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atopvisenyashill · 3 months

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Bran The Time Traveling Toddler

Yes that IS a reference to the Tyrion the time traveling fetus theory. The thing about MY insane theories is that they actually make sense and I’m right. Follow me please down the worm hole!!

There’s very clearly Someone Influencing things when it comes to the Starklings and even the overreaching plot in general - there’s enough weird magic surrounding them, whispering in the wind, that it’s a no brainer they’re being watched over. The question is WHO and WHEN. For me, personally, I think it’s Bran, and I think it’s an older Bran from the future (whether it be Bran In TWOW and ADOS or Bran post canon) trying to lead his siblings to safety.

Now, like my Harrenhal meta, I don’t think I’m saying anything new so much as compiling what people have said scattered across the interwebs. There’s a lot of theories about whether Bran can time travel, time travel in general in the series, how george has dealt with time travel before, and about the three eyed crow’s identity and I agree with bits and pieces of what other people have said - preston jacobs is a more famous example of this theory for example. But I don't want to get caught up on things like time travel paradoxes because, like, i don’t care about that, and george has talked about how time travel is more fantasy than scifi bc it’s just not really scientifically possible. do you know what that means? it means there’s no weird physical paradoxes because it’s ✨magic✨ and Bran isn't literally going through space and time. It's as Jojen says-

With two eyes you see my face. With three you could see my heart. With two you can see that oak tree there. With three you could see the acorn the oak grew from and the stump that it will one day become. With two you see no farther than your walls. With three you would gaze south to the Summer Sea and north beyond the Wall

Through his greenseeing abilities, Bran can see the whole of a lifespan, from conception to burial, and can pop out at any point in that lifespan, because a span of 100, 1000, or 1,000,000 years is all the same to the weirwood. So I don't think it's in the realm of Crazy Ass Theories to say that Bran is capable of a more magic based form of time travel. That he can whisper in people's dreams, on the wind, taking on the voice of the old gods themselves and doing his best to nudge things the way he needs them to be in order to keep the people he loves safe.

I also don't think Bloodraven is Three Eyed Crow (though I do think he also uses this metaphor of "flying" wrt magic, and that's why Euron also has a comment about flying in his dreams - I just don't believe that metaphor originates with Brynden himself. Rather, I think he picked it up from somewhere else), but instead, it's Bran, using the weirwood network to get all the pieces on the board he needs where he needs them to be for the endgame. Notice that Brynden doesn't seem to know what Bran is talking about when he mentions the Three Eyed Crow-

"Are you the three-eyed crow?" Bran heard himself say. A three-eyed crow should have three eyes. He has only one, and that one red. Bran could feel the eye staring at him, shining like a pool of blood in the torchlight. Where his other eye should have been, a thin white root grew from an empty socket, down his cheek, and into his neck. "A … crow?" The pale lord's voice was dry. His lips moved slowly, as if they had forgotten how to form words. "Once, aye. Black of garb and black of blood."

Brynden mentions the watch, but doesn't mention the three eyed crow. Everyone simply refers to Brynden as the greenseer, not the three eyed crow, except for Bran himself, who simply assumes Brynden is the three eyed crow (and we know magical assumptions in this series are generally wrong!).

What’s double interesting to me about this “bloodraven is the three eyed crow” assumption is brynden himself makes his “a thousand eyes and one” comment - but doesn’t mention a third eye. Meanwhile, Bran’s narrative is obviously filled with bird references and the opening of his third eye from Bran feeding the crows on the towers before he falls then longing to go back to the crows afterwards, of a crow sending Jojen to “the winged wolf,” of his dreams of living as a bird in maester luwin’s rookery with his siblings - Jon Snow even compares him to a bird in their final scene face to face when he thinks bran has “fingers like the bones of birds.”

And notable that though both Rickon and Bran have a greendream where they talk to Ned in the crypts of Winterfell just before Ned is executed, Rickon makes no mention of a three eyed crow, but Bran explicitly sees him-

The mention of dreams reminded him. "I dreamed about the crow again last night. The one with three eyes. He flew into my bedchamber and told me to come with him, so I did. We went down to the crypts. Father was there, and we talked. He was sad."

"Shaggy," a small voice called. When Bran looked up, his little brother was standing in the mouth of Father's tomb. With one final snap at Summer's face, Shaggydog broke off and bounded to Rickon's side. "You let my father be," Rickon warned Luwin. "You let him be." "Rickon," Bran said softly. "Father's not here." "Yes he is. I saw him." Tears glistened on Rickon's face. "I saw him last night."

What that says to me is that the Three Eyed Crow has the ability to speak directly to only Bran and can only otherwise appear in a more ephemeral way to others. With the established rules about not being able to communicate properly with the past, I think this makes sense - being able to use the weirwood hivemind/greenseeing powers to appear in a different form to yourself but unable to appear in a concrete form to anyone else.

I think it's even likely we'll see Bran doing some of this nudging and whispering on page in ADOS or maybe as early as TWOW, but it won't be the exact same sort of "Bran can literally reach out and touch someone in a weirwood dream" that they had in the show with the later scenes. It'll be more like that very first scene in the show where we see Bran influence the past slightly - you know, when he calls out "father!" and young Ned turns around, having heard a voice on the wind-

And there's a direct parallel to ADWD here, where Bran is certain Ned heard him speaking in the godswood but Brynden says it's not possible (not possible for Brynden perhaps!)-

Lord Eddard Stark sat upon a rock beside the deep black pool in the godswood, the pale roots of the heart tree twisting around him like an old man's gnarled arms. The greatsword Ice lay across Lord Eddard's lap, and he was cleaning the blade with an oilcloth. "Winterfell," Bran whispered. His father looked up. "Who's there?" he asked, turning … … and Bran, frightened, pulled away. His father and the black pool and the godswood faded and were gone and he was back in the cavern, the pale thick roots of his weirwood throne cradling his limbs as a mother does a child.

It's not quite time travel. It's like the acorn and stump metaphor - Bran can't appear in his physical body in the past but he can make a bit of noise, perhaps even be mistaken for one of the old gods.

As TWOW and ADOS go on, I think we'll see Bran's powers grow (likely in ways that frighten him and horrify the reader), and we'll see the very beginnings of him influencing the plot that happens during the previous books, showing up in scenes we've already experienced, similar to the Ned scene above. I think this because, well...he's already done it!

Now, as for What Time Traveling Bran Has Already Done - it’s tricky because we have a LOT of magic users waking and shaking. I’m not including every single instance of weird whispering or funny birds here, just the moments I think are more likely to be Bran than anyone else because I think Bran mostly deals with his siblings. I imagine they're easiest to reach out to magically because they already have the ability to access magic, and they're also the people he cares most about. The most obvious to me is in A Clash of Kings, when Jon hears a voice on the wind, very similar to the young Ned scene in the show-

Jon VII in A Clash of Kings

The call came from behind him, softer than a whisper, but strong too. Can a shout be silent? He turned his head, searching for his brother, for a glimpse of a lean grey shape moving beneath the trees, but there was nothing, only … A weirwood. It seemed to sprout from solid rock, its pale roots twisting up from a myriad of fissures and hairline cracks. The tree was slender compared to other weirwoods he had seen, no more than a sapling, yet it was growing as he watched, its limbs thickening as they reached for the sky. Wary, he circled the smooth white trunk until he came to the face. Red eyes looked at him. Fierce eyes they were, yet glad to see him. The weirwood had his brother’s face. Had his brother always had three eyes?

