#especially now with the manga being serialized

[alteredphoenix]

I still think the biggest mistake Bamco made with Crestoria, and one I find that still affects it to this day, was listening to that part of the fanbase that complained that there weren’t going to be any legacy characters in the game and ultimately caving in to put them in anyway under the auspice that a cast of all-new original characters wasn’t going to be as effective as having familiar names to elicit interest in the long-time fans and bring in new players to join the fanbase.

Idk maybe it’s because of the differing mindsets between a Console Tales Game and a Mobile Tales Game (at least, there’s a very obvious - and understandable - reason for those mindsets in the West), but you don’t really see this kind of backlash in the former. Whereas in the latter introducing an all-new cast without legacy characters a’la Crestoria and Luminaria you’re going to have your dissenters (and your doubters) question whether or not it can have that same draw on people regardless of the narrative premise.

Setting aside the obvious pitfalls that plague mobile gaming, including legacy Tales characters into a game that was originally not intended to have any has the same reaction of shooting yourself in the foot and never bothering to patch it up because now you have a manga that’s going to be adapting the material - without the legacy characters. And there is no guarantee it’s going to include the plotlines or the sudden cliffhanger(s) that were alluded to in the game. Which leads to another problem because if it does it’s going to result in one of two things: expys of the legacy characters - which I don’t think parts of the fanbase are going to jive with because they won’t be those characters - or all-new characters that’ll have nothing to do with the legacy characters but will take those plotlines for themselves because DINGDINGDING the game is no longer available. And if those plotlines get resolved? There’s still no way to guarantee they would arrive at the same conclusions under the legacy characters had it continued in a visual media format.

What I’m saying is, Bamco should’ve just stuck to their guns and kept Crestoria as a legacy-free Tales title in the same way Luminaria was (although I do wonder if they would have included legacy characters in the same way Genshin Impact brought Aloy from Horizon over - make them playable in but have no effect on the canon story whatsoever - had it continued) because the decision to change course is going to feel like a black mark on Crestoria’s history.

[an-idyllic-novelist]

jack the ripper platonic headcanons with muichiro!fem!reader

warnings: spoilers from the manga, ooc

This is a collaboration project with @onecantsimply, I really had a lot of fun doing this piece with them. Seriously, check their content guys, it is amazing.

With that being said, enjoy these headcanons! :)

[First Name] [Last Name] was the second Valkyrie in recorded history to have been a human prior to their ascension into Valhalla. ‘Mist Hashira’ was the only thing they could remember who they were, and quite frankly she did not care either way. All she wanted to do was have an easy life and spend her days watching the clouds without being nagged by her sisters, especially Brunhilde. 

Then there was the incident at the council hall, which led to Zeus allowing Ragnarok to decide the fate of humanity: preservation or extinction. Brunhilde was ready to rebel against the gods and prevent Midgard’s destruction alongside the other Valkyries through the method of the Volundr, the wielding of a Divine Treasure. 

 [First Name] did not have a choice in the matter, even when she was assigned to work together with the most despicable serial killer in mankind’s history: Jack The Ripper. 

To create a weapon that will kill the gods, the weapon and its user must synchronize their emotions. That might sound easy, but it’s a lot harder to pull off when someone in the party, well, lacks any emotion whatsoever. When Jack had formally met his partner for the first time, he was a bit stunned to see the Valkyrie’s ‘canvas’. 

It did not exist. More specifically, it was colorless. Cloudy even. [First Name] was practically invisible to his right eye. When she looked at him, her own gaze half-lidded and dull. A blank face to match a blank canvas that should at least be brimming with fear at the mere mention of his name. Alas, his and Brunhilde’s efforts were in vain as the younger Valkyrie remained unfazed. Brunhilde shook her head in exasperation and left in a huff, more than likely to pair up the other champions with their respective Valkyries. 

Over the next few days, he quickly realized that [First Name] did not care what he did so long it never included her. And even if he did try to do something, she could stop him without trying. That was probably why he wasn’t too upset with the young lady’s rudeness towards him. She fascinated him. 

It became his goal to make her feel fear. The Mist Hashira, in contrast, wanted to make sure he did not die in Ragnarok. So, she put him through a ‘special training’ regimen to help increase his stamina, strength, and agility in no particular order. 

But Dear God, she showed no mercy towards a gentleman. Not even a speck of compassion when he was worn out in body and soul, barking at him for being an incredibly weak fighter in the roster as her sword clashed against his knives. She might have the appearance of a young lady, her strength was nothing to scoff at. 

Although there were times when he wanted to simply quit and rest his weary body, Jack knew he could not do that. He was the one who took up on Lady Brunhilde’s offer to fight in this competition. And as much it pained him to say it out loud…he has noticed the changes in his body. He had been a nimble fellow when he was alive, yet his speed between then and now was….well, the difference is unbelievable. Not to mention he was not as tired as he used to be when doing anything particularly strenuous or physical. 

He’s changed quite a bit this past month….including his Volundr. 

It had been a slow process of [First Name] warming up to him, but now he can with certainty that she has actually begun to enjoy nibbling on the sweets and drinking Darjeeling tea when the clock struck three in the afternoon. However, there is still the issue of performing the Divine Treasure ritual. 

He had many emotions, and she still had exhibited nothing else beyond annoyance when he corrected her table manners and the slight wonder of gazing up at the clouds. Truly, what was so interesting about spending hours laying around the tall grass of a floating island and doing nothing? 

When Jack tried it out himself, sitting on a large boulder that was conveniently settled right behind his Volundr, he actually managed to space out a bit. Him, a productive gentleman and an artist! In retrospect, it could even be called a miracle that he has been able to form a bond with [First Name].

It was not an instant connection like some of his fellow fighters, but he knows she has grown more comfortable around him, even while knowing what he had done as an assassin who wanted to see the color of fear in his victims. Pardon him, his targets. 

A  slow, platonic relationship? He’s fine with that, even though you are still a little rude. A gentleman must be patient, after all~.

He eventually dragged her away from the island and back to the Valkyrie compound, only getting a blank stare instead of a glare this time….but he’s not too sure if that’s actually an improvement or not. 

With the clock ticking down to the first round of Ragnarok, he and his Volundr spend the rest of their time trying to link their souls together. They eventually were able to agree on a single emotion that did the trick: betrayal. 

Jack felt betrayed that his mother had never loved him, instead seeing his very existence as a chain to connect herself to a playwright that abandoned her to marry nobility. [First Name] felt betrayed that the pantheons wanted to destroy humanity, even after you had supposedly died to save them from demons. 

That’s all Brunhilde would tell her just to make sure the ritual would be completed. Jerk. 

When the ritual activated, a bright green light surrounded the two of them before a kaleidoscope of fragmented memories entered Jack’s mind. By meticulously piecing them together like a puzzle, a tragic story unfurled before his eyes. [First Name] had lived a hard but happy life in the mountains with her twin brother Yuichiro after their parents died, but it all came crashing down when a demon destroyed everything. 

It was [First Name]’s rage towards demons that kept her moving forward, even when she had been pushed into a corner by Muzan’s commanding officer, the Upper Moon One ranked demon known as Kokushibo. Even when her memories had been buried again in the dark corners of her mind, not because of the shock, but because of Brunhilde’s machinations. 

She wanted another Valkyrie amongst the ranks, a soul who was powerful and yet malleable enough to twist to her own design. After all, what use is the soul of a Hashira if they’ve lost their fighting spirit and desired peace?

Ah…poor thing. To go past her limitations and become a Hashira within two months, to obtain the Demon Slayer Mark and single handedly kill an Upper Moon demon…all of that power, to die at such a young age. And just when she had begun to express herself more, exhibiting a compassionate, teasing persona towards her comrades. The one she’d liked the most was a young man named Tanjiro. 

Jack assumed that he, at least, had survived against Muzan in the final confrontation. 

Including learning the truth behind her memory loss, he was also able to discover what was his Volundr's ability in combat: anything that he can touch with his hands  would become a Divine Weapon. Even a small pebble can be lethal to a god. 

The given name of his Volundr is Muichiro. In the Japanese writing system known as kanji, the name meant ‘nothingness’  but ‘Mu’ could also be written as ‘infinity’. 

Upon the transformation being released, Jack’s opinion of [First Name] changed. Someone he’d believed to be a disrespectful, slightly spoiled brat, to a young lady who struggled on how to cope with her memory loss.

Right up until the fourth bout of Ragnarok, he made sure his Volundr was comfortable and fully relaxed with snacks or blankets for her to curl up under on the couch. 

[First Name] was quite confused with his behavior, but did nothing to stop it. She was, however, taken off guard when her partner confessed that he saw her as a surrogate child. If something went wrong in the match, he wanted her to commence the separation ritual as quickly as possible and get to safety. 

Thankfully the confusion did not cause any mishaps as she transformed into a pair of tailor-made leather gloves, synchronizing their hearts together as a single unit to fight against Heracles, the beloved Grecian God of Fortitude. 

(Jack did have to hold back a snicker when his Valkyrie asked if she could punch Heracles just once, really hard, because the spiel he gave about asking Zeus to spare humanity if his opponent ‘laid down his arms’ is really fucking stupid. If Heracles loved mortals so much, why not just fight with them as a representative of humanity?) 

