Le bâtiment du Daily Telegraph, 49 Tennyson Street, Napier, Nouvelle-Zélande, conçu par l'architecte Ernest Arthur Williams en 1932. - source Mary Tampakopoulou via Art Deco.
Peter Shumlin, Jim Douglas, Phil Scott, Howard Dean, Deane C. Davis, George Aiken, F. Ray Keyser Jr., Franklin S. Billings, Charles Manley Smith, Richard A. Snelling, Harold J. Arthur, Horace F. Graham, John A. Mead, Joseph B. Johnson, Lee E. Emerson, Thomas P. Salmon, William Henry Wills, Mortimer R. Proctor, Ernest W. Gibson Jr., Robert Stafford, Philip H. Hoff, Allen M. Fletcher
I was going through my books, trying to decide what to read next, when I noticed that I had a lot of collections of short stories.
So i've decided to play a reading game.
I've written out a list of all of the short story collections I own and given each a corresponding number. I'll roll a die and I'll read a random story from a collection with the corresponding number. The goal is to read my way through the list and sample how each writer approaches short story writing. Some of these are writers I've read novels or novellas but not short stories, some I've read other stories, and some I've never read anything from before.
Here's the list with corresponding numbers, 17 collections from 17 writers from various genres and eras.
1. The Complete Solomon Kane by Robert E. Howard
2. The Short Stories of Ernest Hemingway
3. The Best of Richard Matheson
4. The Complete Western Stories of Elmore Leonard
5. Poseidonis by Clark Ashton Smith
6. Books of Bloods Vol.2 by Clive Barker
7. The Complete John Silence Stories by Algernon Blackwood
8. In the Land of the Lost and other Fantasy Stories by Lord Dunsany
9. A Song for Lyra by George R. R. Martin
10. The White People and Other Weird Stories by Arthur Machen
11. Vathek and Other Stories by William Beckforth
12. The Complete Fiction of H.P. Lovecraft
13. The Last Wish by Andrzej Sapkowski
14. Tales of the Jazz Age by F. Scott Fitzgerald
15. Departures by Harry Turtledove
16. Night Shift by Stephen King
17. Dracula's Guest and Other Stories by Bram Stoker
today, January 1st 2023 marks the day all works published in the year 1927 enter the public domain! This includes books, movies and music.
Here are a few of the most famous and important works entering public domain today:
The final two Sherlock Holmes stories by Arthur Conan Doyle. You likely have heard something about this, while the character of Sherlock Holmes has been public domain for many years a handful of stories in Conan Doyle's last collection of Holmes stories, The Case-Book of Sherlock Holmes, published in 1927 remained under copy right. The famously litigious Conan Doyle Estate Ltd has used it's control of these copyrights to pressure movie, TV, and even authors to pay them when using the public domain character of Sherlock Holmes or adaptations of public domain stories. Well finally the last of their copyrights have finally run out and you can publish a collection of all 56 Sherlock Holmes short stories (and 4 novels) if you want, or use elements from these final stories in your own Sherlock Holmes story and the Conan Doyle Estate Ltd can finally go fuck itself.
speaking of detectives, the first 3 Hardy Boys novels, The Tower Treasure, The House on the Cliff, and The Secret of the Old Mill are also entering public domain, as such you are free to include Frank and Joe Hardy in your own work of fictions, but be careful to stick to their characterization from these first 3 books.
other exciting books entering the public domain today are, To the Lighthouse by Virginia Woolf, Men Without Women (a short story collection) by Ernest Hemingway, The Big Four by Agatha Christie (big year for detectives huh?) Mosquitoes by William Faulkner, Twilight Sleep by Edith Wharton, The Gangs of New York by Herbert Asbury, Der Steppenwolf by Hermann Hesse, Amerika by Franz Kafka
in terms of movies one of the most famous silent films ever made and one of the most visually iconic, Metropolis directed by Fritz Lang will reenter the Public Domain, The American copyright lapsed in 1953 making the film widely available and allowing for versions with material that had been cut from the 1927 version to be published in the 1970s and 80s. However under an international copyright agreement the film was returned to copyrighted status in 1996. But Today it's back back back again in the Public Domain!