Not always, came the silent shout. Not before the crow. He sniffed at the bark, smelled wolf and tree and boy, but behind that there were other scents, the rich brown smell of warm earth and the hard grey smell of stone and something else, something terrible. Death, he knew. He was smelling death. He cringed back, his hair bristling, and bared his fangs.

Don’t be afraid, I like it in the dark. No one can see you, but you can see them. But first you have to open your eyes. See? Like this. And the tree reached down and touched him.

This moment was when I really started paying attention to Weird Shit Bran Might Be Doing because of that line "not before the crow." Now, we know Bran mentions talking with Jon later on, in the very last chapter of the book, here-

He could reach Summer whenever he wanted, and once he had even touched Ghost and talked to Jon. Though maybe he had only dreamed that.

But I think it's both Bran in the present and Bran in ADOS speaking here - brothers reaching out to each other in their fear, and future Bran piggybacking off that connection to send a warning (this is back in Jon VII, during the shared Jon-Bran dream as before)-

Then he realized he was looking at a river of ice several thousand feet high. Under that glittering cold cliff was a great lake, its deep cobalt waters reflecting the snowcapped peaks that ringed it. There were men down in the valley, he saw now; many men, thousands, a huge host. Some were tearing great holes in the half-frozen ground, while others trained for war...This is no army, no more than it is a town. This is a whole people come together.

Bran warns Jon of the wildling army headed their way because he needs the Night’s Watch to stop fighting the wildlings, get them safely out of the True North (so they can’t be reanimated as wights), and focus on the Long Night. When you read the passage, it seems as if Bran is trying to awaken Jon’s third eye - something present baby Bran isn’t concerned with, because he barely understands his own third eye awakening. But a Bran in ADOS or beyond would know exactly what to say and do to get Jon and himself to wake up! Not just because of the paradox, but because of his connection to his brother and his vast understanding of his own magic. Similar to the idea that “who would know how to motivate Bran better than Bran himself” who would know how to motivate Jon better than one of his beloved siblings?

Arya X in A Clash of Kings

In the godswood she found her broomstick sword where she had left it, and carried it to the heart tree. There she knelt. Red leaves rustled. Red eyes peered inside her. The eyes of the gods. "Tell me what to do, you gods," she prayed.

For a long moment there was no sound but the wind and the water and the creak of leaf and limb. And then, far far off, beyond the godswood and the haunted towers and the immense stone walls of Harrenhal, from somewhere out in the world, came the long lonely howl of a wolf. Gooseprickles rose on Arya's skin, and for an instant she felt dizzy. Then, so faintly, it seemed as if she heard her father's voice. "When the snows fall and the white winds blow, the lone wolf dies, but the pack survives," he said.

“But there is no pack," she whispered to the weirwood. Bran and Rickon were dead, the Lannisters had Sansa, Jon had gone to the Wall. "I'm not even me now, I'm Nan."

"You are Arya of Winterfell, daughter of the north. You told me you could be strong. You have the wolf blood in you."

"The wolf blood." Arya remembered now. "I'll be as strong as Robb. I said I would." She took a deep breath, then lifted the broomstick in both hands and brought it down across her knee. It broke with a loud crack, and she threw the pieces aside. I am a direwolf, and done with wooden teeth.

Once again, we have a voice - it seemed as if it was her father's voice - telling a Starkling to do something specific, reminding that Starkling of their ties to Winterfell, the north, and home. The voice she hears, speaking her true name, is the kick in the pants Arya needs to grab Gendry and Hot Pie and get out of Harrenhal. There's something interesting, engaging, heartbreaking, that when Arya is at one of her lowest points, lamenting the loss of her pack, and out comes the voice of one of her pack urging her to keep faith, and helping to inspire one of her best moments - I am a direwolf, and done with wooden teeth. Again, we have a voice trying to get the Starklings to wake up and face their reality!

Sansa in A Storm of Swords

That night Sansa scarcely slept at all, but tossed and turned just as she had aboard the Merling King. She dreamt of Joffrey dying, but as he clawed at his throat and the blood ran down across his fingers she saw with horror that it was her brother Robb. And she dreamed of her wedding night too, of Tyrion's eyes devouring her as she undressed. Only then he was bigger than Tyrion had any right to be, and when he climbed into the bed his face was scarred only on one side. "I'll have a song from you," he rasped, and Sansa woke and found the old blind dog beside her once again. "I wish that you were Lady," she said.

To be clear I think there’s a large change this is nothing. BUT. Considering Bran seems to be reaching out to his siblings, I like the idea that Bran, and magic in general, is trying to talk to Sansa but she can’t quite hear it. Winterfell and it’s magic and it’s family is calling it’s daughter home, even torn from her magical guide as she is, still trying to reach out through her dreams and through the animals around her. I’m desperately hoping that at some point in Sansa’s early TWOW chapters, we’ll start to see birds acting and speaking funny around her as Bran tries harder to reach his lost sister.

Theon Greyjoy in A Dance With Dragons

BUT. I don't think it's just the Starklings that get these messages from Bran - it's everyone he cares about, everyone he loves or will love. One of the other more obvious examples of this is Theon Greyjoy, himself clearly capable of some degree of magic, just like the Starklings-

The night was windless, the snow drifting straight down out of a cold black sky, yet the leaves of the heart tree were rustling his name. “Theon,” they seemed to whisper, “Theon.” The old gods, he thought. They know me. They know my name. I was Theon of House Greyjoy. I was a ward of Eddard Stark, a friend and brother to his children. “Please.” He fell to his knees. “A sword, that’s all I ask. Let me die as Theon, not as Reek.” Tears trickled down his cheeks, impossibly warm. “I was ironborn. A son … a son of Pyke, of the islands.” A leaf drifted down from above, brushed his brow, and landed in the pool. It floated on the water, red, five-fingered, like a bloody hand. “… Bran,” the tree murmured. They know. The gods know. They saw what I did. And for one strange moment it seemed as if it were Bran’s face carved into the pale trunk of the weirwood, staring down at him with eyes red and wise and sad. Bran’s ghost, he thought, but that was madness. Why should Bran want to haunt him? He had been fond of the boy, had never done him any harm. It was not Bran we killed. It was not Rickon. They were only miller’s sons, from the mill by the Acorn Water.

“he had been fond of the boy” please allow me this moment to contemplate killing myself thanks.

okay back on track but this is very self explanatory - we know Theon has some sort of capacity for magic because he had a vision of the Red Wedding in ACOK and unlike Jaime who just fell asleep on a weirweed tree, Theon was just up in bed. We see it again here, where Theon can hear a voice on the wind and then seems to see Bran’s own face in the face of the weirwood tree. Once again, the voice on the wind is trying to help a loved one of Bran’s find their way back to themselves, back to home. And Theon, for all the harm he has done, is still so so loved by Bran, and loves Bran in return.

