#doctor who season 4 episode 13

[khruschevshoe]

My Hot-Take/Controversial Ranking of Doctor Who Seasons (excluding specials bc my special order is really unhinged)

3 > 1 > 10 > 4 > 5 > 8 > 11 > 12 > 9 > 7b > 2 > 6 > 13 = 7a

Disclaimer: I have favorite episodes that come from every single season on this list, including 7a. For example, even though Season 6 is low on the list, the God Complex, Almost People/Rebel Flesh, and Impossible Astronaut are some of my favorite of the show. I do really love the Power of Three. These are based on season arc/average feeling per episode/rewatchability on a subjective level.

[nomairuins]

thank GODDD the doctor is taking time to work on himself maybe now he can stop ruining womens lives .

[cipher-fresh]

Mutual #1: Ruby is DEFINITELY Missy’s daughter guys

Mutual #2: I wish 15 had condemned cops or something when Ruby asked why the TARDIS looked like that

Mutual #3: CHRISTOPHER ECCLESTON. CHRIS. CHRIS COME BACK BABY

Mutual #4: She Charley on my Pollard till i Scherzo

Mutual #5: I hate that Moffat is returning to write an episode. Can Steven Moffat kill himself please

Mutual #6: I love that Moffat is returning to write an episode. Can RTD kill himself please

Mutual #7: What if we kissed in front of Ianto’s shrine in Cardiff and we were both girls

Mutual #8: Chibnall’s episodes outside of his era are some of his better ones. I think for every cool thing he does there’s law of conservation of energy applies and the next episode he makes sucks

Mutual #9: I really do not mean to TJLC but i think the Doctor is going to realize he’s in a TV show this season. Bc i don’t know what to do with the death of RTD’s subtlety in foreshadowing

Mutual #10: I’m not misogynistic but I just hate everything about the 13th Doctor era and I just think it doesn’t have a single redeeming quality.

Mutual #11: You are literally an anti-feminist if you hate anything about the 13th Doctor era

Mutual #12: Spydoc are pegging each other rn in my Google docs

Mutual #13: Guys I’m getting a tattoo of the 8th doctor should it say “autism” or “lesbian” underneath in impact font

Mutual #14: It’s so sad that Simm!master turned into a puppygirl. Oh well I must comply to canon

Mutual #15: Was Thasmin queerbaiting? No nuance pick one

Mutual #16: Everybody listen to the TV movie soundtrack NEOWWWWWWW

Mutual #17: Tegan and Nyssa would have the Monkees on their sex playlist

Mutual #18: I just wish 14 got a whole season, you know? Or maybe two. Or three. Who needs 15 anyway?

Mutual #19: If David Tennant steps foot on a Doctor Who stage again I will kill him with my blade

Mutual #20: Link to pirating big finish in reblog. everybody please come to 6th Doctor land with me

[sparrowlucero]

ik you were joking but I would be genuinely interested to hear about the flux cowriting credits strife if you feel like going into detail on it

So I have a big conspiracy theory about season 13 of Doctor Who ("Flux"), namely that there's a lost episode was scripted and even possibly filmed in near entirety, but ended up being cut and cannibalized in post production due to behind the scenes issues, and the fandom has yet to pick up on it.

For anyone who doesn't watch the show: Flux is a miniseries of Doctor Who; a full season was not commissioned because it was produced during Covid. The most important stuff about it for the purposes of this post are:

It's 6 episodes long (¹). The episodes are all directly continuous and could not be shuffled around. (I should clarify here that, no, the showrunner can't simply choose on a whim to make 10 episodes, or only make 4; they had to stick to 6, as that was the amount they were picked up and scheduled for)

The showrunner, Chris Chibnall , wrote every episode apart from episode 4 (Village of the Angels) which he has a co-writing credit on.

(More subjectively but perhaps relevant) The season is largely considered to be kind of a structural mess and (less subjectively) there appears to some abnormal and consistent production issues (²)

So the first thing I need to evidence here is that Chris Chibnall, aforementioned showrunner and writer of the entire season, was late. Like, really late.

Word of mouth gossip had been circulating for a while that there was some sort of on-set problem involving filming having to be paused because he was still finishing scripts: (³)

This would later be confirmed at a Gallifrey One panel (⁴) with Matt Strevens, the executive producer, who suggests that filming stopped to allow Chris Chibnall to finish scripts; he further implies that large swathes of episode 5/Block 2 weren't written until Episode 4/Block 1 (in which Kevin McNally debuts) was filming:

So with that context, let's talk about that Episode 4, "Village of the Angels", the only episode not attributed solely to Chris Chibnall. Co written by Maxine Alderton.

The filming pics reveal an interesting bit of trivia for Village: namely, the clapperboards show that the story was actually filmed as episode 5, not 4:

As the above tweet suggests, this doesn't make much sense. The miniseries is, again, a single continuous plot. It's not like they flipped Village and the current episode 5, Survivors of the Flux; the latter explicitly takes place chronologically after it. And yet, Village having been intended as the penultimate episode 5 is further evidenced by the original trailer for it, in which a character states that the story takes place on the 28th of November. This line is dubbed over in the final episode and subsequent trailers to instead say the 21st:

Why is this line important enough to dub? Because that's meant to line up with the air date of the episode. Episode 4 aired on the 21st and 5 on the 28th. But something happened in post production, and now it's episode 4 on the 21st instead (⁵):

So if none of these episodes were moved around but it does seem like Village was meant to be episode 5, where and what is the original episode 4?

I have a theory.

Flux has a recurring subplot involving two side characters, a married couple (Bel and Vinder) who have been separated by the titular disaster and are traveling the universe to reunite with each other. This story is told through segments sprinkled throughout the episodes. These have a different writing style (including a diary-esque narration only present in these scenes) and an internally consistent visual style that looks somewhat different to the other parts of the season.

Village of the Angels, for instance, is a moody, dark episode set in a village in the 1960s:

However, Bel and Vinder's segments in the episode have a somewhat different look:

On top of this, they never intersect with the episode's A plot (literally or in any clear thematic way), and the majority of these segments piece together into one single scene that seems to have been cut up.

So, what I think is that the bel and vinder scenes across the middle of the season were originally a single full story, an episode 4 that took a breather from the main plot and characters to follow the lives of these two side characters; the differing visual and writing style is due to it originally having been filmed separately and with a somewhat different artistic intent. I believe Chris Chibnall's cowriting credit on Angels exists because these specific scenes are from a script he wrote, but that otherwise the Angel script can be credited solely to Maxine Alderton by normal cowriting standards.

"But wait," you might say, "I thought there were already 6 episodes that are all plot relevant? If no episodes existing right now can be cut, how could this 7th episode exist?"

Remember this tidbit:

The adventures in question comprise a large amount of the next episode (Episode 5: Survivors of the Flux), nearly 20 minutes of a 50ish minute runtime (and frankly, much of the rest of the episode is somewhat fluffy build up that feels like it's taking advantage of an extended runtime). A version without this added plot would, in my opinion, only warrant one final episode rather than two.

