#do you like your characters a little traumatized?

[dalishious]

Zevran Arainai is an Underrated Delight

There is so much depth to Zevran Arainai’s writing that is often overlooked in favour of either sexually objectifying him or ignoring him altogether… which is kind of ironic, considering that’s how so many people in his life have treated him within universe. And then, of course, there’s the biphobia directed at his character back when Dragon Age: Origins first released. He was a joke in many Gamer Bro circles about how they killed him for flirting with their male protagonist. It’s such a shame, really. Because personally speaking, Zevran is one of my favourite characters in the entire Dragon Age franchise.

Zevran’s introduction to the game immediately sets him apart from every other character who is capable of joining the party. He first appears as an enemy; an assassin hired to kill the Warden by Loghain, the Warden’s political opponent. You immediately have the option to either kill him, or add him to the party roster. Zevran does not initially join the Warden’s cause out of the goodness of his heart; he does it because he knows that the Antivan Crows who essentially own him – which we’ll get to – will kill him for failing to assassinate your character. This really paints his original placement within the group’s dynamics in an interesting light. No one really trusts him; Alistair and Morrigan both outright voice this. Zevran himself believes he is only safe with the Warden so long as he makes himself useful, per how he sells his worthiness to the Warden when trying to convince them to let him join. There’s tension there that really makes getting to know him extra interesting, because before anything else, you need to build trust. So, when he’s finally ready to start revealing parts about his personal history, you the player really get to feel like you’ve earned something special from his character.

Zevran’s mother was Dalish, but fell in love with an elf from the city and left her clan behind. Unfortunately, Zevran’s father was assassinated, leaving her with nothing but his debts to pay. She turned to sex work, until she died giving birth to Zevran, and all that debt fell onto him in turn. Zevran was raised by the sex workers in the brothel his mother worked at, until the age of seven, when the Antivan Crow Guildmaster Talav Arainai bought him for seven sovereigns; one of eighteen children made into “compradi” (recruits) that year. In his training, Zevran was tortured in a variety of ways, and in his own words, “taught to know nothing else but murder”. Of those eighteen, Zevran was one of two who survived the training, the other being a human boy named Taliesen. Then, a woman named Rinnala (“Rinna”) was placed into House Arainai from the Azul Contract that dictated the Crows were to take in unwanted bastard children of the Antivan Crown. For a time being, Zevran, Taliesen, and Rinnala worked well together as a professional and romantic trio. But when Zevran and Taliesen were tricked into believing Rinnala betrayed the Crows in an internal Crow scheme, they killed her. When they learned otherwise, Zevran took it particularly rough, combined with the realization of how little he himself mattered, too.

The trauma that Zevran has experienced is something he often makes jokes about, or speaks detached from. I’ve been called out many times on doing the same thing with my own trauma, and I know it’s a pretty commonplace response in others as well. That makes it feel all the more real; his responses are so authentically relatable. It’s also in a way, I find a little therapeutic to get to comfort a character whose survival mechanism has been to downplay his trauma for so long. The Warden is able to tell Zevran that what he’s been through sounds horrible, and even though Zevran tries to excuse things as not being that bad, you gain significant approval from him, just for showing him sympathy. Sympathy is something he’s severely lacked in his life. For all Zevran jokes about his traumatizing experiences, they clearly left a mark on him. Zevran eventually admits to the Warden that he did not actually anticipate being able to kill them, and that what he really wanted in taking on the job was to die. Again, sorry to get personal here for a moment, but I too have attempted suicide, and honestly I still struggle with ideation sometimes. And yet again I must say that I find something really beautiful in a character like Zevran, who is able to find peace and happiness on the other side of surviving such a thing.

As for Zevran’s romance… oh, Zevran’s romance path is such a delight. He is so multidimensional in that he’s very flirtatious and fun, while also showing genuine vulnerability in time. He admits that his role as a Crow meant he was encouraged to use seduction as a tool. His only experience with a true relationship ended very poorly, with Rinna’s death and a wedge forming between him and Taliesen, who he is eventually forced to kill too in the game. One of my favourite moments in the entire game, is when you invite him to your tent and he says no… and if you accept his consensual rights, that is what changes everything for him and the Warden’s relationship. Zevran feels safe and loved, and he gets to be happy. As of Dragon Age: Inquisition, a romanced Zevran is still at the Warden’s side, too, if they’re alive.

I love Zevran Arainai so much. He truly is an amazingly well done character, and deserves so much more respect and interest than he gets.