Samwell Tarly III in A Storm of Swords

Sam made a whimpery sound. “It’s not fair …” “Fair.” The raven landed on his shoulder. “Fair, far, fear.” It flapped its wings, and screamed along with Gilly. The wights were almost on her. He heard the dark red leaves of the weirwood rustling, whispering to one another in a tongue he did not know. The starlight itself seemed to stir, and all around them the trees groaned and creaked. Sam Tarly turned the color of curdled milk, and his eyes went wide as plates. Ravens! They were in the weirwood, hundreds of them, thousands, perched on the bone-white branches, peering between the leaves. He saw their beaks open as they screamed, saw them spread their black wings. Shrieking, flapping, they descended on the wights in angry clouds. They swarmed round Chett’s face and pecked at his blue eyes, they covered the Sisterman like flies, they plucked gobbets from inside Hake’s shattered head. There were so many that when Sam looked up, he could not see the moon. “Go,” said the bird on his shoulder. “Go, go, go.”

Whoever this is - it's Bran!!!! - helps to save Sam and Gilly's lives, actively tells them to run for it, and just a little bit later, Sam is around to help save Bran in turn. I think there's also something to be said for the brotherhood connection here. They refer to each other as brothers in the book because of their connection to Jon; that connection to Jon, and therefore each other, means a lot to both Sam and Bran. There's a practical reason for saving Sam here in that he can help Bran in the "present" timeline, will likely help in the future, but more than that there's an emotional bond here and it seems to me that magic runs off emotions just as assuredly as it runs off of other important stuff like blood and and sacrifice and weirwoods.

Jon Snow XII in A Storm of Swords

With a raucous scream and a clap of wings, a huge raven burst out of the kettle. It flapped upward, seeking the rafters perhaps, or a window to make its escape, but there were no rafters in the vault, nor windows either. The raven was trapped. Cawing loudly, it circled the hall, once, twice, three times. And Jon heard Samwell Tarly shout, “I know that bird! That’s Lord Mormont’s raven!” The raven landed on the table nearest Jon. “Snow,” it cawed. It was an old bird, dirty and bedraggled. “Snow,” it said again, “Snow, snow, snow.” It walked to the end of the table, spread its wings again, and flew to Jon’s shoulder. Lord Janos Slynt sat down so heavily he made a thump, but Ser Alliser filled the vault with mocking laughter. “Ser Piggy thinks we’re all fools, brothers,” he said. “He’s taught the bird this little trick. They all say snow, go up to the rookery and hear for yourselves. Mormont’s bird had more words than that.” The raven cocked its head and looked at Jon. “Corn?” it said hopefully. When it got neither corn nor answer, it quorked and muttered, “Kettle? Kettle? Kettle?” The rest was arrowheads, a torrent of arrowheads, a flood of arrowheads, arrowheads enough to drown the last few stones and shells, and all the copper pennies too.

The Night's Watch seem to take this as some sort of divine sign, and Jon's friends take it as an excellent ploy from Samwell Tarly. But when Pyp confronts Sam over it a page later, Sam completely denies it -

“I had nothing to do with the bird,” Sam insisted. “When it flew out of the kettle I almost wet myself.”

Everyone has their theories about people warging Mormont's crow of course. I think what's interesting to me here is that Jon is really wrestling with the idea of leaving the Watch for Winterfell, in which case Janos Slynt was likely to take over command. Someone like Slynt being in charge when the Long Night is coming is a bad idea, and here, Mormont's bird directly contributes to Jon staying where he needs to be - watching over the wildlings and making sure they aren't turning into Wights.

(And this is getting into my other theories here, but IF Sansa as the Girl In Grey is true, I think this is a neat sort of timeline fixing - almost as if Bran is saying “no, not yet, the pieces aren’t aligned, Jon can’t leave yet, Brienne isn’t at the Vale to get Sansa, I haven’t trained enough, Jon still keeps slapping his hands over his third eye so he can’t see, I need to give myself more time here.”)

Bran II in A Game of Thrones

But...it's not just his family and friends that I think Bran is trying to help here, and of course, if he IS the Three-Eyed Crow, he isn’t YET. What I think is going to be a big climactic part of Bran's story is self sacrifice, giving up some of his own power, his own happiness, to save others. Yes, part of this is my absolute refusal to accept Borg Hivemind Fantasy Police State King Bran in that he will say NO to the hivemind, but I think there's something magical here as well!

I think in order to access great power you need to be willing to put your own body on the line.

Jojen mentions having gotten sick with "greywater fever" shortly before his greendreams started

Dany experiences a miscarriage then literally walks into fire in order to hatch her dragons

both Beric and Catelyn have to quite literally be gruesomely murdered in order for Thoros' fire magic to work to bring them back to life

Melisandre has to physically give birth in order for her shadow assassination to work

on and on it goes. In order to be capable of great power, you can’t just have a willingness to throw someone ELSE onto the pyre but yourself as well. But Bran is pushed out of the window instead of willingly jumping. Or...

The wolfling was smarter than any of the hounds in his father’s kennel and Bran would have sworn he understood every word that was said to him, but he showed very little interest in chasing sticks…Finally he got tired of the stick game and decided to go climbing….

The wolf did as he was told. Bran scratched him behind the ears, then turned away, jumped, grabbed a low branch, and pulled himself up. He was halfway up the tree, moving easily from limb to limb, when the wolf got to his feet and began to howl.

Bran looked back down. His wolf fell silent, staring up at him through slitted yellow eyes. A strange chill went through him. He began to climb again. Once more the wolf howled. “Quiet,” he yelled. “Sit down. Stay. You’re worse than Mother.” The howling chased him all the way up the tree, until finally he jumped off onto the armory roof and out of sight.

I think this is future Bran, finally becoming the Three Eyed Crow, inside Summer. Summer shows no interest in the game and it’s only then that Bran decides to go climbing. Future Bran is sacrificing himself for the greater good - but can’t stop his mournful cry of the fate that awaits his own young self.

#valyrianscrolls #bran stark #getting on my soap box #starklings #twow speculation #ados speculation #magic in asoiaf #the winged wolf #rani attempts meta #lawyering for bran #i started writing this over a year ago alsdjflk #tbh i also did a write up bc the only 'bran is doing some light time travelling' meta i've found is in fact preston jacobs and people #that are building off of preston jacobs. and the thing is i fucking hate video format #give me a goddamn pdf or pure audio for the love of god. so i wanted a write up of this SOMEWHERE for my own reference #if nothing else!!!!!#anyways i know 'bran is a time traveler' sounds insane but 'bran can whisper through the trees even in the technical past' makes sense #i will be doing more bran posting i have had this blog over a year and i do not post about my son enough #i'm doing my fandom name thewingedwolf a disservice here #i’m basically just trying to write up all my various bran theories. i promise to post more than once a year for bran aksksjdjd #i gotta post this now or it’s gonna sit for another year so if there are spelling or grammar mistakes no there’s not

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fastboatsmojito · 13 days

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Scott headcanon for the night 🌪️🙂‍↔️

