#enhance post-production

[kids-worldfun]

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[unproduciblesmackdown]

little shop images....

[kickedin17]

This feels obvious but maybe it's not so. The silence in Paladin Strait is. The strait. That's the crossing. He can't sing because he's schwimming. Right

[goodpix2021]

What You Thought You Saw

Red streetcar zipping along Canal Street. There are two things that this photograph represents. A new technique that I’ve just mastered that sort of smushes the image and its color. So, I’m reworking many of my signature New Orleans pictures. And, two, I’m getting ready to do the deal with the art agency I mentioned a week or so ago. Of course, my archive still contains the original unmodified…

[foldingfittedsheets]

When I was working at the sex shop I was pulling poverty wages. I loved my job but I was on food stamps and still barely getting by. When they hired the stores first male employee and he started at my pay rate after I’d been there for three years I quit.

I was initially really nervous when I saw the post for the mattress job. It listed a pay scale that I couldn’t even conceptualize and I appeared qualified. When I got an interview I was over the moon but also petrified. Reactions to my line of work often varied but most people were very embarrassed or skeptical. I worried about how I’d address it in the actual interview.

I lived far to the north of their headquarters and drove almost two hours to get there. When I finally arrived it was in the nicest thrift store clothes I could find, but I shrank inside to see a room full of older white men in nice suits waiting to be interviewed for the same job.

Why did I bother? I was decades younger than anyone else in the room, shabbily dressed, and I suspected I was the only afab person in the entire building. I stewed in my insecurities until I was called in.

The second I met my interviewer I was instantly put at ease. The man had the energy of a therapy dog, he was abound with positive, good natured energy. He was also incredibly beautiful. I grinned back at his welcoming smile as we said our pleasantries. But still. This very beautiful polished man seemed very innocent. How would the sex shop question go?

“I see here you worked at STORE?”

“Yes,” I said hesitantly.

“And that was sales? Or you just rang people up.”

“No, it was sales. I’d help people find products, we were encouraged to upsell, there was sales spiffs, and most importantly we educated customers on products to help them find what they liked best.”

He grinned approvingly and asked, “Can you give me an example of a time you successfully upsold a customer?”

I paused, wringing my hands before I asked, “How vague would you like me to be…?”

“Not at all!” He assured me. “Go for it!”

“Well. A man came in looking for something to make his fingers vibrate so when he was touching his wife it would enhance that sensation. We had cheap $10 cockrings that I showed him first. But we had a rechargeable waterproof one made of nicer material, and after I showed him a demo he bought that one.”

“How much was that one?”

“$110”

“Wow! You had an upsell of 100% from what he came in looking for! That’s incredible!”

He was so truly genuinely stoked and not at all embarrassed that for the first time I saw a tiny glimmer of a future where I didn’t have ramen and peanut butter tiding me over between paychecks.

He asked me to wait then came back to tell me he liked me so much that he wanted to send me right into another interview, if that was okay. He didn’t want me to have to drive back later, it was terribly considerate and exciting. I beamed and told him it would be lovely.

I then had the second worst interview I’ve ever had. The worst goes to the time I applied to be a store manager for a pet food place years later. The district and store manager interviewing me passed notes and texted while I was speaking. When the district manager called to inform me I didn’t get the job I told him I’d never have accepted anyway because I’d never had such a disrespectful interview.

The new man sitting behind the desk radiated an aura of a brick wall. As someone with anxiety I’m highly keyed into the emotional states of people I’m talking to. To receive no feedback at all was my personal hell. After a perfunctory greeting he asked me with no inflection to sell him a pen.

I gathered the shreds of my courage and attempted the Herculean task he’d set me. Through my whole improvised spiel he resisted all attempts at engaging him, regarding me with a cold apathy as I touted the benefits of my fictitious pen.

Halfway through I broke into a cold sweat. My smile didn’t waver but it grew strained as I projected friendliness and warmth into the black hole of his heart. My thoughts scattered and my sales pitch grew redundant in the face of his nothingness. I finally concluded with a hard close and he simply nodded.

He glanced at my resume and commented, “You didn’t ask me to touch or hold it. Though I suppose I can understand from your previous line of work why you wouldn’t.” I shriveled and died inside knowing that I encouraged people to touch dildos all day long and had been too frazzled to offer him the pen.

He bid me a cool farewell. I made it to my car before I started sobbing. I had never been so rattled. I couldn’t understand what I’d done to make him so unfriendly or if my threadbare clothes were what had made him treat me like dirt. I drove an hour and a half to get home, weeping intermittently.

I was therefore taken by complete surprise to receive a call the next day inviting me on board for their five week training program. The first man who’d interviewed me gushed on the phone about how the second guy had loved me and that I was going to be fantastic.

I was in shock. When I showed up to training the second interviewer was charming my new classmates, beaming and laughing. He was an utterly different person. To my dismay I learned he was the trainer for my district and would be my point of contact if I made it through training.

He joked with me later that his interview facade was just a tactic to see how people held up under pressure and I filed him into a category of my deepest enmity. I never forgave him for how small he made me feel that day, but I never showed him the depths of my fury.

I aced every test and went on to be valedictorian of the eight people who had survived the rigorous training process to earn a sales position. When I got my first paycheck I bought myself new clothes, the first non-thrifted things I’d owned in years.

[neturbizenterprises]

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[mangocityithjhg]

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[ariyan24]

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[zoofsoftware]

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[centrally-unplanned]

We (somewhat rightly) mock the 2000's era fansub translation notes for their otaku fixations and privileging of trivia over the media, but they should be understood as serving their purpose for a bit of a different era in the anime fandom. Take this classic:

Like, its so obvious, right? Just say "pervert", you don't need the note! Which is true, for like a 'normie' audience member who just wants to watch A TV Show - but no one watching, uh *quick google* "Kamikaze Kaitou Jeanne" in 1999 is that person. The audience is weebs, and for them the fact that show is Japanese is a huge selling point. They want it to feel as 'anime' as possible; and in the west language was one of the core signifiers of anime-ness. 2004 con-goers calling their friends "-kun" and throwing in "nani?" into conversations was the way this was done, and alongside that a lexicon of western anime fandom terminology was born. Seeing "ecchi" on the screen is, to this person, a better viewing experience - it enhances their connection to otaku identity the show is providing, and reinforces their shared cultural lexicon (Ecchi is now a term one 'expects' anime fans to know - a truth that translator notes like this simultaneously created and reflected).

But of course your audiences have different levels of otaku-dom, and so you can't just say 'ecchi' and call it a day - so for those who are only Level 2 on their anime journey, you give them a translation note. Most of the translation notes of the era are like this - terms the fansubber thought the audience might know well enough that they would understand it and want that pure Japanese cultural experience, but that not all of them would know, so you have to hedge. The Lucky Star one I posted is a great example of that:

Its Lucky Star, the otaku-crown of anime! You desperately want the core text to preserve as much anime vocab as possible, to give off that feeling, but you can't assume everyone knows what a GALGE is - doing both is the only way to solve that dilemma.

