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ALTERNATE ENDINGS, ACTIVIST RISINGS Visual AIDS Day With(OUT) Art 2018

A Doula’s Guide to ALTERNATE ENDINGS, ACTIVIST RISINGS was created by the What Would An HIV Doula Do? (WWHIVDD) collective and students from the Fall 2018 class, “Life During Memorialization: History and the Ongoing Epidemic of HIV/AIDS in the USA” at The New School: Annalisa Dick, Brad Walrond, El Roy Red, E G Condon, Emily Colucci, Justin Yockel , Katherine Cheairs, Ollin ROdriguez Lopez, Rupert McCranor, Sur Rodney (Sur), Tamara Oyola Santiago, and Theordore (ted) Kerr.

Text by Theodore (ted) Kerr Designed by LPS Edited by Visual AIDS

Day With(out) Art 2018 logo design adn Cover illustration by Nelson Santos

Day With(out) Art 2018 public programming and resource guide is supported by a Humanities New York Action Grant.

Visual AIDS’ Day With(out) Art programming is also funded in part by general operating and programming grants from Alphawood Foundation, The Lambent Foundation Fund of Tides Foundation, The Shelley and Donald Rubin Foundation, Marta Heflin Foundation, the New York City Department of Cultural Affairs in partnership with the City Council, and individual donors.

ALTERNATE ENDINGS, ACTIVIST RISINGS

Visual AIDS presents ALTERNATE ENDINGS, ACTIVIST RISINGS to mark the 29th aniversary of the Day With(out) Art. On World’s AIDS Day December 1, 1989, the first Day With(out) Art was created by the Visual AISD as a national day of mourning in response to the AIDS crisis. ALTERNATE ENDINGS, ACTIVIST RISINGS highlights the impact of art in AIDS activism and advocacy today by commissioned short videos from six inspiring community organizations and collectives--ACT UP NY, Positive Women’s Network - USA, Sero Project, The SPOT, Tacoma Action Collective, and VOCAL-NY. The program represents a wide range or organizational strategies, from direct action to grassroots service providers to nationwide movement building, while considering the role of creative practices in activist responses to the ongoing AIDS crisis. ALTERNATE ENDINGS, ACTIVIST RISINGS seeks to reflect the urgencies of today’s HIV/AIDS epidemic by pointing to pressing political concerns. In their commissioned videos, organizations address political concerns. In their commissioned videos, organizations address intersecting issues anti-Black violence, HIV criminalization, homelessness, and the disproportionate effects of HIV on marginalized AIDS activism, ALTERNATE ENDINGS, ACTIVIST RISINGS foregrounds contemporary engagements between activists, artists, and cultural workers on the front lines.

Visual AIDS commissioned the What Would An HIV Doula Do? collective to develop this resource guide as a supplement to Day With(out) Art 2018.

View and share these videos online starting December 3: http://visualAIDS.org/projects/detail/alternate-endings-activist-rising

A Doula’s Guide To ALTERNATE ENDINGS, ACTIVIST RISINGS

What Would An HIV Doula Do? is a collective of artists, activists, AIDS service employees, chaplains, doulas, and others living with and/or impacted by HIV who understand that community engagement needs to be more visible and better supported in order to maintain and build on gains made over 40 years of AIDS activism. Historically, a doula is someone who provides holistic service to a person during childbirth. Increasingly, doulas have also been used for end of life care, abortions and in considering gender. In thinking about what would an HIV doula do, we have come to understand a doula as someone who holds space and provides support in times of transitions that start long before someone takes a tes, and continues long after someone might start HIV treatment, regardless of their HIV status. Since we began two years ago, we have been using public meetings, writing workshops, art making and social media to bring meetings, writing workshops, art making and social media to bring people together to take action and discuss the epidemic. It was a great honor when Visual AIDS asked us if we would create the ALTERNATE ENDINGS, ACTIVIST RISINGS resource guide to support the videos made by grassroots AIDS activist collectives and groups. For us, these organizations represent the truth that just as no one contracts HIV alone, no one should have to deal with HIV alone either. We need community to support us in our well-being, fears, successes, and expression. To make the guide, we gathered over two nights in small groups. We watched, journaled and discussed together. Among the first things, to be said was how happy we were to see people on screen who are too rarely shown talking about HIV, including youth, black women, people from the South, and people actually living either HIV. With that in mind, we were also aware of who was not on screen, what issues were not discussed, and the limits of any project to fully represent the breadth of the ongoing epidemic. Watching the videos was a reminder that before there was a medical, governmental, or even artistic response to the AIDS crisis, there was a community activist response. It was people living with illness, their loved ones, and related and concerned communities who were the first to serve as end-of-life doulas, caretakers, Peter educators, advocates and witnesses. Similarly, the project is also an echo of early AIDS video activists from DIVA TV, Women AIDS Video Enterprise (WAVE), Gay Men’s Health Crisis (GMHC) and Bebashi, who picked up cameras to document their work as a form of media activism, resource sharing, and community building. Watching all the works together, we appreciate that while each video stood strong on its own, it was helpful to consider the works in conversation with each other, and across time and various AIDS activist histories. As we considered the type of guide we wanted to share, we knew we wanted to make something that opened up the experience of viewing, facilitating the kind of conversation we were able to have. To do that, we knew that our guide would have to do more than just share information; it would have to provide a process. In the end, we hope we have made a doula tool, a resource that holds space for communities of viewers transitioning from what they thought they knew coming into screening, to having more information, and from individual reactions to group discussion. As you watch, we hope you will be inspired to ask yourself and others: What can we do to reduce the harm of HIV, and end AIDS crisis tomorrow?

There are WWHIVDD chapters in New York City and St. Louis. For more info: HIVDOULA.work

Vocal-NY

Vocal-NY.org

Started in 1999, VOCAL (Voices Of Community Activists & Leaders) is a grassroots membership organization based in New York State that builds power among low-income people affected by HIV/AIDS, hepatitis C, the drug war, homelessness, and mass incarceration in order to create healthy and just communities. In the film, we see activist footage of VOCAL demonstrations from the New York State Capital to New York City streets. using direct action, music, humor, statistics, memorialization and what they describes as “political theater,” we see VOCAL activating a multitude of creative tactics to reduce the harm of HIV and end AIDS epidemic in the state. VOCAL’s tactics remind us that there is still a place for direct action, although the system might have us believing otherwise.

Questions

Why is housing important for people living with HIV? What does stable housing and access to care make possible for someone who is living with illness?

Jawanza James Williams from VOCAL-NY suggests that one of the major lessons from AIDS activism history is the power of people putting their bodies on the line. How does VOCaL continue working in that tradition? Have you put your body on the line? If so, what did that look like? How did it feel? What were some of the results?

