Consider:
Leo Valdez was not born. Instead, two pairs of hands form him from bronze and steel and gold. His hair is copper wires so thin they bounce like natural curls, and his eyes glimmer with silver flakes. The joints of his body are plated so delicately, so perfectly, the segments are near indiscernible, smoothly gliding over each other. Faint traces of fingerprints and flecks of impurity are deliberately left behind for their uniqueness, a form of impossible signature of his creators.
Most importantly, gilded bars curl around each other in his chest, protecting the red-red-red flame that pushes his eyes open everyday, that beats in tune with his thoughts, that heats his body to expand and grow.
A metal child is not so different from a human one, and yet is so far from it at the same time. He is curious, about the world, about himself, and he picks apart toys and TV remotes and his arms, spilling their secrets before his constantly shifting eyes. He does not cry from fatigue or thirst or hunger, but a bump, a dent, a scratch never fail to draw tears. He splashes in the rain and snow, carefully bundled in waterproof coats and jackets, and runs from baths like he's possessed, fire flickering in fear.
The first time he meets someone like him, an endeavour he had long thought hopeless, it is a malfunctioning dragon others call for the death of; he is too unpredictable, too dangerous, too broken. Leo looks him in ever-shifting eyes glimmering with silver and sees himself if the cage in his chest ever bends, cracks, shatters, if the gears beneath his skin ever jam and stick and wear down irreversibly.
It is not golden flowers and godly aid that preserve him; just as he'd done for his twin-in-all-but-appearance, he creates a new body, with new fingerprints and impurities mapping his design. His hair is more bronze than copper, now, and his eyes more gold than brass. The plates of his joints scrape against each other faintly, and the gears of his bones grind together uncomfortably — he only had so much time, so much material to use, he could not polish every element of himself in the way he wished, but it holds together.
Most importantly, he reinforces the cage in his chest, coats it in layers upon layers of metal, to ensure his flame will not go out in the explosion, that Festus will be able to salvage it and lay it gently in the chest cavity carefully carved in his new body, bringing it to life.
He returns to Camp, movements more clunky and mechanical than should be, and his siblings finally pin down his segmented limbs, his shifting eyes, his clicking fidgeting. They are ecstatic, just as fascinated with him as they had been with Festus, and he lets them. He lets them take him apart, piece by piece, clean out the sand of Ogygia from his organs, polish and oil his gears until they glide against each other, press new fingerprints, new signatures of belonging, against his skin.
Most importantly, they craft him a secure, intricate cage, with golden flames licking up the bars, with delicate chains shielding it from the elements, and his flame settles inside it, flickering happily, finally truly, truly comfortable in the cage of his body.
Leo Valdez may not have been born, but he was crafted with the most loving hands imaginable, and is that not so much better, for a son of the Craftsman?
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During patrol Nightwing found a handmade doll that resembled his hero persona, this wouldn't be so weird if it weren't for the fact that he finds dolls resembling the other members of the batfam's hero personas scattered in odd spots throughout Gotham and Bludhaven. The weirdest thing happens when one night he finds a doll of someone he doesn't recognize. It's a pale teen with white hair and bright green button eyes wearing what looks like a black and white hazmat suit. Nightwing picks it up and the doll immediately bursts into Lazarus green flames. Nightwing finally decided to tell the fam about the dolls not knowing that Phantom, who was sealed in a sarcophagus by treacherous observents several years prior, was now awake. The problem is that the sarcophagus is in the batcave as a trophy, needless to say everyone was surprised when the lid suddenly blew off and out stepped a teenager. Danny is a mix of anger and confusion because this definitely isn't Amity Park
You know. This is almost the exact plot of another, non-dp-related-AU I’ve seen. It’s @/ovegakart doll AU, it’s an AU of Linked Universe, which is itself a LoZ AU where a bunch of Links have come together across time because reasons I won’t get into. In the second ever LoZ game, Adventure of Link, there are these dolls that are scattered across the map. They give you an extra life. So, in ovegakart’s AU, the Link from the first game and AoL(it the same link)finds dolls of himself and the other Links while in his own time. Then, in a well, he finds a doll of a Link none of them have ever seen before. He picks it up and it bursts into flames. I checked, that’s what happened, here is a link to the page. Oh, and Nightwing not telling his family about the dolls until he gets Danny’s? The same thing happened in this AU, where AoL Link doesn’t tell the other Links about the dolls until he comes across the mysterious Link doll. That mystery Link is the First Hero btw, he’s from the Skyward Sword manga.