As to be expected, the battle had been tough. Timing was everything in order for Jack’s plan to be executed perfectly. He defeated a god, and gave humanity an advantage they desperately needed in Ragnarok. 

So why was [First Name] happy that her partner had changed over the course of round four? She’d seen through his memories, the good and the bad, and she didn’t mind it. Now, all of a sudden, his heart seemed to be purer than before….more than willingly to change some parts of himself? It did not make sense. 

Neither was the hate that Jack received from the angered guests in the god’s stands. Heracles knew what he was getting himself into, so why all of the fuss? What part of a combat tournament that can end in total annihilation for either party did these idiots not understand? 

Quickly releasing the Divine Weapon ritual, the sword at her waist quickly unsheathed, creating a veil of mist that disintegrated the shower of stones flung at Jack into a pile of dust on the ground. But one attack did not faze the screaming spectators, who now resorted to using glass and garbage. 

Annoyed, [First Name] maneuvered her grip on the hilt and created a thick veil of fog around the arena. Originally it was supposed to provide some cover until the two of them made it pass the drawbridge to humanity’s side of the coliseum, but hearing the crowd become confused and panicked amidst the chaos was worth it. Served the idiots right. 

Jack also seemed happy that she had helped him…but why? More importantly, what was with the sudden change of heart? She bluntly asked him this question, though the only answer she received was it had been Heracles’ unconditional love that saved him.

 A stupid answer, but whatever. 

Upon arriving at the medical wing, [First Name] kicked the door open just when a group of winged nurses were coming back from their break. Quickly realizing they had a patient, they immediately guided the Valkyrie to an empty unit where they instructed her to lay Jack down and let them start working on him. 

[First Name] nodded, following the command before plopping down in a chair and staring off into space. Ah…she was  tired. Is it time for a nap now? 

Bonus Content:

After hearing that Jack will need to spend a night under observation before being released, [First Name] left the medical wing to go get cleaned up. 

Once she had taken a hot shower and changed into some spare clothes, the Mist Hashira decided to reward her human partner with a box of sweets from a high-end patisserie shop. Purchasing two boxes and some other items, she ventured down the corridor leading towards the medical wing when she was attacked from behind by a god. She hasn’t had an opportunity to draw her sword when her entire body was encased in a floating sphere of water. 

The thought that she may die again in Valhalla triggered a flood of emotions to encompass her body, followed by…memories? Ah….that’s right….this is the second time she’s  lost them. 

How annoying. 

Feeling her face burn, it took only a moment to realize that her Demon Slayer mark appeared again. Half a second to decapitate the god who had the guts to try and kill the Mist Hashira with the same trick Gyokko pulled when she said his art was shit. 

Wiping the god’s blood off with the hem of her shorts, she sheathed her sword and continued her trek towards the medical wing, teal sneakers squeaking across the marbled corridor. 

Blinking, she stopped walking and looked down at herself.  Ah…she was covered in blood and water. Should she go back to her room and change again? No, it should be fine. Water will dry out, and these clothes - a black, long-sleeved hoodie, shorts with teal suspenders, and kneepads - were all that she had right now besides that stifling Valkyrie uniform. 

Besides, Jack was an assassin. Seeing her like this shouldn’t be too much of a shock to him when she tells him that she recovered her memories, right? 

Spoiler alert: The Ripper almost fell out of his bed when she greeted him, his face white with fear and shock even when she handed him a big slice of apple pie on a paper plate. He wouldn’t have reacted in such a manner if he didn’t just wake up moments ago. 

Taglist:

@yellow-snark

@the-dumber-scaramouche

@recreationalfanfics

@radioactivesweet

@staticradiotv

@thatstrangesheep

@nixes-noxes

@thequietkid-moonie

@myrisan-melodies

@kiannas-stuff

@praisethesuuun​

@zodiacs-web

[wondrousmay]

I’ve been feeling this way about a certain fandom for months now so I have to get it off my chest:

I feel that the SxF fandom has changed for the worse. The downfall of the fandom is so sad to witness. The incident with ShinyBlueBirdWizard was the tipping point in my opinion. The toxic fans now rule the fandom since they think they’ve “won” and it’s just a mess.

This is more evident on the bird app but I’ve also seen less discussions on here too. I really miss the old times where the fandom was more chill and filled with a lot of interesting analyses and discussions rather than random recycled posts for engagement and the same repeated discourse. It is a shame that the fandom is turning into a hive mind.

I’ve muted and blocked a lot of people when I saw that they’re associated or interacted with the toxic group. I don’t tolerate any toxic behavior and I haven’t forgotten what they’ve done to other fans for having different opinions than them. I’ve been a target so I know what it is like.

It’s messed up that being positive and saying good things is seen as “being fake” while being toxic is seen as being honest. I don’t understand this fandom mentality and I’ve been in fandoms for a long time. It’s also very disappointing to see people defend and support this kind of behavior.

I really miss ShinyBlueBirdWizard. I didn’t know them personally but their presence in the fandom was invaluable to me. Their insights and analyses made me appreciate the story even more. I don’t always agree with them but it was fun to read a different perspective on things. I always look forward to Shiny’s posts after a new chapter and now it’s really lonely… I was inspired by them to write my own analyses posts too.

Every new chapter, there are more complaints than there are discussions and it makes me sad especially when we just celebrated the 5th anniversary of the manga’s serialization. I did plan to contribute more discussions and analyses posts but work has been very stressful lately. I’m hoping to change this soon though!

[am-i-the-asshole-official]

Aita for bluntly telling a telling a friend I don't want to discuss *media* with them after them not taking the hint for a couple months?

I read a serialized manga —nothing mega popular like op or jjk but popular— as do many other folks excluding this friend from a different fandom. This manga fandom is full of shippers who can't figure out how fan shipping works so they shit on the manga for not making their headcanons true. They'll call the author illiterate fetishizer over ships and frankly most of them read it through other fans' tweets or tiktoks so I don't care for those opinions regardless. I think the manga doesn't deserve the hate and real readers who look up meta or volume extras enjoy it more. Needless to say I have my own fave ships with varying degree of canon backing, and I'm a "hag" fan I make my own food without resorting to bashing someone's work.

This dear friend of mine has been on and off into this manga for about a year, has been part of a server that's full of Those shippers, but also talk to me and another mutual separately when they remember we also like it. Problem is that their opinion about the manga changes according to who they're talking to, if it's us two individuals this manga is aight, good shit, if it's the server girlies they Loathe that manga it burned their crops— the latter is their real opinion I have proof of that. Naturally I don't enjoy discussing it with them but lately every time there's a new chapter they comes knocking, "Omg did you see 👀? My fyp was saying this and this"

One time I had dismissed them saying I hadn't read it to discuss anything, I fell into a habit of saying this again and making other excuses while being publicly open about hating the manga hate bandwagon over ships. They should have noticed this but I can't be sure. This week again they wanted to talk but I was pretty upset about something at work so I went unfiltered and ranted just a little bit. My sister believes they use me to form discussion topics for their server which was also bugging me. I said to them, "You should start reading the manga if you want to discuss it. I'm getting tired of correcting you and you should know I can see what you tell your other friends so can you quit making contradicting comments in my dms?"

They got really mad and started subtweeting me so I blocked them. Replies to them are still visible and I saw another mutual tell them whoever didn't communicate nicely was a bad friend and it's sad that a long time friend would break up over ships. I'm having a little guilt feeling now because I was really not in my best mood yesterday.

I can't say I'm new to this sort of inane arguments over ships especially in today's fandom climate, but them being all Jekyll and Hyde to desperately be part of the conversation while never reading the manga first hand is still crazy to me. This could have been a nonissue.

So was I the asshole or are we both in the wrong? please share if you faced something similar or like what my sis said.

—💜

[morkitten]

GIANT GORG BLU-RAY SUBTITLES

Recently, this wonderful 80s anime received a Blu-Ray HD release in Japan, but there are no English subtitles available for it. So I took it upon myself to rip the English DVD subtitles for Giant Gorg, run them through OCR transcription, fix line by line machine transcription mistakes, and re-time the whole thing to sync to the Blu-Ray rips online! To do that for 26 episodes was a big, often boring task, but if it makes anyone else watch and enjoy this series as much as I did, it's worth it, to me. Here's the link! Click on Keep Reading below if you wanna know more about this series before jumping in:

Giant Gorg was directed by the legendary Yoshikazu Yasuhiko, known as the character designer of the original Mobile Suit Gundam and Dirty Pair, and the director of the recent Gundam movie, Cucuruz Doan's Island, plus the creator of several manga, anime and film works like Gundam: The Origin, Arion, Jesus, Venus Wars, and many others.

Giant Gorg is kind of a precious baby of his that unfortunately never took off in popularity the way it deserved to. It's a wonderful series in the style of old adventure serials like Johnny Quest, about a boy named Yuu Tagami who, through a series of events, ends up joining/founding an exploration group to research the mysterious tropical island of New Austral, that is also on the aim of an evil corporation called GAIL, who'll do whatever it takes to claim the island and its secrets its exclusive property.