This is pretty silly but he’s rather annoyingly not, so

You end up having to share a motel room the night after a chase (one room trope thank you 🙂‍↕️) and he’s immediately complaining when you end up watching your favorite silly show, standing with his arms crossed just out of your line of sight talking about how immature it is before he finds himself begrudgingly locked in, just grumpily chewing his gum and watching even though he knows he could just stop

And eventually he’ll have some random favorite character that only shows up like once or twice every season but he won’t tell you that, you’ll only figure it out when he just barely chuckles once that character shows up and he’s trying to cover it up and tell you he’s going to bed but you squint your eyes at him because you know

Thought about this while watching my favorite silly show, Bobs Burgers, and I just know he’d secretly be a Mike the mailman fan that little freak

He’s soooo grumpy black cat coded #ToMe

#🌑 yapping #barely a thought I just want to write for him so bad but I need to do it RIGHT and that takes time #loser boy #scott miller #twisters #grammar basically non existent my fault #this boy doesn’t even know the difference between their there and they are 😞 moon coded I fear #I do know the difference I just forget to use periods sometimes

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boxwinebaddie · 3 months

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my time in kindergarten has cursed me with the knowledge that kyle is def the tiny 'erm, actually!' kid in big ass fishbowl glasses who tries to answer questions that i haven't even finished asking yet, is reading books at third grade reading level like 6 y/o megamind, all of which is Great except that little fkn einstein is constantly TRYING ME by attempting to undermine my authority by staging a literal Coup in my class over who should clean up the magnetiles and ‘start shit’ aka intense philosophical debates abt BLUEY during Quiet Time.

and conversely, stan is the kid who almost gets hit by a car during pick up trying to pick a fkn ROLLYPOLY out of the gd street, needs to be told 25/8 to stop playing in the planters/stop building complex worm terrariums out of sticks and mud everyday at recess, cries anytime i have to raise my voice above a whisper, is super adhd, gets extremely overstimulated by EVERYTHING, blurts Constantly abt things he did over the weekend and drew a...Very Frightening ‘my family portrait’ of his dad yelling, mom crying, sister in devil horns and him frowning...

...In Big, Blue, Lopsided Crayon.

#nina speaks #this is my truth as a kteacher #also i am leading for three days next week please clap #i will be stressed out and crying but i love my kids and my job even if sometimes it is very hard it is the same as writing for me #BUT OKAY I KNOW ITS NOT EVERYONES STYLE #BUT ITS MINE OH MY GODDDD #I FEEL THIS IN MY BLOOD AND MY BONES #i have had both these children in my class #and it is a an absolute joy and it is a nightmare from HELL #the last part is actually a different kid #i did have to...call home about that i was...Concerned #BUT I KNOW THAT KYLE IS TRYING TO ARGUE WITH ME #EVERY FUCKING DAY ABOUT EVERYTHING LIKE #I SAID WHAT I SAID WHAT I SAID SIR #GODDAMN #I KNOW STAN IS LIKE I WANT MY MOM #EVERYDAY AND LIVES IN THE PLANTERS MAKING WORM HABITATS FROM THE RAIN WHICH IS VERY CUTE #BUT YOU ARE COVERED IN DIRT BESTIE #AND KYLE IS CORRECTING MY GRAMMAR AT SIX #AND TRUE TO NCU STYLE LITTLE KYLE WANTS FUCK ALL TO DO WITH LITTLE STAN AND LITTLE STAN #IS HEAD OVER HEELS IN LOVE WITH HIM AND EVERY KID IN THAT CLASS IS HEAD OVER HELLS IN LOVE WITH STAN #BUT HE DOES NOT GIVE A FUCK HE WANTS THE WEIRD FERAL KNOW IT ALL KID TO NOTICE HIM HELL DO ANYTHIN #anyways...do u understand...also im working on the jk finds out rs is stan ask...we are not ready and i mean it

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rexscanonwife · 3 months

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WAIT I HAVE TO REDRAW MY SEA BEAST S/I AS THIS

#self insert talk #🌊 how deep is your love? 🌊#AHFJGKG LIKE SHE WOULD ABSOLUTELY DO THIS #i mean she IS a seal and seals love/eat fish 😂😂#and we've seen that jacob is cringe at hunting for fish himself #i imagine like on a beach somewhere and jacob is like 'im gettin' a bit peckish innit'#(i know thats not correct grammar even for brits lmao i just wanted to make funnee)#AND SHES LIKE SAY NO MORE #and runs on all fours into the surf and comes out like 5 minutes later like this #and jacob has NEVER been more head over heels in LOVE 😂

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starrycassi · 1 year

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Hate, love, guilt, mothers. Aren't they all synonyms?

You can find part one of this au here, and two here. Also a quick explanation on who's Gloria here. Mild nsfw mention at the end. Like, super mild.

The grounds of the Goldenloin mansion are always breathtaking, it doesn't matter how many times Ballister's been here as a guest, as an intruder, as a knight, as a lover. The gardens are fantastic, and the structure makes him feel so, so tiny.

Standing here, looking at the dining table made for dozens and dozens of people, Ballister can't help but feel out of place. The maid that guided them here is mimicking their pose, right next to them, and Ballister signals to Ambrosius, tugging on his sleeve. There's no need for her to be here, too. She should be free to leave.

Ambrosius gets the memo and dismisses the poor girl, who leaves quietly and quickly. Ballister's skin itches.

In front of them rests a wonderful feast, colorful and appealing, even if some plates are covered with golden silverware, to protect the food from loosing it's flavor, or whatever. He can't help but wonder how many street kids are hungry right now — can't help but remember what it's like, to be alone and lost and begging for a crumb of bread, a sip of water, a simple plate of food and be denied and-

The echo of someone's steps brings him back to the present, and he stares at the woman as she walks in. Captain Gloria limps as she arrives, her golden hair down in a braid that reaches her lower back. She gleams at them, despite the clear pain that every step delivers to her system. Her eyes aren't quite focused.

Ambrosius suddenly goes still, fixing his posture.

The two of them just accept the silence, live in it, for the next couple of seconds. Gloria finally gets to the table and sits down slowly, hissing when she finally does so, reeking of alcohol and a splendid perfume. She's at the head of the chairs, and Ambrosius rounds up the table to sit right next to her. Ballister tries to follow him.

“Don't” orders the woman, her hand suddenly reaching out to grip Ballister's wrist. She tugs on him, making take a seat, too, at her left. Ambrosius stares at him with a questioning look, and he stares back with an even more questioning look. It's his mom that's acting weird, he should know what's going on.

They don't have to figure it out, though, because she explains it soon enough.

“You are not here as Ambrosius's guest, today. You're a suitor. Act accordingly or get out”

Her voice, cold and demanding, takes both of the boys by surprise. Gloria's and Ballister's relationship has never been a specially warm one, but all in all, he's always seen her as a stressed out woman who doesn't really care about anything but her work and her son. Everytime they've been together she's drunk, hurt, on duty, or in a weird combination of those options. She's never been openly hostile or mean to him, so he's left in unexplored grounds when her blue eyes are suddenly fixed on his face, pinning him to his seat and making his head spin with with dread and doubts.