Go Further

● Housing is not just a New York State issue. To find out more about the US Federal Housing Assistance program, search online for Housing Opportunities for Persons With AIDS (HOPWA), the only federal program dedicated to addressing the housing needs of people living with HIV and AIDS as well as their families. ● Along with housing, VOCAL is also focused on the ongoing impacts of the opioid crisis and the war on drugs. Are you interested in learning more about this worldwide issue? Look online for the Open Society Foundation publication: The War on Drugs and HIV/AIDS: How the Criminalization of Drug Use Fuels the Global Pandemic. Also, visit vocal-nyc.org and check out their Drug Policy page to see what they are fighting for and the successes they have had, including successfully campaigning to legalize medical marijuana in New York.

Act Up NY ACTUPNY.com

Since 1987, ACT UP NY has held weekly Monday meetings, most often at the LGBT Community Center. Their early demonstrations, media campaigns, and direct actions promoted an intersectional understanding of HIV and AIDS as an issue of race, class and gender as well as a medical matter; they were also successful in getting drugs into bodies by lowering drug prices and changing the process for drug trials. They transformed mourning into public action with political funerals and their influential protects against the National Institute of Health, Centers for Disease Control, Catholic Church, and US government harnessed the collective rage and despair of the first decades of the AIDS crisis. In 2018, an arm of the collective organized #HIVPreventionDay in conjunction with the Prep4All, calling on Gilead Sciences to release their patent for Truvada, a drug that has the ability to reduce HIV transmission by 99%. In this video, the ACT UP Graphics and Visual Tactics Working Group pairs audio from planning meetings with seven sites in New York while sharing values and s tragedies the collective uses to build power. While much cultural production has been made about the history of ACT UP, this video is one of the few projects ACTUO has made about its own work in recent years.

QUESTIONS

While ACTUP has history of putting bodies, faces, and reputations on the line through cultural production, direct action activism, and meetings with government officials, this video uses anonymity as a tactic to reduce ego from the work. Why do you think they chose to represent themselves in this way? What are the pros and cons of working anonymously?

ACT UP created #HIVPreventionDay, a day of action to raise awareness about HIV prevention and pharmaceutical patents. What are differences between activism that centers people living with HIV versus prevention for people who are HIV negative? How can they be seen as separate strategies? How can they be seen as interconnected and related strategies? Go Further

● In the Fall of 2018, ACT UP held demonstrations at an exhibition of artist David Wojnarowicz’s work at The Whitney Museum of American Art, reminding Museum-goers that “AIDS IS NOT HISTORY” while Aruguing that the museum was contextualizing HIV as an historical issue. After the demonstrations, the Whitney changed wall text within the exhibition to acknowledge the ongoing epidemic and David Wojnarowicz’s in ACT UP, Search Whitney,ACT UP and David Wojnarowicz for further details. ● Briefly mentioned in the film, the IAC stands for the International AIDS Conference, which takes place every two years. It is slated to be hosted in San Francisco and Oakland 2020. Many activists think this is a bad idea, citing travel bans and the increasing violence directed towards sex workers, trans women and other people marginalized by the United States. For more Information, search #AIDS2020ForAll. ● For Day With(out) Art 2012, Visual AIDS presented the film United in Anger, a documentary about the history of ACT UP directed by Jim Hubbard. Search for it online, and check out the Tumblr Visual AIDS made: Wisdom in Being United In Anger. Positive Women’s Network - USA PWN-USA.org Positive Woman’s Network - USA (PWN) is a national membership body of women living with HIV and allies that exists to strengthen the strategic power of all women - trans inclusive - living with HIV in the United States. Founded in 2008 by 28 diverse women leaders living with HIV, PWN-USA develops a leadership pipeline and policy agenda that applies the lens of gender to the domestic HIV epidemic grounded in social justice and human rights. Every day, PWN-USA inspires, informs and mobilizes women living with HIV to advocate for changes that improve lives and uphold rights. In this video, viewers are invited in as women create masks at the 2018 Positive Women’s Network summit in Florida and screenprint bags at the home of a PWN member in Colorado, providing us a view into the intimate places of mutual care they have created together across the nation. Throughout the film, the power of community is discussed as a source of strategic strength. As PWN members Kimberly Wilson suggests, “the more casual the environment, the more willing people are to say more,” and as a result, the more her community is able to lend a hand.

QUESTIONS

The film begins with activist and PWN member Barb Cardell explaining that, “In the early days when we didn’t have anything but our anger, when we didn’t have medication, we didn’t have an HIV test, we had art.” Decades later, now with medication and HIV tests, Barb and her peers are still making art. Why do you think they continue to create?

PWN organizing director Waheedah Shabazz-El makes a distinction between a support group and advocacy. What do you think differences are between the two?

GO FURTHER

● Until 1993, the US Centers for Disease Control’svdefinition of AIDS did not include opportunistic infections that impacted women, a systemic failure that meant that living with HIV were being denied possible life saving treatment and state support provided to men with AIDS. To learn more about the role that women like Katrina Haslip, Terry McGovern, and others played in making this change, look for the film NOTHING WITHOUT US: The Women Who Will End AIDS and search YouTube for Women of ACT UP NY History. ● Decades into the epidemic, women continue to have to fight to be counted and considered. Medical trails constantly are conducted involving only cisgender men. To read more about this inequality, visit AIDSMaps.com and look up Roger Pebody’s article, Women Underrepresented In HIV Clinical Trials.

The Spot fb.me/jmmfc4m/ The SPOT (Safe Place Over Time) is dedicated to providing services and opportunities to wellness, empowerment, and leadership to young men in Jackson, Mississippi. In her 2017 New York Times Magazine article “America’s Hidden H.I.V. Epidemic,” Linda Villarosa highlighted the ongoing urgency of the HIV epidemic in the American South, particularly in Jackson, where 40 percent of gay and bisexual men are living with HIV-the nation’s highest rate. In this film we spend time with Cedric, Jermerious, and Regi, who were all highlighted in Villarosa’s article, and are invited into a tight-knit community of people using expression, gender play, dance, and other tools to save each other’s lives. The impact of creativity, along with treatment and other forms of care, are vital. As Regi says at The SPOT on camera, “dancing is a healing art.”

Questions

In the film we see young men at The SPOT holding blue mirrors. Known as the “Man in the Mirror” excercise, it is an opportunity for people to really see themselves. What could be the impacts of doing this excessive with your community?

Regi shares his term “hoe-ography,” reclaiming what is traditionally a negative term to encourage people to improve their relationship to their bodies. In a sense, Reginis in conversation with Michael Vallen and Richard Berkowitz who laid out the framework for safer sex and advocated for mutual affection as a form of AIDS care in their 1983 publication How to Have Sex in an Epidemic. How can you continue this tradition of sex positivity to reduce the harm of HIV?