I think the showrunner, still scrambling to finish scripts as the episodes were being filmed, and making a snap decision to include a new major subplot (⁶), wrote a finale script so long and with so many plot threads that the only way to keep all this material of was to split it into two episodes, 5 and 6. And because they only could only make 6, he had to get rid of one of the previous 5 episodes - the already scripted and filmed ones - to make room for this new episode 5. A tough order when it's a plot-heavy miniseries... if not for episode 4 being a standalone divergence from the main plot about the lives of two side characters, one that could, in theory, be cut up and dispersed throughout the season without continuity issues for the main story.

(Some notes and clarifications under the cut)

(1) some sources initially reported the episode count as 8; this wasn't inaccurate - the 2022 new years/easter special were part of the episode order. Flux itself was always meant to be 6 episodes long. (2) A few of the production issues include: - episodes filming without a second draft:

- the fx team that had been on the show since 2005 abruptly leaving midseason (because they "didn't feel like part of the team anymore") and returning as soon as the creative team changed, including the head of the studio implying they weren't properly credited (mild vfx body horror warning in link):

- people working on additional projects such as books not receiving clear information on the characters they were assigned to write:

- and likely a director who was put on hold due to a script being rewritten:

Among other things I can't directly cite at the moment, including vfx artists having to do whole episodes solo in crunch time and writers not being told their work was massively overhauled until it aired due to major changes being extremely late in production.

While I don't wish to pontificate too much here and many of these things are pretty normal by themselves, I do think it could paint a picture of a production where an episode well into filming may genuinely be cut on a whim and without consideration for the crew, artists, etc. working on the show. (3) This reddit post comes from a leaker who was known to be consistently accurate. (4) Gallifrey One does not allow filming of panels. I know Kevin's livetweets of panels to be accurate. (5) It's very, very unlikely the entire season was moved back a week, as the premier is a Halloween special that was certainly always intended to air on Oct. 31st. (6) I don't wish to insinuate Chris Chibnall is, throughout his career, an inherently poor showrunner, but I do think that maybe his jump from police procedural - a genre that doesn't involve quite as much concept art, vfx work, marketing, convention panels, set building, episodic storytelling, and keeping in touch with expanded universe producers - to flagship science fiction adventure show may have contributed to some of these issues, especially when he was already in the mindset that things could be changed on a whim (perhaps not such a major issue when it's broadchurch and no new sets need be built)

(source) Basically I don't really think this is "the showrunner's fault" or anything; more that a perfect storm of a showrunner who was habitually late on scripts, used to writing lowkey cop dramas, covid, an entirely serialized season, etc. may have led to these issues

[nkp1981]

Doctor Who Season 13 Episode 4 "The Android Invasion", 1975

[captain-hen]

BUCK & EDDIE IN EVERY EPISODE ↳ 6.13: mixed feelings (1/3)

[Image Description: 10 gifs of Evan Buckley, Eddie Diaz and Christopher Diaz from 9-1-1 season 6, episode 13. The scene is taking place at daytime at the dining table in Buck's loft. Gif 1: Two gifs on a large canvas. First, a shot of Buck coming to sit down with a bowl of popcorn in his hand, squinting as he answers Chris' question about what's the square root of 162, "Well, it's not a perfect square. So that would be 12.727, I think." The shot shifts to Eddie, who looks over at Chris sitting next to him as he checks it on the calculator. Second, Chris says excitedly, "That's right. This is awesome, Dad. Buck knows everything." Eddie pouts slightly, scrunching up his face as he replies, "Yeah, yeah." Gif 2: Two gifs on a large canvas. First, a wide shot of the three of them together as Buck sits down, saying, "Not everything. I—I think it's just the math stuff. Second, Buck, takes a sip of his beer as he says, "Today, on the way to work, I was able to calculate exactly how many gallons of gas I needed to get myself to the firehouse." As he speaks, the shot cuts to Eddie and Chris. Gif 3: 4 smaller gifs on a large canvas. First, while focused on his phone, Eddie asks Buck absently, "Why not just fill it up?" Off screen, Buck replies, "Because figuring it out was more fun." Second, Buck reaches out to garb some popcorn, smiling as he says, "Turns out, I love math." Third, Eddie reads from his phone, "Well, according to this, people can get new cognitive abilites—" Fourth, it cuts to Buck and then back to Eddie as he continues to read, "—After a serious injury to the central nervous system." Gif 4: Two gifs on a large canvas. First, Buck nods seriously, saying, "Ooh, which I—I definitely had. The shot shifts to Eddie, raising his eyebrows at his phone as he says, "Mm. But some doctors are saying it's not a real thing." Second, Buck looks indignant as he says, "Uh, you—you think I've secretly known the square root of 162 all these years and just been holding out?" The shot cuts to Eddie, looking up at him as he speaks. Gif 5: Two gifs on a large canvas. First, earnestly, Buck says, "No, come on. It—It has to be lightning. The shot shifts to Eddie who points at him and says, "Fair point." Second, as Eddie speaks, off screen, saying, "This guy literally got the power of electricity after being struck. Said the lights would turn on and off every time he walked into a room." Buck flexes his hands and squints down at them as if trying to exert a superpower. Gif 6: A shot of Buck looking at Eddie, grinning, as he says, "I wish I got something like that. You know, ESP, or...maybe the ability to see into the future or read people's minds." The shot cuts to Eddie, skeptical as Buck speaks, and then back to Buck again. Gif 7: 4 smaller gifs on a large canvas. First, Buck raises his eyebrows as Eddie says, "Those sound like terrible powers to have." It cuts to Chris, who says, "Maybe this is just the first phase." Second, Chris has just said, "Maybe you'll get more powers the stronger you get." Buck points at Chris enthusiastically, saying, "Yes, like an actual superhero." Third, Eddie tilts his head, saying, "You did get struck by lightning." Fourth, Chris adds, "Classic origin story," And Eddie nods, waving his hand in a told-you-so motion. Gif 8: After Eddie asks Buck what he's gonna do with his new-found superpowers, Buck says, "Ooh," looking intrigued. The shot cuts to Eddie and Chris, Eddie looking amused as Chris says with a mischievous grin, "He could give me the answers to my math homework." Gif 9: Eddie lightly chastises Chris, grabbing a page from his hand, saying, "Uh-uh. Uh-uh-uh-uh. You're never gonna learn if he gives you the answers. In the background of the shot, Buck smiles and laughs fondly at them, ducking his head. Gif 10: Smiling brightly and joyfully at Eddie and Chris, Buck tilts his head, reaching across the table as he says, "I'm the guy with the answers. I kind of like it." /End ID]

[socialistexan]

Watching the 13th Doctor finally and I can't help but feel like the biggest thing that really held back this Doctor was overloading her with too many companions that cost both her and them characterization and development.

