#do it right lucasfilm

[woodox-earthtaurus]

Incoming unpopular opinion. Did it not occur to anyone that Filoni, much like Taika in marvel, just doesnt have the respect for the majority of the characters of Star Wars that - say- Favreau with IronMan or others have? Who the hell treats the Mandalorians like he has? Why the hell were either of them allowed to treat Luke like that? 😤 Who wouldn't understand & acknowledge that there's a SAG and WGA strike ongoing and then refuse to be on the front lines / voicing support? They're both writers & directors/producers. And Favreau (like a certain New Zealander) is also an actor. Plus wtf 🙃 was with Kennedy & Filoni being allowed say on Mando s3?

First off, the Nightsisters were never said to be Dark Side Witches except by maybe Dooku and Palpatine. Look where that motivation is coming from. Second, the Zabrak aren't from Dathomir. They're from Iridonia. And they don't always have red/orange skin. That's kind of specific to the *subspecies* that developed on Dathomir. The Nightsisters are literally referred to as 'dathomiri witches'. Third, they're not using the Force. Did 😒 no one see any clips of (or play) Fallen Order or Survivor? Merrin is thought to be one of the very last of her kind. She literally explains to Cal that their Magic isn't the Force.

That leads me to my fourth and fifth points. No4: Filoni is just making shit up at this point, i would hope reviewers would understand this. Why would there be something beyond the 'unknown regions'? This isn't some dinky galaxy we're playing in with Star Wars. Have you SEEN the Star Map for the number of worlds just in the Outer Rim? There are hundreds of solar systems and nebulae and solar clouds and tunnels (wormholes). And he wants you to think that there's a whole new set of worlds beyond 'unknown space'. 🤣😅 I explained about the Dathomiri already but lets use an actual Dark Force God. In Legends, the eldritch horror Abeloth lurks in a cluster of black holes called The Maw. Its within the edges of the Outer Rim - Inside the known universe of Star Wars. There's hardly anything *known* about the areas outside the Outer Rim; its why the name is Wild Space & the *Unknown* Regions. JFC.

After what has been written about beloved characters in the sequels, in Mando, and even with Boba not having starring roles in his own series, I find it highly insulting as a fan that yall just take this dummy's word that this is gospel. Like holy shit, do some basic research TOR before raving about how great ep 6 was for canon.

Canon so far has been dogshit. S3 of Mandalorian, the cliffhangers of both Boba Fett & Kenobi, the shit writing... The only great thing out of Disney post lucasfilm buy is Pedro Pascal as the Mandalorian and getting to see Morrison as Boba. --> 🫠😵 I find it super insulting that Disney would retcon *their own canon* from games/books/earlier shows to allow Elspeth and the 'Great Mothers' to have the Force. To say that this 'never before known planet' is some special jedi place. To hint that Thrawn might be the main antagonist when no one can say that with the strike or books that are *already out*. Icould keep going but yall bore me. Ewww.

[canonicallysoulmates]

The fact that Temuera Morrison was supposed to be in s3 of The Mandalorian but he never got the call and was left waiting.....he deserves better, the character of Boba Fett deserves better, and we the fans deserve better. And here I thought my anger at the show would lessen now that the season is over.

[good-call-my-young-padawan]

Random thought. I just think sometimes how GL kids didn't want to keep SW. One of her daughters (if he has 2, idk? One is a box fighter I think) mentioned she liked more of Buffy the vampire slayer like characters and added or wrote part of this SW book where Asaj Ventress is and I'm like... wish you loved Anidala 😭😭😭 so we could've saved them from firloni or disnerd *cries*.

[asteroids-and-tractorbeams]

Lucasfilm you want to retcon those Snoke clone test tubes into being Spaarti cylinders so bad

[minimanic]

Not to be unhinged on main but every star war regardless of quality triggers an existential sadness within me which I do not understand but am also unable and unwilling to give up

[hinderr]

I AM GOING TO FUCKING SCREAM ?????????????????????????????

