King for Another Day tournament such as Thank You, Everybody!. That is, of course, to not spoil the victor of Season 4 Episode 1's year-defining event - but at this point, it's a bit of a fruitless endeavor to try and uphold. Because DJ Professor K's victory celebrations haven't just been contained to his awarded day-long takeover during Season 4 Episode 2 - the takeover that gave us incredible rips like AIN'T NOTHIN' LIKE A CHUNKY BEAT, 88811, Ska Cha Cha (Rotten Mix) at an absolute breakneck pace during the SiIvaSummer All-Star Festival. Because during that takeover, a new flame was kindled - a flame by the name of Jet Set Radio Evolution.

Hideki Naganuma's style of sample-filled funk music is DJ Professor K's headlining ripping source, the one most closely associated with the game that the character originates from. Yet its a style that can be expressed in so many ways, not needing to be derivative of any prior existing songs from the two Jet Set Radio games - September, for instance, is able to sound authentically Naganuma-esque whilst being built off of a song as far away from his style as possible. Jet Set Radio Evolution, then, is an entirely made-up game - its name and logo deriving from a declined proof-of-concept, but its "soundtrack" completely made up by the SiIvaGunner team. This is far from the first fake game on the channel, and not the first one to be done without much of a shred of irony (Kirby Rip Attack is due for coverage on here) - but, notably, its a fake game born specifically to keep DJ Professor K's impact on the channel alive in the Seasons past his takeover. And, well, it took a few Seasons, but during Season 7, the team started going truly ham in utilizing its true potential.

There are a number of these Jet Set Radio Evolution rips I want to cover on here, both ones from DJ Professor K's takeover and from its revitalized usage during Season 7 - but to me, it was One-Winged DJ that really showed just how much flexibility rippers have with Naganuma's style of music. One-Winged Angel has long been seen as a sort of legendary track to rip due just how extensive of a song it is, a song that has a distinctly menacing feel to it that I can't imagine is easy to translate into a rip. Rips like One Winged PSYcho - V​.​S. Sepsyrop feel like absolutely herculean endeavors, and during Season 7 in particular we saw an absolute tidal wave of rips using it, as if it were just any other meme source in the channel's backlog and not this legendary 7-minute long work of art. Hen'yoku no Piraman was the first of these I covered, and while One-Winged DJ is likely far from the last, it still manages to feel like it sticks out from the crowd in just how dense of a sound it has - likely a result of how many people contributed to its creation.

There's the obvious highlight, of course: Chase Beck, the voice of DJ Professor K himself, returns to the role with new lines to supplement the original choir in latin of the original song, and it immediately gives the rip a charm to it, especially all these years after the original event and after Chase Beck's last "needed" performance as the character had long since passed. Before that even gets to kick in, though, its hard not to notice just how many different parts of Jet Set Radio's soundtracks are utilized right from the beginning: a bassline and voicelines echoing That's Enough, samples and pacing from Sneakman, the interlude's melody broken by the noise and chaos of The Concept of Love, and all throughout using small little sound effects and one-second samples from all over the games' soundscapes.

This is the kind of rip I could sit here and dissect for pages on end, yet I believe the point has been made abundantly clear already. In a Season already FILLED with celebration of every part of SiIvaGunner's life, One-Winged DJ is an absolute flex of a celebration, reminding us all of why DJ Professor K truly earned his win whilst showing just how much there is to still be done within the ever-appealing Naganuma style. I'm beyond proud of the rippers involved in how this rip turned out, and hope that the Jet Set Radio Evolution rips continue to impress into Season 8.

[teoft]

Jet Set Radio doodles

[shf1art]

King for Another Day - Final Four! [2019]

The KFAD2 Final Four: Law & Disorder, Missingno, Mariya Takeuchi, and DJ Professor K.

This part of the tournament was possibly the most hype round, so I had to draw these four reaching out to grab the crown. ...Who will be the King?

[theultimatesexypeopleshowdown]

[slasherfreakz]

Sum little poopies ❤️

[disaster-reasonable-48]

Hi bc I am not yet done terrorizing the Space channel 5 and jet set radio tags, here have my crackship

Unrelated sc5/jsr doodles and shitposts below

[adokle]

DJ Professor K and Def Big before the latter caught the attention of the mainstream, and the former caught the attention of the feds. They're still cool with each other, I hear.

[lavalampghost]

hey there dj

[adeleinevee]

Chun Li and DJ Professor K for December's Tier 2 rewards! Merry Christmas and Happy Holidays! <3

[favoritesegacharacterbracket]

Round 0 Match

[cru5h-cascades]

Can't wait until the new Jet Set Radio comes out to see what sorta bat shit insanity Professor K comes up with lmao

[7grandmel]

Todays rip: 01/03/2024

Thank You, Everybody!