Yuu ends up finding and seemingly befriending a mysterious, ancient, and extremely powerful golem residing in the island, the titular GIANT GORG, deepening the mysteries of the land. The expedition group juggles surviving the island's natural and less-than-natural perils, managing internal conflicts, scraping by GAIL's assaults and dealing with other parties interested in the island for themselves. Plus, they now have to figure out just what the Giant Gorg is, if it can be relied on, and what is its intent. Whether this incredible being really is a Messenger of the Gods, some cataclysmic ancient weapon, or something else entirely. If I had to reduce it to something, it's old adventure serials mixed in with Mobile Suit Gundam and the Iron Giant. That's kind of what Giant Gorg is. The expedition group has a similar feeling to a much more scaled down White Base in Gundam, a group of people mostly barely related to one another forced into becoming a found family, relying on each other and surviving the strikes of a much bigger military force that's after them, with their own bureaucratic conflicts and machineries. Giant Gorg even has its own Char, in the form of Rod Balboa, a hotshot heir of GAIL that has been given control of its New Austral initiative. He's voiced by the same actor and everything!

What's truly great about GIANT GORG is how it creates a real, powerful sense of danger as stakes change and things escalate, both materially and emotionally. Characters feel like truly strong individuals that develop and peel out layers of complexity as the series goes on, and it tests your faith heavily in who they are and whether they'll do the right thing for themselves and the people they care for. There's such a great mix of excitement, sentimentalism, danger, discomfort, comedy, that makes this series feel like a truly all-encompassing and fullfilled Adventure.

So yeah, and the Blu-Ray looks fantastic, especially as someone who had to watch it originally in dim, blurry 420p resolution. So please give it a try!

[sarahjtv]

Thank you, My Hero Academia

Today, August 4th in the West and August 5th in the East, the My Hero Academia or Boku No Hero Academia manga has finally ended after 10 years of serialization in Weekly Shonen Jump with 430 chapters total.

It still doesn't feel real, but it is. I finished reading the final chapter a little over an hour ago and I can say that I am very happy with this ending. The only real complaint I have now is that I wish Horikoshi gave us more chapters for the epilogue to give us more content. The 5 chapter epilogue we got was definitely rushed in some parts, but we should still be blessed we got those 5 chapters at all because I cannot tell you how many times mangaka shortened their epilogues to 1-2 chapters, and then that's it. Apparently he has a lot of pages left in the final Volume to fill in, so we’ll see if Horikoshi will expand on things when it releases in early December. For how it was as a final chapter, it's was near perfect.

Having Izuku become a teacher at UA was a great alternative to becoming a Pro Hero after the embers of OFA faded away. Teachers inspire their students to strive forward and follow their dreams. If he wasn't going to be a Pro Hero, being a teacher at his Alma Mata is a great consolation prize. Thankfully, that dream of Izuku's didn't die.

Izuku did so much for the world and the people around him for that 1+ year that it was going to give something good back to him somehow. Though it took 8 years, thanks to his friends supporting him all the way through, he is able to continue living his dream as a Hero with his friends by his side. Considering the fact that All Might's Iron Might suit cost most of his fortune, I gotta wonder how much it cost to make Izuku's support suit. Shoto, Momo, and Iida are all rich thanks to their family's inheritance, but I'm sure everyone else had to save up a shit ton of cash to get this project done ESPECIALLY BAKUGO! I'm glad they got there in the end anyway.

And seeing our beloved kids as adults (I think they're 24-25 now) leading the way for a better world is so satisfying to see. I love all their upgraded looks and outfits too! I hope we get more details about them in the upcoming Fan Book and Art Book next year! Honestly, I'm going to miss this entire cast even Mineta of all people. Horikoshi clearly put a lot of love and care into each one of his characters no matter how small of a role they played. I saw these kids and even adults grow into amazing people and heroes for the better part of the last decade and saying goodbye to them is like saying goodbye to a good friend.

Despite its problems, this story will always hold a special place in my heart. It was a beacon of hope for me over the past 6-ish years and I'd argue that it saved my life when my life was in the pits. It still is today in a way. I can't give My Hero Academia an honest rating without bias kicking in hard, but I think this is one of the best manga that Shonen Jump had to offer. I'm so glad Horikoshi got to end his story on his own terms and ended up being one of THE most successful mangaka in modern WSJ. He deserves everything good that ever comes to him. Please don't ruin that for us, sir lol.

Regardless, thank you, Kohei Horikoshi. Thank you for telling this incredibly special story of a young boy who became the greatest hero and how everyone can be a hero Quirkless or not. I will forever be grateful for what you brought to me and I will cry happy tears as I say goodbye. I hope you take a long, deserving break for now. I look forward to whatever you have in store for this world next.

[papatacomia]

introduction to me !!

My name is Mia. I use the she/they pronouns, but anything is fine. I’m a reality shifter who's been in the community for nearly 3 years now. I haven’t shifted yet, but I have been close. 

Some of my drs include jujutsu kaisen, naruto, stardust crusaders, diamond is unbreakable, tokyo revengers, resident evil, and yakuza. 

some facts about me !!

I love listening to music, especially if it’s obscure enough that people don’t know about it. Some of my favorite bands are coaltar of the deepers, malice mizer, shazna, and lily chou chou.

I’m also a fan of anime and manga; one of my goals is to own 1000+ manga in order to be considered a library (currently, I have around 60). Some of my favorite animes are sailor moon, nana, lovely complex, fruit basket, soul eater, and serial experiments lain.

Another small thing to add is that I’m a video game nerd. Some of the games I’ve played so far are the last of us, persona, silent Hill, resident evil, and yakuza. Anything that has a lot of lore or story to it gets my gears running ^_^

purpose for my blog !!

I honestly made this blog in order to find shifting moots and learn new things about shifting. I also plan on using this blog as like my little diary about shifting and my progress so far :))

anyways thanks sm for reading, special thanks to @punchliiine for being the reason why I even made this blog in the first place ^_^ !! I was really inspired and decided to make my own.

[chattegeorgiana]

Hello Chatte,

How have you been doing?

I have this thing that's been pestering me for a while now. A lot of NH defenders/shippers swear on their life that there are strong parallels between her and Kushina and it's a hill these people are willing to die on.

They love to cite examples from that god forsaken series called Boruto, where they have comical moments of Hinata being the ''scary mommy'' trope and a ''hot headed wife'' just like Kushina. This doesn't sit well with me and I just see it as SP being SP, nothing more, nothing less; and for the NH fan to be like ''ohh..... look...... there are so many parallels between MK and NH. NH was planned from the beginning. yay...... '' Those sorta BS (pardon me my French).

Also, I'd like to point out that I'm an anti ender not because of the pairing reasons but because of how the ending happened. All thanks to each and every character being nothing more than a pairing fodder, the show has left many debates as to what it's messages and themes are.

I really have zero reasons to like female characters like Sakura and Hinata but this, this is beyond character assassination and also an insult to the fan base, especially those who gave common sense and aren't blinded by pairing choice. For me how the characters are treated is way more important than shipping.

Also, when is your next YT video on Boruto being Oro's genjutsu gonna be released?

Thank for reading my somewhat lame and a long comment and I wish you the best with Kaika Saisei

Cheers!

Hi there,

Well, for the whole NH thing, the reason why they insist is because the sequel did a 180 and changed her characteristics, so ofc they are willing to die on that hill.

But we all know if we look at the actual content from the manga that she has nothing in common with Kushina nor Minato like they like to say. Kushina is loud and passionate. Where have you seen Hinata display those qualities? Whereas Minato is calm & calculated, something that she isn't once again. She's quiet & shy but that doesn't equate the calmness Minato displays. Not to mention we've seen even in this one shot that Kishi wrote that Minato can also get super passionate from time to time, whereas Hinata has never displayed that feat.

All in all for this whole thing to work they had to turn her into Sakura. It's clear as daylight to anyone who isn't a NH. Even a neutral. So why consume your energy with what they're saying? It's not like it's true. The evidence to support that is those 15 years of serialization prior to the ending that holds all the weight.

We all know TL & the other products at the end were made so that they can retcon the pre-established narrative.

The show ending the way it did basically destroyed everything Naruto once as a story stood for. Sad, but true.

I always said I wouldn't have had any issue with the choice of pairings if done correctly. After all, I used to be a multishipper once. I saw the potential that all had in the beginning. It's just that when part 2 launched, the story was clear of its direction - of course, until they decided to retcon again and to hell with everything.

And sadly, the girls got the short end of the stick. Both Hinata & Sakura, if we're being true to ourselves. But these people are ready to die on a hill just because they're so attached to their opinions rather than seeing the story for what it is - a great emotional impact story, but with a lot of issues underneath it if you put aside the emotional impact.

It's the reason why it pulls so many people into it. Because it's filled with emotional manipulation, in a way. Look at the way the franchise also directs its marketing campaigns for other materials/products. They scan the internet, see what the talk is in the fandom & then bam, there they are with their products that just so happen to have the thematic of whatever talk is in the fandom - like when they are some sort of servants because at some point NH & SS were arguing about who's richer and who's the servant and who's the patron and all kind of BS like that.

Or when we in the NaruSaku fandom had an extensive talk about tarot and the symbolism that surrounds NS and 6 months later bam, there they are with products with tarot themes.

Or that game they have and I saw two of the concepts I had for Sakura combined into a third one.

They basically combined these two artwork concepts into the third one that is their image from the game.

