listen listen listen
you can make an argument that kevin is a coward if you really want to. but that goes until they get backstage on kathy's show. after that his growth starts, and reducing his entire character to his supposed cowardice ignores his character arc and everything else we know about him as a person
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been thinking about the differences between SASASAP and ISAT lately. because looking just at ISAT and the two hats ending, you'd think loop went through the exact same house as our siffrin, but looking at SASASAP, it's different. it's mixed up. it's obviously a condensed prototype.
but. that doesn't have to mean it's a different universe entirely.
maybe that's just what happens after a thousand loops.
the house warped in act 5. siffrin lost their shit and the house got changed and corrupted, far past its baseline king uncanniness. so it wouldn't be too out-of-the-question for it to be able to warp in more subtle ways as well, due to a more subtle breakdown.
like a jpeg uploaded and downloaded a thousand times, siffrin changed, and the loops changed. over a thousand loops of efficiency, the house got more efficient. rooms combining. items moving. data compressing. and of course, run in a changed house, the script changed as well. it did so slowly, one bit at a time, over a thousand loops of zoned-out half-listening – and by the time siffrin would have noticed each difference, they were already used to it. (and in the moments that they did look at a room that was less familiar than it should be and realize that they had no idea where to find the key, well. that's just classic siffrin, isn't it.)
through sheer repetition, siffrin was corrupted, and the loops and the house along with them. all purpose lost, all signals distorted, until finally they couldn't recognize the meaning in any of it. it was all noise and despair.
so they made a wish. and the loop restarted. not just a reboot, but something more complete.
the data was backed up onto a star – a guide, a warning, a reference – and the loops were factory reset. and for the first time in a thousand loops, siffrin woke up to a clear mind and the crisp sound of birdsong.
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Something something it's a metaphor. Hair as a form of communication but also as passage of time and also as a way for letting people in and also as a detail etc etc you get it
Actual explanation in the tags btw
I'm really nervous about this comic actually, is not the best. It doesn't make sense, and the art is mid, but I put love in it and I think that's enough
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"I'll do what you can't, you do what I can't" should be Sanji and Usopp's wedding vows. It should be engraved on their rings. It should be repeated back and forth from one to the other until they're old and gray and neither of them can remember who said it first. It's the perfect summary of their relationship and in this essay I will
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You guys keep falling for people going 'lol you're identifying the wrong way' wrt queer identities so I made you a flow chart
Is your anger against this label because it facilitates genuine harm towards others (eg. MAPs)? Godspeed and good luck to you.
Is your anger against this label because it is Using The Label Wrong and doesn't gel with your personal definition for this label (eg. MOGAI, bi lesbians, lesboys)? I'm sorry, but there's always gonna be people who identify in ways that you disagree with, and with something as intangible as queer identity, their stance has as much merit as your own. If you get ticked seeing someone IDing as both homosexual and bisexual, ask yourself if they're genuinely hurting anyone, and if not, let them be. You will never know the intricacies of someone else's identity, and if that's how they choose to define themselves, well, tough shit.
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I've mentioned before that S.hi Q.ingxuan has codependent tendencies and usually said so in a light-hearted "haha yeah watch out she'll latch onto your muse like a leech" manner but it really is a major problem that sets her up for nothing but failure.
Everything she does, from the way she dresses to the way she handles her responsibilities, cries "look at me, look at me!" Some of it has to do with vanity and having been spoiled by her ge's attention, yes; she's pretty, she's kind, she's the lady wind master, so why shouldn't she be admired and adored? A good majority of it is just naturally how she is; even when keeping face, she's never once thought to hide the heart she so openly wears on her sleeve. If it were just those two facets of her personality, it wouldn't be so debilitating. But it's not. She does not know how to exist without being seen. It's not a lack of confidence in who she is as a person (she knows who she is- she thinks she knows -and she's so very confident in who she believes herself to be). But that confidence has a foundation based in there always being a hand to hold, always a back to hide behind, always a pair of arms to catch her when she falls, and if there's just one thing she knows how to do it's to be a persistent presence. Everyone needs someone else around, so it all works out quite nicely, doesn't it? She has no reason to believe otherwise.
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