Only 3 Doctors has 3 companions in their first season, and one of those was the First Doctor who was trying to establish himself. Then there was the Fifth Doctor, and one of his companions was well established (though not loved) like Adric, a familiar face with an established story from a previous serial (Nyssa), and only one new comer who still was with the previous Doctor for a story (Tegan).

Bringing in a new Doctor with even a single new companion is extremely tough, you really have to have a specific vision in mind for it to work (9 and Rose, 11 and Amy).

Most them inherit a companion the audience is already comfortable with and allows the new Doctor to breathe (4 and Sarah Jane, 10 and Rose, 12 and Clara) or give the show time to develop what it wants to be in a new era before it moves on to better times (7 and Mel, because his stories really took off once Ace came along). It doesn't always work (6 and Peri), but having 3 new companions with a new Doctor is so much of a risk and it seems like it failed miserably.

If it has been just 13 and Yaz, I think it would have had serious potential (I'm 5 episodes in and I quite like her and the dynamic with 13). Or even the pair of Ryan and Graham or bring them in after Yaz is developed it would have at least been interesting, especially if Ryan was better written.

But having all 3 at once just feels like it torpedoes the potential of all of them.

[rel312]

I HAD NO IDEA SEASON 2 CAME OUT ALREADY SO NOW IM GOING TO SCREAM ABOUT IT

Episode 1:

CROWLEY WANTED TO TAKE AZIRAPHALE BACK TO THE PLACE THEY FIRST MET

CROWLEY PROTECTED AZIRAPHALE FIRST IM SCREAMING

(My brother actually came into my room to tell me to shut up)

Of course Aziraphale would just forgive 8 months rent

Lmao Gabriel’s just walking down the street ass naked

Gabriel just hugged Aziraphale I can’t

“James. Long for Jim, short for Gabriel”

Crowley knows Aziraphale so well, but poor guy he only calls him for 3 reasons

Poor Crowley is trying so hard not to freak out about the “naked man friend”

The conversation between Crowley and Jim I can’t

Maggie and Nina are trapped together!!

Michael and Uriel are fighting let’s gooo

Crowley just casually let the girls out lmao

THERES AN I WAS WRONG DANCE OH MY GOD

THEYRE PERFORMING A MIRACLE TOGETHER

Aaaaaand of course it goes immediately wrong

Episode 2:

Gabriel’s wig is atrocious

IS AZIRAPHALE GOING TO BE THE SUPREME ARCHANGEL NOW

A jukebox that turns every song into Everyday like the Bentley with Queen, hmmm….

Crowley looks like a doting partner bringing his husband a drink

“Get humans wet and staring into each other’s eyes, vavoom, sorted” sir… are you telling me that’s what did it for you???

Crowley’s so confounded that Jane Austen wrote books

THE VOICE OF GOD???

HE TURNED ALL THE GOATS INTO BIRDS

Crowley scaring the kids cause they were brats but not actually killing them aww

The little girl asking to be a blue lizard with her siblings she’s so cute

CROWLEY TAUGHT AZIRAPHALE TO EAT

I cannot believe Aziraphale was the first to talk about sides I love them

Crowley and Aziraphale working together for the first time to save the kids

Aziraphale looks so shaken to have lied poor baby

Crowley babe he’s begging for you to drive him

“Our car” you can’t take it that far lol

Poor Aziraphale really thought he was gonna fall he was about to cry

Crowley was so soft in that last scene

Episode 3:

Jim’s stuff is all labeled

Aziraphale looks like a proud father to Muriel

Crowley’s moving the plants to use the car

They both look like parents I love them

Crowley brought Aziraphale to a cemetery because he thought it would amuse him, that is date behavior

Crowley is about to kill Aziraphale for changing his car

NESSIE?!?!

“Operation: Lovebirds” Crowley is such a dork

Aziraphale just is not getting anything lol

Crowley… shrunk himself??? And then grew himself????

Crowley tempted her to be good I love him

I love the very closed sign

Demons can’t enter somewhere uninvited???

He’s so angry Aziraphale might be hurt

Episode 4:

BEEBOP

“His type”????

“I remember hearing that you and Crowley were an item” HOLY SHIT

HE CALLED CROWLEY HIS GOOD FRIEND AFTER THE CHURCH!!!

“This office has gone 13 5 0 days without anyone saying ‘THE ROAD TO HELL IS PAVED’”

Glad to see Aziraphale in his magic era

Crowley’s impression is hilarious

“Someone you can really trust” and his first thought is Crowley 🥹

Aziraphale has a gun and Crowley has never shot one

Crowley was shaking he was so scared and Aziraphale was so proud of his trick

Furfur not knowing how to pronounce Aziraphale lmao

Sleight of hand!

Look at them finding a middle ground in shades of grey!

Lmao Crowley would murder him if he knew Aziraphale didn’t put the brakes

Episode 5:

They’re talking about Doctor Who

Aziraphale’s giving books and Crowley’s playing with crystal balls, I love them

Aziraphale being bad at French is so funny to me

Nina grilling Crowley on his relationship with Aziraphale is everything

Crowley was confronted with his feelings and immediately went out to get a drink with Aziraphale

Crowley’s so mad go off king

The matchbox!

Aww look at Crowley denying he’s nice

The romantic music while Crowley looks at Aziraphale with the chandelier

Oh. My. GOD. Jim’s suit!

Lol that’s not what I was expecting when they said masks will be provided

AZIRAPHALE WANTS TO DANCE WITH CROWLEY

THEYRE DANCING!!!!!!

“Surrender the angle”

Gabriel’s coat!!

“T. O. S. T. E.”

“You’re a good lad” “not actually, either”

“Rescuing me makes him so happy” you can’t just say things like that and expect me to be normal about it

Episode 6:

Crowley’s just bouncing around in heaven

“I’m done with being scared” *flips them the bird*

Oh sweetie, you meant well but no

“Crowley’s emotional support angel” yes, yes that’s exactly what he is

Crowley’s little supportive punch to Muriel was so cute

AZIRAPHALES HALO?!?!

THE FLY

Gabriel x Beelzebub confirmed??

The fact that Gabriel and Beelzebub were able to sort this out in a few years while it’s taken Crowley and Aziraphale 6000 is insane

And the fact that Aziraphale grabbed Crowley’s arm when he realized that

Crowley’s so impressed with Aziraphale bringing everyone to order

Aziraphale’s face at Crowley talking about Alpha Centauri

Aziraphale looking at Crowley with so much love in his eyes is giving me life

THE METATRON?!?!

Aziraphale looking to Crowley for permission I can’t

Crowley knowing Aziraphale will come back and saying they need “a little us time” at the Ritz

Crowley getting antsy that Aziraphale’s not back yet

Nina taking inspiration from Crowley and calling Maggie angel my beloved

Crowley looks devastated that Aziraphale interrupted him

Aziraphale looks so incredibly happy at getting Crowley to be an angel again but there’s no way Crowley wants that

Crowley’s getting so emotional

“Just be an us” stooooopppppp

“I need you” I can’t take this!