Season 4 Episode 1 Featured on: FINAL BOUT ~ SiIvaGunner: King for Another Day Tournament Original Soundtrack VOL. 3

Ripped by Expensive Dispenser

Requested by Alex Worm! (Request Form)

God, man. King for Another Day was magical, in so many ways. And I know, I know, that's something I've repeated over and over on here, to where you could almost argue my coverage of KFAD on here is a bit oversaturated - Sunday Morning, September, Here Comes A Thought, Lifelike Waterway...the event was simply overflowing with incredible performances from SiIvaGunner's entire team. Obviously the most exciting part of it all was the finale, and I discussed perhaps the loudest part of that in NIGHTMARESCAPE 〜Unrestrained HyperCam 2〜 (Final Boss Phase 2). Yet, when the dust had settled on that final battle, there was still things to be done. A battle between the tournament's two finalists, yes, but more importantly: A thank you to be given.

It's difficult to grasp just how gargantuan the event was unless you were there to see it all unfold piece by piece, and it's all made yet more jawdropping when you remember that SiIvaGunner still operates entirely as a non-profit, hobbyist endeavor. Back in 2016, the channel had started out as nothing but a pool of pure self-expression, an extended running joke left driven by impulse and commitment to the bit; yet four years in, it had morphed into an entity with continuity, with lore, with running jokes and ongoing storylines...and a devoted group of fans eagerly loving it all. The original King for a Day Tournament back in Season 3 was a rather sharp left turn for the channel's trajectory up to that point, and was only conceived as a way to give the channel something to do during an agonizing copyright strike - yet it wound up being a surprise highlight of the entire year for many of those devoted fans. To have the status quo of the channel's proceedings shaken by a random one-off event, and thus in a way change just what those same fans would expect from the channel in its years going forward...I imagine there must have been a lot of pressure on the SiIvaGunner team in developing the second tournament as a result. In a way, it's sort of felt to me like one of the first ever projects on the SiIvaGunner channel developed specifically to satiate our expectations, rather than subvert them.

What I'm getting at with all this is, that the King for Another Day Tournament was a one-of-a-kind project, one that kept one-upping itself with every step along the way, to the point where several commenters were noting just how insanely high-effort of a project this had turned into - if, for no other reason, than to surpass our expectations. With each MOJO post, each huge-in-scale arrangement, each twist in the tournament's proceedings, it felt more and more like we truly didn't deserve what we were getting. One part that I'm still in awe over was what I covered back in Fall Breaks: as the tournament's two finalists in Mariya Takeuchi and DJ Professor K were about to face off, we were treated to FOUR incredible collaborative arrangements between the two. We were, throughout the entire event, *spoiled* in so many ways, and the excitement through it all was absolutely palpable.

Yet, mere hours before the Grand Finals results were announced, on Christmas Eve of 2019 - we received Thank You, Everybody!

I remember it all clear as day, as one of the first SiIvaGunner rips to make me emotional within just the first few seconds; no, I'd say before I even clicked play. Here was this team of hobbyists, arrangers, composers, musicians of all kinds of trades from all over the world, putting together a project of this scale with no reason but for the love for the medium...And after a project of this scale, they were thanking us. US! The viewers, the fans, who hadn't contributed a single cent, who had no right to demand, no right to expect anything from what the team was to deliver with this tournament. At first glance, it felt completely backwards - until I clicked the video itself and was reminded of what SiIvaGunner truly is. A community.

The team were thanking us for everything else we had done to push them along this crazy ride. For our commitment to following this silly idea for a YouTube channel, for being so vocal about our excitement in so many fields, for speculating and engaging and spreading the word of the tournament throughout the year, and for - in the process of all of that - helping turn SiIvaGunner into a full-on community, scattered as it may at times feel. Yet check the comments on the YouTube upload yourself, and you'll see a community that was - for once - wholly united. Three hundred and nintety-two comments, all of which express the same sentiment, a unified thank-you sent right back for the team for the event they had put together for us.

These feelings are what immediately come to mind when I think of Thank You, Everybody!, but it of course helps that the rip itself is absolutely fantastic at amplifying those feelings. It's not a triumphant, bombastic credits theme - the final results were still to come, after all! - but rather plays to the strengths of Mariya Takeuchi's patented City Pop style for a lo-fi melody cruise. Primarily building on Tyler, the Creator's GONE, GONE / THANK YOU, it implements sprinkles and stylistic flairs of Hideki Naganuma music such as that featured in Jet Set Radio, little hips and hops and record scratches to always remind you which two characters the rip is build upon, yet with a tone that makes it sound as if the battle has just wrapped up.

Its an amazing listen in so many ways, be it with the sappy context given in mind, or just as a fantastic piece of music that shows just why these two were the ones to make it to the tournament's final round to begin with. In both Takeuchi's city pop and Naganuma's sample-funk, we the audience found a kind of sound that was otherwise missing from the channel, we formed a connection with these characters, with the people behind them and their rips. And regardless of who the winner would be revealed to be just hours late, Thank You, Everybody! would remain a beautiful end to the tournament's proceedings, and in its title alone a perfect reflection of our sentiments toward the SiIvaGunner team itself. Thank you. Everybody.

[spin08]

BRO WE HAVE A BRAND NEW JET SET RADIO OMG LET'S FUCKING GOOOOOOOOO!!!