“Mom, there's no need to-”

Ambrosius tries, he really tries, to reason with her. Gloria, who's whole body moves weirdly and limply, suddenly hits the table with her fist closed, and Ambrosius straightens up in his seat, body reacting before his mind does so, instincts ingrained on him urging him to obey and comply to orders, even the unspoken ones.

Ballister knows the look on Gloria's eyes — he's seen it before, only, not on her face — she's not only intoxicated, not merely wounded. She's full of regret, of fury, of pure and unfiltered anger. As soon as that knowledge hits him, he's filled with a strange sense of security, of comfort. She's mad and she's irrational, but he knows the reason of those feelings. She's merely a mother defending her child, a knight defending her loved ones.

Ballister is trying to do the same, and it's refreshing to see his own feelings of confusion and hatred mirrored into Gloria's face. He knows what her anger means, because his blood burns with the same heat, the same intensity.

“I'm sorry, Captain Gloria” he says, slowly and clearly. The nerves he felt all the way here disappear, leaving only his determination, his devotion. Gloria isn't against him. She's against anything that might hurt jer son, and that's a feeling Ballister not only understands, but shares, “It was awfully inadequate of me to act that way. I beg your forgiveness”

She smiles, woobly and unsteadily, at him. She's pleased with his words, clearly. He tries to remember the hours and hours of ranting that Ambrosius blessed his ears with every so often, complaining about stupid protocol lessons that his mother made him take.

“Very well” she nods at him, and he imitates the gesture. He quickly nods at Ambrosius, too, to try and reassure him. This will be okay. It has to.

Ambrosius's shoulders relax just the slightest bit at that, but he smiles, and talks again,

“I'm incredibly hungry, Mum. Why don't we eat before we discuss this, yeah?”

It's always surprising to Ballister, really, how adaptable Ambrosius is. One minute, he's a big dramatic performer for the Queen. The next, he's merely a child with a pleading voice, asking— no, begging, for some peaceful seconds with his mom.

“Yes, the food. Let's eat and talk business, shall we? That's not really an appropriate thing to do, I suppose, but I can make an exception, seeing as how you've had the guts to ask for my son's hand in marriage, cadet”

She claps, and servants lift the coverings. Some of their faces are recognizable to Ballister. Did they live in the same orphanage? Were they friends, and his mind has forgotten?

This is whst he hates about the Goldenloin mansion. This is what he hates about every single noble event ever. He simply resings himself to his fate, a rejected freak to the nobles and a traitor to the commoners. He tries to keep his eyes on the table, tries not to to think about how some of the people working for Ambrosius, serving him, probably have never even tried the kind of feast he's about to have.

Ballister's never been a religious person, but he prays for forgiveness, even if it's merely for a second. He prays for forgiveness, even if it's undeserved.

The steak in front of him suddenly loses its appeal. The nerves are back, just like that. He hates himself for that, for being so brave a second and then a complete coward in the other.

They simply eat, for some moments. Gloria sips her glass of red wine every so often, and both of the boys chew methodically on their steaks. Food is fuel, Ballister tries to remind himself, tasting guilt and shame in every bite, feeling as if he's chewing his own heart; food is fuel, and he needs fuel for this conversation.

That doesn't make the bitterness of the whole situation go away.

“You said you have a plan” accuses Gloria, after washing down a bit of her salad with wine, “but I'm yet to hear anything about it”

Ballister's first instinct is to roll his eyes, tell her that it's her who's been acting all weird and cranky, but he knows better than to go against an older knight, even if she's drunk and injured. She's also his mother-in-law, and he refuses to feed into the stereotype of in laws not getting along.

“The food just distracted us, mom, that's all. It's really good”

Gloria's face softens a bit, and she offers her son a quick sound of agreement.

“Still. I need to know what you two rascals are up to, don't I?”

As if she didn't just violently smash the table, she laughs a bit at her joke, muttering something about teenagers under her breath.

They do their best to explain themselves without setting her off again, Ambrosius providing Ballister with facial expressions that let him know when to shut up and when to keep going. At the end of it, their food is almost gone, Ballister's guilt is almost forgotten, and Gloria looks almost convinced.

"And what do you win, cadet?"

She looks feral, like a lion ready to chew down on it's prey. Ballister refuses to lose against her, not today.

"I get to see my boyfriend be happy. What else could I possibly want?"

Some of the servants seem too moved by his answer to hide their coos, but he doesn't dare look their way, too scared to find out that perhaps that truly are the kids that grew up on his same street, with his same dreams. He keeps his eyes fixed on Gloria's, blue and brown crashing and figthing.

"Sounds like bullshit to me. No one would do all that just for someone else's happiness or whatever"

She shakes her head in disagreement, and Ballister wants to scream at her, tell her that she doesn't know shit about them, that he would walk barefoot into a burning building if it meant saving Ambrosius. He doesn't.

"I don't need anything else" he says, instead, "I only want to make sure that my boyfriend has a choice and-"

"Okay, say you win" interrupts Gloria, looking bemused with him. He hates the way she stares him down like a mere child, "and the interviewer; because this will be televised, that's a no brainer, asks what do you want. What are you going to tell the kingdom?"

He doesn't even hesitate, before answering:

"I would ask for just enough money to pay back my debth with the house of Elpis and the Goldenloin house. Then, for Ambrosius's political allies to be a matter only he can have the final say on. Not you, or me, or anyone else"

She looks at him some more, as if trying to be intimidating. He doesn't budge.

"That is an honest answer" she finally says, nodding, "That's more believable. That, I can accept. I think"

She makes a show of considering things, tapping her index finger to her chin. They keep quiet, waiting for her verdict.

“It's a decent attempt” she concedes, after some seconds of humming to herself. "It's even a good idea"

They both sigh, relieved. She clicks her tongue, and shakes her head, again, like some sort of wet dog, and they feel not so relieved, now.

“But you two are openly... close to one another, right? Everyone knows. Can't do anything if you win and people question us, can we? About your little, well, romance, and all that”

Gloria never really acknowledges the fact that her son is dating Ballister, even if he did come out and confess the secret to her half a year ago, cracking under the pressure of a specially though new years party. It gives Ambrosius some sort of dumb hope, that perhaps his mom might actually start taking his own free will into account and validating his love for Ballister. Even if she always says that that's something she already does.

“We're still trying to figure out what to do with that, Mum”

She laughs some more, making him feel stupid. Ballister looks as confused as he feels when she merely giggles at their faces, gulping down the rest of her drink. A servant refills it immediately.

“You kids are so slow, nowadays” she flaps her hand, rolling her eyes, “a mere fight will be enough. In a public space, obviously. Be nasty about it. My friends and I used to do it when we wanted to get a rise out of our parents. Neat trick”

And, with that piece of advice, she keeps on drinking.

Ambrosius excuses them both out of the table when they're done, leaving Captain Gloria to drunkenly mumble nonsense to herself.

The halls of the mansion are spacious and lonely, so they're able to walk together, holding hands, without a care in the world. Ambrosius has grown up here, was raised here. He knows and trusts the staff to keep a couple of secrets.

“She seems… a bit agitated” Ballister says, softly. Gloria has been a sore spot for their conversations ever since the start of their friendship, and they mostly try to avoid talking about her. But if feels wrong, to be in her house and pretend she doesn't exist.