This is often a good guideline when looking at old memetically bad fansubs by the way:

This isn't real, no fansub had this - it was a meme that was posted on a wiki forum in 2007. Which makes sense, right? "Plan" isn't a Japanese cultural or otaku term, so there is no reason not to translate it, it doesn't deepen the ~otaku connection~.

Which, I know, I'm explaining the joke right now, but over time I think many have grown to believe that this (and others like it) is a real fansub, and that these sort of arbitrary untranslations just peppered fansub works of the time? It happened, sure, but they would be equally mocked back then as missteps - or were jokes themselves. Some groups even had a reputation for inserting jokes into their works, imo Commie Subs was most notable for this; part of the competitive & casual environment of the time. But they weren't serious, they are not examples of "bad fansubs" in the same way.

This all faded for a bunch of reasons - primarily that the market for anime expanded dramatically. First, that lead to professionally released translations by centralized agencies that had universal standards for their subs and accountability to the original creators of the show. Second, the far larger audience is far less invested in anime-as-identity; they like it, but its not special the way its special when you are a bullied internet recluse in 2004. They just want to watch the show, and would find "caring" about translation nuances to be cringe. And since these centralized agencies release their product infinitely faster and more accessibly than fansubs ever did, their copies now dominate the space (including being the versions ripped to all illegal streaming sites), so fansubs died.

Though not totally - a lot of those fansub groups are still around! Commie Subs is still kicking for example. They either do the weird nuance stuff, or fansub unreleased-in-the-west old or niche anime, or even have pivoted to non-anime Japanese content that never gets international release. But they used to be the taste-makers of the community; now they are the fringe devotees in a culture that has moved beyond them. So fansubs remain something of a joke of the 90's and 2000's in the eyes of the anime culture of today, in a way that maybe they don't deserve.

[optiblog]

OPTİVİSER - GOLD

Welcome to Optiviser.com, your ultimate guide to navigating the complex world of electronics in 2024. As technology continues to evolve at a rapid pace, finding the right devices that suit your needs can be overwhelming. In this blog post, we’ll harness the power of AI to help you make informed choices with our comprehensive electronics comparison. We’ll take a closer look at the top smart home devices that are revolutionizing how we live and work, providing convenience and efficiency like never before. Additionally, we’ll offer expert laptop recommendations tailored to various lifestyles and budgets, ensuring you find the perfect match for your daily tasks. 

AI-powered Electronics Comparison

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As we delve into the world of consumer technology, it's important to highlight the Top Smart Home Devices 2024. From smart thermostats to security cameras, these devices are becoming essential for modern households. They not only enhance convenience but also significantly improve energy efficiency and home safety.

For those looking for a new computer to enhance productivity or gaming experiences, consider checking out the latest Laptop Recommendations. Many platforms, including Optiviser.com, provide comprehensive comparisons and insights that can help consumers choose the best laptop suited to their needs, whether it’s for work, study, or leisure.

Top Smart Home Devices 2024

As we move into 2024, the landscape of home automation is evolving rapidly, showcasing an array of innovative gadgets designed to enhance comfort and convenience. In this era of AI-powered Electronics Comparison, selecting the right devices can be overwhelming, but we've highlighted some of the best Top Smart Home Devices 2024 that stand out for their functionality and user experience.

One of the most impressive innovations for this year is the latest AI-powered home assistant. These devices not only respond to voice commands but also learn your preferences over time, allowing them to offer personalized suggestions and perform tasks proactively. Imagine a device that can monitor your schedule and automatically adjust your home's temperature and lighting accordingly!

Moreover, security remains a top priority in smart homes. The Top Smart Home Devices 2024 include state-of-the-art security cameras and smart locks that provide robust protection while ensuring ease of access. With features like remote monitoring through your smartphone or integration with smart doorbells, keeping your home safe has never been easier. For more details on the comparisons and recommendations of these devices, you can check out Optiviser.com.

Laptop Recommendation

In today's fast-paced world, choosing the right laptop can be a daunting task. With numerous options available in the market, it's essential to consider various factors such as performance, portability, and price. At Optiviser.com, we provide an insightful guide to help you navigate through the vast array of choices. To streamline your decision-making process, we have developed an AI-powered Electronics Comparison tool that allows you to compare specifications and features of different laptops side by side.

This year, we have seen a surge in innovative laptops that cater to diverse needs. Whether for gaming, business, or everyday use, our top recommendations include models that excel in battery life, processing power, and display quality. For instance, consider the latest models from top brands, which have integrated the best features of Top Smart Home Devices 2024 trends, ensuring seamless connectivity and advanced functionalities.

Additionally, if you're looking for a laptop that can handle multitasking effortlessly, we suggest models equipped with the latest processors and ample RAM. Our detailed Laptop Recommendation section on Optiviser.com includes expert reviews and user feedback to help you choose a laptop that not only fits your budget but also meets your specific requirements.

[niceonet]

TRAİLERDB - DEVASA+ (3)

As we eagerly anticipate upcoming releases, the right trailer can set the tone and build our enthusiasm for what’s to come. In this blog post, we will explore the freshest trailers, giving you a sneak peek into the films and TV series that are about to hit screens near you. From highly anticipated films to captivating TV series trailers, we’ve got you covered with all the essentials. 

Latest Trailers

When it comes to keeping up with the ever-evolving world of entertainment, latest trailers play a significant role in generating buzz and excitement among fans. Every week, we are treated to a flurry of new previews that showcase the hottest upcoming films and series. Here’s a look at some of the most anticipated releases that you should keep an eye on.

One of the most talked-about latest trailers features the action-packed return of a beloved franchise. With stunning visuals and gripping storytelling, this trailer leaves us eager for the release date. The combination of stellar performances and a captivating soundtrack promises an exhilarating cinematic experience.

In the realm of animation, the latest offerings are equally impressive. The trailers highlight vibrant animation styles and heartwarming narratives that are sure to attract audiences of all ages. From family-friendly adventures to more mature themes, the latest trailers in animation showcase the diversity and creativity in storytelling.

Furthermore, the world of streaming platforms is overflowing with exciting latest trailers. With platforms like Netflix, Hulu, and Amazon Prime constantly releasing fresh content, viewers are treated to an array of genres, from gripping thrillers to heartfelt dramas. These trailers give a sneak peek into the rich storytelling and character development that we can look forward to.

Don’t forget that latest trailers also provide insights into upcoming TV series. Whether it’s a highly-anticipated season continuation or a brand-new concept, these previews are designed to engage fans and keep them coming back for more. Expect to see dramatic cliffhangers and intriguing character arcs that will undoubtedly spark discussions among viewers.

In conclusion, latest trailers serve as a window into the captivating stories that lie ahead. They not only excite fans but also shape our expectations of what’s to come in theaters and on screen. Stay tuned for more updates, as there are always more incredible trailers on the horizon!

Tv Series Trailer

In the world of entertainment, the TV series trailer serves as a pivotal tool for enticing audiences and generating excitement. With the rise of streaming platforms, the competition for viewers' attention has intensified, making trailers more crucial than ever.