[themyscirah]

Just finished the Qi'ra saga (WotBH/Crimson Reign/Hidden Empire) minus some tie ins and I am....... not okay

Tragedy enjoyers you guys need to get on this one asap

[dameronswife]

girls when poe has a personality that isn't being obsessed with a man he's had maybe ten scenes with in the first two movies and has his own agency and doesn't always agree with his mentor instead of bending over backwards to constantly say she's right (when she isn't):

[gffa]

With the confirmation of The Acolyte not getting a second season, I can't say I'm surprised, the numbers for that show were really bad given what its budgets was, like I kept an eye on The Acolyte's numbers and they were really, really down across the board (Ahsoka's numbers aren't super great either but that's getting its second season because it's Filoni's pet show, I suspect), like set aside all the other complicated stuff, whether it was good or bad, how much of the fandom's reaction was pretty heinous and racist, it just was not getting the numbers it needed and it's making me wonder about how all of these shows are not doing well. Mando is doing all right, OWK did all right, Andor's doing okay, but none of these shows are setting anything on fire anymore (ratings-wise, that is), what would it take to create something that takes off again?

I strongly suspect that The Mandalorian only took off because of Favreau, who really does know how to make something really good and fun in the beginning. Filoni gets a lot of credit for that show, but I'd be willing to put ten dollars on the table that Favreau was driving the vast majority of the success of that series. And that makes me wonder about the future of these shows, because I don't think Filoni is strong enough to really carry a show on his own, most of his best work is when he has a strong partner actively working with him or when he was working under Lucas.

And the creators they bring in to create these shows aren't setting anything on fire, either. Yeah, the sequels made a billion dollars for each movie, but I think it's pretty telling that we're not getting comics or books or games about those characters anymore, the way we did for the prequels characters for more than a decade after they came out. Yeah, Tony Gilroy and Deborah Chow had shows that did solidly well, but they're not anything that Star Wars can build future content off of, they're already backstories for other movies themselves. And I don't think Skeleton Crew is going to light anything on fire, either.

Lucasfilm just doesn't seem to know what to do with Star Wars TV and movies. They had some really good early success with their projects, but almost everything ultimately fizzled out after a few years or ended really badly, and it feels like the only thing that's really hitting with audiences are more Clone Wars-era content and The High Republic novels and maybe still The Mandalorian.

Honestly, if I were Lucasfilm, I'd cut out the live action shows and go back to animation and think long and hard about setting up a new movie series. I think, with the right creative team (and not just who they think is a big name to write/direct), they could have a great trilogy with The Old Republic era stuff, because they have got to expand beyond the PT/OT and the Skywalkers, especially since the sequels put a bad taste in a lot of people's mouths about how Luke, Leia, and Han's stories ended.

(I mean, in my ideal world, we'd get an animated series set in between TPM and AOTC or set like 30 years pre-TPM and getting to see the backstories for characters like Mace and Plo and Shaak and Luminara and Yarael, but I'm not holding my breath on that one.)

[david-talks-sw]

The OTHER type of Star Wars fan

We've already covered (through this longer post and this addendum) that research shows George wasn't that involved or interested in the derivative material of the Star Wars franchise, also known as the Expanded Universe (EU). Aside from approving a few points, he let Howard Roffman and Lucasfilm Licensing handle it.

He is the first to say that he ain't as knowledgeable about Star Wars lore as we fans are.

Thing is... he's also not as passionate as we are.

Recently, I was watching some Q&A videos of George R.R. Martin, the author of Game of Thrones... and it occurred to me:

Martin is what most Star Wars fans wish Lucas was.

Think about it.

He's a talented writer who likes to focus on morally "gray" characters and complex political plotlines,

who created a series of novels for a mature audience in which his narrative merely asks questions and lets the reader draw their own conclusions,

knows and engages in the lore behind his creation and will often respond to those lore-heavy questions, and has gone on record stating that canon is the glue that holds a story together and keeps it coherent.

Contrast that with George "continuity is for wimps" Lucas, who:

Wrote a movie franchise which is also, partially, political... but he makes it for kids, and he's explicit about how this is thematically a clear-cut story about how the conflict of "good vs evil" is really about "compassion vs greed",

with flat dialogue, boring cinematography,

and whose approach to lore and canon can be summed up in his answer to how Anakin got his scar:

"I don't know. Ask Howard [Roffman]. That’s one of those things that happens in the novels between the movies. I just put it there. He has to explain how it got there. I think Anakin got it slipping in the bathtub, but of course, he's not going to tell anybody that." - Pablo Hidalgo’s set diary, August 2003

And as a Star Wars fan, I will admit that some of his casual retcons felt disrespectful, growing up.