*Sourced from in-game dialogue and World of Thedas vol. 2

[batmanisagatewaydrug]

Hello! Someone genuinely trying to understand and perhaps unlearn some reactionary tendencies. With the response to that anon about "not asking if you're a pro or anti", the response about "imagine if they put this much effort into protecting real kids" definitely got me thinking. So... Is an adult shipping children and finding that hot NEVER a red flag? Or is it case by case on seeing how that person handles the distinction between fiction and reality in other things? And bringing the issue of real kids into it, if a real kid who has been abused sees someone shipping kids and finds that a red flag in that person, that... No, no I juicy answered my own question on that one. Block them and cultivate your own experience.

hi there anon, and congrats on trying to unlearn some things! and great job catching yourself at the end there, that's exactly correct.

I will start by saying this right out of the gate: fundamentally, I do not really give a shit about what made up scenarios about fictional characters people are jorking it to in private. I am, first and foremost, interested in how they are interacting with actual, real people.

"but Makenzie are you saying people who look at sexually explicit images of real human kids should be allowed near children?" no I'm not. please note that I was specifically talking about people engaging with fictional characters who are, you know, not real and do not have feelings and therefore cannot actually be hurt, traumatized, abused, etc, in any way that actually matters. I want to be so clear about this: you can genuinely think whatever vile things you want about fictional characters. you can enjoy any problematic shit you want with little guys who don't actually exist.

like, here's an example I use a lot: I'm kind of a huge Batman fan. don't know if you could tell that or not, I'm pretty subtle about it. if you spend any time in the Batman mythos, you know that this is a story where you just kind of have to take for granted that our hero is a billionaire using his vast wealth to dispatch vigilante justice with military grade weaponry and a small army of child soldiers and cop friends to help him put people in prison. these are moral quandaries that are discussed and acknowledged within the story, but fundamentally the universe is always going to involve billionaire vigilantism and child soldiers and the so-called carceral justice system. that's just the price of admission if you're gonna read Batman.

and like. I spend a lot of time in that world. I love Batman, I love his child soldiers. he's my little blorbo or whatever. but like, at no point have I said "yeah, fuck it, preteens should be learning martial arts to fight domestic terrorists, actually. I think Elon Musk SHOULD be allowed to put on a fursuit and beat up criminals. cops need more funding." no amount of Batman comics can make me believe or act on any of those things because, you know, I'm a person with a brain and I know the difference between "thing that makes a good story" and "thing that should actually happen for real."

and the thing is that genuinely, honestly, if someone thought that it was a red flag that I like Batman, and that enjoying Batman comics was somehow a red flag indicating that I'm fine with violence being done against real, actual children? I would think that person was a nut, if I can be super real. like, I'm thinking about somebody trying to make the case that I shouldn't be allowed to hang out with my nephew because I enjoy the fictional character of Robin so clearly I'm going to kill my nephew's parents in front of him to try to get him into vigilante justice. or if someone attempted to bar me from teaching my 4th-6th grade sex ed classes on the grounds that I was obviously going to teach them to do karate to clowns instead of how their reproductive systems worked.

(although, lets be real, there are a lot of politicians who would MUCH rather let little kids cage fight each other than learn anything about safer sex.)

this doesn't just apply to morally bad things, either, btw. I also read a lot of romance novels, especially hetero romances. and the thing is, not one of those books has made me want to fall in love with a ruggedly handsome but condescending straight man. hell, none of them have made me want to fall in love with anybody, period. that's not really something I'm interested in for myself, it's just a fun and frequently funny dynamic to explore. I'm hardly the first queer person to point out that the allegations that queer media "turns kids gay/trans" is obviously bullshit since the vertible mountain of cishet media evidently failed to turn any of us straight/cis, you know?

my point being: no, I genuinely don't think it's often, if ever, reasonable to judge someone's actual, real life morals by how they interact with fiction.

I'm going to say something so vulnerable right now, because we're in a safe space here: since you asked me this very reasonable question, you evidently value my judgment and perspective at least a little bit. and I once read and thoroughly enjoyed a fic in which Dr. Horrible, from Dr. Horrible's Sing-Along Blog, gets fucked by a sapient evil horse. and I don't think that makes me a morally reprehensible person, or a person who advocates for real human beings having real sex with real horses. I think it just makes me kind of a weirdo with a bullshit tolerance.

if you want to hear a MUCH more thorough take on this, complete with addressing the issue of shipping fictional children, I cannot recommend Princess Weekes' video essay enough:

[henrenologist]

how do you think hen/karen are misunderstood by the fandom ( and the characters? ) 👀

hmmm let me jot down my (admittedly half-baked) thoughts

hen: magical powers. the idea of her as a Wise Woman. this 6x03 moment in particular plagues me:

buck: i mean, hen, you-you always have the answers

that's a succinct summary of how both buck and fandom see hen. which is ironic given that hen promptly experiences near-death in a near-car crash from over-working herself in that episode. the show purposefully deconstructs the superhuman!hen myth in s6 (which they'd accidentally built in the preceding seasons), but the idea still persists.