Other exciting films entering the public domain are The Jazz Singer the very first "Talkie", Wings the very first Academy Award for best picture (or "outstanding picture" as it was then) The King of Kings directed by Cecil B. DeMille, Sunrise directed by F.W. Murnau (his first American film!) and The Lodger: A Story of the London Fog first first thriller directed by legendary director Alfred Hitchcock
the musical Show Boat by Oscar Hammerstein II will also enter the public domain with songs like Ol’ Man River, the musical Funny Face, and Good News with songs like Funny Face and The Best Things in Life Are Free, stand alone songs (I Scream You Scream, We All Scream for) Ice Cream, Puttin’ on the Ritz, Potato Head Blues, Gully Low Blues, East St. Louis Toodle-O, and Mississippi Mud will all be free to the public today
Finally a piece of Disney history is entering the public domain. Oswald The Lucky Rabbit first appeared in 1927 and will be free to appear in works of fiction this year, a year ahead of his younger brother Mickey Mouse
Lord of the Rings: The Fellowship of the Ring (2001) / The Last Unicorn (Peter S. Beagle) / King Arthur (Charles Ernest Butler) / The Naomi Letters (Rachel Mennies) / The Meeting on the Turret Stairs (Frederic William Burton) / Shock Me (Baroness) / Lord of the Rings: The Two Towers (2002) / Gladiatoria Manuscript (ca 1450) / White Knight (Anna Akhmatova) / Medieval Marginalia / The Epic of Gilgamesh / In Your Eyes (Crom) / Caravaggio (1986) / NPR interview (Ocean Vuong)
So I looked it up, because of course the Holmes books aren't alone to enter the public domain this year, and Metropolis has too. So here's the list I found of creative works that are now public domain:
Books
— The Gangs of New York, by Herbert Asbury (original publication)
— Death Comes for the Archbishop, by Willa Cather
— The Big Four, by Agatha Christie
— The Tower Treasure, the first Hardy Boys mystery by the pseudonymous Franklin W. Dixon
— The Case-Book of Sherlock Holmes, by Arthur Conan Doyle
— Copper Sun, by Countee Cullen
— Mosquitoes, by William Faulkner
— Men Without Women, by Ernest Hemingway
— Der Steppenwolf, by Herman Hesse (in German)
— Amerika, by Franz Kafka (in German)
— Now We Are Six, by A.A. Milne with illustrations from E.H. Shepard
— Le Temps retrouvé, by Marcel Proust (in French)
— Twilight Sleep, by Edith Wharton
— The Bridge of San Luis Rey, by Thornton Wilder
— To The Lighthouse, by Virginia Woolf
Movies
— "7th Heaven," directed by Frank Borzage
— "The Battle of the Century," a Laurel and Hardy film directed by Clyde Bruckman
— "The Kid Brother," directed by Ted Wilde
— "The Jazz Singer," directed by Alan Crosland
— "The Lodger: A Story of the London Fog," directed by Alfred Hitchcock
— "Metropolis," directed by Fritz Lang
— "Sunrise," directed by F.W. Murnau
— "Upstream," directed by John Ford
— "Wings," directed by William A. Wellman
Musical compositions
— "Back Water Blues," "Preaching the Blues" and "Foolish Man Blues" (Bessie Smith)
— "The Best Things in Life Are Free," from the musical "Good News" (George Gard "Buddy" De Sylva, Lew Brown, Ray Henderson)
— "Billy Goat Stomp," "Hyena Stomp" and "Jungle Blues" (Ferdinand Joseph Morton)
— "Black and Tan Fantasy" and "East St. Louis Toodle-O" (Bub Miley, Duke Ellington)
— "Can't Help Lovin' Dat Man" and "Ol' Man River," from the musical "Show Boat" (Oscar Hammerstein II, Jerome Kern)
— "Diane" (Erno Rapee, Lew Pollack)
— "Funny Face" and "'S Wonderful," from the musical "Funny Face" (Ira and George Gershwin)
— "(I Scream You Scream, We All Scream for) Ice Cream" (Howard Johnson, Billy Moll, Robert A. King)
— "Mississippi Mud" (Harry Barris, James Cavanaugh)
— "My Blue Heaven" (George Whiting, Walter Donaldson)
— "Potato Head Blues" and "Gully Low Blues" (Louis Armstrong)
— "Puttin' on the Ritz" (Irving Berlin)
— "Rusty Pail Blues," "Sloppy Water Blues" and "Soothin' Syrup Stomp" (Thomas Waller)
finally caught up with malevolent, and god, do i love part 29. but, arthur's pseudonym apparentely being a real person got me thinking, so i searched it up, and i am presuming he named himself after william ernest henley (1849 - 1903), an english poet and writer
two things that really stuck out to me when looking through the wikipedia article: first of all, he had a daughter, margaret emma henley (b. 1888). she was his only child and died in 1894 at the age of five. secondly, henley had tuberculosis from the age of twelve, and this was what eventually killed him. what caused it to flare up again, however, was an incident in 1902 when he fell from a railway carriage
arthur just picks the most ironic things to associate himself with, doesn't he?
Books I’d recommend based on your favourite Hazbin hotel character:
Angel dust: (sorry his recommendations aren’t too plentiful, I know he’s a lot of people’s favourite but I just don’t think of him as being an avid reader so I haven’t attached him to a lot of books.)
- Obviously there’s The Godfather trilogy but anything by Mario Puzo I would also recommend for the Italian mafia links
- Giorgio Bassani’s The Gold Rimmed Spectacles (yes, it’s because it’s both Italian and gay, stfu)
- Confessions of a Mask by Yukio Mishima
- The Ragged Trousers Philanthropists
- Naked Lunch William S. Burroughs
- Trainspotting by Irvine Welsh (I’m sorry I had to, it’s got drugs)
Husk: woof, do I have a lot of suggestions for him! I headcanon him as an avid reader and the time that he would have been alive is my absolute favourite literary period, so, here we go.