Nightingales

THEY KISSED!!!!!!!!!

Aziraphale touched his lips after I’m dying

Aziraphale stop being so stupid and get him back

The- the second coming??

YOU CANNOT END IT HERE

SCREAMING CRYING THROWING UP

Please tell me there will be a season 3 I can’t handle this

[myimaginarywonderland]

Honestly this episode just opens up much more questions then can be answered in the last episode.

1. If we are assuming that noise of the tardis is connected to the gods (seeing as it made the noise when Donna and the Doctor invented the salt thing and when we meet Maestro), then why the hell did it make the noise when Rogue was there?

2. Why the women? She was clearly there before the Blue Yonder thing where most of us are assuming the whole Suketh thing was likely supposed to start?

3. What is Mrs Floods deal? She clearly knows a whole lot more but she also seems to predictable as a villain.

4. If the Tardis is there again, that means either Ruby or the Doctor will clearly travel back in time again but for what? More importantly, if the Tardis is there again is there someone else like maybe Rose in there seeing as both Ruby and the Doctor are not supposed to cross their time line?

5. Who is Ruby?

6. What is the deal with Carla and seemingly knowing about the beast?

7. How can the Doctor not have had children yet when we do in fact know both 10 and 11 have talked about being fathers and one has actually had a full one daughter that travels the universe?

8. Why lead us on with Susan? We have had so many hints about Susan the entire season it feels like and the only other time I can recall that many was with Twelve and Bill where multiple people have theorised that 12 sees Bill as a sort of granddaughter?

9. How can Ruby survive this season when it very clearly feels like everything is pointing to her having to be erased to fix some sort of timeline event?

10. When has the Doctor ever noticed another timelord lol? This man got suprised by every version of the Master we had at some point.

11. Maybe it's just me but having Mel be there again still feels like it is leading up to something bigger.

12. Is the Suketh the One who waits? Are they the big bad boss that has been hinted at multiple times?

13. How is the TARDIS involved? Because we know that the TARDIS is an actual being who clearly has more power in this?

[walkingstackofbooks]

Season 2 Observations - What the DS9 crew call each other

I'm back with my spreadsheet and armed with new facts. Let's go! (For Season 1 Observations, see here.)

This is a bit longer and there was still more I wanted to include - if you want to check out the raw data yourself, you can view the spreadsheet here!

Sisko

Is slightly more likely to introduce himself as "Benjamin Sisko" (6x) than "Commander Benjamin Sisko" (5x) - though this is often followed in both cases by "of the United Federation of Planets" or something similar.

Kira, Odo and Quark mostly call him "Commander", and rarely "Sir" - all are extremely consistent with season 1. (37:8, 16:2 and 11:0 as compared to in s1 35:8. 15:2 and 9:0)

Miles and Julian are more likely to call him "Sir", but use "Commander" often as well. How often has changed for them both since Season 1: > Julian has moved from using both equally, to using "Sir" twice as often. > Miles has moved from using "Sir" three times as much to almost using both equally (40:35)

Dax still uses Benjamin almost exclusively (24x), although she will use "Commander" on occasion (2x).

Is most often referred to as "Commander Sisko (22x), followed by Sisko (12x) - O'Brien is the only one to use "Sisko" more frequently.

Kira

Most often calls herself "Major Kira Nerys" (4x).

Everyone, apart from Dax, almost always calls her "Major".

Dax exclusively calls her Kira (2x) - Bashir and Sisko have both also called her this (2x and 1x respectively).

Is most often referred to as "Kira" (13x), followed by "Major Kira" (6x) - a change from Season 1 where the "Kira: Major Kira" ratio was 5:18 > Odo bucks this trend: as in season 1, he refers to her as "Major Kira" 2 times and "Kira" only once.

Odo

Introduces himself as "Chief of Security Odo" (2x).

Is called "Odo" by everybody; Kira (7x), Dax (7x), O'Brien (4x) and Quark (24x!!!!) will use this most often.

Sisko and Bashir are more likely to call him "Constable" - 13:8 and 2:1 respectively. > Kira and Dax never call him "Constable" > Miles uses it almost just as much as "Odo" (3:4) > Quark calls him it twice

Is almost exclusively referred to as Odo by everyone - Kira referred to him as "Constable Odo" once, and O'Brien as "the constable" once.

Trends are consistent with Season 1, apart from Kira stopping using Constable entirely, and Bashir, Dax and O'Brien actually speaking about/ talking to him more than two times this season!

Julian

Refers to himself most often as "Julian" or "Julian Bashir".

Sisko, Kira, Odo and Quark exclusively call him "Doctor" - apart from Kira calling him "Julian" once, on his request!

Dax and O'Brien more often call him "Julian" (9:1 and 12:5 respectively) > After Armageddon Game, O'Brien only calls him Julian.

He is still referred to as "Doctor Bashir" most often by Sisko, Kira and Odo

Jadzia still refers to him mostly as "Julian".

O'Brien now refers to him mostly as "the doctor" or "Bashir" (2x each), as opposed to "Dr Bashir" in S1 (2x) > Quark similarly uses "Bashir" most (3x), followed by "the doctor" (2x)

Jadzia

Refers to herself as "Jadzia" most often (5x), but 4 of those times are in the episode Playing God where she is talking in the third person about herself. > She also calls herself "Dax" (2x), "Jadzia Dax" (2x) and when talking to Klingons in Blood Oath, "I who was Curzon Dax" and "You knew me as Curzon Dax".

Sisko and Kira call her "Dax" most often, followed by "Lieutenant" (22:11 and 7:5 respectively). > No change from S1 for Sisko, but Kira only began to call her Dax this season. > Kira also first calls her Jadzia - unprompted! - in Blood Oath. > Sisko only calls her "Old Man" once.

Odo, O'Brien and Quark exclusively call her "Lieutenant".

Julian exclusively calls her Jadzia, but only twice.

Sisko, Kira and O'Brien usually refer to her as "Dax" - the latter two exclusively. > Sisko uses "Jadzia" just as much (6x), but only in the episode Invasive Procedures, when talking about her as opposed to Verad Dax who has stolen her symbiont. > Once again, this is same as S1 for Sisko, but a change from exclusively "Lieutenant Dax" (1x) for Kira.

Julian most often refers to her as "Jadzia" (4x), followed by Dax (2x).

Miles

Calls himself "O'Brien" most often (4x) - "Miles O'Brien" (6x) is skewed because of his repetition of it (4x) under torture in Tribunal.

Everyone most often calls him "Chief". > For Odo, this is equal with "Mister O'Brien" (2x each), and for Quark this is equal with "O'Brien" (1x each).

"Mister O'Brien" is still used at a similar rate by Sisko, being used about four times less frequently than "Chief" in both seasons. Kira only uses it once, in early s2, compared to "Chief" 14x - she used both equally in S1.

