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thisapplepielife · 6 months

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Written for the @steddiemicrofic April challenge.

All Alone

April Prompt: Fool | Word Count: 454 | Rating: T | CW: Fear of Mortality, Prior Parental Loss, Prior (Unnamed) Health Problem, Anxiety | Tags: Eddie POV, Established Relationship, Long-Term Relationship, Steve Harrington and His High EQ, Beloved Wayne Munson, Everybody Lives, Happy Ending

The overhead light in the bedroom flickers on, and Eddie buries his head deeper into the pile of pillows on the bed.

He's not getting up.

"Eddie," Steve says, gently. Quietly.

"I'm fine," Eddie mutters from under the linens, but he's sure he's not very convincing.

"The hospital called," Steve says, and Eddie's whole body tenses with blinding, overwhelming fear. "Wayne can go home tomorrow. After lunch."

And it's good news. Something to celebrate. But something catches in his throat and he chokes out a sound, somewhere between a whine and a cry.

He's a grown man, unable to get out of bed, and he feels like a fool.

"He's fine," Steve says softly, sitting down on the bed, rubbing Eddie's back.

Sure, Wayne's fine. For now. But someday he won't be. Someday Eddie will be all alone, and the weight of that knowledge suffocates him. The fear of it. The inevitability.

His mom is dead. His dad is dead. He has no siblings. Grandparents, all dead. He has Wayne. That's it. That's all that's left of his family. Wayne, the only connection left to his childhood.

Wayne, keeper of the memories, answerer of the questions.

"Hey, remember when…"

And Wayne will remember.

"And what was…?"

And Wayne will know.

But Wayne will go someday, and he'll take those secrets with him.

Then, Eddie will have no family left.

"Eddie," Steve says, "talk to me."

And he can't.

He can't tell Steve, the love of his goddamn life, his family, this. Steve is his family. He is. They've chosen each other. Over and over, year after year.

Steve's his future.

But he's not his past. Not his beginnings, even as fucking rough as they might have been, more often than not.

"Honey, he's okay. I promise," Steve says gently.

It's foolish, this preemptive mourning. This wallowing.

"Wayne's gonna die someday, and I'll be all alone," Eddie chokes out, and he hopes Steve doesn't take it the wrong way.

He doesn't.

"I know how scary that is," Steve says, and Eddie relaxes. Steve probably does know. He's an only child, too. With only his mom left, now. It's scary.

Maybe they can be scared together.

A week later, Wayne's on the couch, recovering, and Eddie is buzzing around the room.

Steve's sitting right next to Wayne, notebook in hand. Taking extensive notes. An oral history.

Steve won't ever have been there, but he'll have Wayne's own words to reference.

"...and the little fool thought he could drive my car. Couldn't even reach the pedals. Rolled it right into the shed," Wayne says, and Steve laughs.

Eddie had forgotten that.

And Eddie smiles, standing in the kitchen, listening to his past share secrets with his future.

If you want to write your own, or see more entries for this challenge, pop on over to @steddiemicrofic and follow along with the fun! ❤️

#steddiemicrofic #steddiemicroficapril #stranger things #steddie #steve harrington #eddie munson #wayne munson #thisapplepielife: short fic #thisapplepielife: steddiemicrofic

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animeyanderelover · 1 year

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Another request in case you will close the request in a few hour ! Can I ask for midoriya , hawks , aizawa , shigaraki and shoto ( separate ) with a quirkless darling that is smart ( like really smart , both EQ and IQ ) and she want to make the world a safe place again ( like for everyone , both heroes and villain ? ) by erase all quirk in the world by using all for one ?

I feel like it's been a good while since I've last written for Mha.

Tw: Yandere themes, unhealthy mindset, unhealthy relationship, possessive behavior, obsession, delusion, clinginess, manipulation, isolation, abduction

The world will be a better place

Izuku Midoriya

💚Being quirkless in today’s society is almost an invitation for being made an outcast, Izuku has experienced that for himself. If it wouldn’t have been for All Might choosing him as his successor, he’d still be the quirkless boy from back then. Perhaps it’s his bad experience that makes Midoriya that much more protective over his s/o when he finds out that she’s also quirkless. Even if it may not bother you that much as you’ve accepted this a long time ago, Izuku is still very worried. He seems to be constantly afraid that you’ll be bullied in your everyday life and discriminated. You’re put on a high pedal as your boyfriend/admirer is a worshipper constantly praises you as if assuming that your lack of a quirk would make you feel insecure. You know that he means nothing bad by doing so, it’s today’s society that has brainwashed him into believing you’d feel neglected and different for possessing no quirk. That’s why you have to fix this problem with the quirks.