One of the primary functions of a TV series trailer is to provide a glimpse into the show's storyline, characters, and overall tone. A well-crafted trailer can evoke emotions, build suspense, and leave viewers eager for more. For instance, trailers for popular series often highlight key moments, thrilling action sequences, and dramatic cliffhangers that captivate audiences.

Moreover, the editing style of a TV series trailer significantly influences its impact. Fast cuts, captivating visuals, and a powerful soundtrack can enhance the excitement and engagement level. As a result, viewers are more likely to share these trailers on social media, amplifying their reach and generating buzz.

In recent years, we've seen a shift in how trailers are released. Many production companies now opt for teaser trailers, followed by full-length versions. This strategy keeps fans engaged over a longer period, as each release builds anticipation for the show's premiere.

As viewers have become more discerning, trailers have evolved to include more diverse storytelling elements. Today’s trailers often reflect the complexity of characters and intertwine various plotlines. This trend allows audiences to connect more deeply with the series before they even watch an episode.

An important aspect to consider is the impact of TV series trailers on the show's marketing strategy. They often serve as a crucial element in the overall promotional mix, alongside posters, interviews, and social media campaigns. A strong trailer can significantly boost a series' visibility and attract a broader audience.

In conclusion, TV series trailers are not just promotional tools; they are artistic creations that encapsulate the essence of a show. As the landscape of television continues to evolve, the role of trailers in shaping viewers' perceptions will undoubtedly remain significant.

Trailer DB

Welcome to the your ultimate source for all things related to movie and TV trailers. In today’s digital age, where visual content reigns supreme, trailers play a crucial role in building excitement and anticipation for upcoming entertainment releases. This is where the Trailer DB comes into play, providing you with a comprehensive database of the latest trailers.

The Trailer DB is designed to cater to the needs of film enthusiasts and TV series fans alike. Here, you can discover latest trailers from various genres, ranging from action-packed blockbusters to heartwarming dramas. Whether you’re on the hunt for the upcoming superhero films or the hottest new TV series, the Trailer DB ensures you stay updated on the most recent releases.

One of the standout features of the Trailer DB is its user-friendly interface, which allows easy navigation to find trailers by categories, release dates, or popularity. With an extensive collection of trailers, you can quickly access both local and international titles, ensuring you never miss out on any cinematic gems or trending shows.

Moreover, the Trailer DB is continuously updated with the latest content, offering sneak peeks of highly anticipated films and series. From thrilling horror releases to delightful romantic comedies, there’s something for everyone. Each trailer is accompanied by essential information including release dates, cast details, and directorial credits, allowing viewers to dive deeper into the projects that catch their eye.

Join the community of film buffs and series aficionados today by exploring the Trailer DB. Embrace the excitement of new releases and share your thoughts on the latest trailers with fellow enthusiasts. With our extensive database at your fingertips, you’ll always be in the know about the best upcoming entertainment!

[irisbleufic]

REVIEW

Gatsby: An American Myth (Welch, Chavkin, Bartlett, Majok, & Tayeh; American Repertory Theater)

Something that most adaptations of Gatsby get wrong, whether film or stage, is the treatment of characters as archetypes rather than individuals. Symbolism drowns out most genuine attempts at capturing emotional connections and conflicts of personality. They forget that this story is not only a failure of the so-called American Dream; first and foremost, it’s a tragedy of failed roles and relationships. Almost every one of the players is attempting to be someone they are not, and even as they reach for what they believe they should want, they reveal with increasing fervor what they actually want. This is the heart of what makes Welch’s new adaptation so devastatingly, disarmingly unique, so true to its source.

The set design is literal wreckage. Crushed and warped automobile chassis scaffold the moving staircases, and concealed trap doors. The backdrop shows no clear incorporation of the infamous Eckleburg billboard; rather, it is made up of a dotted grid resembling headlights. These play out effects ranging from a downpour to camera flashes to, briefly and only once, a pair of eyes that make no effort to hide behind the owlish frames of glasses. The only thing infusing this jagged framework with meaning is the people who move through it.

The lighting design works with the set’s incongruences, deepening or excavating shadows as needed. The brightness, when it flares, is blinding. Jewel tones either enhance or diminish a costuming scheme that is composed of either very pale or very dark shades, no in between. And whether it’s the post-apocalyptic black and gray cabaret garb of the ensemble or the wealthy protagonists’ pale suits or the gunmetal and gray denizens of the wasteland, everyone’s trouser and skirt hems are conspicuously rimed with reddish dust. The visual effects are nearly impossible to describe without sounding like I had some kind of desperate fever dream.

So far, I realize that these descriptions of the set and lighting design sound like this production is about to fall into the trap of overplaying symbolism, but please bear with me. With all of that established, I can focus on what’s truly extraordinary here, what’s meant to and does shine unhindered. The acting, musicianship and vocals are all so precise that it was hard for me to believe this show is still in previews. It feels Broadway ready, West End ready, major international tours ready. If I was the production crew, I’d turn this loose on a massive scale from the get-go without a second thought.

Much like with Hadestown, the musicians are not down in an orchestra pit. They’re characters in their own right, present on the stage from start to finish on tiered risers that run up from the center on each side from one of the catwalks. I’m sure Chavkin’s involvement as director has everything to do with why this show feels so much like, moves so much like Hadestown. The company is on an equally small scale, about 23 - 25 people including the principals.

Costuming among the ensemble is delightfully gender agnostic. I mention a cabaret aesthetic earlier in this review, and I’m not kidding. If you had shown me the ensemble costume designs without showing me the principals’ designs, I would have assumed I was looking at a Cabaret revival. They’re the most talented dancers I’ve seen occupy one stage in more than a decade. The choreography relies on movements in eerie unison for a significant portion of the show, but not without allowance for individual flair within those constraints. The guy sitting next to me, when I spoke to him at the intermission, said he works as a choreographer in regional theater, and he’d never seen anything like this. I couldn’t agree more; the dancing is singular, and as impressive as the musicianship is, the dancing and unusual body movement are maybe the greatest achievements of this show on the living, breathing end of things. I could have watched the dancers for those three hours without any dialogue or vocal intervention and still understood the story. That takes so much fucking doing.

As for the principal cast, they’re constantly among the ensemble; when I say these are all triple threats in the purest sense of that terminology, I really mean it. You always expect a few of the principals to be less dance and movement focused, more polished on the acting and singing side, but this show gives you terrifying proficiency from every angle. Even the guy playing Meyer Wolfsheim is at the center of what I think is the most memorable dance number in the piece. I’ve just never seen such versatile principals all in one production. What’s even more extraordinary is that I had never heard of or previously seen any of them, and that takes some doing given how much live theater I’ve consumed in several decades of life.