Sisko, Bashir and Dax most often refer to him as "Chief O'Brien", a change for all of them from S1. > For Sisko, this is followed by "Mister O'Brien", his most common use in S1. > For Bashir this is followed equally by "O'Brien", his most common in S1, and by "the chief".

Kira and Quark refer to him as "O'Brien" more often.

Odo uses both "Chief O'Brien" and "O'Brien" equally (2x each)

----------------------------------------

Thanks for your interest in this, it's definitely encouraged me to keep going! Not sure if this is the correct tag etiquette, but I thought I'd tag those of you who seemed keen to look at more data - let me know if you don't want this to happen in the future! (Or indeed if you want to be added to the update list!) But 100% thank you so much for your kind comments about this project - I'm glad to see it's not just me who likes to nerd out over cold, hard data! (Also feel free to talk about stuff in the comments, there were so many tag comments I wanted to reply to aha 😅)

@joelleity @elainemorisi @istherewifiinhell @dumbnerd13-42 @yourea--stubborn--man @writteninsilences @worfianism @mickstart @ilovefredjones @tomthefanboy @ds9official @ussdefiant @autisticburnham @daforged @loudfederationscreeching @deepacenine @thethirdromana @tocautiouslygo @transhologram

[insufferableprotagonistpoll]

Propaganda why Dean Winchester is insufferable:

Really mean to Cas (called him a child, zero respect for him, calls him family and casts him out when the angels are looking for him), and an absolute dick to Jack (threatening to kill him CONSTANTLY)

>Was a misogynist (loved to call women skanks, bitches, hoes)

>Used gay as an insult multiple time during the show's run (idc if he's gay an homophobic, that's still insulting)

>Beat up his brother for being possessed

>Beat up his brother for losing his soul (not his brother's fault)

>Used dubious consent to get his brother possessed in a different unrelated possession incident after possession was being used (badly...this is supernatural after all) as a metaphor for SA

>Threatened to murder his brother when he was hallucinating (yay we aren't ableist)

>Locked a child up in a box

>Threatened to kill the child he locked up in a box

>Made a creepy, sexual comment about a barely-legal high school girl

>Got the woman and kid he was living with memory-wiped

misogynistic scumbag. theres also a few different times that dean finds teenagers sexy with the most recent and prominent example that i can recall being the scooby doo crossover episode in season 13 where hes super into daphne who in the version they chose for the episode is 15-16 and is interacting with her as if shes a real person cause they got magicked into the episode. he treats everyone around him like shit and the only time the narrative agrees that thats a bad thing is when he has the mark of cain put on him and hes acting no differently than he does usually its just now acknowledged that hes treating others like shit. ive been rewatching the show for shits and giggles with a friend and wow he really does not treat anyone well but i wanna focus on how he treats sam for a second cause dude's hobby seems to be ignoring what his brother wants and lying to sam about doing stuff that directly concerns him the demon blood and souless things are reasonable cause those were both Bad for sam but theyre still part of a wider pattern and the most prominent example of this being when dean tricks sam into letting gadreel possess him and actually gaslights sam about it with the whole ordeal ending when its revealed gadreel lied about who he was and while possessing sam murders a friend of theirs. his voice is just also stupid as fuck im sorry this is just petty but he just sounds like hes trying so hard to be gruff n intimidating but he just sounds like a kid pretending to be batman

Dean’s list of sins is crazy long because of how long the show ran, but the key thing for me is that post-locking Sam in the bunker (season 4 I think?), I just can’t enjoy their relationship anymore. I normally love their sibling dynamic, but Dean’s ultimate worst past-the-point-of-no-return moment for me was demonizing (pun intended) his little brother for being “addicted” to demon blood, which only happened because of a series of events that were either Dean’s or someone else’s fault, not Sam’s. I also really dislike how the fandom treats Dean like this angel (pun intended) who has done no wrong and even tries to justify the MULTIPLE times he’s beaten up and otherwise abused his little brother. Canon Dean is like the polar opposite of fanon Dean: he’s homophobic and racist (jokes about a Black man being sexually assaulted in prison), misogynistic (take a shot every time he calls a woman a slur and you’ll die of alcohol poisoning), and abusive.

Propaganda why the Tenth Doctor is insufferable:

They’re so *edgy*

That one time he committed a genocide by drowning the last children of a near-extinct species (Racnoss) because their mother was evil. The closest anyone ever got to calling him out on it was when Donna noted that his take on a *different* set of weird alien babies (the Adipose) was a lot nicer than last time.

A combination of hypocrisy, sanctimony, and an equally insufferable fanbase. And the dissonance between what he actually does and how the narrative presents it.

[glennk56]

Gerard Horan. British actor who often plays detectives on TV. These photos range from 2002-2013. I like to see wearing something other than the typical detective suit and tie and playing roles other than that.

Gerard Horan Photo Page.

Nicholas Nickelby (period adventure romance adapted from Charles Dickens noval), 12/2002. pictured with Timothy Spall.

2-4. My Family 5;9. (tv Family sitcom starring Robert Lindsay and Zoe Wanamaker that ran for 11 seasons, 2000-2011) 5/2004.

5-6. Marple 1;4. 1/2005 (tv mystery based on Agatha Christie's Miss Marple novels set in the 1950s)

7. Timewatch 4;2. 3/2005. (investigative documentary series on historical events-This particular episode follows the life of Cicero.

8. Oliver Twist 9/2005. (Apapted from the Charles Dickens Novel) Gerard played a small role as a Farmer.

9-10. Doc Martin 2;1, 11/2005. (from very long running Comedy/drama TV series) I posted photos from this episode earlier.

11-13. Dalziel and Pascoe 10;7 4/2006. (Long-running personality driven whodunnit crime drama.) Gerard plays a suspect in this episode.)

14. The Royal 5;10, 5/2006. (Hospital drama) Gerard has only a small role in this episode.)

15. As You Like It, 9/2006. (adapted from Shakespeare's play)

16-19. Doctor Who 3;8, 5/2007. (from the 2 part episode Human Nature and The Family of Blood during David Tennant's turn as the Doctor)

20-21. Kingdom 1;4, 5/2007. (Crime comedy/drama starring Stephen Fry) Gerard played a recurring character D.C. Yelland.

22. Lark Rise to Candleford 1;3, 1/2008. (short-lived Romance Drama set in the Victorian Era) Gerard appeared in all 6 episodes.)

23. Kingdom 3;3, 4/2009.

24. DCI Banks 1;6, 10/2011. (Crime/Mystery Drama)

25. My Week With Marilyn. 10/2011. (A film of the making of the film The Prince and The Showgirl)

26. Appropriate Adult (miniseries) 12/2011.

27. Dancing On the Edge. (award-winning miniseries) 2/2013. John Goodman plays a prominent role. Gerard has a small role.