💚Your exceptional intelligence has always been praised by him. Your smartness makes you special and Izuku never considers your high intelligence as something scary. You’ve never considered telling him about your plans, he’s too big of a fan of heroes to ever let that happen. Instead he finds out via going through your stuff as the obsessive person he is, his hands starting to shake when he reads your notes. He confronts you as soon as he sees you and you stay frighteningly calm whilst witnessing how he slowly loses his composure as you explain to him why you plan to do so, dismissing his arguments as he’s irrational due to being a fanboy, a supporter. A few of your arguments, he understands but Midoriya still has hope for being able to make the situation better, foolish and naïve optimism in your eyes. He gets really upset during the argument as you essentially try to overthrow his entire belief. As much as he loves you, he can’t let you proceed with your plans and even as he restricts you, he claims it to be in your best interest.

Shoto Todoroki

🔥❄️Shoto is very paranoid and overprotective with you. It’s just very rare nowadays to meet someone who doesn’t have a quirk to the point where it’s seen as abnormal and. The curious stares you get when you tell others that you possess no quirk agitate him, the hushed whispers behind your back pitying you nearly make him go mad. It’s so bad for Shoto that at one point he doesn’t want to take you outside anymore and if only if he’s with you so that no one may try to take advantage of your helplessness. Whilst you are very nonchalant about it, Shoto overthinks it and worries enough for the both of you. He just hates how people throw glances your way, neglect and underestimate you or treat you like a rare species all because you have no quirk. He’s protecting you because he loves you on the other hand. That’s what he believes at least until you point casually out that he’s dismissing you as a damsel in distress due to your lack of a quirk too. He argues instantly with you because this isn’t true at all.

🔥❄️But you dismiss his panic, tell him that it isn’t his fault because society has just brainwashed everyone into believing that quirks are a good thing. It’s the first time you’ve spoken up about your own view of things and it disturbs Shoto when you admit that you think quirks should just disappear since it only brings suffering. Obviously he is, poor boy doesn’t know any better after all. He does his best to argue back and counter your arguments but when you mention how his own father abused marriage to create a stronger quirk, he falls silent. You’ve hit the sensitive spot and you’ve done so on purpose. You’re so cruel. Have you always been that way? He’s confused, angry and sad, feels betrayed that you purposely mentioned his own past just to make him shut up. You notice though, warm hands cupping his face as you reassure him that you didn’t mean to hurt him but find it unfair that innocent people like him had to suffer for the greed of stronger quirks. After that day he locks you away in your room, shocked of your belief and unsure how to feel about you but still painfully aware that he needs you.

Aizawa Shouta

💤Aizawa has always known about your critical view on quirks, on heroes and villains and today’s society and both of you have engaged in a couple of heated discussions about it. You don’t possess any quirk of your own yet your genius-like intelligence has scored you a good-earning job and that’s something your boyfriend is proud of. You don’t need any special power to be happy and you pride yourself on that just as much, you’ve never felt insecure or seen yourself as something less. You’ve also made it very clear that you refuse to be coddled over or to be treated like a helpless lamb just because you have no powers so you always point it sharply out to Aizawa the moment he starts acting too protective, unconsciously worrying as he does see you as more defenseless. As much as Aizawa admires your intelligence though, he knows that the sheer level of observation skills and knowledge how to manipulate someone is frightening at times as your words keep him sometimes up at night.

💤The situation escalates between you two when the League of Villains gain more and more prominence and fully breaks when the Paranormal Liberation Front launches it’s attack, devastating Japan and leaving the citizens shattered. Aizawa himself gets injured during the attack and as soon as he’s able to leave the hospital, you inform him of your plan. You’ve had enough, quirks are the worst that ever happened to humanity. Now, your boyfriend has always known about your judgement of quirks but when he hears that you plan to use All For One for your plans, he’s shaken to his bones. That man is more monster than human, you can’t possibly expect to use him for your own purposes. Not to mention that erasing all quirks forever is lunatic. Both of you get into a heated argument where you cruelly throw facts after facts at him, mention how citizens have turned against heroes due to the toxic expectations. At one point Aizawa has to restrict you physically by using his scarf, your disappointed but pitiful look you give him sure to haunt him for a while.