So what can I say? As you can see, Pierrot be doing whatever it is to get their way, lol.

If you think about the girls - when they thought Hinata was more profitable, they pushed her in everybody's face so much so that it affected the story's ending.

Now that Sakura's more profitable, they discarded Hinata like a used toy and she barely makes any appearances outside her mom-like persona.

This only shows anyone with a little critical thinking that SP has no respect for any characters nor the story. It's just about the $$$ and that's it. Nothing more, nothing less.

But meh, anyway, at this point is more than funny lol. It's just Pierrot being Pierrot tbh... Nothing good can be expected of that studio.

As for my next video, I'm planning on getting back to work on these somewhere in March.

Last year I've been caught up with a major life event so it really hindered my capacity to take care of everything that I wanted to do, but as I said, I'm planning on getting back to these.

It's just that I'll need to edit some things since I initially envisioned it in a certain way and there are certain changes that happened in the meantime, that kind of rendered some of the things I worked on obsolete, so I'm trying to adjust to that. But yeah, as soon as I have everything up and running again, I'll definitely start working on it.

And aah dear, don't worry, your question was not lame! Thank you for dropping into my inbox and for your wishes regarding Kaika!

[pikahlua]

Did you see the extras from volume 39? I read ruk’s translation of the imamura and am curious about it. Does it come off more as a cultural Japanese being-very-humble sort of thing ? Or is there something more going on under the surface that is worrisome?

It reads as not only super Japanese but super Horikoshi. Culturally, the west doesn't always talk about this sort of concept in the same way. What he's really talking about is how there is this ideal version of MHA that gets published when all people working on it come together and do their jobs. In the interest of the MHA final product, Horikoshi's editor is willing to take the heat for doing something that could be seen as inconsiderate of the other mangaka serialized in WSJ. Horikoshi is also being self-deprecating out of politeness to show how grateful he is for what his superiors occasionally do for his sake. He's also showing his gratitude to the fans by apologizing for any disappointment these changes may have caused them and for setting new, potentially lower expectations for us. A lot of these bits that are self-deprecating or show low self-esteem are very much Japanese cultural things.

I say it's super Horikoshi too because Horikoshi often behaves like something of a perfectionist. He does tend to apologize for not being basically a manga machine. The dude cranks out enviable quality and quantity each week all things considered. I'm pretty sure every mangaka on earth is jealous of what he accomplishes. But I'm sure in Horikoshi's mind, his efforts never quite achieve his most desired goal--to draw MHA the way he plans it from the outset. He speaks often of time constraints and physical limitations that prevent him from accomplishing everything he wants (which I imagine is 19 immaculately drawn pages each week). The thing is, other mangaka draw less detail because of these time constraints. Horikoshi's drawing goals are actually very lofty for the amount of detail he always puts in. What he manages to accomplish already is quite honestly insane. These goals and his implied level of perfectionism seem to be the root of a lot of his apologies, but I think he also is apologizing to himself for not getting to finish everything he wants to. And striving for perfection by trying your best is a big piece of the Japanese zeitgeist.

If your question is if we should be concerned about some hidden cry for help, I'd say no. Japan does have horrible work-life balance, and mangakas are notorious for such backbreaking schedules especially, but this is all the norm. Horikoshi speaks on these issues in no way that surprises me. I suspect Horikoshi doesn't often adjust his weekly drawing plans to what's feasible. He doesn't compromise. He's probably got the highest expectations for himself out of everyone. And he's likely been burnt out for quite a while now.

Also, the final line about not being fit for society reads like a joke. That whole bit about not causing trouble for others by meeting your deadlines is also very Japanese and collectivist. It's a normal collectivist society thing to not want to be a burden to others. Hell, just look at Izuku. You may read him as special for his heroism, but very much about Izuku reads more like the (ideal) Japanese everyman to whom readers are meant to relate.

[meimi-haneoka]

Cardcaptor Sakura Clear Card Chapter 73: Comments + JP-ENG translation differences

Welcome back everyone! We're here once again for another chapter of Cardcaptor Sakura Clear Card, one more that's guiding us towards the grand finale! In this chapter we finally get more things coming full circle, one in particular that I've seen many wondering about (and also many ready to dismiss as a plot hole 😅give them time, people, give them time). To be honest, I needed some time to brainstorm and ponder if I had understood certain parts of this chapter correctly 😅, since the content is quite complex, and each language decided to translate certain pivotal parts in different ways, adding to the confusion (because there doesn't seem to be a version everyone is agreeing on). In one specific case, that's normal (at the very end of the chapter) because the lack in the Japanese text of specific words (subject) to lead the interpretation in one direction or the other allows to get the translation in either way (as we'll see ahead). In other cases, it's just translation mistakes and omissions that make things a bit confusing. We also have to consider that it might totally be normal if we don't seem to get a clear, well connected answer in this chapter, because maybe the rest of the puzzle pieces will be in the following one: in this case we don't have to fret and just have faith that everything will be connected properly and be answered in due time. It's normal, this is a serialization, we should always look at the big picture and not at the single chapters, because in the future the whole story divided in volumes readily available will be all that the future readers will get. The "confusion" that we feel as lasting for a month or more, for future readers will last only some minutes, maybe one hour, the time needed to get to read the right chapter where everything gets solved. Sorry for this long introduction but in light of this chapter that made me sit down and reconsider multiple times how I understood things, I felt like it was worth mentioning it even here. Maybe, who knows, that will help sedate someone's frustrations. Alright, before diving into the chapter, as usual, the gif of the month! This time it's dedicated to Sakura 😂

Let's see what happened this month and if there are translation differences to point out! (spoiler, there are)

The Color Page

AAAAATTTT LAAAASTTTT!! FINALLY! After appearing with her back facing us, and then on the background with her eyes closed, we finally have a nice close up of our dear Lilie! With her eyes open!!! 😆 Predictable as it may sound, her eyes are indeed blue like her daughter! But....wait a second....her hair color changed or what??? 😂

After being consistently drawn with a mix of blonde and grey/dark blonde color for the darker parts of her hair, this time around we have a more uniform coloring that's veering more towards taupe! If I have to be honest, this color looks more similar to the shade they chose for Akiho in the anime! But....I like the ash blonde better ☹️ also it bothers me quite a lot that Mokona sensei changed the color at the end of the manga, after consistently drawing her blonde for 2 color pages, first because it's hard to get used to (at first glance my first thought was "WHO'S THIS? O_O), and then because my fanart is incorrect now 😂 But as you know, I always have to find the positive side to everything so I have to say that, while it'll take a while for me to get used to this change (should we consider it a permanent change or sensei just ran out of yellow copic?? 😂 *winks at her friends on a certain discord server*), I also appreciate it because it helps differentiating Lilie from her daughter even better 😊 especially considering they both have blue eyes now. They really would've looked like one another's clone (UGH O_O) if they kept it like that.... (Unless they want to change AGAIN Akiho's hair color too but then I'll riot). Lilie appears here in all her glory and beauty, with a heavily decorated dress as per CLAMP's tradition, she looks like a goddess 🥹 The color scheme is similar to that of her clan robe: white-light blue-golden. And no wings. Maybe this is from a time when she was still alive (she's got wings in the double spread with Nadeshiko). Sooo finally the mystery of the color of her eyes is solved 😆 (I wonder why they dragged it so long?) The JP text of the color page is simply the last thing she said to Sakura in last chapter before disappearing together with the dream: "I believe...in the two Alice". We also get a big text informing everyone of the decision to produce a sequel to the Clear Card anime! A bit late, but the news finally came for the magazine readers too! 😊

You're Unique

The chapter starts with Sakura going back home from school, in the afternoon of the same day we left her off in chapter 72. Kero and Suppi hear her from her room (are those Nintendo Switch Lite consoles? 😂) and they notice how she goes straight to Akiho's room today, without passing by her own room to drop her stuff first. From Kero and Suppi's words it's easy to infer that Sakura got a very close relationship with Akiho, and she often goes to talk to her after school. It's understandable, after all, they're convinced they have spent many years of their lives apart, and it's like they're really starting to know one another only now, so there's a special attachment between them. Attachment which Kero and Suppi don't miss to comment on, reiterating the "sister complex" comment that's honestly become the recurring joke of this series 😆 This also serves as an opportunity for Kero to comment on Touya, another Kinomoto sibling "plagued" with sister complex. 😆 Our elusive big brother seems to be staying at Yukito's today, and that's really not a weird thing in itself, but the fact that we couldn't see him ever since the forbidden spell was activated and we had the time skip, to see his reaction and whether he noticed something or not, is certainly suspicious. Suppi comments that even Nakuru is still staying at Yukito's home, and argues that it should be really time for them to go back home in England (he's had enough, poor Suppi 😂). Kero tells him that they can always come back as tourists in the future, and he will be their guide - Suppi agrees on one condition: that next time he must take them to a place where he doesn't need to pretend to be a plushie anymore 😆 So this apparently useless comedy skit actually manages to give us two interesting info: that Touya is at Yukito's place, apparently still eluding us (and Akiho??), but also that the forbidden spell didn't change the fact that Nakuru and Suppi came in Tomoeda, it's just that the memory change made them believe they simply came for tourism (of course, without Sakura's powers going berserk and failing to "feed" her creatures correctly, there wouldn't be any other need for them to come). In the meantime, Sakura knocks on Akiho's door and she goes inside, school bag and coat still in her arms. She asks Akiho if she came back early, and she confirms that today there wasn't any choir practice (so confirming also that Akiho is still part of the choir at school - told you, everything is still the same as before!). As soon as she enters, Sakura can't help but point out aloud how this room's plan is exactly the same as hers, but you can tell right away this is Akiho's room: it filled my heart with joy to see how the forbidden spell didn't change anything of Akiho's interests, she's still very much in love with books and got a tall bookcase full of them, and....my heart literally jumped when I saw a moon-shaped lamp on her nightstand!! CLAMP, are you toying with my heart? 😭🥹 Sakura remarks that despite everyone telling them they look very much alike, Akiho is actually her own distinct person.