"Boba Fett is NOT Mandalorian?!"

I had the same reaction when I saw an interview of Kathleen Kennedy stating she was a fan of Star Wars... from a filmmaking perspective. That seemed like such a finagling cop-out for me, at the time.

"Just say you're not a real fan, God!"

And it's easy to divide it in two camps, like that. You have 1) the fans, who will delve into deep lore, and you have 2) the average moviegoer.

But looking back on it... holy shit, that is actually a completely valid way of being a Star Wars fan.

Yes, Star Wars is a transmedia franchise, it's books, it's video-games, it's deep lore, it's lightsabers and Jedi and Sith and bounty hunters and Ewoks and Jabba and High Republics and Tython and Revan etc.

But before it was that, Star Wars was a filmmaking revolution. A juggernaut of innovation for the silver screen that inspired most of today's filmmakers.

So, sure, George Lucas isn't an avid lore-loving Star Wars fan like you and me. But he is a movie fan.

"I'm not that passionate about this story. I like it, it's fun and I enjoy doing it. But it's definitely not my life. I'm a bigger movie fan than I am Star Wars fan. I like making movies. At the end of nine years of making Star Wars, I was not ready to continue it. I was completely burned out on it. I was more passionate about raising my kids than making movies and especially making Star Wars. So I made other kinds of movies and TV shows and advanced the technology I needed. It's not a matter of passion. My passion is for filmmaking. I'll go and do filmmaking that is easier to do, where you can realise your ideas better. And nine years is a big part of your life, and to commit to another nine years, I didn't wanna do that right away." - EMPIRE, 1999

And you can tell this, when you watch the Star Wars films.

There are honestly so many homages and interesting filmmaking techniques, peppered throughout the six films, which only a nerd for cinema history like George would know how to implement.

C3-PO being based on the droid from Metropolis (1927) is a perfect example of this.

And that's interesting.

Because there's essentially this entire other dimension to the films, where it's not just the story unfolding, but to filmmakers it's also a series of techniques that make them go "I wonder how they did that!" or homages that make them go "OH! I know where that's from!" like we do when an comics characters appears in live-action.

Here's other examples:

CINEMA HOMAGES

All of Star Wars is absolutely littered with homages to cinema history.

I mean, you may already know this, but Flash Gordon is what George originally wanted to shoot, but the copyright holders said they only wanted Fellini to direct it (ironically, George wasn't artsy-fart enough for them). So he decided to write Star Wars instead.

As such, the inspiration from Flash Gordon is also present visually and spiritually throughout the two trilogies.

"It was like a Republic serial, a 1930s-style matinee adventure. The idea was that you came in, saw Episode IV, had missed the first three episodes, and wouldn't get to see the rest of it." - Starlog Magazine #300, 2002

The dialogue that a lot of people refer to as "campy" and "flat" is actually a mix of George being an experimental filmmaker who doesn't give much of a fuck about dialogue (and is by his own admission, not the best at it)...

"I'd be the first person to say I can't write dialogue. My dialogue is very utilitarian and is designed to move things forward. I'm not Shakespeare. It's not designed to be poetic. It's not designed to have a clever turn of phrase. [...] I just wanted to get from point A to point B. This film doesn't lend itself to that sort of thing because it's not about snappy one-liners.  I think that Lethal Weapon-style dialogue is overused, it's a necessary aspect of high action films where you have to have the smart retort. You have to say "I'll be back baby" and stuff. It's not my style. It takes away from the integrity of the movie. [...] I'm aware that dialogue isn't my strength. I use it as a device. I don't particularly like dialogue which is part of the problem." - EMPIRE, 1999

... which is convenient, because it helped him simulate the dialogue of 1930s matinee serials, such as Flash Gordon.

"Let’s face it, their dialogue in that scene is pretty corny. It is presented very honestly, it isn’t tongue in cheek at all, and it’s played to the hilt. But it is consistent, not only with the rest of the movie, but with the overall Star Wars style. Most people don’t understand the style of Star Wars. They don’t get that there is an underlying motif that is very much like a 1930s Western or Saturday matinee serial. It’s in the more romantic period of making movies and adventure films. And this film is even more of a melodrama than the others." - Mythmaking: Behind the Scenes of Attack of the Clones, 2002

But beyond that, literally it's everywhere.