Keigo Takami

🪶This would be a rather difficult relationship because Keigo actively tries to have you take a seat and let him do all the stuff precisely because you have no quirk of your own. Obviously he adores his sweet songbird but he also can't deny that he'd just love it to have you be safe in his house all the time and let him provide for you. His way of thinking collides harshly with yours as you refuse to be treated this way only because he thinks you'd stand no chance against a villain or anyone who would search conflict with you, especially since you are his lover. Both of you butt heads with each other often due to your different ways of thinking and Keigo can't deny that he likes how spunky and fierce you are, he thinks it's cute. At the same time he is genuinely convinced that he's right though, something that you very much hate about him. Still, you tell yourself that he's ultimately just another victim, especially considering how he even became a hero in the first place.

🪶You warn him about All For One and the League of Villains yet he as well as the government believe that everything can still be brought under control which makes you lash out when the Paranormal Liberation Front brings havoc across cities and the reputation of the heroes takes a huge tumble. That's when you propose your idea to Hawks, something you've been thinking about for a while now. You don't expect anything else than his immediate rejection of your idea as he believes that quirks will be the thing that will save them even if it is the complete opposite. How do you even plan to use All For One for your purposes? Do you know what the government would do if they were to find out? He won't listen to you, he won't take you seriously. As always. So you're through with him, willing to leave to do what you have to do. Only that Keigo stops you in your plans, forcefully restricting you, locking you away. He's a bit sorry but he also does what he deems to be the right thing.

Tomura Shigaraki

✋Your relationship with Shigaraki comes to your own advantages, even if kidnapping wasn't plan of it. You manage to shape everything to your own liking as Shigaraki is initially easily manipulated, clingy and bratty around you and greedy for any affection you can give him. Obviously he thinks that he has to protect you considering your own lack of a quirk and you hate that attitude but you deal with it in favor of gaining more information on All For One and his quirk. To your luck the notorious man notices you too because even if you don't have any quirk, your intelligence is outstanding. You were the one who made special gloves so that Shigaraki could touch you without you disintegrating and your own view on society amuses the old man. You're still careful around him as he seems to sense that you have something planned involving him. When the heroes manage to catch and imprison him, you have a small problem, especially since a distraught Shigaraki glues himself to your side more than ever after.

✋Shigaraki himself becomes a problem when he regains his memories and suddenly acts much more mature which means your coddling attempts to manipulate him don't work anymore without him noticing. Instead he addresses you about it with a sudden awareness he didn't have before. You have no choice but to admit to him what you've been planning for a longer while now, stepping cautiously back as if anticipating him to lash out like he has done often before. Yet nothing happens and he only looks at you, although you sense from his body language that he's angry and hurt. When he asks you if you've only used him so far, his hands fidgeting, you decide to be honest with him. Yes, you have been partially using him but you've started fancying him as of recently too, your plans would grant him a normal life too. You're locked away still, you've broken his trust after all. You're not afraid though, well aware that Tomura loves you too much to get rid of you.

#yandere my hero academia #yandere mha #yandere boku no hero academia #yandere bnha #yandere izuku #yandere izuku midoriya #yandere shoto #yandere shoto todoroki #yandere aizawa #yandere aizawa shouta #yandere hawks #yandere keigo #yandere keigo takami #yandere shigaraki #yandere tomura shigaraki

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fuzzkaizer · 2 months

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Maestro - W-2 sound system for woodwinds

"In an age where more and more pedal companies are cropping up and more and more esoteric circuits are resurrected to broaden the total tonal spectrum, it’s surprising when new old circuits crop up. Circuits like the S. Hawk Tonal Expander and SRS EQ Exciter ended up enjoying their time in the spotlight by virtue of being undiscovered one-off devices. But it’s even rarer when one such circuit hides in plain sight, but stays obscure for one reason or another. This is the Maestro W-2.