- ANYTHING by Charles Bukowski
- Anything by Ernest Hemingway
- Of Mice and Men by John Steinbeck
- On The Road by Jack Kerauc
- Queer by William S. Burroughs
- The Stranger by Albert Camus
- Diary of an Oxygen Thief (don’t come for me there has to be a reason he’s in hell)
- The Gambler by Fyodor Dostoyevsky
- The Master and The Margarita by Mikhail Bulgakov
- The Double by Fyodor Dostoyevsky
- Down and Out in London and Paris by George Orwell
- Another Country by James Baldwin
- Giovannis Room by James Baldwin
- Stoner by John Williams
I could just go on and on with this one so I’m gonna have to leave this here.
Alastor:
- obviously anything by Fitzgerald because he is the king of swing
- Streetcar Named Desire by Tennessee Williams
- The Great God Pan by Arthur Machen (I think he’d find the plot to be a great source of inspiration)
- Crime and Punishment by Fyodor Dostoyevsky
- American Psycho by Bret Easton Ellis (I had to)
- Nausea by John Paul Satre
- Tender is The Flesh by Augustina Bazterrica (obviously I had to include some cannibalism)
- No Longer Human by Osamu Dazai
- Trust by Hernan Diaz
- i also feel like he’d be a big Daphne Du Maurier fan and i base this on absolutely nothing
(I will gladly continue with the other characters if people actually want that because this is so fun for me)
Professor Moriarty - This villain is pure, beautiful simplicity: he's an alternate version of the hero with the morality removed. Both Holmes and Moriarty are quirky loners with genius IQs that thrive on challenging their intellects via loaning it out to others in some form of service. But Holmes has a conscience, a sense of right and wrong, which is why his service is that of a consulting detective, whereas Moriarty is a total sociopath whose service is that of a consulting criminal, meaning that he has an invisible hand in almost every crime that's carried out in London. Sir Arthur Conan Doyle gives an absolutely perfect description of him and how he operates as a villain: "He is the Napoleon of crime. He is the organizer of half that is evil and of nearly all that is undetected in this great city. He is a genius, a philosopher, an abstract thinker. He has a brain of the first order. He sits motionless, like a spider in the center of its web, but that web has a thousand radiations, and he knows well every quiver of each of them. He does little himself. He only plans. But his agents are numerous and splendidly organized. Is there a crime to be done, a paper to be abstracted, we will say, a house to be rifled, a man to be removed--the word is passed to the Professor, the matter is organized and carried out. The agent may be caught. In that case money is found for his bail or his defense. But the central power which uses the agent is never caught--never so much as suspected."
Favorite adaptations: Professor Moriarty (Ernest Torrence) in Sherlock Holmes (Fox, 1932), Professor Moriarty (Lionel Atwill) in Sherlock Holmes and the Secret Weapon (Universal, 1943), Professor Moriarty (Eric Porter) in Sherlock Holmes (Granada, 1984), Professor Ratigan (Vincent Price) in The Great Mouse Detective (Disney, 1986), Jim Moriarty (Andrew Scott) in Sherlock (BBC, 2010), Jamie Moriarty (Natalie Dormer) in Elementary (CBS, 2012), and William "Liam" James Moriarty (Soma Saito) in Moriarty the Patriot (Shueisha, 2016).
Captain Hook - If Professor Moriarty is a great complex presentation of a simple character, then Captain Hook is the opposite: a complex character who is presented simply. A ruthless pirate captain with a limb replaced by the object he derives his name from is the easiest thing in the world to understand, but there's much more to old James beneath that surface: a well-educated English gentleman depressed with the notion that he's squandered his life away but too far gone in his pride to turn back, constantly striving for "good form" even when his occupation doesn't allow for much of it, and obsessed with getting revenge on Peter Pan partly out of jealousy and partly to distract from the inevitability of the end result of what Pan did to him - namely, an ever-pursuing crocodile that will ultimately mark the end of his life when the clock it swallowed finally stops ticking. If Pan shows the problems with never growing up, then Hook shows the problems with losing your innocence when you grow up. For as over the top of a villainous character as he is, he's also a tragic, even relatable one.
Favorite adaptations: Captain Hook (Ernest Torrence) in Peter Pan (Paramount, 1924), Captain Hook (Hans Conreid) in Peter Pan (Disney, 1953), Captain Hook (Cyril Ritchard) in Peter Pan (Broadway, 1954), Captain Hook (Tim Curry) in Peter Pan and the Pirates (Fox, 1990), Captain Hook (Dustin Hoffman) in Hook (Amblin, 1991), Captain Hook (Jason Isaacs) in Peter Pan (Universal, 2003), "Jimmy" (Rhys Ifans) in Neverland (Syfy, 2011), Killian Jones (Colin O'Donoghue) in Once Upon a Time (ABC, 2012), Captain Hook (Stan Tucci) in Peter and Wendy (ITV, 2015) and Captain Hook (Jude Law) in Peter and Wendy (Disney, 2023).
And hey, wouldn't you know it! The same actor got the ball rolling in my favorite adaptations of both these characters! Clearly, the two of them were always destined to share this post.