I'm thinking a lot about the things I didn't say.
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found back this thing from 2021
putting the addition directly onto the og post since nobody reblogs the full version:
'about this i feel a few people have misunderstood what i drew it for, my tags didnt help at all for sure and it is just one doodle, but i didnt made it as 'i'm questioning my sexuality and need to know what specific labels i am'. i've been well aware of what my whole deal is for years.
this was a silly doodle i drew as a recreation of all the thoughts and questions i had that went 'what is attraction? what is romance and sexual and platonic and friendship and something else entirely? how and why do we need to define feelings and relationships so much? why do people act the way they do, date the way they do, marry the way they do, live the way they do? how much does your own culture and time influence the way you do those things, the way you think you should act and feel? how much does amatonormativity influence and impact all of us? and why are some people so resistant against the idea of questioning and living out of these norms?' among many others things.
again, i drew years ago. i didnt want to post it because it felt unnecessarily personal and because people are insufferable about queerness.
EDIT: pls for the love of my sanity reblog the full post instead.'
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full version (⚠️GORE⚠️) under cut
this was initially supposed to be an illustration for Autopsy, but i formatted it waayyy too strangely to fit it in the book, alas. guro pinup outtake....
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"Tell your baby that I'm your baby" but it's Severus watching as Sirius laughs and jokes with Minerva and Albus and he's calling her "Minnie" and she swats at him with a laugh and says it seems Azkaban didn't kill that cheeky streak of his now did it "ye wee sugar-tongued menace" but when Severus says anything even slightly disrespectful like that she scolds him and tells him to remember who his elders are, and Sirius is there and he's making her laugh, Sirius is there calling her "Aunt Minerva" after that and she's calling him her "lad" but that's what Severus gets to call her, Severus is supposed to be Minerva's "lad", but it only took a few moments for him to have what Severus has taken 13 years to catch even a tiny little piece of, Minerva's taken it away to give to Sirius at once, and there's Albus just smiling and his eyes are twinkling like stars like they've never twinkled at Severus, he can't remember if Albus ever looked at him like that, and it only took a short while for Sirius to once again have the favour, the love, that Severus has spent over a decade trying to earn even a fraction of, he's their golden boy again, he gets to sit with them and laugh with them and call them his mates, he's their boy, even though Severus has done everything he can, yet no, it's Sirius who they love effortless, it's Sirius who didn't need to do a thing to earn it, it's Sirius who has now taken his place, Sirius is their "snarky lad" now, he's come in and taken it all.
And neither of the two seem to care that Severus is the one who's supposed to be theirs.
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aside from everything else about durgewyll I am loving how it highlights wyll and gortash as narrative foils. both their upbringings lead them to interact with demoniac entities, both can only become archdukes and join baldurian high society through uldred, both are swaying the dark urge from simply following bhaal (and arguably the dark urge sways them from simply pursuing an ideal and the dark urge can recognise both as their equal)
and by playing your card right in act 3 wyll just...gets everything gortash was trying to get? wyll really is a hero saving baldur's gate from the legion of the absolute. wyll influences gortash's favourite assassin into becoming someone they can defeat the netehrbrain together. they can even become archdukes together! ...or they can turn it down and then they can go to he hells to sneak around and have adventures (like gortash and durge used to) and save karlach's life (the same life that is at risk because gortash mindlessly threw it away).
like. it's a lot, wyll and durge can even murder raphael.
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In love with the idea of captain marvel being Billy's imaginary friend. Like, it'd be so easy. Early depictions had them as almost fully separate people sometimes, like one soul with two minds, rather than just two filters like we mostly see now.
But imagine a Billy down on his luck, hurt and hiding from police and criminals alike, daydreaming the hours away as children do, taking inspiration from all the superheroes rising to fame, making little stories to play out his dreams of saving the world with a generic action doll he found while dumpster diving once. Most of the paint's rubbed off.
Red's his favourite colour, his comfiest jumper is a bright ruby even after all the grime and washes. Gold, too, it's shiny and warmer than silver! A hero cape is a must, big and eye catching! And he can fly, of course, like superman, and in his daydreams, when he's sore and frustrated after a long day's grind, his superhero is smart enough and knows all the right words to get the bullies to stop without resorting to fighting.
His superhero fantasy is one he spends a lot of time on, the first one he goes for when struggling to sleep at night, and he can picture it so clearly. Captain marvel is big and bright and kind, strong enough to lift the boxes for the old lady up the road who's moving all by himself, fast enough to catch Jamie who fell out of the tree on Saturday and broke his leg and couldn't come to class for weeks. He appears at the entrance to alleys when Billy is cornered, he steps up behind to cover for him when he gets caught shoplifting, he sits at the bus stop with him when it's pouring rain and the right bus doesn't seem to be coming.
And then the wizard comes, or rather whisks him away, and like a magician from a fairytale breathes life into his imaginary friend until Billy feels thrice his size and a million times more invincible.
From then on, captain marvel is a real hero, just like Billy is a real boy, and as one they save the whole city, and then the whole world, and get cats down from trees and help Mrs Victoria move the last of her boxes and she gives them a pinch in the cheek and cookies for the road and sometimes it hurts but it's so much better than he imagined.
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Thinking of vlr Akane is so conflicting cuz on one hand I’m so upset that she doesn’t ever get a moment to just rest and enjoy being alive again I’m upset that she just gets deeper and deeper into this role she’s built for herself and she loses her humanity and will never ever be that girl who died in the incinerator. But on the other hand, I need her to get so, so much worse I need her to be so obsessed with perfection she has this unique ability to change the course of history and she will burn everything and everyone to the ground in the blink of an eye if it means she can "reset" and get a perfect timeline and I desperately need her to never be satisfied with anything because really, is there anything that’s worth all the damage she’s caused?
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