The film begins with a shot of a building in Jackson. For the rest of the film we are inside The SPOT. What does this tell you about the need for safe space and the importance of community privacy? What does your community need to thrive and express? Go Further ● Suggested viewing: Wilhelmina’s War, about HIV’s impact on family in southern United States, and Endgame, a broader look at HIV within Black communities around the US, including parts of the American South. Both are on PBS.org and are powerful to watch j. A group or with a class, clips are available online. Another related video to look up is Ellen Spiri & Cheryl Dunye’s DiAna’s Hair Ego REMIX, commissioned by Visual AIDS in 2017. ● People can connect to their bodies at The SPOT. In his book, Anti-Black Racism and the AIDS Epidwmic, Adam Geary urges us to see how it is not what we do with our bodies that most often determines our health but the limits of what we can do with and for our bodies as imposed by the state. For more information, look for Adam Geary’s interview titled “Anti-Black racism has been central to the structuring HIV vulnerability in the US and globally” on the Visual AIDS website. Tacoma Action Collective StopErasingBlackPeople.com

Founded in 2015, the Tacoma Action Collective is a partnership of Black community organizations working in grassroots action and education. In this video, members of the collective make conversations between anti-Black racism, Black Lives Matter, cultural production, HIV/AIDSnand self care through an exploration of their process as artists, activists, writers and community healers. Tacoma Action Collective responds to interconnected structural violence with the demand #StopErasingBlackPeople. In their video, awe see their 2015 die-in protest intervening against the Lack of Black artists in the exhibjtijnspmAtt AIDS America at the Tacoma RT Museum, their work at the 2016 international AIDS Conference in South Africa, and examples of street art being made.

QUESTIONS

Protesters have “I Am Sandra Bland” sign in the film, referring to the activists from Illinois who was killed in 2015 while unjustly held by police. TAC works “to eliminate systematic oppression and structural violence.” For you, what is the connection between police violence and HIV/AIDS? How do you see HIV as being related to systems and structures of oppression?

In its initial iteration, Art AIDS America only included five Black artists km a toaster of over 100 artist, despite the fact that HIV disaproportionately why is it I,Portland to hold museums and cultural institutions responsible for how they represent cultural histories? GO FURTHER ● From the Tuskegee syphilis experiment, to the dehumanizing experiments of Dr. J. Marion Sims, to the exploitation of Henrietta Lacks, there is a documented history of medical violence and bias against Black people. This creates mistrust, and makes the efforts of doctors, nurses and others doing culturally competent care that much more worthy of attention. Learn more: search the underlined word above and consider a book club with Harriet A. Washington’s Medical Apartheid and Killing the Black Body by Dorthy Roberts. ● Decolonize The Place is a collective calling for, among other things the reparations of African and indigenous objects, a commitment from museums to have increased diversity of curatorial staff and leadership, and occupied indegous land acknowledgement. Learn more about their work at decoloizethisplace.org ● We would be a lesser world were it not for organizations like the Black Panthers, the literary collective Other Countries, The Philadelphia based liberations MOVE, “Where We At?” Black Women Artists, Inc, and The Counter Narrative Project. Why are these groups seldom taught and rarely canonized? Add to this list and peer educate. Sero Project SeroProject.com Sero Project is a US-based network of people living HIV (PLHIV) and allies fighting for freedom from stigma and injustice. The name Sero Project refers to “serostatus,” which is another way to say HIV status. Sero is particularly focused on ending the inappropriate use of use’s HIV status in criminal and potential or perceived HIV exposure. The criminal justice system considers HIV a deadly weapon, and in many states exposing someone to HIV is a crime, regardless of condom use, viral loaf, or actual risk of transmission. For people living with HIV, a contentious relationship, a personal misunderstanding, or even a minor infraction of the law can lead to prison sentences of over thirty years, sensationalized media coverage, and registration as a sex offender. With the Positive Women’s Network-USA, Sero Project produced the biennial HIV is Not a Crime training academy to support advocates mobilizing at the grassroots level for HIV criminalization reform. The 2018 conference included a showcase of visual art and poetry made by advocates working against HIV criminalization. In this film, four of the featured artists are interviewed, discussing creativity and the impact of criminalization on their life chances and spirit.

QUESTIONS

In the film we see Contonnia’s painting which depicts his three hearts impacted by stigma. If you were to make a similar painting, what would your three hearts represent?

Do you think the police and the criminal justice system can be effective tools for responding to the HIV/AIDS epidemic? How might they exacerbate health disparities and inequality in access to treatment and healthcare?

Thinking with others, what are the impacts of HIV criminalization on individuals and communities living with HIV? For people in prison? GO FURTHER ● Visual AIDS collaboration with Avram Finkelstein to create a broadside project to educate about HIV criminalization. Search online for You Care About HIV Criminialization (You Just Don’t Know It Yet) for more Facts about criminal and print your own copy. ● Over 30 states across the US have HIV-specific laws that criminalize people living with the virus, and states without specific laws have been living with HIV. Find out more about your state going online to The Center for HIV Law and Policy. ● In the past few years, more research on HIV criminalization and its history has been published. Consider a book club for: Punishising Disease: HIV and the Criminization of Sickness by Trevor Hoppe; Making Media Work For HIV Justice by Olivia G. Ford and Positive Women’s Network - USA, on behalf of HIV Justice Worldwide; and Cell Count, edited by Kyle Croft and Asher Mones for Visual AIDS. ● To listen to the impacts of HIV criminalization on people who hear been prosecuted, search Sero Project Videos. Share what you learn. Organize a group listening session. Glossary Below is additional information that could be helpful for watching ALTERNATE ENDINGS, ACTIVIST RISINGS.

What words, terms, and definitions would you add?

AIDS ACTIVIST VIDEO is a direct descendant of a rich and varied tradition of alternative cinema. The immediate impetus for AIDS activist video was the deadly, inadequate government response and the meager and antagonistic reporting of the mainstream media. Videomakers felt compelled to tell the real story of AIDS from the point of view of People With AIDS (PWAs), The tapes portrayed PWAs as neither victims nor pariahs, but as empowered activists taking charge of their health in both the political and medical arenas. This was not the whole story, but it served as a necessary counterpoint to the relentlessly negative depictions by the mainstream media. (source: Jim Hubbard)

ANTI-BLACKNESS can be understood through a quote a prompt from Ta-Nehisi Coates: “If there’s one thing missing in our country, it’s an acknowledgement of the broad humanity of Black folks. Racism-and anti-Black racism in par-is the belief that there’s something wrong with Black people.” Anti-Blackness encompasses systemic historical, cultural, political, and economic violence. (source: Aorta)

DECOLONIZATION is the active principle that attempts to identify, confront, call out and resist state violence, including Eurocentric dominance, white supremacy, racism, ethnic cleansing, genocide, slavery, land theft, imposed treaties, broken promises, relocation, forced assimilation, government manipulation, corporate control, psychic violence and all the associated forms of oppression that continue to impact indigenous people and people of color in the Americas. Decolonization attempts to undo the colonization of the individual, the community and the earth with protest, social justice activism, civil disobedience, education, cultural projects and legal battles. (source: Unsettling America, Decolonization in Theory & Practice)

DIRECT ACTION activism can be understood as having three fundamental principles:

Win concrete improvements in people’s lives;

Make people aware of their own power;