“She's got a dislocated hip” Ambrosius answers, voice impregnated with pity, “Must hurt a lot. She was distracted with this whole thing and a thief managed to hit her real hard…”

He stares at the floor, but they keep on walking to Ambrosius's bedroom. After lunch, Gloria has practically demanded for them to stay until dinner, arguing that they have already lost most of the day, anyways. Neither one of them dared go against her word.

“I'm happy she's mad. At least I'm not the only one worried about your ass”

“I can assure you, Ballister, your thoughts about my ass are really, really different from her thoughts about it. At least I hope so”

Hip bumping his boyfriend for being an idiot, Ballister blushes a bit. Ambrosius does have a nice body.

“Don't be weird about this, Amber. We're literally talking about you mom”

“No, you are talking about her. I'm talking about people's thoughts on my ass. That's a whole different conversation”

“Not a specially interesting one, I'm sure. Much like your very flat ass”

Ambrosius gasps, offended, just as they reach the doors of his bedroom. He makes a show of dramatically slamming the door, just to open it back again mere seconds later, sticking out his tongue at Ballister before allowing him to come in.

“Keep this treatment up, and I'm actually marrying Todd” he threatens, and Ballister half heartedly pushes him.

“Okay, your ass is not flat. Just… sort of concave. Happy?”

“Not so much. But, alas, I'm not really dating a poet, am I? My heart has chosen you, even with your horrible mistreatments towards my figure”

They laugh at the stupidity of the situation, as if guilt isn't eating Ballister alive, as if Ambrosius isn't worried to death for his mom, as if the world isn't collapsing and burning around them.

They take of their shoes, and get into bed, cuddling with each other almost immediately, used to it after years and years of practice. Ballister rests his cheek on Ambrosius's chest, and they hold hands, tangling their legs. This is incredibly inappropriate to do on Ambrosius's house, with his mom meter away, but everything around them feels so wrong right now that this is the closest they can get to normal.

The events of the last few hours settle in. Panic comes back, alongside with every other emotion that they have been trying to run away from. It's scary, to admit that perhaps they could fail. They could be wrong. Ambrosius understands why his mom seems to be in denial all of the time; it's easier to pretend that something is not happening than to deal with the fact that it is.

The room is quiet. They're just teens.

“I'm nervous”

“Me, too. I'm terrified”

“Yeah. Me, too”

And it's just them, their fears and their breaths, for a second. There's nothing else but them. But reality is always there, waiting, and it comes with paperwork and legalities and many, many other things. It's them against the world, even if they would really, really like to just make peace with everyone and sleep until winter.

To avoid silence — because it comes with too many questions, too many memories, too many reminders — Ballister decides to keep on with their plan, furthering it, and asks, “So, now, we fake fight?”

“I think it's the best choice we have, right? Mom said so”

Ambrosius, always eager to follow Gloria's word, seems to perk up. Ballister feels slightly annoyed, but at least his boyfriend looks a little less like a kicked kitten.

“And what are we figthing about, uh?”

This is scary, too. Yeah, a fake figth. That's something they should be able to manage. But there's some issues, here and there, and perhaps they're just waiting for a chance to come out. This could be that chance. And there's no way they're going to actually live apart from each other, but they have to, right? So it's believable.

“What about something stupid? Like, I don't know, jazz?”

“Ambrosius, you know very well how I feel about-”

To stop his boyfriend from going on yet another campaign of hate against freestyle jazz, Ambrosius gives him a quick kiss on the hair, successfully making him shut up.

“Kay, not jazz. What, then?”

“Let's fight about this. I'll be jealous, you'll scream at me for being jealous, and we'll break up. Call me a selfish insecure asshole, or something”

Ambrosius immediately pants like a wounded animal, frowning. He makes Ballister get up slightly, to make sure he can see his eyes. They're full of love. Pure, solid, love.

“I don't ever want to hurt you, Bal”

Ballister chokes on air, because this isn't fair. Ambrosius is so pretty, resting on the mattress, looking up at him. No one else but him should ever get to see him like this. Specially not some imbecile who thinks figthing for him is enough to get married.

“It's just going to be a play-pretend situation, Amber. I don't wanna hurt you, either, but it's going to be just a couple of days. Then, we're back to normal”

Ambrosius ponders on it, pouting. But he finally nods, agreeing.

“Fine. We're hating each other from now on”

The next time Ballister wakes up, they're back at the Institute, half naked, fused together like a pretzel. Perhaps they got a bit too sentimental when they came back, and perhaps they stole a couple of sips from Gloria's wine reserve. A make out session had been the start of their so called hate, and Gloreth, did they suck at this.

“Ambrosius. Ambrosius, wake up. Ambrosius, fucking move”

With a bit more of force than needed, he shakes his boyfriend, trying to get him to open up his eyes. Ambrosius attempts to do so and also get up, miscalculating, and falling face first to the floor.

Shit.

Hurrying up to help him, Ballister trips, too. The wine is still in their systems, apparently, and it makes them laugh like idiots as soon as their gazes cross.

“Shit. We're supposed to be figthing, Amber”

“I'm pretty sure last night counts as a form of combat. Sword figths, one may call it”

“Shut the fuck up, honestly. Just, for once, shut up”

“Only if you kiss me, babe"

Okay, maybe they aren't suited for a divorce yet. Ballister got up, grunting, and Ambrosius followed suit, if only because the floor is way too cold to be laying on it with nothing but a boxer and shorts on. He smiled at the wall when he managed to stand up on his own two feet, still dizzy.

“What now, Bal?”

Ballister struggled to put his shirt back on, trying to remember where the fuck his shoes where. It was early, still. If he hurried up, he could sneak out without anyone seeing him.

“Dont ask me. This whole thing was your plan. Think, Ambrosius; for the first time in your life, think”

Ambrosius threw the nearest object at his ungrateful boyfriend, and rolled his eyes when the comb impacted against the desk. Turns out his aim gets affected by alcohol. Who could've thought?

“What was that for?!” Hisses Ballister, barely managing to get done with his clothes. Ambrosius's loopy smile only grew bigger at the sight, and he looked so much like his mom, for a second. Just a second.

“We're figthing, love. I think this is how figths are supposed to go, right?”

And he threw a hair cream bottle, that impacted on the wall.

Ballister opened up the door, just in time for the notebook Ambrosius threw to go flying through it. Some cadets were already out, curious about the noise. Ambrosius, drunk and ad impulsive as his mother, grinned with pleasure. Yes, a public fight, indeed.

“And get out!” he screamed, remembering the way his mother looked at him yesterday, feeling the tears burning on the very corners of his eyes, hating her stare and wishing she looked at him more often “I don't want to talk to you ever again, you hear me?!”

A pillow was thrown. Ballister fought down the urge to burst out laughing. This felt so much like a cheap soap opera.

“It's not my fault you're a coward!” He screamed back, wine helping him come up with the words, “Go and die for all I care, Golden Boy! Hang yourself from a fucking tower, I don't give a shit!”

More and more people came in to witness the situation. Had he been sober, Ballister probably would've stopped. He wasn't, though.