To be clear, there’s a definite reason why the W-2 didn’t get much due, and we’ll definitely get into that. And there’s a strong possibility that you, the reader, have actually heard of this unit. But the Maestro line is well celebrated in gear circles, both from its individual units and clones of more obscure devices becoming more popular than the originals (the DOD Carcosa becoming more well-known than the FZ-1S, for example). Instances like this are becoming less and less common, but there’s at least one more unit in the Maestro line that I don’t think many folks are talking about—stay tuned for that.

However, the W-2 remained in relative secrecy for three reasons, chief among them that it’s designed to be used in conjunction with a woodwind instrument (saxophone or clarinet) and special pickup. This generally implied a couple things: One is that the unit would only be purchased by reed effects enthusiasts or studio owners. Secondly, if you lose the pickup you were well out of luck. Even though a handful of units at the time used the same pickup, later models didn’t include the strange output configuration, making them harder to find as time goes by.

The second reason for the lack of recognition is the fragility of the unit itself. Finding them in good working order is a difficult feat, and finding someone to work on them is harder still. The units are notoriously hard to repair; because they feature a handful of moving parts, finding replacements can prove difficult. This leads right into the third reason.

Plugging a guitar into the W-2 is not feasible unless you provide some outboard equipment, which isn’t included with the unit, nor did Maestro offer such a device to make this conversion. Essentially, your guitar outputs a signal that’s low, relative to the expected input level of the woodwind mic. Such a device is a simple preamp booster, which Electro-Harmonix had been offering for a handful of years, but Maestro did not provide such an offering, and made no effort to divulge this info to non-woodwindists. To make matters worse, the input jack is a eighth-inch type, so you had to chase down an adapter.

In short, there just weren’t many of these produced, and the pickups were similarly scarce. When trying to redeem the value of the W-2 with a guitar, players will wonder if they’re connecting the device up properly at all, and when no sound comes out, they’ll assume the unit is broken. And given its reputation, that’s the end of the line. It’s a perfect storm for cult status, really.

Knowing this, once everything is hooked up and dialed in, you’re treated to a rich synthy sound along with many different horn emulations. Like the USS-1 in the same line, the W-2 is multi-effect unit, but unlike that unit which sought to transform the guitar into some type of malleable synth spectre, the W-2 cleanly emulates a variety of instruments, while adding tone controls for each section and a nifty tremolo section.

Much has been made about the relative limbo of this unit, as well as the limitations and the lengths that one must traverse to simply connect an instrument. But like many other obscure devices from this era, this particular one was used by Frank Zappa and the Mothers of Invention. Though many things are mistakenly attributed to the man’s sound, the Maestro W-2 is not one of them. Zappa’s clarinet section ran into the W-2 and through a particular patch called “Oboe D'Amore” on “Dog Breath in the Year of the Plague,” from 1969’s Uncle Meat.

While Zappa actually used clarinets to generate those tones, you can thank that simple fact for keeping the prices of the W-2 at relative bay. Had he plugged his guitar into one, the prices on these would be ten times as much and one might not have found its way into the cabinet, and the knowledge of its existence into your head."

cred: catalinbread.com/blogs/kulas-cabinet/maestro-w-2

#maestro #W-2 #external footswitch #desktop-unit #sound system for woodwinds #kulas cabinet

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technician-the · 8 months

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Boss Metal Zone MT-2, tear-down photos, with schematic.

possibly the worlds most common pedal, the metal zone has had a pretty bad reputation, but I actually like it, in the right circumstance.

the metal zone has a very strong pre-eq that mimics the pre-amp tone of a Marshall or fender. I assume this was intended to give a cheep solid state practice amp the tone of those classic amps.

(chart of the frequency response, and schematic of the first stage of the MT-2)

it was common for early solid state amps to be more linear then a fender/Marshall, which have a very pronounced high end bump. (this is a result of the non-linarity of the tone control.) the high end bump can be flattering to a lead guitarist, and necessary to get a screaming hi-gain sound.

if the metal zone is placed before an amp that already has a pronounced hi end, it is going to sound very bad. I prefer to use it directly into a DI box, but it can also be run straight into a power amp with good results.

I'm in the process of modifying this particular pedal, and converting it to a rack mount distortion, to better fit my recording process.