Alter the relations of power between people, the government, and other institutions by building strong permanent local, state and national organizations. (source: Bread & Roses Community Fund) GRASSROOTS organizing happen when people are drawn together by something that they have in common that has both personal and community consequences, and they grant desire without institutional support. (source: Janis Foster) The HUMANE IMMUNODEFICIENCY VIRUS (HIV) attacks the body’s immune system, specifically the CD4 cells (T cells), reducing their number, making the person more likely to get other infections or infection related cancers. If not treated, HIV can lead to AIDS (aqcuired immunodeficiency syndrome). People are diagnosed with AIDS with their CD4 cell count drops 200 cells per cubic millimeters or if they develop certain opportunistic illnesses. (source: Centers for Disease Control)

HIV CRIMINALIZATION refers to the use criminal law to penalize alleged, perceived or potential HIV exposure; alleged non disclosure of a known HIV-positive status prior to intentional HIV transmission. (source: AIDS Watch)

INTERSECTIONALITY is a term coined by Kimberlé Crenshaw, who says “Intersectionality is a lens through which you can see where power power comes from and collides, where it interlocks and intersects. It’s not simply that there’s a race problem here, a gender problem here, and a class or LGBTQ problem there. Many times that framework erases what happens to people who are subject to all of these things.” (source: Kimberlé Crenshaw)

PRE-EXPOSURE PROPHYLAXIS (or PrEP) is when HIV-negative people take daily HIV medicine called Truvada to lower their chances of getting the virus. Gilead, the pharmaceutical company that manufacturers Truvada, currently controls the patent and pricing for this drug. (source: Centers for Disease Control)

STRUCTURAL VIOLENCE is one way of describing social arrangements that put individuals and populations in harm’s way. The arrangements are structural because they are embedded in the political and economic organization of our social world; they are violent because they cause injury to people. (source: Paul Farmer)

SOCIAL PRACTICE can include any art form which involves people and communities in debate, collaboration or social interaction. This can often be organised as the result of an outreach or education program, but many independent artists also use it within their work. A dinner, a health clinic, or a dance party can all be considered artworks from the perspective of social practice. (source: Tate Museum)

UNDETECTABLE refers how regularly taking HIV medication can lower the amount of HIV in your blood (aka your viral load) to an undetectable level. People who are undetectable (or, you can say, whose viral load is suppressed) cannot transmit the virus to others. This doesn’t mean you no longer have HIV-it means that by continuing your plan of treatment, you can live with HIV by managing your health on your own terms. (source: Housing Works)

WHITE SUPREMACY can be understood through this quote by Frances Lee Ansley: “I do not mean to allude only to the self-conscious racism of white supremist hate groups. I refer instead to political, economic and cultural system in which whites overwhelmingly control power and material resources, conscious and unconscious ideas of white superiority and entitlement are widespread, and relations of white dominance and non-white subordination are daily reenacted across a broad array of institutions and social setting.” (source: Frances Lee Ansley)

Day With(out) Art In 1989, to make the public aware that AIDS can touch everyone and to inspire positive action, Visual AIDS presented the first Day to cover up their artwork, darkened their galleries, and even close for the day - symbolically reorient the chilling possibility of a furture without art or artist. Since then, Day With(out) Art has grown into a collaborative annual project in which organizations worldwide present exhibitions, screenings and public programs to highlight work by HIV+ artists and artwork addressing current issues around the ongoing AIDS pandemic. ALTERNATE ENDINGS, ACTIVIST RISINGS is the 29th annual Day With(out) Art project.

Visual AIDS

Founded in 1988, Visual AIDS is the only contemporary arts organization fully committed to HIV prevention and AIDS awareness through producing and presenting visual art projects, while assisting artists living with HIV/AIDS and the artistic contributions of the AIDS movement.

AlternateEndingsActivistRisings

DayWithoutArt2018

VisualAIDS

526 West 26th Street #510 New York, NY 10001 (212) 627-9855 [email protected]

Facebook: visualAIDS Instagram: @visual_AIDS Vimeo: visualAIDSSnyc www.visualAIDS.org

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horrorlover99 · 1 year

Text

Cast and Crew of Hellsing Ultimate

Based on comic by

Kouta Kirano

Series publisher

Young King OURS

Published by

Shonen Gahosha., LTD.

CAST

Alucard

Johji Nakata (Japanese) Crispin Freeman (English)

Seras Victoria

Fumiko Orikasa (Japanese) Katherine Gray (English)

Sir Integra Fairbrook Wingates Hellsing

Yoshiko Sakakibara (Japenese) Victoria Harwood (English)

Walter C. Dollneaz

Motomu Kiyokawa (Japanese) Ralph Lister (English)

Anderson

Norio Wakamoto (Japanese) Steven Brand (English)

Major

Nobuo Tobita (Japanese) Gildart Jackson (English)

Richard

Yosuke Akimoto (Japanese) Steven Brand (English)

Integra (youth)

Kaori Mizuhashi (Japanese) Samantha Kerr Dickson (English)

Priest

Kazuhiro Nakata (Japanese) JB Banc (English)

Leif

Nobuyuki Hiyama (Japanese) Taliesin Jaffe (English)

Jessica

Chiaki Takahashi (Japanese) Samantha Kerr Dickson (English)

Father

Osamu Saka (Japanese) William Knight (English)

Policeman (Simon)

Atsushi Imaruoka (Japanese) Jason C. Miller (English)

Policeman (Eddy)

Yasumichi Kushida (Japanese) Gildart Jackson (English)

Police Captain

Hajimi Iijima (Japanese) Emmett James (English)

Policeman

Masakazu Kohara (Japanese) Gildart Jackson (English)

Commander

Tora Take (Japanese) Ralph Lister (English)

Follower

Kouta Nemoto (Japanese) John E. Breen (English)

Mark

Seika Kumagai (Japanese) Sterling Beaumon (English)

Child of the Asylum

Yuko Suzuki (Japanese) Jessica D. Stone (English)

Ghoul

Hiroki Yasumoto (Japanese) Jason C. Miller (English)

Former Sir Hellsing

Chikao Otsuka (Japanese) John E. Breen (English)

CREW

Series Structure/Script

Yosuke Kuroda

Storyboards

Tomokazu Tokoro Hideki Tonokatsu

Episode Director

Hideki Tonokatsu

Character Design/Chief Animation Director

Ryoji Nakamori

Animation Directors

Yae Otsuka Keiko Okuda Mitsuru Soma

Assistant Animation Directors

Kenichi Ishimaru Yoshiaki Hatano Kanji Nagasaka Mamoru Yasuhiko

Key Animators

Ryoji Nakamori Yae Otsuka Mitsuru Soma Keiko Okuda Kenichi Ishimaru Yoshiaki Hatano Kanji Nagasaka Mamoru Yasuhiko Yuko Watabe Kenichi Haneda Ryosuke Nakata Masaki Hosoyama Masami Suda Satoshi Osawa Emi Nakano Rie Saito Daisuke Niizuma Masayuki Yoshida Shinya Suzuki Miyoko Shikibe Fumiaki Sahara Jimmy Stone Akira Takahashi Tomokazu Tokoro

Studio Wanpack Takeshi Matsuura Nobuhiro Okazaki Yoshiaki Katayama Miyaki Honda

Ani Village Shim Hyun-Ok Park Hae-Won Lee Ho-Suk Song Yu-Bang Sung Min-Chul Kim Young-Zoo