Thank you, Ohkawa-sensei, for putting these words in Sakura's mouth. Thank you for clarifying to the whole fandom (who worried and in some cases complained about this so much) that no matter how much these two are told by other people how similar they are, each of them still retains their own unique personality, their hobbies, their interests, their dreams. You can really feel that their vibe is different. Not even magic can change that. No two human beings are the same, CLAMP was very adamant on that concept even when they talked about clones in Tsubasa Reservoir Chronicles. This is because our soul is unique across the universe(s). And these two are no exception. I always found so wholesome how none of them tries to "imitate" or "wish to have" something the other has. There's no need for jealousy. This is particularly true for Akiho whom, before the forbidden magic was activated, had experienced so much pain in her past and wasn't blessed with many things Sakura had instead. We haven't caught her envying Sakura, not even once, but actually admiring (it's different!) her friend for being able to do the things she didn't think she was capable of doing (remember her comment "Being able to do things by yourself without depending on others is amazing" ?), taking inspiration and even being brave enough to ask for help to improve in those aspects. That's not imitating, that's taking inspiration and strength from your loved ones to become a better person. This crucial theme will be reiterated in just a few pages.

The Pocket Watch

Akiho replies that the same goes for Sakura, she's also unique (JP, lit.: "There's just one Sakura-san in the world!") (I agree very much!) and Sakura bashfully laughs at that, when something catches her eye......a pocket watch, resting on a handkerchief on Akiho's desk, surrounded by certain tools. Kaito's pocket watch. The watch case is still broken, but the glass seem to have been repaired. So, for those who thought that the watch had been inside Akiho due to the exchange with the artifact book, this actually clarifies the doubt at once, and I think it makes perfectly sense. A book inside Akiho -> a book inside Kaito, and a pocket watch in Kaito's hands -> a pocket watch in Akiho's hands. The exchange is even. Sakura seems surprised at the sight of it, and it's apparent it's the first time she sees it ever since Akiho came living with them. Akiho explains that she found the watch back at Masaki's home, and no one knew how old this watch was or whom it belonged to. And yet, it seems Akiho had the urge to have it repaired, she says they tried to bring it to many watch repair shops to make it work again, without any success.

Sakura asks Akiho if she's actually trying to repair it herself (since the tools on the desk seem to suggest she'd been trying to do so), and Akiho replies something that made my heart melt at once:

Akiho, JP: "I don't know why, but the moment I met (this watch), I thought I had to make it work again" Akiho, JP: "Because I had the feeling it was very, very important (to me)"

Go on, CLAMP, keep stabbing my heart! 😭Gaaaah!! OF COURSE! Of course she would be getting that feeling!! Whatever function that watch will have in the finale, it's always been strictly correlated to Kaito, it seems there's a deep connection to him as the weaker he got, the more damage the watch took (randomly breaking on its own at different points of the story). It's as if Kaito literally left a part of him with her, consciously or not. And Akiho saying that is a testament to the strong bond between those two. A bond that not even a powerful, forbidden magic can erase. She might not remember now, but as soon as she found that "part of Kaito", her instinct told her to try to have it repaired at all costs, and in front of the failures of normal watch repair shops, she realized she had to try to make it work on her own. I'd like to think that it's because deep down she felt she was the only one capable to (this is actually what the French translation says, and although it's technically incorrect, it's a nice way to put it).

Akiho excuses herself for saying something weird (she didn't change even in that!), but as usual Sakura is super supportive of her and she tells her that she's absolutely sure she'll manage to make it work again. Foretelling powers, Sakura? 😏😆😆😆 This gives so much courage to Akiho, of course. And taking the chance of "weird talks", Sakura decides it's time for another kind of strange talk.....she finally decides to tell everything to Akiho about her magic and what happened in the years they spent apart, just like she announced in chapter 71!! We skip directly all the details we know all too well and get directly to Akiho's reaction, which is speechless at first (with Sakura fussing and apologizing that she blurted it all out on her and overwhelmed her 😂) but then excitedly thanks her sister for telling her about this, she's delighted because it feels just like a story coming out of one of the books she usually reads, and actually wants to hear more (complete with her usual 'excited flowers' like I usually call them 😂)!! Aaaah, it was so nice to see her reaction because it was exactly what I've been expecting from her. Akiho adds something really, really important: Akiho, JP: I just thought, 'We're twins, and yet so different, and that makes me so happy'. Akiho, JP: I can't use magic, but... If there's something you can't do and I happen to be good at it, then I might be able to help you out, precisely because we're different. The wording the ENG version uses is also very good, I liked how they specified (even if not present in the original text) "It's good we're different". Because it's very important.

And then, in the very next panel, a surprise: Akiho (involuntarily) quotes her own young mother Lilie in chapter 72, expressing herself with the same words, gesture and all, saying "It's what I can do...and what I can't...that makes me who I am". As you can see above, Akiho and Lilie are almost identical, save for Akiho's cowlick and the length of the hair. Little trivia: the line both girls are saying uses the very same words, except for the pronoun 私 / わたし, which is assigned appropriately basing on how it's usually written when the two characters are speaking - 私 for Lilie, and わたし for Akiho. I absolutely loved this line in last chapter and I felt it had even more significance now, coming from Akiho's mouth, in fact it's so important that it's Akiho speaking in this whole scene (and not Sakura). Because ever since she appeared in chapter 7, she's been considered as someone very similar to Sakura, and sometimes perceived by the readers as someone who wanted to steal her spot, her friends, her capabilities, long story short, to steal her identity. But nothing could be farther from the truth. You can be told you're similar to someone else how much you want, but you'll always going to be your own person in the end. Even freaking twins aren't the same person, after all. Each one of us is unique, with our qualities, good sides, bad sides, peculiarities, quirks, personal baggage, no one can take our place in the world. Our identity is the most precious thing we have and it's important we try to do our best to know ourselves the best that we can (heard that, Kaito???), so we don't end up doing just that, trying to live someone else's life, which is always going to be a lie anyway. As I was saying before, Akiho never tried to live Sakura's life and is well aware of her qualities and limits, and is accepting that.

The Magic I've been Preparing

Luckily, this involuntary reenactment of Lilie's scene of last chaper gives the spark to Sakura to remember she had heard those same words before. "The same words...?" "And the same feelings (they gave to me)". And right after that, Sakura also remembers that she has to find the important magic she had been preparing. Akiho says that if this is about magic, she probably won't be able to see it, but Sakura answers that she can't see it either, and wonders why....so, what to do? Akiho thinks. She looks at her books. And they give her an idea. She tells Sakura that she's read a book once where a magician hid his familiar from other magicians so they couldn't find it, and this familiar would show itself only when its magician called its name. Sakura starts having the realization this could be the right track. And here we have our first real translation difference of this chapter, although not particularly serious like the ones that will follow: Akiho, ENG: I'm sure to you, this magic is very important...but to me it'd be like....something out of a book.

Akiho, JP: I'm sure this is a very important magic to you...just like a book would be for me.

As you can see, the meaning is different, quite the opposite actually. Akiho isn't dismissing Sakura's magic as something like a fictional story out of a book, but actually she's telling her she understands that this magic must be very important to her, just like books are to Akiho. And "books" is all Sakura needs to hear to get more recollections of something she heard before, this time even from the facts of Clockland itself! (This is huge! Because it's coming from their life before the forbidden magic was activated! She's defeating the magic that's trying to keep her memories changed, she is JUST THAT AMAZING OKAY) "Books are people's memories...they're RECORDS"

See why it was so important to keep the word "records" in the past chapter, whenever the word 記録 came up in the Japanese text? Because 記録 is also the kanji spelling of a Clear Card we were all waiting to see, in fact....Sakura utters "RECORD"!

The Record Card appears out of nowhere, responding to the call, surprising the two girls when it starts displaying a recorded scene: from what we can see in the blurry "screen" (we can see the couch and the door of Syaoran's living room), this really looks like a scene (that we didn't see depicted in the manga) coming straight after Sakura captured the Dreaming Card and confessed to Syaoran about her recurring dreams in chapter 46. In that occasion, Sakura used the Record Card to show him what she saw, but apparently after that Syaoran proposed to keep the Record Card perpetually turned on to record whatever happened, since Sakura sometimes created Cards without having knowledge of how she did it, and couldn't shake the feeling that someone was making her forget things. In this way, they would've been able to check what happened in case they were made to forget again. From the "video", we see Sakura apologizing to Record and asking to the Card to stay hidden till she would've called the Card's name again. Which is exactly what happened now. Sakura is surprised because she understands that this is a new Card that she's been making on her own. But then, the "video" changes to another scene, that happened later on the story and we probably remember well because it often comes up in the fandom's questions about the unresolved mysteries of this story: the scene of chapter 59, when Momo visited the Kinomoto home, unbeknownst to Kaito. Finally we get to see what happened afterwards.