Ironically, the musical composition is the one aspect of this production on which I’ll be spending the least time. I need not tell you why Welch and Bartlett were perfect for this job. They understood the assignment, and then some. There’s not a single weak number among the track listings, and I desperately hope they release a recording soon. The standout numbers all have something in common: they showcase Soleia Pfeiffer as Myrtle Wilson. You can tell that’s the role where Welch sank most of the sound that’s considered her signature style. I don’t even need to describe it; you already know what I’m talking about. What’s impressive otherwise is the restraint, the lack of over-reliance on that signature style.

The principals are fucking perfect. I’ve kept this review tautly professional without meaning to thus far, but from here on out is where I start bleeding feels all over the post. If you don’t already know who my blorbos are due to my writing history with a Gatsby-related novel (The Pursued and the Pursuing, 2021), you’re going to know by the time you’re done reading this. You’re going to know exactly who I love and why, who I hate and why, who I ship and why. But you’ll also know that I approach all three of those elements from a place of enjoying every moment of those characters, even the ones I hate. Nobody’s performance put me off or struck the wrong tone when taken in context of the novel and how the tragedy of how their relationships play out.

For a long time, I’ve been saying that there are certain support roles, certain sidekicks, that make or break the higher-profile person to whose side they’re stuck, ride or die, until the bitter end. Horatio is a great example that I’ve ranted about before; if your Hamlet production has a lackluster Horatio, then it doesn’t matter how good the Hamlet is. You have nothing if you don’t have the binary star system at the heart of that harrowing universe. I’ve seen other adaptations of Gatsby consistently fall apart because Nick Carraway is treated like the kind of voyeur who doesn’t matter, the kind of voyeur who serves as the audience’s eyes and ears, and nothing else. Anyway, this is all to say: Ben Levi Ross as Nick might be the most compelling argument I can make for the fact that the creative team behind this show understood the assignment. He’s awkward, warm, sincere, and reactive in all of the ways you need Nick to be. He’s not a passive observer; he’s in the middle of everything, and he knows it. There’s a self-deprecating response he makes when one character, Jordan if I’m not mistaken, quips that maybe he’s the reason for Gatsby’s parties for all he knows. “Maybe I am,” he says, and the tongue-in-cheekness belies a gutting meta-sincerity. We believe Daisy is the point, Gatsby believes Daisy is the point, but what’s borne out every breathtaking moment of this production is that Nick is the point. He always was. He’s also given his due as a gay man in context of the story for the first time ever. I might make some folks mad when I say Nick has always been gay; I’m going to point you to Myrtle’s apartment party and the hookup with Mr. McKee as textual evidence in the novel. The kiss with McKee, the hookup with McKee, is unapologetically here. His lack of belonging everywhere else he’s ever been, because he is gay, is unapologetically here. One of the most memorable numbers in the show hinges on the hope feels at being able to be himself in New York. Queer fans of Gatsby have been waiting a long time for this. Anyone who’s read the text closely and understood him has been waiting a long time for this. I’ve been waiting several decades as a reader, and I would’ve waited forever to have Nick so fully, lovingly realized.

One of the other things that Gatsby adaptations have persistently gotten wrong is the titular character himself. The invention of Jay Gatsby hides the underlying James Gatz, makes it feel as if that old self is truly subsumed, as if it never mattered. But Isaac Powell gives us a Jay who’s exactly as he should be, who can’t hide beneath his own attempt at artifice and reinvention worth a goddamn. He’s young (as young as Nick; they’re 32 and 30 respectively both in the novel and here), painfully earnest, and just barely keeping a handle on the criminal shit he’s had to do in order to get where he is. When he says old sport to Nick, it’s not an affectation; when he says it to Tom, it becomes a biting insult. This is a Jay who knows where and why he’s vulnerable; he latches onto Nick like a not because he sees a man close to Daisy that he can exploit, but because he sees another young man who’s equally vulnerable, equally an outsider, equally haunted by the things they had to do in the war. From the moment they meet, they are almost always touching—a hand on the shoulder, on the back, getting in social harm’s way for each other, eyes seeking each other without cease in the most crowded of settings. When Jay takes Nick to lunch to meet Wolfsheim (who has in this production taken on the function of Dan Cody as well), it’s not to have somebody else vouch for the artifice of who Jay Gatsby is. It’s taking Nick to meet his fucking father-figure, and all of the messy, sincere “if you hurt my boy, I’ll kill you” sentiment that Wolfsheim aims at Nick was the moment I knew just how much the Nick’s loss by the end was going to hurt. Jay’s love for Daisy is a ghost of itself, even if as painfully earnest as everything else about him. Meanwhile, his attachment to Nick is so disarmingly genuine from the start that you understand the true tragedy you’re about to watch untold: these men who need each other, maybe even were made for each other, each prove unable to step outside their parallel distractions from what they truly are to each other. Jay’s interactions with Daisy and Nick’s interactions with several male and/or gender ambiguous members of the ensemble have something in common, which is a shocking level of physicality. This show had an intimacy coordinator; that’s the level of no holds barred we’re talking about. When you look at Tom and Myrtle, you can see why that was merited, too.

Speaking of Tom (Cory Jeacoma), the treatment of him here is every bit as scary as it should be. There’s no attempt to make him palatable, unlike what I’ve seen done with him in other adaptations. He towers over everyone else in the cast, I mean everyone, to a physical degree that’s uncomfortable. The way his wife, lover, and friends all flinch when he gets too close to them speaks volumes to the fact that he’s an abuser in every sense of the term. Even Nick, the prodigal college friend from Yale, is on eggshells around him (which, by the hotel blowup at the end of the show, becomes a sneering, reckless contempt, one of the driving forces that drives Nick to put himself between Jay and Tom whenever real harm is on the table). At the same time, this is a Tom who sincerely loves his wife and was only ever using Myrtle as a fling. You can tell he never meant any of the promises he made Myrtle. When Daisy tells him she didn’t stop the car on purpose, it’s as if his wife’s unapologetic act of manslaughter (“It was her or me!”) is the thing that wins him back. They aren’t careless people; they are people who consciously choose, day in and day out, to use others until they’re bored or done with them. The ruthlessness of Tom and Daisy as a couple is impressive, played up to a level that I feel more adaptations should do without fear of exaggerating the text.

As mentioned above, Daisy (Charlotte MacInnes) is no delicate, nervous creature who can’t help her actions under duress. She knows what she’s doing every bit as much as Tom knows what he’s doing. They use people, hurt people because they get bored and restless and enjoy it. I respect a Daisy who’s in control of her actions every step of the way even if I don’t like her; it’s better than trying to depict her as weak and at the mercy of the men around her. She’s a pragmatist and a survivor. So many of her songs are about choices and being conscious of those choices. She is a person you should fear every bit as much as you fear her husband, and even Jordan knows she’s not safe in Daisy’s orbit.

As Jordan, Eleri Ward is one of the neatest personalities on stage. Like Tom, she’s noticeably taller than most, which gives her a commanding physical presence. She has no romantic interest in anyone; I fucking love that this production show her and Nick bonding on the basis of being queer and tired of everyone else’s shit. This is a more likable, relatable Jordan than I’ve seen in the past. This is a Jordan whose relationship to Gatsby is much more familiar and warm, much more akin to the friendship she forms with Nick. In fact, the queer-and-tired vibes that roll off several of the principals in this production are palpable.