The scene where Palpatine ascends to being Emperor as Anakin slaughters his political rivals parallels the final scene in The Godfather, where Michael becomes the Don while his goons do the same thing.

This video compiles all the tributes beautifully. Check it out.

Even The Clone Wars has whole episodes that are direct homages to cult classics. The Zillo Beast episode is a clear reference to Godzilla, the episode The Wrong Jedi is inspired by The Wrong Man, etc.

"CINEMA VÉRITÉ" CINEMATOGRAPHY

I've already written a whole post (one of my favourites) showing how his fascination with cinéma vérité documentaries is reflected in the cinematography of all six Star Wars films, and it's part of what makes the entire franchise feel so immersive.

You can check it out here:

KUROSAWA

We've gone over how he's a big fan of Akira Kurosawa, and how big an influence Hidden Fortress was on both the Star Wars trilogies...

... but so is the mise-en-scène and the way George approaches production design. The reason Star Wars feels so "lived in" is also a lesson George learned from Kurosawa, which is that by making everything just a bit off-kilter, a bit dirtied-up and imperfect...

... and yet keeping it all consistent, in a way, you manage to make the film feel grounded and immersive, no matter how alien it is.

"[It] may sound odd in a movie like this, but credibility and realism, even in the most unrealistic situation… to sorta create that sense of realism is very important to making the story work and making you feel like you’re actually in the environment that transports you and gives you the suspension of disbelief that you need in order to enjoy a movie. [...] Kurosawa used to call it “immaculate realism” which is to make it slightly off-kilter, slightly eccentric, like things are in real life. Even if it’s a very predictable situation, give it that little funny edge that takes it away from that and makes it realistic. And I had to struggle very hard, in the Star Wars films, to make them appear to be realistic, even though they’re totally fantasy." - The Phantom Menace, Commentary Track #2, 1999

POST-PRODUCTION & VFX

Another one of the more impressive aspects of the first Star Wars was the dogfights and the trench raid of the Death Star. The camera pans with the spaceship, the dynamism of the cuts. The space battles is what made George creat ILM in the first place.

He was determined to do the opposite of what 2001: A Space Odyssey had done with that opening scene where the space ship moves into frame slooooowly...

... so he gave the team a collection of WWII dogfight footage to give them ideas.

(note: this was the same approach he would take years later with Dave Filoni, when teaching the latter how to edit and craft dogfights in The Clone Wars)

The attempt to film the trench run eventually led to the creation of the first motion control camera dolly.

Best analogy I can think of, when describing George's approach to Star Wars, is the following:

An avant-garde esoteric contemporary artist - y'know, the type who puts a blue dot on a white canvas and calls it art - creates a comic.

Why? Because he wants to make this one art installment for a gallery exhibition. After that, he intends to move on to other things.

But the comic is really good! And like, its audience quickly expands beyond just gallery visitors, no, everyone likes it.

Suddenly, the comic develops a cult following, and the entirety of comic book geek culture has zeroed-in on the artist and they're all asking him to make more art! And he makes more! And more!

Then he stops for two decades, moves on to other art projects, raises his kids. Years later, he discovers new ways of drawing, and he's like "I'm making a Prequel to the comic, y'all wanna see it?"

Everyone cries out gleefully: "Oh God, yes! Finally! Show us!"

But this motherfucker makes a manga.

Why? Because he feels like it.

And of course he does, he's just creating art, right? He discovered the graphic tablet, so he's having fun with it, because he's always innovating and pushing the envelope with his art.

And the movies are fine, by manga standards. But by comic book standards, they obviously suck! The comic book audience is mad. They wanted another comic book, not a manga. Why is it in black and white? Why is read right-to-left? This comic sucks!

(And arguably, they have a point... as a savvy businessman, he's made a whole lot of money off this comic, he built a media empire out of it, and instead of giving them what they want, he made something else)

But again... this guy isn't a comic book illustrator, and has been very explicit about saying this.

He's an artist who - for a very specific project - drew a comic.

