forever thinking about how marcille and laios have such a richly weird and funny friendship dynamic that people I see tend to write off as "god she hates his ass" but in reality it's the frustration of one neurodivergent weirdgirl to another neurodivergent weirdboy who has no concept of masking, has never had to mask, and simply doesn't know how to mask making their entire group come across as "the weirdo freaks" despite her best efforts to not be labelled as "weird" probably her entire life
2K notes
·
View notes
Extremely difficult wip to comprehend anyone?
1 note
·
View note
see the thing about Astarion to me is I don't actually think he has a clue who he actually is beneath all of the everything he's got going on. he's got impulses, he's got drive, a will to live, he's got desires and amusements and cravings, but an actual selfhood?? no. there's a blue error screen where the person of him should be, the person -- whoever that was, I'm personally of the mind he likely wasn't good then either, but we'll see where the story takes us -- before Cazador. the man in front of us today is this mishmash of interior delight at freedom and sunlight but also capable of true unapologetic cruelty and willingness to be ugly in a multitude of ways. so he follows the impulse. he follows what intrigues and amuses, and nothing will take that freedom from him again. and he reflects back onto others the violence that was done unto him. a lack of power kept him down? now he wants to accumulate power, so it can never be turned on him again. but he also misses the sun while he's underground. he's mean and desperate and ruthless and it's interesting because he's unapologetic about it, he's unflinching about it. he's vindictive and mean and desperately floundering around throwing stuff at a wall to see what sticks in terms of personhood because who is he now. 200 years of horrific servitude and now he's just out and about and he's in the mud.
and he can be horrible. and yet when you take the routes of prying open the faaairly shallow veneer he has of smug and snark and snappiness, he'll give you pieces of the raw and the desperate -- "I want to know what the world sees when it looks at me. what you see." is a line you only get if you're earnest with him. any other path in the dialogue will have him continue the shallow persona you've come to know. and in all of that I think nothing is "this is real, this is an act," set in stone because I just don't think he even knows, I don't think he has a CLUE what's his and what's the protective measures and what's the real delight and what's the cruel mockery of his surroundings and what he's willing to give vs what he needs to hide vs what he lets slip out on accident. the inconsistencies in his own ideas and what he says and what he does. I think most everything about him is in a weird place of deeply uncertain. is it a lie? is it a glimmer of truth? for me, I like to interpret him in this weird menagerie of half-truths and shallow lies and omissions, because we've only known him a short while and maybe also he doesn't even know the answer yet. who is he? fuck if HE knows. anyways. smash.
501 notes
·
View notes
After the first night, I thought I would die of this thirst.
After the second, I thought I would perish screaming.
After the third, I only dreamed of it in weeping and in desperation, licking at my own blood tears on my fingertips.
After six nights of this when I could bear the thirst no longer, they brought a struggling victim to me.
At the end of seven more nights, when I was starved to the point where even the scent of the blood didn't rouse me, they laid the victim-a small boy child of the streets crying for pity-directly in my arms.
Some twenty weeks were passed in this misery.
I didn't even believe anymore that the bright and fantastical world of Venice had ever existed. And I knew my Master was dead. I knew it. I knew that all I loved was dead.
I was dead.
2X08 "AND THAT'S THE END OF IT. THERE'S NOTHING ELSE." ||
The Vampire Armand
139 notes
·
View notes
Prompt 276
Fuck it, let’s do another three-way crossover prompt, it’s been a little while since I did that.
And y’know what let’s do legend of zelda crossover too. After all, liminals are already uncanny-valley towards humans, but hylians? Who already have pointed ears and less human features? Oh how ecto-contaminated beings look to them is horrifying. Like something predatory mimicking them, like some sort of body horror vibes.
Well, to everyone except for Link, who happens to also perhaps be slightly contaminated, what with the reincarnation, ghost-seeing and the fact that he died… and then was revived. Huh. You died too huh? Hey Dami (“Don’t call me that”) Jay, Ellie, we have another undead pal!