Myrtle and Wilson (Matthew Amira) aren’t always played as effective foils for Daisy and Tom, but here? They unquestionably are. They do actually love each other in spite of the things they’ve done to hurt each other, and it’s a constant dance of daring each other, challenging each other. The most memorable duet in the entire show is between them, during Act II. The confrontation is positively electric. These are two people with deep, complicated history. Of all the couples in the show, they feel the most real, the most alive. It makes the loss of Myrtle so much more wrenching; she’s not just a plot device emblematic of the bad choices they’ve all been making. She’s not shallow or frivolous or anything like that. She’s a shrewd woman with complex motivations, and for the first time ever I find myself loving her and caring what happens to her. She’s thrust even further into the action in that one of her part time gigs is working as a maid at Gatsby’s parties, a conceit that works shockingly well and hastens the devastating consequences of her affair with Tom.

I’ve made mention of Meyer Wolfsheim’s (Adam Grupper) uniquely enhanced role previously, so I’d be remiss if I didn’t comment on him again. This is a man who does, in fact, seem to give a shit about Jay above and beyond using him as a tool in his criminal empire. It’s not necessarily a healthy father-son dynamic, but Wolfsheim is usually played as ruthless, opportunistic, inhumanly calculating. Here, he’s a charming, but unquestionably dangerous man moved by a young soldier’s plight. He seems conflicted between his love for Jay and his need to have Jay continue to hold the party line within their business relationship. Wolfsheim is deeply conflicted about Jay in a way that I haven’t seen any Wolfsheim be played previously. And, as I mentioned earlier, the actor has a showstopper of a song and dance number. That may be the #1 “I wasn’t expecting that, but I’ll take it!” moment for me in this show. And I say “may be” only because the moment that truly stopped my heart, will stay with me until everything else fades from memory, is perhaps only understandable in the context of my engagement with the text of Gatsby as a writer of transformative works.

Daisy’s and Tom’s daughter, Pam Buchanan doesn’t always appear in adaptations because she’s a toddler. Even in the novel, she a throwaway mention plus a single scene near the end where the nanny brings her out to meet Jay and Nick. She’s most often left as a throwaway mention without even grave of the scene where she appears. The scene in the novel, however brief, is memorable—and has been captured in all its fragile beauty for the first time in this adaptation. Jay and Nick both pay bewildered, wondering attention to this kid when she’s brought out. Jay drops to his knees and takes her hand when she greets him while Nick looks on in a moment of singular focus on both of them. The child who plays Pam here has a spark, an expressiveness that made me choke up even though she’s only on stage for a few minutes, if that. The tableau is one in which you can feel the shock of reality, however brief, touch on these men—Daisy’s and Tom’s reckless actions may yet do harm to someone who’s barely even begun to live her life, but who is just conscious enough to be a participant in it. They recognize that they, like this child, are probably in for a word of ruin—and that they have let it go on for so long that there’s now nothing they can do about it. For me, the deepest tragedy was watching Nick and Jay throw off that moment of heartbroken, horrified recognition prompted by Pam and return to the parts they’d decided to play out until the moment one of their hearts stopped.

Speaking of grief, of Nick’s grief since he’s the one who loses so much: there is only one person who loses more, and that’s Mr. Gatz, Jay’s father. They preserve his arrival at the house when Nick is the only person who stays around to carry out Jay’s funeral and burial. And when he arrives, the visceral shock of seeing his dark skin, braids, and beaded elements of Native regalia in juxtaposition with his otherwise period-typical Western garb underscore the tragedy of what young Jay was running away from, of what he never quite succeeded in erasing from himself. The burial scene shows Nick reverently bringing several of Jay’s folded shirts from the house and handing them down into the grave to Mr. Gatz, who places them reverently as possessions to accompany his son into thereafter. The cultural ramifications are all at once understated and devastating. Nick has moments with each of Jay’s father figures that are among the most complex and moving in the show. The program does not make clear the name of the ensemble member who takes on this most memorable of all Mr. Gatz appearances, and this erasure in and of itself is both unfortunate and telling. This is a world that never belonged to the majority of those who inhabit it, and Nick realizes it with heartbroken clarity after having this final interaction. Even though he’s an outsider, he’s part of a world that has erased and betrayed the man he loved so much at every turn.

The closing number, “We Beat On,” felt like it needed something more, but it utilized the final line of the novel to a deeply moving effect. The lights go down suddenly as the last word is sung; it feels like the song is half finished. When the lights came up, Nick and Jay were center stage in each other’s embrace, just withdrawing from each other as the entire company transitioned into final bows. That’s how I’ll remember them, always: touching even when they’ve already lost each other, borne ceaselessly back into each other’s arms. If Nick is Orpheus, then I have no doubt that he, too, will tell this story again and again until someday, somewhere, something gives.

[phillydilly]

Contours of comfort

⊹♡— In which y/n and Charles’ relationship is still new, and he finds out that her hair is naturally curly

Charles Leclerc x fem!reader

Authors note: I realised that I hadn’t posted on here in nearly a month and had to change that, even if I don’t love this story as much as I loved the idea of it lol. But as always, I hope you like it!

The soft glow of your apartment provides a comforting backdrop as you prepare for the evening with Charles. The air is filled with the scent of your favorite candle, casting a warm ambiance that matches the flutter of excitement within you. Tonight feels different, a departure from routine that you welcome with open arms.

As you work with your hair, applying a minimal amount of product to enhance its natural texture, a sense of liberation washes over you. You smile at the reflection staring back. While you usually straighten your hair when going out, tonight you decide that you simply can't be bothered, so the curls will do their thing.

The anticipation of Charles's reaction adds an extra layer of excitement when you realize he's never seen your curly hair. Would he appreciate the change? The uncertainty fuels your enthusiasm as you slip into an outfit that complements the newfound confidence.

You lock your apartment door behind you, the click echoing a departure from the familiar. Each step towards Charles's place carries a sense of anticipation.

Arriving at his door, you take a moment before knocking. As he opens the door, his surprise mirrors your own excitement.

"Hey," you greet, your curls framing your face with newfound vibrancy. Charles's eyes widen, and a smile plays on his lips. "Thought I'd switch things up tonight."

Charles's expression transforms from surprise to sheer admiration. "Well, it's a pleasant change. You look incredible." He steps forward, enveloping you in a hug that feels like a warm embrace of acceptance.

"Thank you," you reply, returning the hug. His reaction makes you feel surprisingly carefree about your decision to go natural with your hair. You head inside, the air buzzing with newfound energy.

As Charles leads you to the living room, you can't help but feel a delightful flutter in your stomach. The atmosphere is charged with anticipation, and you're ready to let the evening unfold. Charles motions towards the couch, and you settle in for your movie night ritual.

"So, how come I've never seen your natural hair before?" Charles asks, genuinely intrigued.

You shrug, a playful smile on your face. "Guess it just never came up. Besides, I like switching things up."