Many things can be true at once:

the fact that these creative decisions didn't always hit their mark for the average moviegoer, or fans of "Star Wars, the space fantasy movies and expanded universe" (usually the lore-loving geeks like myself)...

... and the fact that they were meticulously and carefully crafted in a way that fans of "Star Wars, the revolutionary film" (aka fans of cinema and filmmaking) can appreciate.

There's a spectrum of the fandom, and there is a spectrum in the way we can appreciate Star Wars. Which kinda reminds me of that scene in Chef (2014) where Carl goes on a rant explaining the intricacies of making his chocolate lava cake to a food critic.

It's not just undercooked chocolate.

It's molten.

Conversely, it's not just flat, campy dialogue. It's an homage to the 1930s matinee serials à la Flash Gordon.

It's not just boring cinematography. It's a reproduction of cinéma vérité documentary-style camera work which effectively grounds the film.

Having considered all this, when I hear that Tony Gilroy or Kathleen Kennedy were more in the latter camp, I go "fair enough".

First of all, because like it or not, so was George. He clearly didn't give a single crap about the comics and books, besides signing off on minor plot points. He's not a "sci-fi movie director", he's an experimental filmmaker who makes movies set in space.

But secondly, because - aside from children - it's clear the audience he was targeting was these cinema-savvy folks who'd get his references and would be inspired by the filmmaking techniques.

Not the fans or the critics.

[jumpyl123]

I don’t have any new art to share… so I’m should going to repost some of my other Star Wars art from this summer until I do 🥰 If anyone wants to follow me on other platforms, I’m also on DeviantArt, Instagram, and Toyhouse!

Since Omega is ultra skilled in strategy games to where she never looses, and Tech plays against himself because it’s the only time it’s a challenge, what if Omega and Tech played against each other? Who wins? (In this scene, definitely Omega, he’s still loopy on pain killers and sedatives, maybe she’ll go easy on him XD)

This is after s2e2, my poor heart was hurting so much for my nerdy boy when he broke his leg! Then this idiot decided to walk out in the woods alone at night on it and went and fought some troopers. DUDE, REST YOUR LEG. He may be smart but he’s also dumb. When he finally collapsed, I was internally crying for someone to help him!! I needed to know he got help but the episode ended before that, so I went and did it myself. Because he was stupid with his injury, he probably made the fracture even worse and needed surgery. You know I research a lot of medical stuff for my stories, right? So Omega is playing balaans with Tech to help him kill boring recovery time 🖤🩶❤️

and big protective sibling (father figure) Hunter stays with him as he stays over for the night. He is exhausted and sleep deprived but silently celebrating that his insomniac brother is getting extra hours of Z’s at last! XDD thank the force hes actually sleeping tech is insomniac i dont make the rules

Please do not trace, recolor, edit, or repost my art without permission, even if you are planning to give me proper credit!

Tech, Omega, and Hunter belongs to Lucasfilm/Disney

Made with Procreate

[phantom-of-the-keurig]

I think one of my favorite things about Codywan is that it absolutely could be canon and wouldn’t disrupt the established timeline. I mean, a ship doesn’t have to be canon compliant to mean something but for me, personally, I so rarely fall for pairs that are possible that when I do it’s like, a little extra special.

And as someone who loves angst + hurt / comfort, codywan in canon would obviously be filled to the brim with both in order to maintain established canon. For example, Cody obviously isn’t in A New Hope, but with the clones accelerated aging that could easily be a sad but canon compliant reason why he’s not. Or in rebels, Rex mentions he believes Obi-Wan to be dead, and he talks about Cody as if he’s no longer around. That could be because Cody and Obi-Wan are hiding out together on Tattooine, just like the original draft of the Kenobi script.

Does this make sense? Do I think Lucasfilm would ever go for this? No. But do I think if they wanted to they could do so very, very easily and it would fit right into canon, like it always belonged? Yes.

[pedge-page]

I can imagine preggo wife literally talking and talking and talking in the middle of a movie and gets offended and leaves when Joel tells her to quiet down

Joel Dealing with Preggo Wife : Yapper

notes: Oh I had fun writing this! no warnings (maybe some Fugitive and Raiders spoilers), Enjoy!