JM Animation Kim Young-Chan Kim Jong-Lyon Oh Hyun-Kyoung Lee Jong-Hyun Jang Gi-Chul Choi Hyun-Sung Heo Gi-Dong

Digital Engine Park So-Yeun Kim Yong-Sik Shin Kang-Ei Eun Yu-Jung Kim Chil-Won Kim Jung-Ah

Pakpro Jang Bem-Ho Choi Jong-Gi Kim De-Hun Kim Young-Sun Lee Kwang-Duk Lee Ju-Hak Sin Heong-Sik

In Betweeners

Hiruy Doga Yoshitomo Miura Hiromi Sakai Pan Bing Wang Yi Fan

Ani Village

JM Animation

Digital Engine

Pakpro

In-Between Animation Checkers

Maki Yamada Cho En-Kyung

Color Key

Hitomi Sano

Color Setting/Checker

Hitomi Okura

Painters

Iseria Shigeru Saisou Masayuki Tashida

Hiryu Doga

Ani Village

JM Animation

Digital Engine

Rikuentai Aki Morimitsu

Painter Support

Digital Engine

St. Cats

Studio Matrix

Rikuentai Haruko Nobori

Art Director

Manabu Otsuzuki

Art Setting

Hideyasu Narita

Backgrounds

Kusangi Kuniaki Nemoto Tsutomu Uchida Kazuyuki Hashimoto Yuji Kiharu Eiji Wakamatsu Toshiki Nishi Kyo Inoue Yoji Nakaza

Background Support

Yasutaka Kondo Team Tilldawn Ayumu Miuakoshi Akikazu Miyake

Mechanical Designs/Special Effects

Hidetaka Tenjin

Production Designs

Noriyuki Jinguji

CG Producer

Tomisaburo Hashimoto (Satelight)

CGI

Hiroshi Yagishito

3DCG Animation Chief

Yohei Suzuki

3DCG

Hiroyuki Goto Emi Sonobe Hideaki Hata

VFX Director

Susumu Fukushi (T2)

VFX

T2 Studio Susumu Fukushi Nozomu Shitara Toshiyak KImura Yasuo Goto Keita Noda Chinbi Kin Naho Kozuka Yu Wakabuyashi Chie Kato Seita Minakami Jiro Tazawa Satoru Namiki Atsushi Iwasaki Toshi Goseki Tatsuya Watabe

VFX Support

Rikuentai Hiroyuki Chiba Masashi Kubota

PPM

Dr Tokyo

Asahi Production

3X3+

ACC Production Studio

Satelight Sapporo Studio Naomi Takahashi Maki Ueda Hiroshi Sato Megumi Saito Hirotsugu Ishikiawa

Everyone from the Satelight CG Division

Editor

Kengo Shigemura

Production Designs Coordinator

Mana Uchiyama

Assistant Production Designs Coordinator

Emi Tsumiyama

Assistant Production Managers

Katsutoshi Yasuda Yusuke Nagashima Kota Nakai

CG Production Manager

Hiroaki Hata

Assistant CG Production Manager

Ko Mogi

Animation Production Producer

Tsutomu Inamura

Sound Effects Director

Yota Tsuruoka (Rakuonsha)

Casting Coordinator

Wataru Matsuoke (Office Osawa)

Sound Effects Production

Rakuonsha

Assistant Engineer

Soushi Shiihara

Sound Manager

Yoshimi Sugiyama

Recording Studio

Studio Gong

Music

Hayato Matsuo

Music Producer

Toshiaki Ota

Music Production

Borderline

Music Production Support

Imagine

Online Editors

Q-Tec Hirohisa Kasahara Tomohiro Nemoto Masatoshi Yoshizumi

Public Relations

Takashi Iida (Geneon Entertainment)

Web Work

Norihiko Netsu (G-Square)

Executive Producers

Akihiro Kawamura (Geneon Entertainment) Katsuhiko Tsurumoto (Geneon Entertainment USA) Henry Goto (Geneon Entertainment USA) Shin-Ichiro Ishikawa (GDH) Rikichiro Toda (Shonen Gahosha Co., LTD.) Michiaki Sato (Satelight)

Area Management

US/Canada Satoshi Fujii (Geneon Entertainment USA) EU/Asia Hiroshi Kumada / Kanna Tamada (GDH)

Special Thanks to

Hideyuki Kurata / Hitoshi Nagai (Studio Orphee) Maki Asai (F-Face Eden Plastics) Higa Romanov Osamu Kobayashi (Factory Cano) Masahiro Kurata Toshio Yanagisawa (Yamato) Tomoyuki Kitayama (Mars 16)

Producers

Ueda Yasuyuki (Geneon Entertainment) Yoshiyuki Fudetani (Shonen Gahosha Co., LTD.)

Animation Production

Satelight

Produced by

Wild Geese

Directed by

Tomokazu Tokoro

English Version Produced by

Geneon Entertainment (USA) Inc. In Association with New Generation Pictures, Inc. & Anime Dub

Voice Director

Taliesin Jaffe

Translator

Charlie Sullivan

English Script Adapted by

Taliesin Jaffe

Audio Recording Facilities Provided by

Central Command Studios

Recording Engineer & Sound Mixer

Julian Beeston

Video Editing Facilities Provided by

Soundscape Inc.

Audio Layback

Soundscape Inc.

Audio Layback Engineer

Gregg Hall

Executive Producer

Katsuhiko Tsurumoto (Geneon Entertainment (USA) Inc.)

Producers

Satoshi Fujiii (Geneon Entertainment (USA) Inc.) Reiko Matsuo (New Generation Pictures, Inc.) Jonathan Klein (New Generation Pictures, Inc.)

Additional Post-Production

Funimation Entertainment

Executive Producer

Gen Fukunaga

Producers

Carly Hunter Justin Cook

Director, Video Post-Production

Clarine Harp

Manager, Video Post-Production

Matthew O'Hara

Senior Video Editors

Daniel Mancilla Jeremy Jimenez

Video Editors

Robert Bell Josh Tyler

Ashley Rosse

Lead Video Engineer

Jacob Martin

Video Engineers

Andrew Manson Jason Weems

Post-Production Assistant

Aya Spann

Works Cited

Kuroda, Y. (Writer), & Tokoro, T. (Director). (2006). Hellsing I [Television series episode]. In U. Yasuyuki & Y. Fudetani (Producers), Hellsing Ultimate. Minato City, Tokyo: Geneon Entertainment.

#for class #cast and crew #hellsing ultimate

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bookishbunnies · 3 years

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#reading #books #bookworm #fantasy books #Tog #Sjm #sjm books #Raymond E Feist #david eddings #Katherine Kerr #Deverry cycle #Belgariad #Mallorean

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smalltownfae · 2 years

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If you read and loved my favourite series (Realm of the Elderlings by Robin Hobb) I would like to know if you read any of these and which you recommend or don't recommend. Thanks.