"Well, I'm a fan," he declares, his eyes lingering on your curls. "You look so beautiful."

As the movie plays in the background, your conversation flows effortlessly. Charles expresses his admiration for your curls, but it's more than that. It's the way he looks at you—with genuine affection and acceptance—that makes you realize how lucky you are to have stumbled upon someone so caring.

He continues to play with your curls, and you can feel the love radiating between you. It's not about the hair; it's about the connection, the comfort, and the joy of being yourselves in each other's presence. In that moment, surrounded by the soft glow of the TV and the warmth of Charles's embrace, you know that this is something special, something worth savoring and cherishing.

[controld3vil]

atreides and bene gesserit

pairing(s): dune 2 cast x actor!reader (platonic), austin butler x actor!reader

synopsis: requested by this ask!

⤷ alt: as clueless as you were about your sister's role, it brought you much surprise and joy to see her on the same carpet as you.

notes: reader uses fem pronouns as she's playing a role as a bene gesserit. reader is also described as wearing a sleeveless jumpsuit. and i really enjoyed lea seydoux's performance and hope to see more of it !! this is also COMPLETELY separate from the first two posts ive made since the readers r playing different characters yeah?

When Denise Villeneuve asked you about the role of Lady Margot Fenring, you were genuinely shocked about his decision. You appreciated his works but have never gotten close to any of his sets before. You have worked with directors who've admired Villeneuve for his imaginative mind. And now, you witnessed his creativity in person for the first time.

The role was small and not as significant as the other main leads. Regardless, your character was just as enigmatic and complex as any other in the Dune franchise. Even though your time was short, it was a fun experience to learn and observe from. You weren't able to meet the entire cast after production, but with the NYC premiere, you were able to link up again.

You heard your name being called out. "Hello! How are you?" The well-known comedian and presenter by the name of Amelia Dimonberg was now beside you. In her jet-black corset dress, her style is chic and elegant. She hands you a microphone with the film's title plastered on it. "You look beautiful!"

"Thank you!" you sweetly recuperate, diverting your shoulders to the sight, cutely. You give a little pose before complimenting her own outfit. "You as well!"

"Do you have a memorable day on set that sticks out to you?" Amelia questions, subtly leaning toward your direction. And now you noticed her detailed eye makeup which enhances her outfit altogether.

"Well- I've had, like, only a few days," You let out a quick sigh. Truly it was nothing to be embarrassed about but you could not help but feel shy about it.

"Mmhmm! So all of them?"

"Yeah, all of them!" With ease, your shyness turns into giddy laughter as all you remember from your times on set. Recalling those tiny moments brought a small smile to your face. "Every day counted for me and that was enough."

"Oh absolutely!" Amelia chides, nodding in agreement. She quickly then moves onto the next question, "How long do you think you could last in the actual desert?"

"Oo that's a tough question," Lifting your fingers to rest on your chin as you try to contemplate an answer. "Ideally no- I feel like I could never recover from the heat."

"Yes yes, the heat's very intense,"

"Yeah- no I don't think I'd ever leave my house for that-" You shake your head nonchalantly, acknowledging how most of your scenes already were indoors. You could imagine how you would do in the desert of Abu Dhabi. It makes you appreciate the cast and crew even more for their effort to make filming more comforting and tolerable.

"Where would be your dream location to hang out? I'm assuming your home then since you prefer to say inside?" The blonde interviewer quickly catches on, eyebrows raising intrigued by your response.

Instead, you hummed bashfully, "Actually I think an oasis would be nice." The camera catches onto Amelia's face, fully fixated on you. "Which fits perfectly if I were to live in the desert actually!"

"Mm yeah, smart choice!" She responds more cheerily. "You can maybe go for a swim, you know-"

"Right right," You give her an playful look, "And you don't have to go thirsty!"'

"Absolutely, the best of both worlds," Amelia chirps, doing the same expression. "So this film centers a lot around dreams. Do you have vivid dreams of yourself?"

"Yes! I've uh- I've had many dreams of myself. I mean, this one, for example-" You turn to the camera, waving with the most adorable smile on your face. "'I'm living my dream right now!"

"You're living your dream right now!"

In another section of the premiere, you were walking down the carpet for press interviews and photography. The set where the premiere was taking place was gorgeously made in the shades of black and orange, the perfect theme of the film. The entire venue was outdoors, allowing you to feel the cold air and be more at ease in the crowded space. There were more paparazzi than you had expected, and you suddenly became aware that you were alone. Without any friend or acquaintance to accompany by, you searched aimlessly for a familiar face.

Then there was a holler. And then multiple more came after, it made you confused really. Your head swerves to the sound of the person you so try to look for and immediately you're struck in awe.

"Anya?!" In an instant, you're seen running towards your sister in the far back of the premiere wall. People were reluctantly used to fast-paced relocations around the carpet. Therefore most did not mind your hasty stumbles through the crowd. It was almost comical how apparent your demeanor changed when you heard her, in fact, videos and pictures caught all of it.

"Hi!" She beams in her white dress robe. Her makeup was glowing, making her skin seem angelic, and sheer without impurities. Her outfit covers her like a nun, covering her head and body in almost transparent cloth. Yet it flows around her so elegantly, almost like she was an angel from the stars. She squeezes your figure firmly, only after releasing to gush about your appearance.

You adored a beige sleeveless jumpsuit. The color is complimented with tiny designs of sparkle. Its seams captured your figure perfectly, as you also wore a gold chain and bulky rings. From the lighting, it looks as though your outfit is shining. And to be completely honest, you prefer comfort over the judging looks of fashion critics. Therefore you wanted to wear something that you could still move comfortably in. Thus you were able to run over to your sister with ease.

Through the other lens and camera, they could pick up some of her words after. "You look so gorgeous! How are you here?!" Anya's expression changes into a perplexed one as she gets a hold of your shoulders, shaking them back and forth.

"I was invited obviously, "You said, mimicking her voice while holding onto her arms on yours. "You didn't tell me you were a part of Dune!" Viewers from afar could tell you were pushing an act, reacting as though you were petrified about how Anya managed to be here in the first place.

"I didn't know you were either!" She giggled, closing in on your right ear. Your sister whispers to you slowly, trying to withdraw from the camera and recordings. "Villeneuve had mentioned something but honestly I just thought it was a joke."

It was your turn to guff. Your mouth opens wide flabbergasted, looking sarcastically offended. "Why would you think he's joking?!"

Anya scoffs lightly, wanting to go further with the joke. "I don't know- I just didn't take his word seriously,"

"Why? Because you didn't think I'd make it into the film?" You accused, eyes widening with a hand over your heart. "You're so cruel."

"So cruel," She smirks up at you, then moves back to be by your side. You see her face forward the flashing cameras, as you do the same. "Come! Let's take some pictures!"

"Your outfit looks beautiful by the way!" Anya Taylor muses, eyeing down at the fine details on your jumpsuit. "It's very... you!"