Momo knows the Record Card is present in the room, so she asks to the Card to be recorded, and addresses Sakura directly. Much to both Sakura and Akiho's surprise, she introduces herself once again as Momo, guardian of a "certain book", telling Sakura that this isn't the first time she meets her in this form, but since time had been rewound, she must have forgotten about it.

With a very painful expression (that made my heart squeeze, I'm weak against Momo's suffering), Momo says that she knows what's going to happen, and she cannot stop it. She also explains why, indirectly addressing other questions from the fandom as to why she never interfered more, if she didn't want Kaito to go on with his plan:

Momo, JP: A guardian cannot show bias towards "white" or "black". We must always stay impartial. So I cannot tell you, nor Akiho, about the core of this matter.

The ENG version is also good, but they translated "white" as "light" and "black" as "darkness" and while I can see why they did that and it could also work well, it ends up hiding the reference to her personal color scheme: on her outfit, but also in the Clockland world that she created on Kaito's request. Everything is black and white. An indication that she's always, constantly reminded of her duty as an impartial guardian, to never lean towards one or the other side (this is something that even Kaito reminded her of precisely in Clockland, becoming irritated that she was giving "hints" to Sakura). And therefore, she's got her hands more tied than ever, unable to tell anything not only to Sakura, but to Akiho too. How many problems we could've avoided if she was able to tell Akiho the truth about this? This is also probably the reason why she had to hide from her and take the guise of a bunny plushie: she needed to protect her, but at the same time she couldn't interact with her. It would've probably been impossible to stay neutral, with Akiho. If Momo's situation wasn't already unfortunate to begin with, having a contract with a boy she ended up caring about, who's literally risked his life to protect his most important person, we also get told to what extent she wasn't allowed to interfere, and get a glimpse of how painful that must be. To be honest, when this will be over, I really hope the Time Book gets destroyed and Momo freed from her duty over it, so she can finally have a normal life, free to interact with her beloved kids as much as she wants.

"The Boy"

Akiho hears Momo calling her name, though she doesn't seem to have any recollection of her beloved plushie (a bit sad for me). It's kinda "ironic" that she gets to "meet" the true form of the one creature who stayed by her side the most in her "old life", and she doesn't even realize it, nor remembers about who this creature is. How could she, her memories not only have been messed up with, but she also just knew her as a plushie, after all!

Momo shows that she isn't stupid. She says that she knows "the boy" is hiding something concerning the "forbidden magic" he wants to activate, but she's sure he won't ever tell her anything about it... So Momo knew Kaito was lying about something (the exchange of the two artifacts), but still wouldn't have had any way to know exactly the details of it.

Upon hearing the word "the boy", Akiho literally lights up, wondering "...The boy?". Her soul responds to it, as if knowing exactly whom Momo is talking about (loved it!! this is the kind of reactions I was waiting for, from her! ❤️). As usual, Kaito gets called "the boy", and when I was checking the Spanish translation I was a bit sad to see that they removed any reference to that word, making Akiho ask "who?" instead. Of course Momo can't mention his name, not even his fake one, because she's bound by a contract.

Momo explains that once the forbidden spell will get activated, the Record Card would disappear too (just like the other Clear Cards).

And here we have one of the biggest translation mistakes of this chapter, of course when there's a major scene!! Momo slowly removes her crown, and with magic she brings it back to its original state: the ring Lilie gave to her long time ago.

Remember? Lilie said she was going to make a request to Momo, and we saw a flashback of her removing the ring her fiancé gave her (a ring enchanted with a protection spell) to put it on the ear of Momo's plushie form. While Momo shrinks it back to its ring form, she says:

Momo, ENG: So that he'll never find you...and so that you'll never go away, no matter what happens...I'm going to cast a spell.

Momo, JP: So, in order to never let him find it (note: the Record Card), and so that it'll stay (note: survive even after the forbidden magic) no matter what happens...I'm going to cast a spell.

As you can see, in the ENG version Momo is saying "you", as if she's talking directly to Sakura, and so, as if she were going to cast a spell to hide her (?) from Kaito, and so that she'll never go away (??). Honestly, you can see by yourself that it doesn't make sense. Maybe with that "you" she was talking directly to the Record Card, in the translator's head? Well, very counterintuitive to translate it like that, of course it's gonna cause confusion because here Momo is addressing Sakura directly. No, the correct interpretation is that Momo is talking about the Record Card, while explaining to Sakura what she's about to do.

And, unfortunately, I'm not done complaining about this month's translation yet (god, they were doing so okay in the first part!).

Momo, ENG: I have held what I need to cast it...since long before I entered into my contract...with the boy.

Momo, JP: And I've already received the price needed to do that, long before I entered into my contract with that boy.

The ENG translation makes it sound like the ring Record is showing was somehow necessary to Momo in order to cast the spell. It isn't exactly like that. The ring was seemingly THE PRICE Lilie paid in advance, in order to make a wish to Momo and have it granted.

Yes, exactly like the customers do with Yuuko. But also what Yukito had to do to obtain the powers from the divinity of the Tsukimine Shrine. Basically it's safe to say that if you have a wish in any CLAMP series, you'll always have to pay something of equal value in exchange. And removing the word price from here, wording it in that misleading way, is honestly really annoying. We're reading a CLAMP manga, we love to see keywords and references to common CLAMP tropes and thematics present in other works too, when they've been put there on purpose by CLAMP. Can you please keep them, K-USA?? Note that here, we shouldn't give 100% for granted that the ring was exactly the price Lilie paid. It could be that, but also something related to the ring, something not physical. Like the fact that Lilie remained unprotected after giving the ring away (for a further purpose in the future). Some people gave away their time, freedom, luck as a price, in other works. Maybe it's something along those lines, and the ring gets to be passed over to those who need it the most now. Or maybe it was really the ring all along, I'm just pointing out that there are multiple options here to take into consideration.

We see Momo holding the ring between two fingers, and on the other side of the screen, Sakura's hand takes the same pose, with some "magic sparkles" around it: did Momo indeed pass the ring to her, magically? It's pretty unclear but it's legit to imagine so. Momo continues saying that there are other Cards that haven't disappeared yet (beware, the Spanish version here seems to be implying that ALL of Sakura's Clear Cards haven't disappeared, but from how it's phrased that's not what the JP text is saying here, and the ENG translation is actually right - wtf is happening, hahahah), and they're waiting for Sakura to call them. Yes, just like she did with Record. Then, Momo finally tells her "(please,) Remember" (and not "find them" like in the ENG version!), and Record turns into a magic crystal, the same that appeared everytime Sakura captured a Clear Card, magically going through Sakura's chest. Yes. Should we say "stabbing" her? 😂😂Good lord was this imagery really necessary?? Moreover, people are also being reminded of how the feathers used to enter Sakura's body in Tsubasa exactly like this 😂😂😂it's a continuous reference-fest, with Tsubasa.... Sooo, as you have guessed, Sakura starts recovering all the memories of her life before the forbidden magic was activated: in this beautiful display of countless film strips we can see many scenes coming from the most disparate chapters, mostly related to Sakura (shots from the Two Alice play are included, but NOT futher than that, so I don't know what's the situation for what concerns what happened in Clockland). We can see many characters in those strips, Momo included (so she recovered also her memories that were erased by the time rewindings - I knew she would!! ) but....there's still one major absentee in those memories: Kaito.

And yet. Sakura opens her eyes, after processing all the memories that came back to her. And her eyes are filled with tears, tears and extreme sadness. Akiho, of course, gets immediately anxious when she sees her like that. Sakura runs to the one whom she probably knows by now is not really her sister, to hug her tight. This is a scene that's very reminiscent of when she hugged Akiho in chapter 35 after witnessing Akiho's past on her skin. She didn't know how or why, but her intuition and empathy told her that she had witnessed something related to Akiho. And that's exactly what's happening here too.

I'm not sure if Sakura saw Kaito, in those memories (while not being shown to us). But I'm fairly sure that what's making her cry, thanks to her awesome intuition and empathy, is the blind awareness that they lost someone along the way. Someone very, very important to Akiho, hence why she runs to hug her tight. And that can't help but breaking Sakura's heart too, because she loves Akiho and she would never want to see her "sister" suffer a loss of that magnitude. She knows what it feels like, she had to scold Syaoran before for that same risk. Therefore, with one of the most determined faces I've ever seen her making, she utters:

Sakura, JP: Let's get it back. The thing/the person you didn't want to lose.