The ones in bold are my current priorities :x

Series I want to continue:

Discworld by Terry Pratchett <3

The Broken Earth by N.K. Jemisin

The Queen's Thief by Megan Whalen Turner

The Memoirs of Lady Trent by Marie Brennan

The Winnowing Flame Trilogy by Jen Williams

Sevenwaters by Juliet Marillier

Lilith's Brood by Octavia E. Butler <3

Riddle-Master by Patricia A. McKillip

Series I want to start (and continue if I like the 1st book enough):

The Dark Star Trilogy by Marlon James

Earthsea Cycle by Ursula K. Le Guin

The Winternight trilogy by Katherine Arden

World of the Five Gods by Lois McMaster Bujold

Inda by Sherwood Smith

The Books of Babel by Josiah Bancroft

Hythrun Chronicles: Wolfblade by Jennifer Fallon

Seed to Harvest by Octavia E. Butler

Rook & Rose by M.A. Carrick

The Masquerade by Seth Dickinson

Poison Wars by Sam Hawke

The Soldier Son Trilogy by Robin Hobb (and 3rd and last attempt...)

Fred, The Vampire Accountant by Drew Hayes

Deverry by Katharine Kerr

The Green Bone Saga by Fonda Lee

A Chorus of Dragons by Jenn Lyons

The Dandelion Dynasty by Ken Liu

The Serpent Gates by A.K. Larkwood

The Deed of Paksenarrion by Elizabeth Moon

The Radiant Emperor by Shelley Parker-Chan

The Watchmaker of Filigree Street by Natasha Pulley

Between Earth and Sky by Rebecca Roanhorse

The Drowning Empire by Andrea Stewart

Burning Kingdoms by Tasha Suri

The Books of the Raksura by Martha Wells

Tensorate by Neon Yang

#rote #realm of the elderlings #books #it's fine to comment even if you didn't read rote #I am just looking for that impact and character complexity again #first law is close #and discworld warms my heart too but is very different so in a different way #I just heard someone compare liveship traders to the jade city series so I wept as I put it in priorities too...#I already started reading baru and have hopes for that one

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ao3feed-captiveprince · 4 years

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Hangout for all fandoms!!

read it on the AO3 at https://ift.tt/2VJy9YY

by Marvelous_Stark

Just a place for everyone of every random to hang out and talk about their ships and anything they'd like! :)

This is probably a complete waste of my time, to be honest. Facebook is a thing too lol.

You can comment links to works you've made, or ones you enjoy! Honestly post anything but hate.