[heyclickadee]

So, I’ve been texting my dad (mostly) spoiler free summaries of The Bad Batch all season, each with a different theme (bad batch episodes as Disney park rides, bad batch episodes so far as out of context Wrecker lines, etc), and the last one was just me trying to make the episodes as mundane as possible. Which basically went like:

1. The Spoils of War: A questionable middle-manager tempts her employees with the sizeable performance bonus.

2. The Ruins of War: Mom horrified to learn that their daughter took him literally while their brother refuses to acknowledge a medical emergency.

3. The Solitary Clone: Depressed man who hates his job and never gets a lunch break is forced to deal with the woman who keeps ignoring all the “under new management” signs.

4. Faster: Gifted pilot reveals that he is no more responsible than either the man child or the literal child he was left to supervise.

5. Entombed: Child convinces her aunt to take her to a high tech corn maze; exhausted dad reluctantly tags along.

6. Tribe: Dad Squad steps in to help with a carpool.

7. The Clone Conspiracy: Career soldiers contemplate retirement.

8. Truth and Consequences: Wanted criminals break in to the world’s most dangerous Blockbuster to find a rare video.

9. The Crossing: Family goes spelunking in Space Moab.

10. Retrieval: Demolitions expert is so hangry he accidentally stumbled into a Dickens novel.

11. Metamorphosis: Four idiots go out of their way to prove that they have never seen a horror movie.

12. The Outpost: New transfer goes birdwatching in the snow.

13. Pabu: Broke ne’erdowells eat sushi.

14. Tipping Point: Responsible big brother teaches little sister how to drive the family car while one brother grabs dinner and the other has a doctor’s appointment.

[fandomconsumesme]

Rambling as to make sense of DTAMHD, tw ed and klinsky reference, this is horrifically long but i promise i'm going somewhere with it

I gotta say, watching it the first time I was fairly disappointed (The acting and episode were great, just wasn't sure how I felt about it as a finale) But having spent time to process, i would say this does its job as a Dennis catharsis episode, particularly symbolically

Starting off, Dennis has been almost scarily normal this season, or about as normal as Dennis can be (catfishing your roommate into using xl anal beads), not creeping on women, not getting fed up with the gang all the time, working with them in a familial manner again. Shockingly, it seems he's doing pretty good, and growing into himself

Like at the beginning of the episode, he's actually going to a doctor and apparently everything looks normal. Either this doctor immediately needs to be disbarred, or Dennis has been doing better taking care of himself, an unheard of concept

4. Dennis has a desperate fear of getting old, willing to do anything to prove himself still valuable, something to be desired, both connected to his childhood abuse by Mrs. klinsky, a way of rationalizing that it was okay because Dennis is special, just more developed, and his tenuous relationship with his mother where he was the golden boy, but emotionally separated from her due to drug abuse.

5. Dennis' mind scenario thing starts right after the title sequence i think, and we pretty much immediately get his interpretation of the gang and how he sees them.

6. Charlie is childlike, confused over the concept of sea level, and Dennis has an almost patronizing view of him, not understanding how he's this way if they are so similar

7. Frank brings up the family style cooking, the point of the pressure cooker, but dennis and the gang are in two different places, and the only reason they called was the sea level thing. Dennis sees the gang as a family, but feels like an outsider

8. Dee is reasonable and kind, backing Dennis up, supporting his decision for a mental health day, but seems to lack understanding as to why Dennis is doing this, a fundamental disconnect

9. Mac is always in view, all of him, the focus of the call. Dennis stays watching him, even though he says nothing particularly relevant in the scene. The whole of him appearing also has interesting implications of Dennis knowing who mac is, but he can only get a picture of the other members of the gang for a few seconds at a time. Mac is his constant.

10. To continue that thread, the other members are always yanking the phone towards them, stopping Dennis from being able to interact with him, but Dennis always knows where he is.

11. Frank is an asshole, diminishing Dennis' problems, acting like they don't exist, and as a much smarter person noted here, dennis' watch starts beeping the moment he starts talking.

12. Mac is also patient, cautious of Dennis' boundaries and doing exactly what he has to to make dennis feel safe.

13. Dennis is insistent on it being his mental health day and none of them participating, but as becomes evident later, the day is miserable BECAUSE they aren't there to back him up and support him. Dennis tries to stay away because they make things complicated, but they make things complicated by causing him to have big feelings.

15. He also gets repeatedly annoyed by very little things, like downloading an app or not getting the precise tea he wanted, but then calms by blaming it on the system (system seems like such a familiar word in the context of dennis and his thoughts... I wonder what it could be referencing lol) So all of those little inconveniences that stop Dennis from doing what he wants, can in fact be attributed to the system. Not only does he acknowledge it's the system, but also that he isn't the only victim, that others suffer because of it.

16. The tsuma blares the song when he opens the door in the parking lot, and he's so focused on stifling it that he doesn't notice he's just made a mistake that will hurt him in the long run.

17. On the French dip, dee once again works in conjunction to Dennis, encouraging them not to eat it. Charlie is afraid of Dennis' wrath, but Mac wants for Dennis to come home and be happy. Mac tries to reassure dennis.

18. Overall an aggravating phone call, but the moment he turns it off there are almost reactionary consequences, a police car pulling him over.

19. Dennis comes up with his own metaphors for what he's going through in his mind, likening himself to a pressure cooker.

20. He also has Dee and Mac decide not to call because they want him to have a successful mental health day and respect his boundaries, but frank continues to belittle

21. Along the lines of 16, "Dennis' true self is the tsuma" theory, he goes into a fit of rage when he can't communicate with his car. Dennis is comfortable in the car, but when he exits he puts on a mask, and now can't get back in.

22. The true DENNIS System,

D-Deliver me from this as in get me out of having to demonstrate value

E-Engage with human as in wanting a real connection rather than a physical one

N-Nancy(boy)/Neighbor/Nightmare/Never ending as in repeatedly nurturing dependence in a way that hurts him with the wrong people

N-NIGHTMARE/Never gonna help me as in even worse than the first n, and him knowing that it only hurts to neglect emotionally

I-Is this real as in the potential of something real with inspire hope

S- Somebody help me as in him wanting to escape the system

23. By my reckoning there are 3 people the ceo could symbolize, those being Frank, mac, or Dennis as a mask.

a. Frank because he is so oblivious, able to live a live of lounging at the beach, but it was his actions and neglect which have led to Dennis being trapped in his own prison. The frank is an older figure, and it makes sense for the diamond to be derived from his heart as he is his offspring in a sense. Dennis is reclaiming his sense of free will, taking back control so he can live a life that isn't predestined by his upbringing. The hand on the chest is trying to make frank understand, dennis still gets the pleasure of violent retribution though.

b. Mac is the one orchestrating the pressure cooking of the diamonds, explains the extreme homoeroticism of the scene. The systems have been created to protect himself from mac, mac is allowed to lounge because he has found peace with himself (MFHP) Dennis wants that for himself, and receives it from mac. Mac reaches out first, at the encouragement of dennis, but is pushed away so dennis can show his appreciation, upon which mac looks shocked. They clearly understand and have sympathy for one another. A love song is playing, and dennis takes mac's purest essence for himself, showing how intertwined they are. Mac is left unhurt because it was about the gesture, not the carnage.