“You're so jealous!” Screeched Ambrosius, like he meant it, “You're just jealous of my suitors being way better than you, you prick!”

Ballister kneeled down, picked up the fallen pillow, and threw it right back at it's owner. Ambrosius barely contained his cackles.

“I'll enter the fucking tournament just so I can disown you, Ambrosius! You don't deserve all that money!”

They were losing the plot a bit, but it didn't really matter. A figth is a figth, no matter the reasons.

“Do whatever you want, Ballister! You're never winning, never !”

Next, a sweater came in, balled up, flying. This one actually hit Ballister on the eye, and he had to take a step back, surprised. Ouch.

“We'll see about that, you idiot!”

With a final heated stare, Ballister turned around, bitting down his tongue to dissimulate the giggles.

As soon as he got into his room and locked his door, Ballister opened up his cellphone, already missing his boyfriend's arms. He found a couple of drunken voicemails Ambrosius had already sent his way, and a couple of pictures that matched the vibe of their last night.

Smiling, he got into his own bed, hiding under the sheets. Perhaps intense figths weren't such a bad idea for their relationship, after all.

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mejomonster · 14 days

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Ive been hearimg all about the internet archive lawsuit and my big question is just...

All the 1800-1950 out of print, and out of copyright date, non fiction books... will they be taken down? Because archive.org is a treasure trove for finding pre 1950 and pre 1900 language learning textbooks, ones you cannot find in print to purchase and cannot find in libraries in many countries and if you can its potentially 1 library in one whole country. It is the best place to find old (very old) out of print books, digitally backed up and accessible to many. In the years I've used archive.org for that, some of those books would have check out limits with due dates, and some would be open to view fully on the webpage without checking out.

#rant #internet archive #langblr #i just. do not know where else to find Poco a Poco and First Spanish Book by Guerillimo and Francais par le methode nature #and the 1930s Chinese Grammar textbooks #and Japanese in 30 Hours (from 1930s)#so many amazing textbooks which functionally dont exist anymore in a way to purchase #and are rarely found digitally. theyre too old for most building-libraries to bother #having any ebook copy of (or making in the first place) and archivists digitizing old books #was the only way books like that got put up online #(and old spellbooks and interesting esoteric texts from pre 1900)#to access some of those textbooks id need to spend thousands on plane tickets and hotels to visit physical archives who still have #print copies. which is not feasible #basically. if the site is going down i need to find copies of like 100 old textbook files #also theres wayback machine which... i dont even wanna think about if that ceased to exist

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mulders-too-large-shirt · 3 months

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s2 episode 22 thoughts

i am actually the bravest human alive for surviving this episode

(lmao i joke. MOSTLY. but op lore: i suffer from a chronic illness that gives me terrible nausea and MAN this was NOT the episode you want to sit down and unwind with if you’re feeling ill. for the plague be upon them all. and yet! here we are. my love for these agents must be quite boundless.)

“diseaseee episode… okay so it is probably body horror time maybe idk” <- first thing in my notes, and yes. yes, it was body horror time.

(we open with a fellow in the rainforest catching bugs) and to me it’s giving “he was in the amazon with my mom when she was researching spiders just before she died” which was such a funny meme. we moved on from this too quickly. those words will always make me giggle.

that is a turkey vulture… do they have those in Costa Rica? yes they do! wow, bird facts <3

ohh nasty, we see a dead hog in the rainforest, being consumed by bugs… bug scientist takes some of them while it pulsates… and my nausea strikes!!!

AUGHHH the boil blew up on his face. this is eeeeevil!! i was diverting my attention AWAY from the screen at this point and really staring at my notes in the hope they could shield me from the nastiness

NOOOO now the bug scientist’s face is covered in the boils… the vultures got him and so did the bugs, and i am getting the impression this is gonna be a tough watch, but i’m in too far now!!!! (it had been like. 5 minutes lmao but i meant it!)

scene change: prison time.

(is this the outside of the prison they used to film the Please Please Please music video or do they all just look the same?)

a prisoner has been sent a package. it is…. some kind of meat??? can you send meat in the mail…? just wrapped up in newspaper? i find this hard to believe, but maybe things were different in the 90’s, or we can suspend disbelief for the sake of the alien show

the meat is pulsating and now the prisoner who received it has the same boils…… deeply unfortunate for all parties involved

and now boil disease is spreading in the prison!! two guards escaped on a cart carrying the infected man's dirty sheets. so they are pretty much gonna die. but will they spread the sickness to the outside world before they do so?

enter our agents!!

this dude who claims to be in charge is a real jerk. and the agents don’t even know why they got sent there beyond to help with a manhunt, which seems beneath them. but there are some people in hazmat suits, so it’s not adding up.

the convicts are hiding in a rest stop and stole a camper from a poor family :( way to ruin vacation.

scully can tell everyone is LYING and she hates lies and bursts into the hospital area, despite the doctor trying to keep her out… it’s a serve, but at what cost to her health???

here, we learn what is at stake: 14 men have been infected, and 10 have died so far. YIKES! this is not good news.

she always answers the phone with “mulder, it’s me” and idk why I find that so endearing. but maybe I’m just at the point where everything these nerds do wins me over

NOOOO the dad from the camper was killed… vacation ruined even more than previously thought

back at the prison, a dude in a hazmat suit tried to kick scully out by saying that she is violating federal orders by being there, and she says “i’m a federal agent”…. a queen of dealing with nonsense. she needs to know if the escaped men are out and about spreading this!!

“you see what I let you see”, says a man drunk on the power of a lot of people dying around him. and i love that these men think they can handle whatever this disease is without any help whatsoever (/s) the arrogance of men has no limits.

the convict is coming home… to his gf and baby… SPARE THE BABY from the bubbling disease!!!

one of the dudes who escaped is on the floor of the gas station bathroom, moaning and groaning and covered in boils, and the other convict smacks the poor cashier helping him on the head with a wrench... truly despicable behaviors. and he was probably doing all of this for minimum wage!!

scully in da incinerator room... what is she doing there! she has a mask and some gloves and some bodies to investigate. she cuts one of the bagged bodies open.

NOOO the doctor tries to stop her and the juice gets in his eye… he runs away. rip doctor. your fate has been sealed.

(rolling up to the gas station w the marshals and a million dudes in sunglasses that look like horrible people to catch the escaped convicts)

mulder finds the poor cashier that got whacked and says “kid’s got a lot of hair, probably absorbed the blow” which is a crazy thing to say

now he is trying to track the phone call the convict made to figure out where he went, but he’s using the same payphone as the sick man, and the germs... i’m scared!

mulder gives his badge number to the operator. It’s JTT-047101111. will this information be of any use at any time? no. but I still wrote it down <3

woah loud noise! a helicopter arrives to put the cashier in some sort of incubator. this cashier has really had a bad time. and no one is explaining anything!!!! so he doesn’t even know where they are taking him or why!! transparency has never been anyone in the government’s strong suit, i guess.

convict cam. he is reunited with his gf. they are smooching. and that is not good for her survival rate i would guess. after they make out a lil, he shows her the other mostly dead guy in his car. i assume he will be joining the family but not for long. i'd be pissed if my man brought someone home after his prison escape. this was supposed to be about US and not some dude i don't know named paul dying in our bed...

okay the package of the meat was sent from kansas… sus…. from a pharmaceutical company?? could it be a fake return address… (spoiler: no, it was not!)