Have fun, make friends, and please no arguing 😓

Words: 12, Chapters: 1/1, Language: English

Fandoms: Once Upon a Time (TV), A Song of Ice and Fire - George R. R. Martin, A Song of Ice and Fire & Related Fandoms, ダイヤのA | Daiya no A | Ace of Diamond, Rogue One: A Star Wars Story (2016), InuYasha - A Feudal Fairy Tale, A Court of Thorns and Roses Series - Sarah J. Maas, Dream Daddy: A Dad Dating Simulator, Animorphs - Katherine A. Applegate, A Series of Unfortunate Events - Lemony Snicket, A Series of Unfortunate Events (TV), A.C.E (Beat Interactive Band), The A-Team (TV), The A-Team (2010), Solo: A Star Wars Story (2018), The A-Team - All Media Types, B.A.P, B1A4, Block B, B-PROJECT 鼓動＊アンビシャス | B-PROJECT: Kodou Ambitious, Weiß Side B (Manga), Don't Trust the B---- in Apartment 23, Понедельник начинается в субботу - Стругацкие | Monday Begins on Saturday - A. & B. Strugatsky, Team B (Band), Z-O-M-B-I-E-S (Disney Movies), B.I.G | Boys in Groove, Left Behind - Jerry B. Jenkins & Tim LaHaye, Grey's Anatomy: B-Team (Web Series), Charlotte's Web - E. B. White, B.I.Shadow, Plan B (2009), Battle B-Daman, Captive Prince - C. S. Pacat, Chronicles of Narnia - C. S. Lewis, Political RPF - US 21st c., Political RPF - UK 20th-21st c., Political RPF - France 21st c., Hornblower - C. S. Forester, Coldfire Trilogy - C. S. Friedman, Political RPF - US 20th c., C-Pop, The Big C (TV), Alliance-Union - C. J. Cherryh, Political RPF - Canadian 21st c., Political RPF - Russian 21st c., House of Night - P. C. Cast & Kristin Cast, Chronicles of the Kencyrath - P. C. Hodgell, Flowers in the Attic - V. C. Andrews, Les Petits Meurtres d'Agatha Christie (TV), Le fabuleux destin d'Amélie Poulain | Amélie (2001), Les Aventures Extraordinaires d'Adèle Blanc-Sec (2010), La Vie d'Adèle | Blue is the Warmest Color (2013), Reflets d'Acide (Podcast), Les nouvelles aventures d'Aladin | The New Adventures of Aladdin (2015), Les chansons d'amour | Love Songs (2007), Couple d'Ange, Starry - Dahan & D'Angelo, Llibre d'Amic e Amat | The Book of the Lover and the Beloved - Ramon Llull, L'elisir d'amore | The Elixir of Love - Donzietti/Romani, 愛聖女 | Sainte d'Amour - Takarazuka Revue, Anne with an E (TV), The Outsiders - S. E. Hinton, Formula E RPF, Raffles - E. W. Hornung, Shades of Magic - V. E. Schwab, WALL-E (2008), Maurice - E. M. Forster, ボールルームへようこそ | Ballroom e Youkoso, Romeo e Giulietta - Ama e Cambia il Mondo, Villains Series - V. E. Schwab, Biggles Series - W. E. Johns, Nußknacker und Mausekönig | Nutcracker and the Mouse King - E. T. A. Hoffmann, Star Wars: Ahsoka - E. K. Johnston, Leagues and Legends - E. Jade Lomax, Seven Pillars of Wisdom - T. E. Lawrence, Oniisama E, f(x), F-Zero (Video Games), Great Gatsby - F. Scott Fitzgerald, Sue Thomas: F.B.Eye, F.E.A.R. (Video Games), F. T. Island, David Blaize - E. F. Benson, To Serve Them All My Days - R. F. Delderfield, Wild ARMs Altercode: F, The Poppy War - R. F. Kuang, F is for Family (Cartoon), F. COMPO, F/X: The Series, Logan's Run Series - William F. Nolan & George Clayton Johnson, China Mountain Zhang - Maureen F. McHugh, Enchanters Series - K. F. Bradshaw, Jeeves - P. G. Wodehouse, .hack//G.U., G.I. Joe - All Media Types, (여자)아이들 | (G)I-DLE, G.I. Joe (Cartoon), Psmith - P. G. Wodehouse, WODEHOUSE P. G. - Works, G.I. Joe: Rise of Cobra (2009), G Gundam, G.I. Joe: Retaliation (2013), The War of the Worlds - H. G. Wells, G.I. Joe: Renegades, 聖闘士星矢エピソード・ジー | Saint Seiya: Episode G, Splintered - A. G. Howard, The Invisible Man - H. G. Wells, Marabilia - Iria G. Parente & Selene M. Pascual, だから僕はHができない。| Dakara Boku wa H ga Dekinai. | So I Can't Play H! (Anime), Cthulhu Mythos - H. P. Lovecraft, LOVECRAFT H. P. - Works, H2O: Just Add Water, Machineries of Empire Series - Yoon Ha Lee, Triple H (Korea Band), Herbert West - Reanimator - H. P. Lovecraft, H.O.T. (Band), Dream Cycle - H. P. Lovecraft, Once and Future King Series - T. H. White, H.I.V.E. Series - Mark Walden, The Time Machine - H. G. Wells, The Tapestry Series - Henry H. Neff, She - H. Rider Haggard, 私がモテないのはどう考えてもお前らが悪い! | Watamote - No Matter How I Look At It It's You Guys' Fault I'm Unpopular!, I'm Sorry I'll Read That Again (Radio), I'll Sleep When I'm Dead (2003), How I Met Your Mother, Voyná i mir | War and Peace - Leo Tolstoy, To All the Boys I've Loved Before Series - Jenny Han, I Medici | Medici: Masters of Florence (TV), I Don't Know How But They Found Me (Band), Final Fantasy I, I.O.I (Band), Dark Souls I, I Love Yoo (Webcomic), 10 Things I Hate About You (1999), Withnail & I (1986), Suikoden I, Harry Potter - J. K. Rowling, The Lord of the Rings - J. R. R. Tolkien, The Silmarillion and other histories of Middle-Earth - J. R. R. Tolkien, The Hobbit - J. R. R. Tolkien, TOLKIEN J. R. R. - Works & Related Fandoms, Throne of Glass Series - Sarah J. Maas, Peter Pan - J. M. Barrie, Carmilla - J. Sheridan Le Fanu, The Vampire Diaries - L. J. Smith, Union J (Band), Black Dagger Brotherhood - J. R. Ward, Brave Police J-Decker, MAAS Sarah J. - Works, Night World - L. J. Smith, K-pop, K (Anime), Red Velvet (K-pop Band), Anita Blake: Vampire Hunter - Laurell K. Hamilton, OK K.O.! Let's Be Heroes, 斉木楠雄のΨ難 | Saiki Kusuo no Sai-nan | The Disastrous Life of Saiki K., K.A.R.D (Band), K-On!, Merry Gentry - Laurell K Hamilton, Earthsea - Ursula K. Le Guin, Everworld Series - K. A. Applegate, The Left Hand of Darkness - Ursula K. Le Guin, Society of Gentlemen - K. J. Charles, The Broken Earth Series - N. K. Jemisin, L'Arc~en~Ciel, Dracula: l'amour plus fort que la mort - Ouali, Sackett Series - Louis L'Amour, L'appart du 5e (TV), L'agneau carnivore - Agustín Gómez Arcos, L'amica geniale | The Neapolitan Novels - Elena Ferrante, L'amant | The Lover (1992), Dracula: l'amour plus fort que la mort - Ouali RPF, Dracula: Entre l'amour et la mort - Leclerc/Tabra/Ouzounian & Pelletier, Porgi l'altra guancia | Two Missionaries (1974), The Talon and Chantry Series - Louis L'Amour, Les Crimes de l'amour: Eugénie de Franval | The Crimes of Love: Eugenie de Franval - Marquis de Sade, Les Crimes de l'amour: Ernestine | The Crimes of Love: Ernestine - Marquis de Sade, L'apprenti sorcier | The Sorcerer's Apprentice - Paul Dukas (Song), L'art du crime | The Art of Crime (TV), M&M's Commercials, House M.D., Anne of Green Gables - L. M. Montgomery, Baby-Sitters Club - Ann M. Martin, Super Junior-M, Chalet School - Elinor M. Brent-Dyer, Mayans M.C. (TV), Marvel (House of M), Earth's Children - Jean M. Auel, The Culture - Iain M. Banks, Emily of New Moon - L. M. Montgomery, Peter and Wendy - J. M. Barrie, Blue Castle - L. M. Montgomery, Emberverse - S. M. Stirling, Ed Edd n Eddy, Guns N' Roses, N.Flying (Band), N.E.R.D.S. - Michael Buckley, Kid n Teenagers (Web Comic), The Inheritance Trilogy - N. K. Jemisin, On n'demande qu'à en rire RPF, Sleeping Beauty Series - A. N. Roquelaure, M A N I A - Fall Out Boy (Album), The Paper