C. Dennis as a mask, or what Dennis has made himself into to survive, lounges because he has been given control over the inner dennis. He has created all of the systems, and tsuma is his, made into a form that he can control for his own benefit. Dennis is his own worst enemy, and seeks to deconstruct this unfeeling being in order to find himself. He has a touching moment with himself, where mask dennis realizes that it is necessary that true dennis come to power. explains the homoeroticism because of narcissism, and ultimately true dennis decides the most humane thing he can do is leave behind mask dennis, killing him gently and taking his heart, condensing it into a diamond that symbolizes his innate goodness and incorporating it into true dennis.

I personally think it's a mixture of all three, but regardless this IS Dennis' catharsis. The motifs are there (crying, a powerful body of water) and dennis takes back control, actively choosing to be better. it's different, but it's still there.

24. In the end, when it's all revealed to be a glimpse into Dennis' mind and he's lowered his blood pressure, it's not because he's won per say. before the title, Dennis was keying up for some kind of angry meltdown, but he takes a moment and thinks better. i wouldn't say Dennis has had just one catharsis, but a million little ones in his mind since the season started, a million little choices to be kinder, more patient, better. He calms down and has found at least a temporary solution to his problem (The kratom doesn't hurt either) dennis has gotten so much better with interacting with others this season tbh, and to continue that to an extent would stop him from being the dennis we all know and love, sleazy and manipulative. And what he loves, what he knows will help him, is to be with the gang, his family. And he makes the choice to go to them too.

Remember, there is a structure. It will be fulfilled. (And if it isn't, at least we have FVR and Tends Bar)

[nuwho20zine]

NuWho Zine: Character Tracker 👀👯

Hi everyone!

I decided to put my nerd cap on today and, as I was putting together some things for the zine, decided to look into what kind of works we have so far. I thought I'd share with you all, so I hope you enjoy!!

1. General Stats

We so far have 29 works lined up: 15 fan arts (52%), 10 fanfictions (34%) and 4 works of written non-fiction (this may be analysis, essays, etc) (14%). This feels like a nice balance for me, and I'd be pretty happy if this is the balance of different types of works ae have for the final zine.

Pretty much all of these are character-focused, so here are some pretty graphs for you all:

(2) Character Breakdown

So, as you can see, Nine, Ten and Twelve are the ones who are coming in the strongest. However, in terms of companions, the Ponds are winning by far! This may be because, after the initial submissions, there weren't any Ponds pieces and some people who didn't have a concrete idea yet decided to feature them; they mostly feature them together, though - we don't have many/any pieces of Amy or Rory (or River) solo.

Most pieces feature two or more chracters. So far, the only character centric pieces I have jotted down are for Clara, Twelve, Fifteen (maybe), and the Master.

(3) What This Means

Like promised, in July I will open a form for submissions. I strongly encourage people who want to participate to start thinking about what they'd like to do, because you'll have to provide that when signing up. I'm counting on accepting about 15-20 people/pieces and, since this isn't a submissions-based zine, these will be first come, first serve.

I really want all works to be artist-led, ie, you get to draw/write/whatever whatever it is you desire. However, I would also like the zine to be somewhat balanced in terms of character representations, so in the name of compromise, please keep that in mind!! Here are some ideas for pieces:

Pieces focusing on a single character, especially those that have less submissions;

Episodes/seasons/story arc analysis or commentaries;

Analysis of specific aspects of NuWho;

Personal essays (for example, focusing on an aspect of Doctor Who you love, how you got into it, etc);

Fanarts that are episode-focused (in particular, I'd really love a piece about the 50th and/or the 60th anniversaries, since they were such big fandom events);

Non-character-centric pieces: pieces focusing on the TARDIS, or DW monsters, or planets, or the Time War, or regeneration - other aspects of the DW universe in general beyond the characters.

I'll also be open to one or two pieces that focus on NuWho spin-offs rather than NuWho itself, since I do consider them part of the over-arching NuWho Universe (looking at you, Torchwood girlies!!!).

In terms of characters, we're really missing Thirteen-era pieces and I know the 13 fans are out there, so this is your chance!! We're also with low numbers of Jack, specific Masters (most Master pieces are about the character in general, not focused on a specific Master), Bill, River, and 11-Era Clara.

I also really encourage people to submit pieces about minor characters: give me the Tylers/Joneses/Nobles/Sundays family portraits! Give me Mickey, or Ten's one-offs, or Jenny, or Alonso! Give me Jenny, Vastra and Strax! Give me the Moment, War Doctor, Fugitive Doctor! Give me Nardole, Rogue, Wilfred, Rose Noble, Lady Me, or whoever else I am missing here that you love and want to feature!

Finally, I also have two artists who would like to establish a colab: in particular, I'm looking for a writer that feels comfortable writing various characters of NuWho (but 13 and Yaz in particular), and an artist who loves Rose and Tentoo. If that is you, feel free to reach out whenever so that we can talk (no need go wait for July!!)

That is all! Hope you've enjoyed this longer post. Ahhh, I'm so excited to this come together 💛💛

[leikeliscomet]

We Failed the First Black Doctor (Part 2)

After the high of Fugitive of the Judoon ended, the fandom waited for her next appearance. In The Timeless Children, Fugitive appears to help Thirteen. The version we see is of her however actually isn’t her in the flesh, it’s a projection in the Matrix or a hallucination in Thirteen’s mind. Either way, she gives our main character her ‘you can do it’ speech before Thirteen makes her great escape. And that's it. The big showdown was between Thirteen, Dhawan!Master and surprisingly Ko Sharmus who’d give his life to save our main cast making him MVP of the episode. Having Fugitive save the day could’ve given her character a greater role but killing off our First Black Doctor without any explanation of who she was yet definitely would’ve been a terrible idea, so maybe saving her for the Matrix would've been okay. But her backstory was still in a vague place. Whilst the Brendan flashbacks gave us this context and pulled us into the mystery further, wouldn't it have made sense to show us Fugitive in those scenes? We knew she was the Doctor so we could’ve easily put two and two together. Even the Timeless Child reveal itself came across as disappointing to most of the fandom. Technical things aside, making Fugitive the Timeless Child also could've been a way to fully flesh her out and give her more to do in the finale. Running away from Division after they’d kidnapped and experimented on her, taking the form of the Doctor to blend in and help others also exploited like her and being highly skilled in combat for her own protection could've made for some great storytelling and yet…. nothing. Normally in RTD stories the mid-season informs the finale. Dalek showed us a dalek and in the finale… we got Daleks. The Cybermen from Pete’s World returned for Army of Ghosts/Doomsday. The Family of Blood/Human Nature fob returned for Utopia and gave us a three-part finale. The missing planets throughout series 4 would lead us to another major Dalek return in The Stolen earth/Journey’s End. So to copy RTD Who’s format to introduce Fugitive, but not follow through in the finale was very strange and disappointing. With that in mind, I waited for her hopeful return in series 13.