#electric guitar #guitar pedals #guitar #guitar effects #effect pedals #distortion #diy electronics #electronics #technology #tech #diy music

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pedaloftheday · 6 months

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youtube

After a whirlwind break, we're back today with the incredible Toneshaper Drive, an EQ & Overdrive pedal from Artisanal Effects!! With a wide-ranging drive side and a 6-band EQ side, it's a cinch to dial in your perfect sound in minutes - full demo below, cheers!!🤘🔥🎛

#pedaloftheday #artisanal #artisanaleffects #toneshaper #overdrive #overdrivepedal #EQ #eqpedal #effectspedals #pedalsandeffects #guitar #effects #pedals #knowyourtone #guitareffects #pedalboard #guitarist #Youtube

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thekingofgear · 10 months

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We've made a new pedal!

youtube

Here's the first teaser for our new Pitch Magpie pedal, a pitch shifter that aims to capture the best of the weirdest pitch shifters from the 90s...

Background

For the past couple years, we've been trying to make a delay-based pitch shifter that sounds good. It hasn't been easy. There's a reason that most pitch shifters have switched to FFT-based algorithms: latency. There's a reason the monophonic Whammy is more popular than the delay-based PS3. Usually, to make a delay-based shifter sound decent, you need to use long delay times, which creates some serious latency. That's fine for organ type effects, but it can be pretty limiting. In contrast, reduce that latency too much and you've got a metallic ring mod, especially on the lowest string of the guitar. But with some tweaking and some crossfade tricks, we think we've found the perfect middle ground. And although there's still a tiny bit of lag, you probably won't care once you add the filters or vibrato haha!

Why filters and vibrato? Well, when I have used those old delay-based shifters, I always thought they sounded best when combined with other pedals — especially for creating special effects! So I though: what if those effects were combined with the shifter? Not just slapped on after the pitch shifting circuit, but actually integrated into the circuit, so that turning up the feedback ("overtone") effects the filter or the vibrato too. The results were even better than we hoped! Sure, it's nice that the pedal can double as a random chorus or a modulated highpass with the pitch shifter section disabled. But turn on the pitch shifter, and the resonance of the filter and the overtones of the pitch shifter start to interact as you turn up the feedback. And if you set the shifter near minimum with high feedback, you get all sorts of comb filter effects. With just a few knobs, the possibilities are really surprising!

Features

It's hard to express how many ideas and variables we packed into the Pitch Magpie. But the three modes are a start. Each is based around the same core pitch shifter, but each offers a unique effect:

Glis Mode (“glissando”) generates an auto-slide, adding a pitch slide when the input signal goes over a certain threshold (think: Hounds). The slide time is controlled by the param knob, which also selects between two slide shapes (basic or U-shaped).

Res Mode applies a resonant filter, selectable between lowpass and highpass with random modulation options. There’s always a bit of resonance, but turning up the overtone knob adds even more, with feedback and oscillation at extreme high settings.

Vib Mode applies vibrato to the the wet signal. Setting the pitch knob to center bypasses the pitch shifter, allowing you to create chorus effects by blending the dry signal. It can even work as a random vibrato (tape warble) with the param knob at max.

With all of our pedals, we try to keep the controls as concise and performance-friendly as possible. We could easily make this kind of pedal with a ton of knobs. But we wanted to find sweet spots and make it quick to move between them. Though we also made sure to give enough adjustment for things to get weird!

The Pitch Magpie's Param knob on takes this idea to the extreme. The knob is most dramatic on the Res mode: left of center, it controls the frequency of a lowpass filter; right of center, it controls the frequency of a highpass filter. But set the knob to minimum and it randomly modulates the frequency of the lowpass. As maximum, it does the same for the highpass.

The Pitch knob is quantized to the semitone, offering 31 distinct settings. For continuous pitch control (for whammy-style effects or microtonal adjustments), the expression input can be used.

As on the Oxford Drive and EQ-201, the footswitch is configured for “flexible” bypass. Tap the switch briefly to turn the pedal on and off. But hold down the footswitch, and it was act as a momentary switch, keeping the pedal active until you release it. This seems particularly useful with this pedal, especially on more chaotic settings. You can also alternate the default bypass state of the pedal by holding down the footswitch while plugging in the power jack.