You give her a nod, before flattening some of the creases, "I thought this color was so exquisite, so I thought it would be perfect for the premiere." You lift your head to look at your sister, before realizing behind her, the upcoming stars of the film were getting ready to take cast photos. "Oh Anya- I think you should go!"

Your sister turns and then gazes back at you with a soft smile. "You should come with me!"

The thunder of cameramen and journalist blurred your focus for a moment. "Are you sure-"

Again the sound of your name is hurdled but this time from someone you haven't seen in a long time. Jessica Ferguson, who too wears a black body suit with veils and bold makeup. She waves her hand almost too eagerly to have you come closer alongside your sister. "Come, join us!"

Videos were filmed of the people gesturing to the cast of Dune in a line. Little by little, the row of people is filled and organized to be in the center of the camera's focus. Some actors had to move spots, due to lack of space or better color semblance on the other side of the row. You stood next to Jessica and Florence Pugh was beside your right, as you tried to stand closer for the picture.

Anya Taylor was on the opposite side, with Austin Butler and beside him, Timothee Chalamet. A noticeable clip taken all over was when the French actor went to greet the English actress, warmly, clasping her hand with both hands as a proper salute as on-screen siblings.

You did not mind the lack of attention. You were happy for Anya for achieving a great role. One with a welcoming cast and crew. It was then your eyes scanned down the row, from Zendaya to Stellan Skarsgard. Then to Austin, whom you've been familiar with since day one. Only him to find your gaze seconds later. You give a little nod and smile before averting your direction to Anya who is already staring at you with gleaming eyes.

You were going back and forth with Jessica and Florence on your travels for a while. From plans reception to favorite desserts, all you three wanted to talk about was food. Paparazzi caught onto your banter quickly and snapped a few photos. You even went out of your way to do silly poses. Followed by Jessica and Florence, then did the same, sticking their tongues out in a rock star kind of fashion. You throw out piece signs, giving a dramatic frown as another flash happens.

Catch-ups were definitely refreshing and fun. Thus why you nearly jump when Austin appeared behind you.

"Oh my gosh, hey!" You stuttered, giving him a quick hug to calm your nerves. "You scared me!"

"Sorry sorry! I just wanted to surprise you!" He leans his head slightly, allowing better eye contact. You felt a few taps on your shoulder and noticed Jessica and Florence scurrying away, with their thumbs up, all goofy and excited.

Your eyes make it back to his. "I would've said hi back at the cast photo, but you were so far away," Shrugging you dismiss your failure as a mild missed opportunity.

But Austin shakes his head in an averted manner. "No- Don't worry about it." You could already sense interviewers and others with microphones closing on you two. You were out in the open, and it's bound to happen. "I wanted to- you know, say hi to you in a less chaotic place."

"I tried looking for you but there's just so many people," You give your costar an exhausted look. It was then a keen young man approached the pair of you. It was the People magazine, as you became aware of the logo alongside their camera and microphone.

"Hey, would you two mind a short interview for People's magazine?"

Truly, this was what premieres were about. The cast and crew meet with fans to show what they have worked so hard for. You brought you no better satisfaction than to praise everyone's efforts. The interviewer then proceeded to have a quick introduction of you and Austin beside you. You both had separate microphones in each hand. Once the video started rolling, you peered at the camera and gave the audience a grin.

"So how are you guys doing? Met all of your lovely cast members yet?"

"Oh absolutely," You emphasized every syllable, nodding. Austin only glances at you in amusement. "It's crazy how many people are here I was so overwhelmed!"

"Yeah, it was pretty crowded," The male actor adds, lowering his microphone slightly.

"Hopefully it will die down!" The interviewer beams. "So what was it like getting to know each other in this film? How was the first day on set like?"

"Oh, well it went very smoothly," You start, staring up at Austin in approval. "Even though my time was short on set, I feel like we had a pretty good rhythm starting out."

"I was about to say! The scenes with Feyd and Lady Margot were really something!"

"Why thank you, we appreciate it," Austin nervously laughs, scratching his ear.

The interviewer takes the lead to discuss your preparation for the role and how it was working with Villeneuve. As new characters, you and Austin both talked about your views on both of your characters. Both are very different yet mysterious to the viewers. Additionally, you two were introduced in a similar scene of the pit fight. The People's Magazine interviewer was compelled to compliment Austin on his opening scene. You knew he had practiced the choreographed fights vigorously. And of which you were lucky to witness on the days that you were present.

"It was completely freeing and different than what I was used to doing," Austin probes, leaning toward your direction. "Were you there for the pit fight?"

"I think I was," You turn, similarly. "I remember watching from afar and thinking wow." Immediately you could sense him eagerly looking down at you with a sly smile. "He was- Austin did amazing with the fight choreography, I was impressed!"

"Was this the first time seeing him in full costume too?"

"Oh yes!" You bonked your hand on your forehead, "He was and I just- couldn't believe it was him!"

Suddenly Austin jumps in, "She was startled when I first came up to her in full costume."

"You came out of nowhere, by the way!" You rebutted, giving him a side glance.

"I didn't mean to," As he tries to reassure his actions, "I wanted to give a good first impression!" It was humorous how playful you two were together despite having dissimilar filming schedules. Though most of your scenes involved Butler, your friendship only became more apparent weeks after working together. It was off and on for months at a time due to being busy in other countries simultaneously.

Eventually, you were able to link up again weeks before the premiere. After waiting a long time to meet up, you almost felt relieved that you hadn't seen your costar in a while.

"And Austin, how was filming with her?! From a character's standpoint, what kind of dynamic do you see playing out?" The People's Magazine interviewer perks up, having the camera transition from his face to Austin's.

"Well I'd say, she's great. You know I've got to meet a lot of amazing people in this film. And," He says your name sincerely, "She's- she's one of those people. I can't say much for Lady Margot and Feyd's relationship- you know there's a lot of that's still not uncovered. We don't really know what's happening but kind of have an idea of something. And to have such a great actress like her, it makes everything feel authentic and- feel the tension." It felt as if you were in a daze, eyes completely focused on his words with such admiration and grace. Before you knew it, you were smiling as if you had won the best possible prize in the world. His compliments to you meant more than you had anticipated really.

Unbeknownst to you, the cameraman had caught your lovestruck expression before directing attention back to the interviewer. "And how about you, Miss Margot?"

"I'd say it's the same," Now looking at the interviewer, only momentarily back at your costar. "Austin's- he's great at all the stunts and acting like a scary dude. Every scene with him was fun to do. Like he's all serious in character but once they yell cut! he's so nice and funny!" Your bubbly laugh breaks as you can feel your face growing hot.

"Well I appreciate you liking my humor," Austin pokes fun at you, fanning a little air towards you.

You mutter a soft thank you! before continuing, "And he's dedicated you know? I remember one scene, a little spoiler, where Feyd is about to be tested by Lady Margot, and I just couldn't do it! I couldn't keep a straight face!"

"Really?!"

"She just kept breaking, I don't know why," The actor shrugs, his attention closely drawn to you. "We had a few takes on a few days."