- - - -

Joel’s pretty excited for movie night. It’s one of the few films the two of you don’t argue over and can pretty much watch the entire way through without disruption.

Or at least, it used to be.

Joel settles against the couch armrest with his feet propped up, knees bent slightly so you have room to sit in front. He’s got any snack you could think of within an arm reach away, and he’s got the title on pause so you can scooch your fat booty and big belly comfortably. Usually takes about 15 minutes of squirming, smacking his chest to “fluff” it up, adding a pillow at his crotch, then taking it away because you like his hard cock there instead, elbow in his groin and then his knee, then you gotta get up to pee before starting the whole process over.

“OK Im ready!” You say after 15 minutes on the dot, snuggling close to him with the back of your head rested against the crook of his neck.

He finally hits play, and the Lucasfilm logo flashes across the screen. The tropical forest and ominous music plays as the familiar font of Indiana Jones and the Raiders of the Lost Ark fade on to the screen.

“Joel. Joel. Hey Joel.” 

“Y-yes?”

“Did you know Indiana was named after George Lucas dog? Who also was the physical inspiration for chewy?” You ask  rhetorically. 

It takes him a second to understand you’re asking him a question. “What?”

“Chewbacca! From Star Wars!”

“Oh ok neat,” he says with some enthusiasm, but quick to end it and get back to watching the movie—

“Yeah also Sean Connery is also apparently—well guess how much older he is to Harrison Ford.”

“Um—I don’t—I don’t know.” Joel says slowly, watching as Indy carefully removes the sand from the pouch and weighs it to the gold idol.

“C’mon, guess!”

“I really don’t know, can we—“

“12 years older than Harrison in Last Crusade! My mom was like ‘WHAT no way’ and I was like ‘Yes way’ and she was like ‘He's his father and he's got all that white in his hair and receding hairline’ and I was like ‘Joel's only in his late 30s and he's got white in his beard.’”

Joel can’t hear a damn thing happening on screen except the shouts about hating a pet snake named Reggie. “Wha—“

“Not that you look anything like Sean Connery in Last Crusade. Maybe in like Bond —oof he was the hottest Bond. Plus you got like a receding beard-line with all the patches, I don’t know, but my mom was like ‘Ya know Joel's got more white hair lately since you've been pregnant’ and I was like ‘Nah uh’ and she was like ‘Ya huh’ and I was like ‘Huh I wonder why that is…?’ Anyway but nope only 12 years between him and Ford—“

Joel turns to look at you with a frown, a bit confused and amazed at how you have so much to say, right now, oblivious as ever. 

It doesn’t phase your rambling one bit: “—Like damn, but you know Harrison Ford has always been handsome. But like in the bad boy kind of way, not like handsome upstanding like Christopher Reeves? When I saw The Fugitive, I was like ‘oooohhhh I'll be his wife now’ hahaha! no no I’m sorry, he’s famous and I’m not so that’s why I married you, but that's such a fall film don't you think? Minus the murder and betrayal and fucking Dr Charles Nickles like was he British or not? He was in and out of an accent the whole time? Didn't make sense to me but yeah, it's just such a fall Cozy film.”

Joel looks back at the screen and realizes Marion is already being cornered by the Nazi creep: “Ah huh—honey—“

“OH! I Love her song! It’s kind of like Leia and Han’s from Empire except the last notes are different, like it goes do doooooo instead of da dat dada daaaaaaa, That’s just John William’s for ya, but you’d never notice they were so similar!”

Joel opens his mouth to say something but nothing comes out as you continue:

“—Also I know you said my mom made good apple pie but I really wanna try to make it because I want you to like mine more, so I need you to get some apples and pie crust and butter and stuff from the store, I’ll make a list so you can get it. They said we need ground cinnamon but I think ours expired like 5 years ago so don’t forget that. And then I'm gonna tell you how to slice the apples since I can't handle sharp objects and then oh I need you to get the mixer from the top shelf and then you have to mix it all together and slice the top with like little heart patterns and then put it in the oven n stuff ‘cause it's hot and I don't wanna burn OH and that reminds me—!” 

“BABE!”

“Hmm? yes?” You ask with a innocent smile. 

“Let's try to be quiet and watch the movie ok?”

He offers a gentle smile and nods, pointing towards the TV again and settling to watch it with his beautiful wife.