#Pitch Magpie #pedals #guitar effects #guitar pedals #Youtube

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guitarbomb · 8 months

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Vox Valvenergy Series 2 Pedals: Featuring Nutube Technology

Vox amps are legendary for their rich, tube-driven sound. Now, the Valvenergy Series 2 Pedals bring that classic vibe to your pedalboard. Vox Valvenergy Series 2 These new additions – the Power Burst, Smooth Impact, Fuel Injector, and Tone Sculptor – are loaded with the revolutionary Nutube technology, ensuring each pedal mimics the response of a traditional tube amp. Previous models from 2020…

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#buffer #compressor #Fuel Injector #graphic eq #graphic equalizer #NAMM #NAMM 2024 #Nutube #overdrive #pedal #Power Burst #Smooth Impact #stompbox #Tone Sculptor #Valvenergy Series 2 #video #Vox #YouTube

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burritosandpeppermint · 1 year

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UUUUGGGGGHHHHH

uuuuggggghhhhh

I'm not 100% sure how we got back here, folks, but I'm 100% obsessing over music and guitars for the first time since I was a teenager.

Guys...it's bad.

And for those who've known me for a long time here you may be hearing about this for the first time, but I could not get enough of playing guitars, reading about guitars, and listening to as much guitar music as I could when I was a teenager.

Could I actually play? Not really. I mean, not if you're talking about any lessons at all or trying to learn from a book or anything. I just kind of picked it up and kept playing around for years, just laying down riff after riff and playing with solo after solo. Just fucking around.

And then, eventually, I needed money and didn't have space anymore and I had to sell everything. I thought that door was closed by the time I was in my early 20's, starting to really work for a living and trying to live an adult's life. I looked back on those years a bit wistfully but with a real feeling that I had left childish things behind me...

Until the last month or so. I think I can point the finger squarely at us attending the Guns N' Roses show. Even with 100° F heat and me wishing that I had brought my earplugs I got swept away with it all, specifically with Slash. He'd change guitars regularly, usually for something that I was familiar with him playing. After the show I got curious and looked up his gear online to discover the web pages devoted to his guitars and his playing in general. Then I started Googling some guitars to see if they're still around, and any variations...and how have amps changed in the last 25 years...oh, emulators sure have come a long way...and they're fairly affordable...and while Fender's lineup has changed significantly since the 90s they still have a lot of decent guitars at reasonable prices...

All the while I'm also getting back into bands and songs I haven't heard in up to decades, just gorging myself on all the 90s rock I also "put away" at some point in my 20s, like one of my favorite bands, Hum, and getting into groups I could have really dug at the time, like My Bloody Valentine, and exploring newer stuff like finally getting more into Red Fang's discography...and then new bands and sounds spiraling off of those listens and searches...

And guys...GUYS...since I was into guitars this whole internet thing exploded, so I can hear guitars and amps and pedals and interviews that simply weren't available to me when I was previously obsessed. I can get a far better sense for things than driving an hour away to the nearest Guitar Center only to keep my hands in my pockets as I look at gear and equipment, too afraid to do anything in public, eventually going home and noodling by myself for a while.

And did you know that there are a ton of free or paid online classes where you don't have to interact with a human if it makes you feel self-conscious or anxious? And did you know that the Fender Mustang Micro Amp can fit in your pocket, has some EQ and preset sound options, a headphone jack, and can plug directly into your computer? And it's only $120 for an amp that's more versatile than the one I had 30 years ago AND it can help you can basically use it as a direct-to-computer recording device? And, holy crap, but GarageBand, while simple, is still a very competent recording suite and it's just free, right there on my Mac and everything?

Okay, breathing.

Because this is how it goes for me. I get all interested in something, all wound up, and I imagine how cool things can be, what I'll do, how things will turn out, all with an overactive imagination, until I'm just done with it and I move on. Except I don't know if I move on because I never follow through or if it's because I just fixate on things in a capricious manner. If it's because I never follow through then I should change that by following through (hello, writing ideas from five months ago that turned into nothing). But if it's because I'm capricious then I should just let it be and it'll ride itself out.

Now: how can I tell the difference without a lot of time, money, and effort? That's the question.

But it's been kinda fun as a weird hobby, just looking and reading and watching and listening. Maybe the fear of disappointment will be enough to keep me away from actually doing it, which isn't great, and maybe I should pursue more things that I think will bring me joy, even if I never truly get into it or keep it going for long, because life is short and pursuing happiness should be one of life's goals.

#if you're new to me this kind of ramble will happen about once or twice a month #no need to do anything about it #just getting some thoughts out in public #guitars

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