I would’ve liked it if you, I dunno, credited the idea? Or at least make it not so obvious by changing the doll into something else? Or make it so that Nightwing only finds a Danny doll? Maybe have it melt into ectoplasm even? I have a couple posts already about how I’m a LU fan on here, and if you’ve seen that before, then did you think I didn’t follow ovegakart, one of the biggest LU/LoZ creators? Listen, I’m not mad at you, I’m just confused at your thought process here. This AU idea wasn’t made for dpxdc, it doesn’t even make much sense for it. Yeah yeah, people can do whatever they want, whatever, but at least credit it my god. Or change it up to suit dpxdc more, or both.
How many other people have just taken AU ideas from others and pawned it off as their own, thinking that no one would find out since they’re from another fandom? It makes me feel gross. Please, just credit the idea. If I just posted this with some writing adding onto this, not knowing about this idea coming from another fandom and another person. I think I might need to close my asks for a bit, I don’t feel great, sorry.
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I absolutely love Legally Blonde (the musical). Elle is such a great character!!
The audience is introduced to her in such an amazing way, with her mathematically trying to figure out what to wear. “It may be perfect for a blonde, but I’m not that blonde. I may be in love but I’m not stupid, lady, I’ve got eyes.”
Elle in general is so good. She’s so smart and she’s legitimately the most interesting character to follow.
But!!! The best!!! Part!!! At the end of the musical, when she says she’s leaving, Emmett confessing that he loves her isn’t what convinces her to stay. Instead, it’s the other female characters showing their support for her!!! The way the girls in this movie support each other!!! The “Greek Chorus” is perhaps my favourite example, if only because they’re so supportive of absolutely everything Elle does!!! It’s so sweet!!! “We came to see our president be legally blonde”? Best line, I love it, it’s so good.
But also, the romance between Elle and Emmett is so fucking good. Emmett supports her through absolutely everything. Emmett is such a great person, but also his musical cue is an oboe, which means I’m biased to like him anyway-
“They laughed at me like they’re laughing at you. We can’t win if we don’t follow through.” “Though it’s hardly my business to say, could it be the real thing in your way is the very man you’re trying to impress?” “But I know it’ll all be worthwhile when I win my first lucrative trial, and buy my mom that great big house out on the cape.” “As I hugged my mom and told her, with the chance I’ve been given, I’m gonna be driven as hell.” All of Emmett’s lines are so good, all of his songs are perfect, Emmett is the best character ever.
I love the ending, when Elle proposes to Emmett. It’s the character coming full circle. She begins the musical by planning an outfit that will be perfect for Warner to propose to her to; “This dress needs to seal the deal, make a grown man kneel, but it can’t come right out and say bride.” “I’ve got t leave Warner his pride.” She’s fulfilling the stereotypical idea of the woman having to be proposed to. She can’t propose to him or look too desperate to be proposed to, because that will ruin his “pride.”
Elle proposing to Emmett at the end shows such an amazing character growth. She knows she doesn’t have to fulfill the stereotypical female role in their relationship. She proposes in a room full of people, proving that she is no longer concerned with her partner’s “pride.” She proposes by saying “Emmett Forrest, please make me the happiest woman I know.” She proposes in the stereotypical male style, but it’s so fucking sweet because Emmett is so excited and they just love each other so much-
But the best way to portray the character growth is two specific interactions. To set it up, the Greek Chorus mentions, in the very first song, that being married won’t come between Elle and their “sacred bond of sisterhood.” Later in the same song, the Chorus sings: “We love you guys.” And Elle responds: “No, I love you guys.” Note that she specifically says “I,” because presumably, Warner doesn’t actually care all that much about them.
Now, in the finale, the Chorus repeats the line, this time to Elle and Emmett: “We love you guys.” But, this time, Elle and Emmett respond together: “No, we love you guys.”
Emmett supports Elle’s interests to the point that she feels comfortable sharing them with him. She feels comfortable introducing her best friends to him and he actually likes them. It comes full circle. Elle finally has someone who supports her completely, just like she supports Emmett completely, they make each other happy. It’s so sweet.
Also, it’s kinda funny because Emmett is Elle’s sugar baby-
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