Everyone else? Would like these beings to get out of their village now, please- oh goddesses one is looking at them-
121 notes
·
View notes
★ — thomas harley & scott wedgewood via britttanywedgewood on instagram; december 28, 2023
117 notes
·
View notes
knowing i should take a step back from tumblr for my own wellbeing vs. being emotionally attached to this app and the people on it
52 notes
·
View notes
There's something so insane to me about being able to create and recreate vintage or even ancient music, clothes, fabrics, building architecture, anything, really.
I watched this video about a lady who knit a WWII-era vest, and it was really unique, because the cable work would eat up yarn, when there were shortages of fibers. This pattern would have likely been used by people to send overseas to soldiers, and now it's being created in a time where this war has been over for generations. What were the people making this pattern thinking of? What about the people making the vest? Could they fathom a world where world wars didn't happen back to back? Could they imagine what peace felt like, or did it fade like a distant memory, a faint friend? All we have now are the remnants of their efforts, a "simple" vest that would warm the bodies of countless people the knitter would never have imagined were here on earth with them.
We're reaching across time to learn about other people - we're reaching our hands out just to grasp anything tangible. And when we've take hold of something, all we can do is say I love you I love you I love you
65 notes
·
View notes
I love that his bodyguard is clearly A-grade but I fucking hate that it’s come to the point that he needs one at all
I suppose it's inevitable when you get this popular but... :(
43 notes
·
View notes
I am kind of not seeing Armand wanting to kill Louis. This would be far too out of character for me to ever beleive. I'm thinking he was doing whatever he could to live in his definition of survival, or at least doing all this to maintain his bubble of control. The whole coven was against him, and I do legitimately believe Armand was oblivious due to love. Then when push came to shove he did make his choice, he did rehearse and go along with the play despite his feelings and his wants. Not out of character for someone who's used to being needless or same that he flood with emotion the moment someone [louis] actually cares about his needs. Or maybe more believable is that this plot - some version of it - started way before his feelings were ever real and this was a choice of following through with it. Under threat likely, him still not realizing the extent of the coven's desire for bloodlust. Him, maybe being misled to believe they'd hold off long enough to let it go if Louis was proven to simply stay with him. Maybe if it was his idea to begin with, and in this scenario he'd at least have been there when this was being thrown around, perhaps he really thought his power and ruling would dissuade its reality. And then the ball drops.
He didn't want to kill Louis, is my point. If he did he'd have done it way sooner, and he wouldn't have let him exact any kind of revenge. Though Claudia, Madeleine, I could see, but I also don't think by the time they're running off together he would want the alternative either. If anyone wanted this it was the coven. So, it's not a matter of wanting to Armand but choosing to do this despite that. The real question therefore is: Why would he choose to go forward with it/go along with it? That's what I think we need to be asking.
Is it that he makes the choice that he does, because it's easier to submit than rise up? It is because the choice really wasn't a choice at all? Was it practical to him? Don’t run to one thing when this other thing is guaranteed to stick around? Was he in too deep to back out by the time he thought it mattered whether they live or die? Much can be delved into there. Trying to figure out why he wanted it isn't going to bring up anything.
10 notes
·
View notes
I've been extremely happy with my clown dog progress so far considering the last time I """paused""" working on them they were loose unpainted faces and disassembled pelts (and stayed that way for.... months), BUT I find myself really itching to make my own Little Creature from scratch again........ I think once I finish Cotton Candy's outfit I'll pause that project again and finally try making a little poseable doll 🤔 if I can get a base body pattern figured out for that, I could change out the head/tail shape and fabric color/pattern as much as I want and make all sorts of different little dress-up-able creatures.
19 notes
·
View notes
Reverse Robins AU except the first kid Bruce collects is originally from the correct timeline/universe (physically and/or mentally, but either way having no way back home).
It's a tossup for me between having that first kid be Duke or Damian (both at once might be an interesting challenge!), but the results are the same:
A kid stuck in a world where they're the first sidekick with all the weight and responsibility and the learning curve that entails. Thinking they're alone until the one who came before them crash lands into their life, and then trying desperately not to let the version of this person they know best overshadow how they interact. Clinging desperately to a hard-won legacy while also having to re-invent themself from the ground up.
16 notes
·
View notes
198 notes
·
View notes