"We did! We did!" You gave a big frown, "You just have a really distracting face."

"Do I?" Austin asks, between the lines of teasing and coolly.

By the time, other premieres had occurred, people were still focused on your interactions with Austin Butler. Your chemistry on and off screen on the carpet was hilarious. And with how polarizing your characters were, it made many clips of your shared encounters gain attention.

A few short videos were recorded after the People Magazine interview of you and Austin, bashfully talking behind the stage. The two of you went back and forth whispering in each other's ears about what was unknown to the viewer. Through a bird's eye view, the video also catches you hugging your arms before zooming in on Austin's placing an arm around your figure.

Another clip that had been reposted many times was when you both took duo pictures together. As you comfortably shift your weight on one leg, as you turn to have your side face the flashing paparazzi. Whilst the Elvis actor stands beside you at a pleasant distance, doing the same pose to the other side. There was one instance where you lifted your head to make eye contact with your eyes instantly brightening. As Austin's smile widened, only to blow air in your face.

[prissygrlsorority]

everything you need to make your own personal beauty binder 🎀

disclaimer: this post is heavily inspired by @tomb-of-ligeia and @daphne-dauphinoise, and early 2010s beauty youtubers. it’s always kind to credit your inspo <3

inspired by the lookbooks and makeup charts used by makeup artists designers at high fashion runways shows and childhood bratz coloring and activity books. the law of attraction is at use heavily with this binder (writing down goals and wishlists)!

you should be keeping diy recipes you find in here.

*you don’t need a physical binder. some people function better with digital mediums. i prefer anything physical and concrete. but you can do all this in something like a notion, or your notes app, etc.

why? 🎀

a cute girly hobby (esp for type A, anal retentive, or analytical personalities/extremely creative, hands on people) to keep track of your routines, motivate you to keep yourself maintained, and figure out what works best for you. it’s nothing too serious, just a girly pastime for people that maybe buy too many products, slip up on routines, or don’t what looks best on your features. have fun!

what to record in your binder? 🎀

an intro sheet 10 different topics divided by tabbed sections: your personal features, makeup, body, fashion, skincare, hair, fragrance, nails, treatments/procedures, salons/spas/referrals/contacts 🎀

intro sheet 🎀

here, you should keep your goals, desired look, and how you want to perceive yourself.

your personal features

a chart of your color season. mine is cool winter. you can use color season for whatever, i choose to apply it to my makeup.

your natural body shape. this will help you choose the best clothes to flatter your silhouette.

a close up, unfiltered clear photo of your bare face. note your skin type, color, undertone, and any other things that stand out to you.

note what you wanna enhance and what you wanna improve. this will help throughout your binder.

makeup

put on a light layer of every lipstick/lip gloss/etc. you have and make kiss shaped swatches in your binder. note the shade, brand, and finish. then the mood/occasion in which you’d wear it.

swatch all your lip liners, again leaving the details of the product.

swatch your foundation shades. note the finish, name and brand.

make a sheet dedicated to all your “holy grail”, essential products.

swatch your eyeshadow palettes. i have all my shimmer pigments swatches and it’s the prettiest thing to look at.

do you have any go to makeup looks? your casual look, going out look, no makeup makeup look, etc.? do these looks and take high quality pics. make personalized face charts by printing them out and noting the steps and products you used.

take c*nty pics of your lashes after trying on all your mascaras/falsies. note the effects and when you would be most likely to wear them.

print out any pics of interesting makeup looks and products you wanna try.

try on lip combos and kiss swatch them. i’m doing this because i do amazing lip combos all the time but i forget which products i used, and it’s hard to replicate the look.

body

take a stick figure-esque picture of yourself and print it out. any outfit you want to buy, print and clip it out first and see if it’s something you’d wear and actually like.

are you experiencing any skin issues on your body and trying any products? keep track of the issue and how the products are doing.

if you don’t already have one, brainstorm workout routines and general wellness/fitness goals.

what are your fav body products? what products did you buy, and hate? TRACK THEM!

any detoxes/diets you’re doing should be recorded in this section.

record “beauty enhancing” foods and drinks here. mine include matcha, lemon water and acv shots.

fashion

outfit planning! take pics of pieces you already have and clip them out. (i’m doing this currently and keeping them all in a little pocket in my binder).

make a moodboard of your personal style(s). how do you want your closet to look? try to see what details, colors, additions are consistent throughout. when shopping, these are what you should keep track of.

print out your signature clothing color palette if you want to have one.

dedicate a page to accessories you have/want, and how you’d style them.

*this can be expensive but the fashion girls will prob love this* go to the fabric store and buy little swatches that you like. take note of what the fabric is and why you like it.

dedicate a page to all your signature details. all the little specific things that scream YOU and NO ONE else! that means do not write pink, girly, etc. here. that is not exclusive to you, hun.

skincare

take a current filter free photo (make it glam! tie your hair up in a ballerina bun and put on some cute earrings) of the state of your skin. if your skin is perfect, i’m jealous and how does it feel to be god’s fav? if not what problems are you experiencing?

log your current skincare routines and how they’re working.

make a page for your skin type, how it feels when you wake up and how it feels and looks by the end of the day and research tips to deal with your personal skin type.

skincare wishlist! list any products you wanna try and what they are for. sample them from ulta or sephora if it’s possible.

dedicate a page to the skincare ingredients your skin loves the MOST! mine are retinol, bha, and vitamin c.

i have a page for all the extra cute little skincare devices i want. on it there’s a stainless steel gua sha, an ice pack, facial steamer, and pink foreo.

hair

what’s your hair type, density, porosity and curl pattern?

write down any hair goals you have. mine is frizz free tailbone length caramel brown hair with honey blonde highlights by the end of this year.

what’s your signature hairstyle? do you have a signature? brainstorm here.

clip out hairstyle inspo from pinterest and insta and try to recreate all the looks!

what are your fav hair products? i keep track of the best curling creams and leave in conditioners for my hair personally.

take note of any trending products you wanna try.

fragrance

make a moodboard of how you wanna smell. after this, research notes and how they work together.

now track your fav perfumes, your most complimented, etc.

note what fragrances go with what occasion and how they make you feel.

make your perfume wishlist! my fav part!

nails

swatch all your polishes. label them and their finish.

what’s your signature/go to nail look?

do you have any pics of your fav mani + pedis? print them out and write the details you loved the most.

write down your at home mani and pedi routine and it’s frequency.

write your fav colors and styles to wear on your nails. mine are glittery pink, pale pink, white, cream, french tip and pink frenchie. a hyper girly twist on the classics.

treatments/procedures

take note of any surgeries or procedures you want done and what they do.

anything you leave the house to have done regularly, keep track here.

don’t limit yourself! forget your budget! what are some high maintenance treatments you wanna experience? manifest it.

references

write down the sources of which you find great info for beauty and fashion

keep addresses of your fav salons and spas.

keep business contacts of your fav estheticians, stylists, nail techs, etc.

use my branding yourself guide to assist in your beauty binder! so much inspo and so many good resources! 🎀