OUGHHHH the camera cuts to dead flesh and boils and blood BLEAGGHH and scully extracts a BUG from it….

back to the convicts. the woman is trying to help the guy who is filled with pus, and she bends down to try and cool off his fever, and just as this happens the boil bursts!!! her face is splashed with nastiness and i moaned “nooooo” and hit pause so fast because I nearly gagged... but this was not a foolproof plan, because it paused on all the stuff getting on her face, so i saw it even more, which was SO NASTY EVIL EVIL NASTY GROSSSSSS JAIL. she’s trying to scrub it off.

just as she tries to get it off, the marshals burst in and get her. so now they might get the boils… also someone scoops up the baby… put him in a better situation… but the other prisoner is gone!! where did his slippery ass sneak out to?!?

(we see an outside shot of the prison again and AGAIN I think this is the same one from the please please please mv. sabrina carpenter can you confirm or deny? i know you read this blog)

the doctor who was earlier splashed upon has revealed his boils to scully. but this is not all he reveals: he was LYING about the CDC being involved!!! it’s the pharmaceutical company that sent the package to the prison that did all this, and he works for them!! they finance discovering stuff in the rainforest to use in drugs… and they found the bug. and the bug has a parasite on it that makes the boils and the larvae are in the explosion. so explosion = infection.

NOOO she was there when his boil blew up so she might also be infected..... lord her medical history is complicated enough. let her escape the clutches of these damn bugs.

talk with skinner time!!!!! BUT... CIG MAN IS IN THE CORNER. mulder goes over to talk to him directly. is he trying to get them killed!!!!! because it looks like cigarette man put them on this case involving lethal infectious diseases because he wanted to get rid of them. oh, mulder is ANGRY about them lying to the public

meeting with skinner was NOT a success. he angrily fumbles with his seatbelt when scully calls to report the latest in plague news

they disagree on what to do here: he says the public has to know about the situation, and she says that they don't because the panic will spread faster than the contagion. oooo, juicy moral conflict! but i must admit. pandemic questions interest me less having lived through one of my own.

despite his frustration that she is making a point about not being able to tell the world just yet, he asks "are you okay in there scully?”, and she says yes, tells him to catch the fugitive, and to "take care of yourself out there"... and her not knowing if she is gonna live or die, so she tells him to take care of himself...... has me very emo

now, she is locked into quarantine with the infected doctor, who is testing her for the disease, which involves trapping a bug to her arm and waiting for it to bite her. which is quite hellish. she looks truly disturbed by the event and frankly so was i.

mulder interrogating the woman whose bf is the escaped convict. trying to find him, but being distracted by her moral questions on who deserves to know the truth... not now, ask these heavy things later. success! convict boil man is on his way to the bus station.

cutscene to the convict trying to buy a bus ticket. and coughing all over the ticket woman. another minimum wage worker victimized by disease. wear ur masks people!

back at the lab, the bug has FINALLY bitten her, but the doctor from the company is going down. he says she has to tell the world if her test is negative because it WILL happen again. way to push your guilt onto someone else, mister pharmaceutical man!

cut to her extracting blood from bugs. how in the hell did they film that scene??? she takes a deep breath and looks at the blood to see if she’s gonna die or not. and she sighs but that isn’t an answer for us, the audience. (spoilers: it was negative...... thank god)

in the incinerator of the prison, they are destroying all the evidence!!! by tossing all the bodies into a fire!!! the pharmaceutical company is covering its tracks!!! they say it was unavoidable but she says “we'll leave that up to others to decide!!!” oh he pulls the “no one will believe you” card… but she’s sneaky, maybe she’ll think of something that can prove it all to the rest of the world

back to the marshals and mulder at the bus station. no pressure but the prisoner who is about to die HAS to make a statement or else everything will be entirely covered up by the pharmaceutical company that killed these people. again, no pressure!!

mulder going on the bus with the infected convict.... nooo mulder, be careful, i whisper softly to the screen. and sensing his tricks, the sick man holds a boy with a gun to his head once he gets on there!!!

mulder's voice is all growly- you know how it gets when he’s serious. but the sick man is coughing all over the little boy. and foaming at the mouth. mulder convinces him to let the kid go, and tries to get that statement that will prove everything... but....

NOOOOOOOO!!!! the marshals shoot the guy before he can learn what was in the package!!!!!!

so, in all: the pharmaceutical company was using the prisoners as guinea pigs to get their drug on the market without FDA testing… truly sick and twisted!!!

mulder is reporting this to skinner, and he’s gonna tell the public!!! mulder says that covering the truth makes skinner just as guilty as the men who infected the prisoners (which i'm not sure i agree with but i love a man obsessed with the moral weight of his actions)!! but scully bursts in and says they can’t prove anything because the tracks were so thoroughly covered.

mulder is adding things up... that’s why they were given the assignment, so that if they tried to expose the whole thing, they would be discredited!!!

skinner says “you never had a chance, mulder; for every step you take, they’re three steps ahead” “where do you stand?” “i stand right on the line that you keep crossing” <- OHHHHH zinger.

but i'm conflicted... i thought skinner and i were tight after he intervened to save mulder a few episodes ago, but now I don’t know… skinner, my feelings towards you are complex and unnavigable

“i’m saying this as a friend: watch your back. This is just the beginning” <- WHAT DO YOU KNOW SKINNER!!!!!

there are questions here- such as, to what point does skinner knowingly go along with the corruption in the government? if the government was involved with killing prisoners on behalf of a drug company, what other evil twisted things are they hiding? to what extent can skinner, and every other person in the FBI, be blamed for complicity? is it at all possible to make positive change in a corrupt system?

also, are these the same guys who are hiding the aliens, or do you think that 's a different evil government department?

what was cig man doing there and why does skinner keep letting him into his office like a stray cat that gets one free meal from a nice human? (but that stray cat is evil and was involved in kidnapping scully) should we send skinner to the cancel chambers or is he a real mfer deep down? also, where the hell is krycek? not that I give a fuck. he sucked.

much to ponder, but i end there for now, because. bleurgh. flesh.

#this was kind of hurried because i didn't want to dwell on every single nasty moment but i did anyway. that is commitment!#so pardon any spelling or grammar errors or whatever. i usually leave some in accidentally and i expect there will be more than usual today #anyhow. interesting moral questions being framed here. interesting how mulder wanted to expose the company for wrongdoing but couldn't.#maybe he'll get the lone gunmen to rat them out and no one will believe them anyway because they are who they are #i'm pondering. i'm pondering many things. the plot was actually really interesting. the villain was big pharma.#doing things even worse than jacking up the price of insulin apparently #interesting when we get an episode where the bad guy is just straight up a corporation or the government and not ghosts or beasts at all #maybe the real villains were the people we met along the way etc etc #let me know what you thought! did you find it gross? or am i just weak. it's okay i can handle hearing i'm weak.#off to go read a book now... and tomorrow i'm reading some fluff fic <3 #juni's x files liveblog #the x files #txf

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