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#do I care? No!
mangowafflesss · 14 days
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Soap losing a bet so now for the entire night he has to walk around like this >>>
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TMNT ideas that I’d love to write, though I don’t know how or when:
-Crossover between Rise and 2012 (and maybe 2003) where they all are stuck in Rise’s New York... and there’s a musical curse on the entire city. Cue shenanigans, incredibly unusual bonding activities, and of course, musical numbers. (All stolen from other musicals because I can only write lyrics once in a blue moon, and definitely not on call. Yet.)
-A classic ‘next generation travels back in time to the canon of the show’.. except the 12 and Rise nextgens both travel back in time and they swap dimensions while they’re at it, so the 12 Turtles interact with the Rise kids and vice versa. Also the Leo’s swap too because why not have even More chaos.
-The Mothman Festival/Competition, a Rise fic taking place about a year after the movie, where the boys accidentally strand themselves in West Virginia and then discover a hidden society of moth yokai and become bodyguards for the Annual(actual amount of times it happens unknown) Mothman Competition. Also Mikey gets a boyfriend by the end of it.
-Self-indulgent 2012 fic where I give Leo an enemies-to-lovers arc without raising the weirdness of his love interest also being Splinter’s daughter. And it’s gay. Also other things happen, because introducing a batch of OCs right smack dab in the first half of S2 is bound to change the timeline and course of history, but it’s mostly Leo Gay.
-A sequel (or several, if we consider the possible oneshots) to the fic I’m currently writing that I can’t talk about because oops, ~spoilers~.
-A series of oneshots for Rise, each focused on a different turtle (+ April, I’m sure) that’s essentially a summary of what happens to them over the years after the show and movie’s end, showing snippets of the trials and tribulations, covering both of the things I’m thinking out fics for (The Mothman Competition for example) and the ones I’m not/am not sure I’d know how to write (which of course could change), all of the fics ending on the same day.
-The Rise, 2012, and 2003 (maybe even the 87 crew) all gets stuck in a room and forced to watch stuff. What it is could be anything- AUs angsty and crack alike, each of their respective shows, or even a Lair Games-esque documentary by the nextgen kids. But shenanigans are abound.
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captainsparklefingers · 11 months
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So now that Dracula is on land, I think it's safe to turn all my worries back towards poor Lucy.
Her sleepwalking, which may have started as anxiety, is now going to look suspicious and concerning. How much of that is just something she does like her father did and how much is it Dracula?
Any comment about her color, complexion, and energy levels is going to be a source of concern. Sure, she has lovely color in her cheeks now, but that's because she's still got all her blood.
Anything that happens with Lucy is gonna set off all my alarms, even knowing exactly why and what's to come. I'm not completely sure exactly why Dracula decided she would be his first target, but she is, and everything is gonna be bad and worse news from here on out.
Poor Lucy :(
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willgrahamsleftear · 6 months
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started using kaomojis when I text and suddenly texting is a lot more fun
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h0bbs · 7 months
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H0BBS,   A STUDY FEATURING:   STRANGERS BY E.THEL CAIN.
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shivieroy · 6 months
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i just saw someone on my dash saying they don't like loki and sylvie together and i blocked them immediately. i love being childish.
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etakeh · 6 months
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haunted-xander · 1 month
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If you skip a meal Senshi will materialize next to you w/ food at the ready
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beebfreeb · 2 months
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eastgaysian · 10 months
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Talking to myself out loud like a point and click protagonist
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ink-the-artist · 11 months
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Love the contrast between the Americans’ “Apollo” and the Soviets’ “Sputnik.” You got the Americans naming their rocket after a Greek god trying to communicate the grandness and importance of this rocket. And you got the Soviets naming their rocket “fellow traveler.” Like a friend you go on an  adventure with together. This rocket is our little friend lol 
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e8luhs · 1 month
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it actually makes me so sad that people consume media where every character is kind of an asshole and they just entirely overly sanitize every character and every problem thats caused by the being kind of an asshole thing. i loooove conflict i love people who suck. i love people who are good people but also still kind of suck in some ways because they are a person. most importantly you all do not understand the comedic potential of characters being kind of shitty to eachother.
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stuckinapril · 4 months
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i don't think people really understand what's happening in gaza. with each passing day that sees more and more palestinians dead, it's becoming easier and easier for those in the west to perceive them as nothing more than a statistic. they might engage w the occasional palestine post, sure, but it's just as easy to scroll right past that moments later w no real outrage for the genocide retained.
it's vital to stay reminded that palestinians who are with us today won't be with us tomorrow. it's happening every second of every minute of every hour, and it's relentless. somewhere in gaza a little girl is losing her mother, a little boy is watching his siblings bleed to death, elderly people are infirm with starvation and illness, palestinian women and girls are being sexually assaulted and kept in cages, fathers are leaving tents to find food for their families and not coming back. this is all happening right now, and it's a direct result of the west's complacency. it's a direct result of their not seeing arabs as people worth saving.
it might be hard to compute as a westerner, but this is real. don't let your privilege blind you to your humanity.
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thepixelatedcactus · 7 months
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flying the original character artist flag with pride
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daisywords · 8 months
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One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.
Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.
It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?
Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.
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