There's a lot to say about this last line of the chapter. First of all, the interpretation: the international translations have interpreted in different ways this line, because there isn't a subject or a clear specification of what they're talking about. Some translations made Sakura say something like "I've got to take back what we should've never have lost", like the ENG and BR-PT versions did, making Kaito's disappearance her matter too... Some others decided to translate in a way that's more personal to Akiho, like "Let's get back what you never wanted to lose", like the FR and ESP did. This is possible because this line uses the word もの, which can both mean "thing" but also the hiragana reading of 者, "person" (as usual, a clever way from Ohkawa to not disclose who she's talking about yet, even though we all know). At the same time, it also doesn't specify who is the subject of the verb "didn't want to lose": it could be Akiho, or Sakura and Akiho together, just as each translation decided to infer. Therefore I'm not inclined to indicate one or the other as the correct one, though I have to say that the idea of Sakura making it a personal matter too despite knowing Kaito very little, just because she's that much empathetic, kind and genuine, is quite endearing. Kaito made Akiho feel loved, the happiest, and that alone is enough for Sakura to put up her warrior queen face (seriously, it's so heartbreaking but also beautiful) and declare war to whatever is keeping him away from them, trying to get him back. Ohkawa did say it, in one of the last Twitter Spaces where she talked about the upcoming events of the finale: "Sakura will take care of it in her own way". One last thing, this line is also a reference to what Touya told Sakura in chapter 58, that night when he prepared the honey milk to her, after his sister asked him "What do you do when you don't know what's true and what's not?" and he told her...."I choose what I don't want to loose".

And that's exactly what Sakura is doing right now. We knew this advice sooner or later would've come useful. Sakura chose to bring back what they shouldn't lose. A precious existence that deserves a second chance. Sakura made her choice. She's on board with this. Will Akiho make the same choice? (don't you dare, it's a rhetoric question!! 😂)

Surprisingly enough, for this chapter we have an editorial text in vertical, on the right side of the last page, which translates to: "A wish entrusted from the past, (what will) Sakura (do)...?"

Aaaaand here we are, we reached the end of the chapter. 31 pages...we're back to longer chapters, as expected from those very close to the grand finale! We're currently 79 pages in for volume 15. It is interesting to note that, as I'm writing this post, no notice of "2 chapters to the end" or anything like that was printed on the Japanese color page (but there still could be something in the usual color ads page - I'd need to check the actual Nakayoshi magazine for that). Aside from the things I have already mentioned in the post above, I have to say I really loved to see Sakura and Akiho collaborating (and so immediately after Sakura revealed everything connected to magic to her sister!), effectively putting at work Akiho's extensive knowledge thanks to all the books she reads! Her suggestion of "calling" the magic Sakura was looking for, because it was hiding, was super useful and put into practice something she just had mentioned a few pages before: if you need me for something I happen to be good at, I'll always help you. That's what's good in us being different. Talking with an user on a Discord server, it was mentioned something that I personally really agree with and I would like to talk more extensively in a separate post (maybe someone can send an ask about it so I have the excuse? 😂), which is the fact that in this chapter Sakura talked honestly and clearly with an open heart to Akiho, trusting her reaction to be strong and positive enough, and that lead to a quick resolution of an immediate problem they had, as opposed to the other characters of the cast (Syaoran, Eriol, Kaito etc) who did things on their own, hiding - and even lying in some cases - to protect their loved ones, leading to unforeseen or terrible consequences (Kaito is the extreme example). I think there's definitely a fil rouge here connecting these situations.

Well, this post unfortunately already turned too long so I guess I'll have to stop here, but I'll be glad to answer to asks, if you want to discuss something else (or get more clarifications!). If you found this post useful, if it helped you clarifying some things, please share it - I'm always told of people being so confused by this finale and if I can help in any way I'd be only happy about that, but my posts need to reach those people first.

Chapter 74 is slated to be released on May 31st on CLAMP's Youtube channel (digital), and on June 2nd on Nakayoshi (digital and paper). The next Nakayoshi magazine will come with Sakura on the cover, the chapter being at the very beginning of the magazine (so it's probably going to be a double color page) and even a furoku - a pretty SyaoSaku foldable fan! I'm not sure how things will be with the release of the new K-Manga app, so for now I'm not gonna include it here.

See you next time!!

[beesmygod]

JJBA PART 5, VENTO AUREO IS THE UNDERBAKED MESS I CAN'T STOP THINKING ABOUT FIXING...PART 1

imagine you are celebrating your big promotion at the pigeon crushing factory (in this world you make a living crushing pigeons into a cube, this isnt important) and decide to treat yourself to a delicious hibachi feast at the local grill. as you sit down, your chef introduces himself to you; to your surprise, the chef is reknown mangaka hirohiko araki!

"wow, amazing!" you think to yourself, "i can't wait to see what delicious treats he has waiting for me, especially after that scrumptious part 4 i had last time". araki smiles knowingly, seeing the recognition of his talent in the gleam of your wide eyes. with a dramatic flourish, begins his work. a wild and frenzied solo performance begins. ingredients are chopped and flung with dazzling accuracy, speed, and showmanship until you are presented with the fruits of his labor: a new dish, just for you.

there's one problem. he forgot to turn on the grill. or maybe he never meant to. his confidence leaves you unsure of what to do when he starts flinging raw onions into your mouth and encouraging you to chew. like the tragic chef from the clickhole video, he has served you a plate of raw chicken and vegetables and is now looking at you with his arms crossed over his chest waiting for you to dig in.

its not all bad. you can eat some of the veggies as long as they don't touch the chicken, but the majority of it is inedible. you didnt even get to see him do the cool onion thing. you push the plate back unfinished and hoping for an explanation for what the fuck just happened but when you look up, you realize araki has already left. his big chef hat and coat are lying on the floor where he shed them on his new journey to start a raw foods store having discovered his passion for organic veggies. next time you crush so many pigeons you get another promotion, you try the new store and its delicious. can't fault him, i guess!

this is the experience of watching jojo part 5.

---

and LOOK. i'm not lacking in perspective here. its presumptuous to say "i can do better" or "i could fix this" when it comes to anyone's work, let alone the work of someone singular like hirohiko araki. no one's brain operates the way his does, as evidenced by the paltry and weak attempts by the spin-off artists who struggle to recapture that same magic; they all lack whatever je ne se quoi araki has tapped into that's off limits to every other human on planet earth.

straight up, my approach to storytelling is too conventional to be a good replacement for araki's (who seems to be just completely unhinged both on and off the page) so my suggestions to "fix" part 5 are going to be broad strokes and not finely tuned fanfictions. there are just...things i would have like to see happen. and the list is long enough that i think it necessitates that this essay be done in parts. but everything you need to fix it is right there within the existing text. much like the bad meal, the manga (presumably, i only watched the anime. no! stop booing me!) has all the ingredients, the passion, and the skills to create a satisfying end result, its genuinely just missing the ability to bring it all together in a satisfying way. and it is so, so frustrating to watch unfold from the comfort of your couch.

however, for people not in the jojo know-know (who are just reading this bc it started with a pigeon crushing metaphor and you wanted to see where it was going), i do have to explain the historical lens we have to consider with part 5: it wound up being the first evolutionary step of araki's change in art style and story-telling conventions. the fashion aesthetics are wilder, the stakes are bigger, and the stands (WAY) more esoteric. with hindsight, we can look back and understand that it turned out to be weird because he was experimenting in real time (as artists who work serially have to due to the nature of the job) with what he was interested in and what he wanted to explore. so there's nothing WRONG with part 5 in the cosmic sense. and it wasn't without entertainment. and most of the characters were great!

it just that this whole thing causes me enough mental anguish to think about day in and day out to the point of writing what will turn out to be an embarrassing amount of words about my objectively least favorite part of a body of work i've come to adore. its fine. whatever.

come with me...join me whether you know jojo or not, as i try to stay sane tonight and many other nights. watch with concern and glee i rant incoherently about things that will make me seem like an absolute raving lunatic to anyone who is only barely familiar with the franchise and loosely understands it, as i only did, as a series about people who do pokemon but with ghosts who punch people.

first up, i need to do some comic work, and then we can talk about AHHH

OUT! GET IT OUT! GET IT OUT OF HERE! GET THAT BEAST AWAY

AHHH

[hereforthefunnyguys]

Hey bro, if you don't mind me asking... What's the worst Yu-Gi-Oh take you've ever seen? I like seeing you rant.

God... I'm blanking right now but there are a Lot. There are just so many </3.

Later addendum: This went... all over the place. I have no clue what happened here but I stand by my opinions.

I realize I rant about Marik problems a lot (tis the tism) but I think the ones that actually tend to genuinely anger me the most in like a "oh, you genuinely did not read the same series as me" are the ones that attempt to villainize Atem over the whole series or make it seem like he only really cared about Yugi. That is just like. Blatantly incorrect.

First of all, I realize everyone really likes s0 "ooooOOO eDgY yAmI", but early manga Yami Yugi was only terribly violent for a few chapters. After that, he pretty firmly chillaxes, especially post-Death-T and definitely post-Monster World. And we are given a... pretty good reason for why he was like that originally! I would also be a little mad if I woke with no memories after being tormented in a labyrinth full of shadow demons for so long i literally could not remember being born and my first sight was someone trying to beat the shit out of the guy who was kind enough to release me from my Gay and Stupid Maze!