Magician Series - Charlie N. Holmberg, Effluent Engine - N. K. Jemisin, Boyz n the Hood (1991), November Rain - Guns N' Roses (Music Video), Happily N'Ever After (2006), Dreamblood Series - N. K. Jemisin, Aubrey-Maturin Series - Patrick O'Brian, The Rocky Horror Show - O'Brien, Seven O'Clock (Band), The Things They Carried - Tim O'Brien, Modesty Blaise - Peter O'Donnell, 10 O'Clock Live RPF, Mrs Frisby and the Rats of NIMH - Robert C. O'Brien, Twelve O'Clock High (TV), Twelve O'Clock High (1949), 네시 | 4 O'Clock - RM & V (Song), Hairspray - Shaiman/Wittman & Shaiman/O'Donnell & Meehan, Le Petit Poucet | Hop-o'-My-Thumb - Charles Perrault, Back Roads - Tawni O'Dell, Crossroads Series - Nick O'Donohoe, 12時の鐘が鳴る | 12-ji no Kane ga Naru | 12 O'Clock Bell Rings (Manga), Magnum P.I. (TV 2018), Mary Poppins - P. L. Travers, P.S. I Love You (2007), Blandings Castle - P. G. Wodehouse, Prinsessen paa Ærten | The Princess and the Pea - Hans Christian Andersen, Children of the Lamp - P. B. Kerr, Magnum P.I. (TV 1980), 古剑奇谭 | Gujian Qitan (Video Games), 诡秘之主 - 爱潜水的乌贼 | Guǐ Mì Zhī Zhǔ - Ài Qián Shuǐ De Wū Zéi, Persona Q: Shadow of the Labyrinth, 灵契 | Ling Qi | Spiritpact, 秦时明月 | Qín Shí Míngyuè | The Legend of Qin - All Media Types, 法医秦明 | Medical Examiner Dr. Qin (TV), Persona Q2: New Cinema Labyrinth, 庆余年 | Qing Yu Nian (TV), Tantei Gakuen Q | Detective Academy Q, Avenue Q - Lopez/Marx, 情定三生 | Qing Ding San Sheng (TV), 古剑奇谭 | Gujian Qitan (TV), 你却爱着一个傻逼 - 水千丞 | In Love with an Idiot - Shui Qian Cheng, 开封奇谈 | Kai Feng Qi Tan (TV), 大秦帝國 | Da Qin Di Guo | The Qin Empire (TV), Afdeling Q | Department Q (Movies), Power Rangers R.P.M., The Legend of Drizzt Series - R. A. Salvatore, Mary Russell - Laurie R. King, Nightside Series - Simon R. Green, R.O.D: Read or Die & Related Fandoms, E/R (1984), Wonder - R. J. Palacio, Smith of Wootton Major - J. R. R. Tolkien, Deathstalker Series - Simon R. Green, S.C.I.谜案集 | S.C.I. Mystery (TV), S.C.I.谜案集 | S.C.I. Mystery (TV) RPF, The Expanse Series - James S. A. Corey, The Last Unicorn - Peter S. Beagle, Old Possum's Book of Practical Cats - T. S. Eliot, The Daevabad Trilogy - S. A. Chakraborty, Star Wars: Phasma - Delilah S. Dawson, Draka Series - S. M. Stirling, s-CRY-ed, Wings of Fire - Tui T. Sutherland, Green Creek Series - T.J. Klune, T-Ara, Mad T Party Band, T.U.F.F. Puppy, The Tempest Series - T. D. Cloud, The Waste Land - T. S. Eliot, t.A.T.u. (Band), T. J. Hooker (TV), T.M.Revolution, Topp Dogg | Xeno-T (Band), The Man From U.N.C.L.E. (2015), The Man From U.N.C.L.E. (TV), U-KISS, Hollywood U: Rising Star, U2 (Band), The Girl from U.N.C.L.E., The Man From U.N.C.L.E. (2015) RPF, Here U Are (Webcomic), Without You - NCT U (Music Video), UC: Undercover, 1-800-WHERE-R-U Series - Meg Cabot, เพราะรักใช่ป่าว | Why R U?: The Series (TV) RPF, The Hate U Give - Angie Thomas, UC (Webcomic), Whitest Kids U' Know RPF, The Hate U Give (2018), Deux ans de vacances | Two Years' Vacation - Jules Verne, New Dangan Ronpa V3: Everyone's New Semester of Killing, Elder Scrolls V: Skyrim, Yu-Gi-Oh! ARC-V, Batman v Superman: Dawn of Justice, 第五人格 | Identity V (Video Game), Grand Theft Auto V, V for Vendetta (2005), Henry V - Shakespeare, 第五人格 | Identity V (Video Game) RPF, Final Fantasy V, Code Name: Sailor V, V (2009), V (1983), W.I.T.C.H., Hardy Boys - Franklin W. Dixon, Nancy Drew/Hardy Boys Super Mysteries - Franklin W. Dixon & Carolyn Keene, 君の名は。| Kimi no Na wa. | Your Name., 四月は君の嘘 | Shigatsu wa Kimi no Uso | Your lie in April, 田中くんはいつもけだるげ | Tanaka-kun wa Itsumo Kedaruge | Tanaka is Always Listless, 会長はメイド様! | Kaichou wa Maid-sama! | Maid Sama!, 囀る鳥は羽ばたかない | Saezuru Tori wa Habatakanai, كتاب ألف ليلة وليلة | Kitaab 'alf layla wa-layla | One Thousand and One Nights, 裏切りは僕の名前を知っている | Uragiri wa Boku no Namae wo Shitteiru | The Betrayal Knows My Name, 結城友奈は勇者である | Yuuki Yuuna wa Yuusha de aru | Yuki Yuna is a Hero, ふたりはプリキュア | Futari wa Pretty Cure, 今日から俺は!! | Kyou Kara Ore Wa!!, Koko wa Greenwood | Here is Greenwood, Bounen no Xam'd | Xam'd: Lost Memories, The X-Files, X-Men - All Media Types, Monsta X (Band), X-Men (Movieverse), Hunter X Hunter, X-Men (Comicverse), X-Men (Alternate Timeline Movies), X1 (Korea Band), X-Men Evolution, Pocket Monsters: X & Y | Pokemon X & Y Versions, Rockman X | Mega Man X, Star Wars Legends: X-Wing Series - Aaron Allston & Michael Stackpole, X -エックス- | X/1999, Hoshi no Kaabii | Kirby: Right Back at Ya!, やがて君になる | Yagate Kimi ni Naru | Bloom Into You (Manga), Y: The Last Man, かくりよの宿飯 | Kakuriyo no Yadomeshi | Kakuriyo: Bed & Breakfast for Spirits (Anime), Sarai-ya Goyou | House of Five Leaves, Pokemon + Nobunaga no Yabou | Pokemon Conquest, Y tu mamá también (2001), Ya-ya-yah (Band), Y Gwyll | Hinterland, 传说之主的夫人 - 尹琊 | The Legendary Master's Wife - Yin Ya, Libro de los ejemplos del conde Lucanor y de Patronio | Tales of Count Lucanor - Don Juan Manuel, Yes or No อยากรัก ก็รักเลย | Yes or No: Yaak Rak Gaw Rak Loey (Movies), Olmos y Robles (TV), Divine Secrets of the Ya-Ya Sisterhood (2002), Ya lyublyu tebya | You I Love (2004), Z for Zachariah (2015), Z Nation (TV), Z.Tao (Musician), The Chronicles of Vladimir Tod - Zac Brewer, A.B.C.-Z, World War Z - Max Brooks, Suite Life of Zack & Cody, Lost Souls - Poppy Z. Brite, Demashitaa! Powerpuff Girls Z, House of Leaves - Mark Z. Danielewski, World War Z (2013), Exquisite Corpse - Poppy Z. Brite, The Slayer Chronicles - Zac Brewer, Mazinger Z, Drawing Blood - Poppy Z. Brite, Sherlock (TV), Sherlock Holmes & Related Fandoms, Sherlock Holmes - Arthur Conan Doyle, Sherlock Holmes (Downey films), Sherlock Holmes (1984 TV), Sherlock (TV) RPF, Miss Sherlock (TV), Шерлок Холмс | Sherlock Holmes (TV 2013), Sherlock Holmes (Rathbone films), Adventures of Sherlock Holmes and Dr. Watson (TV Russia), シャーロック | Sherlock: Untold Stories (TV), Murder Rooms: The Dark Beginnings of Sherlock Holmes, The Private Life of Sherlock Holmes (1970), Sherlock Holmes in the 22nd Century (Cartoon), Sherlock Holmes (US TV 1954), Shall We Date?: Guard Me Sherlock!+, Marvel Cinematic Universe, The Avengers (Marvel Movies), Marvel, The Avengers (Marvel) - All Media Types, Marvel (Comics), Marvel 616, Marvel Cinematic Universe RPF, Captain Marvel (2019), The Defenders (Marvel TV), Marvel Ultimates, Marvel Adventures: Avengers, Marvel Noir, Marvel 3490, Captain Marvel (Marvel Comics), Star Wars (Marvel Comics), Shazam! | Captain Marvel (Comics), Currently adding more fandoms

Rating: Not Rated

Warnings: No Archive Warnings Apply

Categories: F/F, F/M, Gen, M/M, Multi, Other

Characters: I'll add more soon - Character

Relationships: I'll add more soon

Additional Tags: I'll add more soon - Freeform

read it on the AO3 at https://ift.tt/2VJy9YY

#IFTTT #ao3feed #fanfic #captive prince

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lezkissgifs · 17 days

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