add on that bobby line about "mother hen," and you get this in-universe perception of hen as a wise guide which isn't accurate to her character. her advice and takes aren't always the best and are frequently clouded by her personal sentiments (drunk hen flip-flopping on whether buck should tell lucy about the kiss [in fairness, she's drunk, but i think her inebriation gives a fair look into her unfiltered, impulsive thinking]; hen doubting whether chim should marry maddie; hen saying she and karen should "fight" for nia).

she doesn't know everything! and she doesn't have super-human perception, catching every little detail around her like shawn spencer in psych, as fanon can sometimes make her out to. she's just intelligent and skillful (which are traits that she WORKED to attain. she wasnt magically gifted Super Paramedic Hands by god. we saw her work for that. i think people forget that).

chim's "you're the genius, i'm the comic relief" line is interesting, too, because everyone (including hen) recognizes that chim is under-estimating himself when he refers to himself as "comic relief," but there's not the same recognition of how "genius" parallels that, in terms of being an over-simplification

none of this is to say hen isn't wise, or perceptive, or talented. i just think those traits of hers get exaggerated by fans and other characters to caricature-ish levels.

as for karen:

i've seen people describe her as "selfless" which is. interesting. i think hen mistakes her for that too. karen IS selfless, yes, but it's a trait that veers more into self-sacrificial territory. she routinely gives up a Lot for her wife and family; not just her astronaut dream, but her emotions—suppressing them for others' sake. some stand-out dialogue:

hen: it's like that ivf stuff never even happened

chim: well, that's something

hen: my wife's a project manager—looks like i'm her new project

it's like. well, hen. i think your wife who never fully processed her grief around her lost embryos (which you admitted to not understanding, and in fact being frustrated with) is not enthusiastically picking up your recovery process from your recent traumatic experience as a mere matter of prioritization, but as a course of action for suppressing her grief and moving on (instead of actually recovering). that's self-sacrifice, not selflessness or supportiveness. she has moments where she stands her ground, but like in the case of toni's wedding (5x18), she's moved away from it quickly.

[cihojuda]

The various types of screaming that happens on various Star Trek vessels

The Enterprise (TOS/TAS): not a whole lot, actually. Mostly internal screaming by Bones.

The Enterprise-D: intermittent Dramatic Shouting. Things like "Pull yourself together, man!" and "Shut up, Wesley!"

The Enterprise (Enterprise): I think Archer likes to let his crew have a little nonsense, as a treat; but T'Pol is Very Against random shouting. Tucker knows that ship inside and out and he knows the best place to scream depending on if you want to be heard or not.

The Enterprise (SNW): barking orders? maybe. Screaming? No.

Voyager: when not being chased by Delta Quadrant hostiles, there's not a lot of screaming going on over here either. Random hallway screaming will get you reactions ranging from "mood" to "bruh do you need to see the Doctor?"

The Protostar: there is so much screaming on the Protostar. Imagine your boss asked you to put out eight simultaneous fires and also your boss is twelve and also YOU are twelve and all of you are traumatized and don't really like each other. There is so, so much screaming on the Protostar.

Voyager-A: you know that trope where the chaos passes by in the background and the characters just shrug and keep working? That. Just... All the time.

The Cerritos: to quote T'Lyn,

There is nothing that happens on the Cerritos that does not result in some kind of yelling.

Deep Space Nine: mostly this.

[smiley-positivity-potato]

i feel like i didn't get to talk about this much online in great enough detail, but for the young or OLDER transmascs and trans men out there, it is perfectly natural to look for a masculine or male role model to look up to for masculinity inspiration and guidance, whether you personally know them or not. Whether they have passed or not, it's okay to search for somebody to look up to and grow ideas from on what it means to be a man in your eyes. It's natural for cisgender boys and men to do it, so why not you as well?

as you grow, you will come to discover there are all types of role models that'll you be able to relate to. or you may only find one. and when you find that person that brings out your inner sense of worth, and what it means to truly be a man to you, and not just from what the media presumes, you'll know. you'll feel comfort in not just your skin, but also your mind. you'll feel a sense of strength, security, protection, balance and loyalty. you'll speak with actions over words. you'll be able to proudly follow the path of a man, something you hadn't been able to envision before. thanks to having a masculine role model, you will now have something to strive to surpass.

there is no perfect male or masculine role model. there isn't anyone in this world who is perfect. in fact, due to your past womanhood and cautious upbringing, you may believe you don't deserve to receive guidance in this new world as a man. you may still believe and remember the words you spat and the evil you were taught about the everyday man, especially if you grew up in a dangerous area being groomed, abused or having had experienced traumatic history. this doesn't mean men can't hurt others, but you have been taught every man WILL and CAN hurt you, if given the chance, by the men AND women in your life. so now you worry and wonder, "Will people think I've become a man so I can become the attacker, instead of the prey waiting for the pounce?" you'll begin to think, you betrayed yourself as a fellow transmasc, and trans man. you'll see that frightened, confused "girl" who was still in the "attic"- because at this point you shoved those thoughts about your gender so deep inside the closet of your brain that it rose above your head until it finally collapsed on top of you. you'll wonder, "If I was cisgender, would I have hurt me too?"

the answer is you don't AND will never truly know. and it always will be like that. but what you do know is that if given the chance, you'd save yourself all over again in this life right now. you'd rescue and hold that little girl that was scared and misunderstood. because at the end of the day, your soul and values are your own. and your character still shows, regardless of your gender. and even if you aren't that socially aware, you'd comfort that little girl because you would KNOW what pain she was talking about. the pain of feeling misplaced. the anguish of following everyone else's advice, desperate to feel SOMETHING BETTER, only to end up feeling empty- just another puppet on someone else's strings. "But at least I made everyone else happy?, you'd think. but in the end, you didn't make yourself happy- not even a little.

you will know what it feels like to want CHANGE in your life, even if you are still unsure how you'd like to accomplish it. because you've been there. you've done that. and now you can say, you ARE your younger self's hero.

as you search inside yourself, and around you, for a role model on what masculinity means to you, you'll start to realize it all starts with acknowledging who you truly are, who you want to be, and how you want to stand. you begin to realize that the media and radfems have made you think a "perfect man" exists if they just follow a list of rules and guidelines they've made up when you KNOW it's not true. for you were born and went through a lot of the "womanhood" they experienced as well. and even if a masculine person meets ALL THESE GUIDELINES AND RULES, THERE'S STILL ROOM FOR A GRAY AREA. BECAUSE PEOPLE ARE HUMAN BEINGS. WHETHER FEMME OR MASC, ANYONE CAN BE A BAD OR GOOD PERSON.

being a masculine person or man doesn't make you a horrible person, it just means you're human. and if we aren't taught to self hate, hurt ourselves or dismiss our own feelings as men, we can achieve so much. especially when we aren't hating ourselves on our journey through our manhood. i am lucky to know the few cis men i do in my personal life that i do; and that i get to look up to them. for they are leaders, strong both mentally, and emotionally. they are loyal and love, loudly and silently. they behave differently based on their relationships with others, but are never indirectly inconsistent, for they are honest. and i admire them for that. for they are themselves and they demand respect. and to me, a nonbinary transmasc human being, that is and has been the hardest thing for me to do: demanding respect from others.

when you find your masculinity role model, you'll begin to understand what younger cis boys most likely felt when they looked up to some of their heroes; whether family, family friends, older classmates, entertainment stars, sports players or historical figures. you'll get to experience the newfound feeling of walking down a different path then originally planned as a transmasc man. some cis people will tell YOU you HAVE to act this way to discover your role model AND to live like said person. you do NOT. for your personality, AND your manhood are a part of you that show your inner character. your clothes, morality and male role model(s) show what you like, honor and value. but your soul shows your identity. your words explain your story and heart. your wisdom shows your willingness and strength to learn how to be an honest, hard-working man.

and just like the male role model you are searching for, you'll soon start to find out you may be someone else's reason and inspirational story. thanks to you they may have a reason to continue exploring their own masculinity. they can now define their own path on what it means to become a better man. thanks to you.

[spacejammie-eimmajecaps]

Do you want to read a matsuhana fic?

What if it was a childhood-friends-to-lovers slow burn?

And what if it also featured an iwaoi childhood-friends-to-lovers slow burn?

And what if there were traces of kyouhaba enemies-to-lovers?

And what if there was a plausible (canon-compliant) excuse for the Seijoh 4 to meet and interact with the Tokyo 4?

Well, look no further!

Now, I know you're probably thinking that the description is vague and foreboding, which must mean this fic is full of angst and misery.

However, that's not the case!

Okay, yeah, technically there's angst here and there, and some characters certainly do feel miserable on occasion. Truth be told, you might even find yourself crying sometimes.

But you know what else you'll do?

Laugh. And smile. And experience fleeting moments of joy. And fleeting moments of impatience when you realize slow burn wasn't an exaggeration.