Literally guys, he's like a recently adopted stray kitten. He's just lashing out because he's scared. He's not evil you idiot he's 15 and incredibly incredibly confused and freaked out. Yes he still committed murder no I don't care we've excused other people for worse (take note of how these will often be the same people that uwuify marik or yb (but marik especially -> about to have a sub-rant its related i promise.))

ps. i don't get the marik thing he may be pretty but he is not a sniffling little kitten like people write him as (especially in comparison to his Big Bad Evil Personality and dangerous-bad-boy Yami Bakura who certainly never admitted to himself considering Marik slimy and weird and a dangerous asshole in canon no sir never). The man literally tried to drown Joey and (admittedly accidentally) got his own big brother fried like a fork in a toaster engineered by Elon Musk (and, I want to mention, he didn't seem to consider Rishid a genuine brother until much later after the psychological equivalent of multiple slaps upside the head). I think people just don't know how to write mental illness and/or emotions other than Horny or Sad and morals more complex than black and white.

This is actually part of I think a larger problem in the fandom with not tending to remember the whole storyline/point of yugioh was proving that people are not naturally evil and in fact often prove to be quite noble when they get taken out of a bad situation and worked on a little. Ppl don't quite get this outside of redeeming their favorite evil pretty boy so he can date around, so they either make everyone a sad little angel thats never done anything wrong in their life or a terrible demon whose surprisingly abusive qualities are only matched by his shockingly canon-inaccurate height and muscle mass increase. This is, imo, why people tend to do That to Atem. Either they interpret him as a perfect Good King that can do no wrong or, sadly more commonly, an evil serial killer that only cares about [EXPLETIVE REMOVED]ing Yugi and then pretty much nothing else.

Also, he was like... not a bad Pharoah from the exactly (checks notes) 72 hours he got to be one before dying a horrible torturous undeath. For the good of his kingdom, I want to mention. That was something he willingly undertook for the sake of his people. As far as autocratic dictators went, he was by all accounts a pretty nice one! Didn't even torture anyone to death! In fact he was so against the idea of torturing people to death we had to Specifically keep the bit where we were actually doing that secret from him!

also section B of this take then usually comes around to trying to prove he never cared about his friends other than yugi. And if I may be so spicy in the chat tonight. This is usually ooc puzzleshipping brain rot influencing critical thinking. Yes yes I get that your yami yugi 20k yandere fanfic (with a yugi that cries all the time for some reason and apparently refuses to just Take The Damn Thing Off) is hot but brother of mine that is not what Atem was like in canon. Like. At all.

First of all, even before Memory World he showed off caring about his friends. There was the whole "deadly yo yos" incident with Joey and then there was the not one but two Anzu hostage situations that he dealt with, one of which when there was literally no benefit to him or yugi to go and rescue her! In fact it put them in Active Danger to do so! And from what I remember, that was before even Death-T! So he has very much cared about his friends from the very beginning, individual of his aspect as an extension of Yugi's survival instinct.

Also. The whole point of Yu-Gi-Oh is the whole friendship is magic stuff. That absolutely applies to Atem as well. In fact it probably applies to him more so. The guy really depends on all of his friends for his sanity in a way that not even Yugi does. He likes Joey and he likes Anzu and he likes Honda (even with as little time as he got to shine RIP spiky haired king) and he likes Ryou! In fact one of the original conflicts in Battle City was that he cared about Ryou so much he wouldn't get rid of his age old archenemy because it would have hurt Ryou! But anyways. Anyways.

It feels like part of that can be blamed on the Orichalchos arc in the anime (which was certainly. An Arc. Not good not bad but a secret 3rd thing.) where they had him get incredibly depressed and ever so slightly unstable when Yugi went away. Which makes sense for him, but then people tend to overstate it to "Atem is inconsolable when Yugi isn't there to make it all better for him" and not "Atem feels incredibly guilty for falling under the spell of a literal magically evil-inducing rock and would likely feel similar if he lost really any of his friends in a similar manner."

"But steve. how are those last two things at all related to each other" WELL. YOU SEE. It always feels like people tend to make Atem evil and hate everyone else in order to justify a fantasy scenario where "Yugi" (read: writer's self-insert) gets to come along and redeem him and he gets to be their loyal attack dog. And you know what? I'm fine with that as a fanfic scenario! Let people have fun! Is probably very hot to people who are not stickily uptight bastards like me! But it annoys me like Hell when people try to canonize that particular bit of oocness.

Atem isn't evil. The poor boy is having his own problems. He's hanging out. He's doing his best. Leave him alone. He literally is just a teenage boy that likes to play games. Let him chill. Let him chill.

[littleeyesofpallas]

Are you ever going to make a dedicated post or two about your thoughts on Bleach as a series? In a lot of your trivia posts you sprinkle in a lot of opinions here and there regarding Bleach’s themes or plot points, and I’m really curious to know how you feel about Bleach in a general sense considering how wildly varied opinions on this manga are. I myself have a hard time really sorting out my thoughts. Sometimes it feels like Kubo is a genius and sometimes it feels like it’s just being made up as it goes along. You’re the first person I’ve seen who has a solid grasp of Bleach’s deeper themes and can be thoughtfully appreciative and critical of it. So I’d deeply love maybe an arc-in-review series or some kind of meta analysis from you

I never really considered it, but I guess I could try? I do firmly believe that, given the serial format, a lot of Bleach's development over the course of its publication is more flying by the seat of his pants week to week more than any coherent plan or big picture at work, and that definitely throws a big wrench in things right off the bat.

I think a lot of the ways we just kind of just have to read the text means there's a limit to how far out we can really zoom before things lose cohesion. Like, you can examine scenes and lines in the context of their particular arc, but not so much in the series as a whole, because often it feels like Kubo is really only building off of the immediate context rather than a broader theme. If that makes any sense... So at least in the way I read it, I don't know that it's conducive to a full series reading. Not in a way that focuses in on a conclusion anyway. if that makes sense.

I could try to do a sort of arc by arc breakdown though. Or take certain plot threads and just chase them down as far as they go, whether that's just a couple of chapters or a whole story arc. I feel like that mean retreading content from some of my older posts, but also it's not like those were especially well organized or easy to find now. I dunno, I'll think about it. Sorry that's not an especially clear answer tho..

[theozilla]

I stayed up late last night finishing the Pluto anime (I watched the English dub; I am planning on rewatching it in Japanese and the German dub eventually) and now I am putting down my thoughts after having slept on them. 

Urasawa’s Pluto is one of my favorite manga (and comics) of all time, so I was very invested at the prospect of it getting an anime adaption (regardless of the fact that I expected I would end up, and still do, preferring the manga as the best way to experience the story). Anyways, overall, the Pluto anime is a great anime and a good adaption. The animation was very good, though I agree with the common criticisms that parts of it could have had better compositing. I do have a few criticisms of it as an adaptation though, critiques that go beyond the standard practice of shortening, slightly modifying, and cutting of (less plot-essential) dialogue and scenes that come when an anime adapts a manga (especially text and plot dense ones). I essentially have three major/not-insignificant criticisms of how the story got adapted (though I am quite aware that the cause of these shortcomings may be more due to the anime production just not having the time and/or resources to do so, than being deliberate creative choices). 

         My first criticism is the fact that in the manga Gesicht and Brau-1589 did end up exchanging memory chips (this happens at the end of volume 2 in the manga, which is roughly analogous to what episodes 2 and/or 3 of the anime adapted). Cutting that plot point from the anime is a significant story loss IMO as it was an essential step in Gesicht’s character arc, specifically him slowly realizing that parts of his memory were erased. It also diminishes the effectiveness of Brau-1589’s character as not only does it further explain and justify why Brau considered himself and Gesicht to be two of a kind (i.e., Brau was able to notice and discern Gesicht’s erased memories) it also removes narrative parallel/“rhyming” of how Atom had previously read Gesicht’s memory chip and is implied to have picked-up on the same erased memories as well. Also not getting to hear Brau-1589 do the haunting line of "500 Zeus a body" voiced-acted is a crying shame. 

         Secondly, the choice to cut out the various scenes Dr. Roosevelt, the immobile super-computer A.I., and the President of the not!USA, from the first half of the story was a mistake. In the manga, by volume 2, the audience is supposed to be explicitly clued-in to the fact that Dr. Roosevelt and the President are directly involved the serial murder conspiracy (with the how and why still being unknown). Not having this context established before the second half of the story in the anime I would imagine makes the later scenes of Dr. Roosevelt and the President that do get adapted much more confusing and random for an anime-only watcher. It also diminishes the greater connective and overarching themes of the narrative, particularly the ones critical of the USA and Neo-imperialism (which I cynically wonder if that was one of the reasons said scenes were cut). Excising the earlier Dr. Roosevelt scenes and references to it, as well as the parallels with Brau-1589 (and the theme of robots feeling hatred and other extreme emotions), brings down the quality of the character and thematic writing in general as well. 

         And finally, a few adaptation choices done in the final eighth episode, I feel brought down the quality of the climax. Beginning with the least significant one, but still important IMO, was the cutting of Doctor Tenma and Professor Hoffman’s scene at Gesicht’s grave. Besides it further elucidating the themes of the narrative, it’s also just a loss in terms of giving a bookend to Hoffman’s role in the narrative and his relationship with Gesicht. Next, is the anime’s decision to make Bora completely non-verbal when Atom and Pluto confront him during the climax. In the manga, the intelligence of Goji/“Abullah” was still present, which not only made the climax more emotionally engaging, but it also specifically made Pluto/Sahad coming to terms with the ghost of his father much more effective as well. