imma want with my mother now... justa murdeer me pleese, pleese imma want to be with her in the dream field, purrever, purrever, purrever....
justa murdeer me... kelapa you won.... now stikk a knife in me and imma turn me into purrgetabblie dust so n imma be free to free...
This will be the step of leevinq this world and goinq past to field dream with my mother purrever... my rag devils minions they will also disappeer... n your sister, take care, Imma justa a weak version of you, right now imma feel weak for every-thinq, just resist, n soon imma will do what imma al-ways wanted, but it will be one last shot... then imma will end my eternyan suffereenq...
finallie imma be a dream angel with my mother in the dream field...
A deal is a deal, Imma ll say bye to my eternyan suffereeng
The little that will remain in me will only be the black blood drippinq, drippinq, before turninq to dust... bye strinqs, bye bad purrson, bye suffereenq imma goinq to be free to free
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Dynamics Plus music by Cut Supreme MIX!!
That WHAT? Long Island legend DJ Cut Supreme from WUSB 90.1 does a series where he mixes the music of a show notable. When? The rebroadcast aired on Monday Night at 6PM East Coast Time on 15JUL2024. Here is a link to show and the Dynamics Plus cuts begin at the 30-minute mark with “Phase Shift” from my last studio album Rocket Science. Then Domino Grey featuring Donna S and then, then Fallout…
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The original song from this post:
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I think doing voice for animation is... is probably acting in its most purest and ancient form. It's a bit like... the Greek form of acting, in the ancient Greek. where they had masks on. In our case, the mask is the animator's drawings, you know.
The Making of the Lion King.
Rest in peace, James Earl Jones.
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I've been calling to you for some time. From every bad fix, from the unnamed malaise you feel Sunday afternoons. And now here I am, and you can rest.
Assad Zaman and Luke Brandon Field as Armand and Daniel Molloy
INTERVIEW WITH THE VAMPIRE 2.05: DON'T BE AFRAID, JUST START THE TAPE.
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EGOT winning american film, television, and broadway actor James Earl Jones has passed away on September 9, 2024 at the age of 93.
Jones made his film debut in Stanley Kubrick's Dr. Strangelove. He received a Golden Globe Award nomination for Claudine. Jones gained international fame for his voice role as Darth Vader in the Star Wars franchise, beginning with the original 1977 film. Jones' other notable roles include in Conan the Barbarian, Matewan, Coming to America, Field of Dreams, The Hunt for Red October, The Sandlot, and the voice of Mufasa in The Lion King. Jones reprised his roles in Star Wars media, The Lion King (2019) remake, and Coming 2 America.
Jones' television work includes playing Woodrow Paris in the series Paris between 1979 and 1980. He voiced various characters on the animated series The Simpsons in three separate seasons. He then was cast as Gabriel Bird, the lead role in the series Gabriel's Fire which aired from 1990 to 1991. For that role, he won the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series and was nominated for his fourth Golden Globe Award, this time for Best Actor in a Television Series Drama. He played Bird again in the series Pros and Cons, which ran from 1991 to 1992; that earned him his fifth and final Golden Globe Award for Best Actor in a Television Series Drama. He then had small appearances in the series Law & Order, Picket Fences , Mad About You, Touched by an Angel, Frasier. His role in Picket Fences earned him another Primetime Emmy Award nomination, one for Outstanding Guest Actor in a Drama Series. His later television work includes small roles in Everwood, Two and a Half Men, House, and The Big Bang Theory.
Jones' theater work includes numerous Broadway plays, including Sunrise at Campobello (1958–1959), Danton's Death (1965), The Iceman Cometh (1973–1974), Of Mice and Men (1974–1975), Othello (1982), On Golden Pond (2005), Cat on a Hot Tin Roof (2008) and You Can't Take It with You (2014–2015). He was also in various off Broadway productions and Shakespeare stage adaptations such as The Merchant of Venice (1962), The Winter's Tale (1963), Othello (1964–1965), Coriolanus (1965), Hamlet (1972), and King Lear (1973). His roles in The Great White Hope (1969) and Fences (1987) earned him two Tony Awards, both for Best Leading Actor in a Play.
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I think what I find most unsettling about John Gaius is how good he is at being unassuming. Good at just being a little guy.
We see him on the Mithraeum bopping around with his tablet and styluses just drinking his tea and eating his biscuits.
Then after Mercy poofs him, without hesitation he kills her and puts back on his little 'oh who me' vibe. 'Oopsies sorry I just killed your eldest sister but she made me mad, you know how it goes, anyways'.
Or before the resurrection, he's just a little miracle worker trying to save people. 'I'm not evil I'm just a dude. Don't worry about this nuke I have, that's not going to come up later'. And 'I TOTALLY didn't mean to stop all those people's hearts for that long, I'm sorry'.
John is so good at making me forget that he's God and moreover that he destroyed the solar system to get it. John has only ever done what he wants but because he writes the history books he's god and a savior. He says it himself, men as careful as him don't have accidents.
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