The next time we saw The Fugitive was in Once, Upon Time. The new fam have found themselves trapped in their own timestreams and Thirteen gets a flashback of her past. In there, she sees her reflection and that reflection belongs to the Fugitive. The entire sequence is essentially a Fugitive-era episode. Swarm and Azure were her villains. Karvanista represented by Dan, Lee likely represented by Vinder and likely Gat represented by Yaz were her TARDIS team. Fugitive has a more militaristic approach due to her control by Division but also delivers a decent speech before capturing the Ravagers. She has a calm and controlled presence same as before giving her an interesting dynamic with them. Chaos defeated by order. Once, Upon Time gives us a glimpse of what a Fugitive Doctor episode is or at least could be… and still couldn't commit to it. Thirteen and Fugitive constantly flick back and forth between each other and impressive VFX aside, this was completely unnecessary. We know Fugitive and Thirteen are the same person and that they're both the doctor and yet the episode doesn’t trust the audience enough to let us see the scene carry on without her. The filming of Flux was affected by the pandemic and this is given as the main reason for the flickering but it’s a poor excuse that doesn't hold up. If Jo Martin filmed a fully completed socially distanced take of the Doctor’s lines why did we need Whittaker’s layered over it? Just show us the Martin cut! Again, once Fugitive’s purpose of helping Thirteen was fulfilled, she was gone and the fam moved on. The main Flux storyline continued without her presence. Similarly to Timeless Children, we were teased with a Fugitive appearance that still sidelined her to a cameo role.

In her final appearance, the Fugitive comes back for Power of the Doctor. She’s a hologram… again. Her main role is to save Thirteen… again. She tricks the Cybermen into shooting each other and helps Yaz, giving her one last iconic moment but again, she exists to serve Thirteen's narrative and not her own. A smaller but still interesting part of the scene was her remark about the Master being a ‘rubbish schoolboy’, breadcrumbing us about Fugitive's backstory and her relationships with other characters but this is another question that remains unanswered. Some fans hoped this left a door open for an RTD2 appearance but as Fugitive is a Chibnall character, RTD has no obligation to bring her back so yet again, her fate is still in limbo. There’s some hope as RTD has shown interest in the storyline and has picked it up in a way for the new era but until Jo Martin is on screen again nothing has been confirmed as of yet. The Fugitive Doctor will return instead in a Big Finish audio announced in April 2022. The audio isn’t coming out until 2025.

--

Every doctor, especially in nuwho, goes on a journey; an arc designed and crafted for them which ends with their character changed by the time we reach their regeneration. War accepted the consequences of his actions but realised he didn’t have to fight alone. Despite having a single appearance, Day of the Doctor gave his character a purpose, a conflict and resolution perfectly wrapping his incarnation up within 1 hour. The future was something to embrace, not fear. Nine was the oncoming storm, haunted by the destruction of Gallifrey who eventually opened up to companionship again and finally forgave himself. Ten was the self-destructive hero, whose brilliance and intellect would fuel his ego to great heights eventually causing his downfall. Eleven was the imaginary best friend, an old soul in a young body, with darker tendencies who brought a sadness to the character. Twelve was the lecturer, having very philosophical and internal struggles eventually giving his life not out of grand gesture but simply out of kindness. Thirteen, regardless of what you thought of her writing, had her own narrative journey. The lonely woman who fell to earth not knowing her origin but letting it go because she gained a found family instead. But for the Fugitive, who cares? Why should Chibnall bother to give a Black woman’s incarnation a purpose? Wants and needs? Conflicts? A drive? Motivation? Why even bother giving her a placement in the main lineup? Why bother giving your Black characters depth when it's just easier for fans to just say ‘No way there’s racism here, look a Black doctor!’ with no regard, care of concern for how she was treated? Even when you look at how Black characters are written and perceived, it's clear fandoms aren’t willing or ready to take on board nuanced representations of Black characters. Both Thirteen and the fandom were shocked by Fugitive’s gun use, some claiming it reinforced stereotypes of the angry, violent Black woman but actually she subverts it. The Fugitive’s gun was a red herring to trick the Judoon and Gat. She wasn’t going to use it, she just needed them to think she would. This was no different to Eleven threatening to blow up the Dalek’s ship with a jammy dodger. The violence Fugitive used was in self-defence, not out of malice. Her telling Thirteen to shut up was because she threatened the plan by revealing they were both doctors, not just because she was angry for no reason. It’s ironic and also worrying that after portrayal, after portrayal, after portrayal of morally grey nuwho doctors each using violence as the last resort, each angry at rightful injustices, each holding a darkness within, that the incarnation that didn’t claim any lives is the most violent because they exist in a dark skin Black woman’s body. The ‘lack’ in the representation of marginalised people is an issue that's prominent in Chibnall Who. The Fugitive Doctor is a Black woman. The gender-blind approach to Thirteen’s writing already raised a few concerns but for the experiences of Black women specifically, our Blackness isn’t something that can be ignored or represented ‘subtly’. From the long history and list of tropes used to represent us, from the outrage and anger in fandoms towards Black characters and castings, this lived experience has to be acknowledged. Even in the Doctor Who fandom, Martha Jones was the first Black woman to be a companion and she was hated. RTD and co. acknowledging Martha’s Blackness could've helped protect Freema Agyeman from the rampant racism in the fandom. So why would casting a Black woman as the lead this time, specifically a dark skin woman, be approached any differently? In a diverse and ‘progressive’ show why is race ignored? 

When Jodie Whittaker was announced as the first female Doctor she got tribute videos from young girls that congratulated her, went on Children in Need, spoke about representation in interviews and went on the runway. When Michelle Gomez was cast as the first female master, the uniqueness of casting a woman as the Master for the first time was spoken about on Doctor Who’s YouTube channel. When Jo Martin was cast as the first Black woman to play the doctor, the BBC did nothing. The Black cosplayers shouted out were done by Jo Martin alone on her Instagram. The events where those cosplay group photos took place were organised by Black fans and other fans of colour just like they had always been (shoutouts to Black TARDIS and Team #TARBIS at Gally1). This issue goes beyond Chibnall and is about representation in TV/Film itself. If creative teams can’t be bothered to support Black characters, creators or our stories then I won’t accept the breadcrumbs. I’m becoming less impressed with simply having a Black companion or doctor there but how. If they want credit for representing Black characters then simply, they need to do the damn work. I am tired of the Doctor Who fandom giving Chris Chibnall, Steven Moffat and Russell T Davies credit for Black representation they didn’t create and for work they haven't done. Give me a Black character in Who whose arc doesn’t revolve around a white one, who doesn’t go through extreme trauma with no catharsis and isn’t just ‘there’ and then I’ll give full credit where it's due. Only then will I start handing out gold stars for lanes of Black representation being paved. Only then will I start singing praises of anti-racism and allyship. Until then, I’m no longer accepting breadcrumbs as a full meal.

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