His very very very unhappy wife. Your eyes haven’t left his, face now downturned in such a scowl, he should be shitting his pants.

You roll your jaw at him once, teeth grinding against one another with slitted, murderous eyes. Joel gulps, too afraid to glance back at you again. His eyes are wide staring at the commotion on the television but, now in your deadly silence, he can’t seen to focus on it at all. 

Instead of saying anything, you roll polly up to your feet, arms crossed over your chest defensively as you utter a loud “Hmph!” before storming away from the living room.

He’ll have to deal with groveling tomorrow morning when you might be a little more welcoming. But on the bright side, he’s got way more room to spread out on the couch and he can hear the movie much better now! 

......... 

He switches it off and runs upstairs to get on his knees by your side of the bed, begging for your forgiveness and promises of a Clyde's milkshake to go. 

- - - -

Permanent Taglist

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[photogirl894]

A couple points of note before we venture into Bad Batch season 3 tomorrow...

Let us remember a few things before Bad Batch season 3 begins tomorrow.

It is NOT Dave Filoni that we "blame" for any emotional trauma. It is Jennifer Corbett and Brad Rau 😝 He may be one of the executive producers, but Filoni hasn't been involved in the writing of this show since the pilot, it's all Jennifer and Brad.

Our theories/headcanons are NOT canon! Which also means that if your theories don't pan out, it's NOT "bad writing". WE are not the tellers of this story, we are the receivers of it. We do not determine how this season is going to go. That is Jennifer, Brad and Lucasfilm. So don't get mad and pissy if certain theories don't happen or if things didn't go the way you thought they would. (Unless anyone dies, then you have every right to be mad 😝)

BE! PATIENT!! If we haven't seen certain characters in a while...be patient. They might show up in the next episode or two. You never know. If we haven't had certain questions answered yet...be patient. They'll most likely get answered in time. There are 16 episodes, so not everything is gonna happen at once. It's okay to wonder, but don't be getting mad that certain things haven't happened yet. We've got a couple months of this and it's gonna be a very long ride if you're not patient!

If things happen in the show that you don't agree with, but other people do, don't be rude about it. Either just keep scrolling and don't engage with discussions about those topics if you're not gonna be nice about them or just block the posts/people who talk about them. It's not that hard!

ACT YOUR AGE!! A good majority of us in this fandom are adults. ACT like adults and don't get pissy about things. Get as emotional as you want (cuz we all know it's inevitable), but still be mature about it all. Follow all of the above points and you should be fine. Don't be hateful, don't be rude, don't act like you're better than anyone, etc.

If anyone has other things they think the fandom needs reminding of before tomorrow, feel free to add them!

Otherwise...once more unto the breach, my friends 🥺 We're in for a long, emotional ride, so let's get through it together!

[flythesail]

Everything about the Acolyte cancelation just feels so off. I want to be hopeful when seeing the strength of the renewal campaign or even the number of big news sources writing about it, that something like a wrap up movie could be possible, yet nothing about this situation says "normal."

There were reports from so many places (with no evidence) that Acolyte merch was intentionally taken offline. (For the record, nothing came up when you searched "Andor" either.) Then soon after, the merch is back. (Presumably because it was out of stock.) What I find surprising is that the news spread like wildfire. Why? When for most of its existence, the Acolyte has been thrown under the bus - from review bombing to racist attacks from so called "fans" - why was everyone suddenly jumping on the cancelation news when doing little to defend or support the show from the start? Merch seems like such a minor thing within the grand picture.

Many, okay most, shows are canceled after one season nowadays. But this is a first just by default of falling under an IP as large as Star Wars. Shows that are not renewed go "quietly." Kenobi was written as a single season. Tbobf might have been up for a second, but after the way it was used as a bridge for Mando seasons 2 and 3, a lack of renewal is not a shock.

There's so much proof the Acolyte was on course to be renewed and the cancelation was not planned. As recently as last month they were looking for directors for season 2. I believe there were reports of a writers room in February.