Doesn't that sound nice?

[autisticaradiamegido]

thoughts on dave and aradia (<>)?

day 356

BIG fan tbh. in this house we love and respect timerails

truly yall read this log and tell me theyre not cute

[eviiiiiiii]

religious trauma lifesteal!zam essay //lifesteal spoilers

call it projecting but like imagine the amount of religious trauma lifesteal!princezam has (presuming theres some sort of connection of the characters between seasons) like bro has had like 80% of his teamates become gods and watched them loose their sense of self in one way or another he himself started exploiting at one point then goes on to ban himself in season five theres something to be said their having reached the heart cap and having so much power after hours and hours of constant labour to achieve what he got handed to him by a divine like entity like just to ban himself something something sacirficing your life to a higher entity . something also about watching all of his loved ones betray him die or him having to betray them for his own self of moral justice which is very lackluster to his constantly changing beliefs and morality he will never find something that he can cling to (like religion) so. yeah.

[deathxproof]

Susan Foreman, Abandonment Issues && The Past Haunting John Banville / Nicola Yoon / Franz Kafka in a letter to his father / Hera Lindsey Bird / Franz Kafka in a letter to his father(words changed, for some reason) / Eula Biss / Rainer Maria Rilke / Michael Cunningham / Richey Edwards / @ ghostheavens / The End of the F***ing World / Valeria Luiselli / Phoebe Bridgers / Katherine Fabrizio / Lang Leav / Emily Palermo / Vicente Aleixandre / Lyra Wren / Ocean Vuong / Haruki Murakami / Richard Siken

[lordrandreaming]

Can we please tag x female reader smut appropriately. Please.

[mercymaker]

sometimes i read some takes on this website and just think 'it's not that deep'

like.. people are SO quick to jump to conclusions about other people, it's wild

[vamptastic]

worst most evil thing in the world is when a morally gray character has a redemption arc foreshadowed for years and then they just pussy out of writing it and make up a New Guy. yeah no we're not going to talk about that tragic backstory we gave them or have them confront the repercussions of their actions or anything. now they're a New Guy who has zero unpleasant personality traits dont even worry about it.

[ranger-kellyn]

told myself to take a break from getaway car so i don't burn myself out like i did last year, and of course my brain wanted to go think about my scarlet/violet fic, sooo have some rambling below the read more

like. one of my ideas has always been that i want juliana specifically to have quaxly not just bc he's my favorite starter in that region, but because it turns into quaquaval, a pokemon that is supposed to be known for its dancing abilities. i like to think they're a pokemon that only needs to see a dance once or twice before they've got it memorized.

i love the idea that a huge part of juliana's overall character arc is admitting to herself how much she wants to learn how to dance in some way because of course she happened to pick the pokemon that loves to dance. so she's basically learning alongside her pokemon throughout his evolution stages, mutually gaining more confidence until he's a fully grown quaquaval.

and!! not just him, but probably the three friends as well! it may not be something any of them are really interested in to begin with, but juliana and quaquaval make it a ton of fun. she probably even takes the time to learn an individual dance of some kind with each of them, and is the first to drag anyone to any festivals happening in the cities and towns.

(bc i am who i am) nemona's the first friend juliana ends up dancing with. while juliana quickly realizes how much quaxly likes music, nemona is the one who tells her about how he's going to turn into a pokemon that loves to dance. she mostly just enjoys having fun with them and learning whatever juliana is into. something that really helps juliana come out of her shell, which leads her to opening up to arven and penny around the same time

not 100% sure of styles apart yet but i mean...penny's has to be some nerd dance lol. i also kinda love the idea of arven learning a very formal spanish style dance with them.

idk i just want the core pillars of this story to be something along the lines of, music, song, food, and dance are all forms of love and connection and can be healing and--- AH i just want them to have time to really develop as a friend group throughout the treasure hunt.

[starstruck-shadowsight]

Finally waving goodbye to the dotc crew úwù

[ask-cloverfield]

or you could have a story that didn’t require juggling

[tobiasdrake]

*deep breath* Okay. Here we go.

I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.

But the way it handles its female cast is troublesome.

Katara

So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.

They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.

And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.

Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.

This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."

"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.

Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.

In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.

But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?

No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.

And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.

In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.

Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.

Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.

The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.

Suki

Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.

They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.

Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.

Yue

Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.

"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."

Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.

They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.

Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?

June

June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.

Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.

She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.

Kyoshi

And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"

She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.

Azula

Awkwardly, they do not seem to want you to despise Azula.

There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.

This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.

They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.

This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.

Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.

Conclusion

The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.

Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.

But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.

The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.

"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."

The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.