Lee Jung-jae says in an interview he's surprised about the cancelation, and right after there's "coincidentally" news that Keanu Reeves would have been Master Sol if not for scheduling conflicts. Lesley Headland has ALWAYS said JJ was her first choice. Which says what? That Lucasfilm wanted to punish JJ for showing support for the show that they canceled. This is on top of doing absolutely nothing to protect Amandla from all the disgusting racists on Instagram. This is on top of them announcing Manny for SW Celebration, which isn't until NEXT year. Wtf is he going to talk about?? Thanks for canceling my show last year! I sure would have loved to continue it! The cancelation news was even publicized on his birthday. This comes after recent news for tie-in novels, an art book, and a visual guide.

My best guess would be that plans for season 2 were underway, and a higher up got scared. Of what? Taking creative risks. Or maybe scared of the people who claim to be "fans" and have done nothing but trash the show from the start with no basis.

I'll play advocate, what if it was just for viewership and budgetary reasons? It does cost a lot to make. But then why not adjust the budget? Why not adjust the marketing strategy for season 2? The success of something like Star Wars cannot even be entirely measured by viewership or Disney+ subscriptions, less so a month after the finale. What about merchandise sales or growth over time, as the Acolyte perfectly slots into a space in canon that quite frankly, is unexplored but adds so much to the overall narrative longterm!

Even if the show is expensive, you will never convince me Disney of all companies doesn't have the money for it. Something happened and it happened fast. Whatever did happen, to cancel the Acolyte is a cowardly move. I want to hope it can come back and that this "scrambling" to change the narrative in the media is a sign of regret, yet it's most likely a poor attempt to control the narrative in their favor and push the blame to everyone who actually cares about the show.

At the very least, I hope the response is a wake up call. That Star Wars fans will not stick around no matter what. That you cannot treat your creators, actors, and fans, primarily women and poc, as lesser time and time again and expect them to continue to support your product. This decision is telling in more ways than one. It's unfair and if nothing changes, Star Wars will only get worse from here. Which is disappointing, because I love it and have been a fan on and off since I was 11 years old. But I cannot deny that everything about the way the cancelation is happening feels like a betrayal.

The Acolyte dared to be inventive. It dared to be diverse. Whether that be the cast or those behind the camera, this story was made by and made for people Star Wars has continually neglected, and it still felt like true Star Wars that anyone could enjoy. It was a step in the right direction. If given a chance, it would have only become bigger. When is the last time a Star Wars project brought in new fans like this? You can only retell the same stories so many times before they lose what made them special in the first place. As a true fan, Lesley brought fresh perspective. From Amandla's performance as Mae and Osha, to JJ's performance as Master Sol, which he learned English for. Or Manny as the Stranger, a mystery turned sith turned lead love interest. The Acolyte explored the grey era between good and evil, the decisions that define us, what it means to feel, and the power of that. The Acolyte dared to exist and a cancelation can't erase the fact that it matters.

If you're still reading, please do sign and share the petition. It might not bring the show back, but it is a show of support for the cast, crew, and fans it stood for.

[tremendouskoalachild]

anybody remember the lucasfilm panel at disney inverstor day 2020? how they announced more shows than anyone knew what to do with, and everyone was speculating which ones would even end up being made? i member

Rangers of the New Republic - didn't get made

Ahsoka - getting a second season

Andor - getting a second and final season

Obi-Wan Kenobi (technically announced earlier at D23) - didn't get renewed

The Bad Batch (animation) - 3 seasons

Visions (animation) - 2 seasons

Lando - hasn't gotten made, creator left the project, might become a movie instead

The Acolyte - didn't get renewed

A Droid Story (animation) - didn't get made

Willow - not only didn't get renewed, was entirely erased from disney+

The Book of Boba Fett was announced indirectly, only as a "next chapter" for the mandoverse, because they wanted to hold off for the announcement at the end of The Mandalorian season 2, airing at the time. that show also didn't get renewed.

(while we're here. movie releases announced at the same panel:

Indiana Jones 5

Children of Blood and Bone - didn't get made, lucasfilm got rid of its rights to the property

Taika Waititi movie - didn't get made (yet?)

Rogue Squadron - didn't get made)

that's around 6 abandoned projects and 4 shows cancelled after their first season. 2 live action shows got a renewal, outside of The Mandalorian, which was an established show, and still got just one more season after this. 2 animated shows got renewed, one of which wasn't even made by lucasfilm. great job everyone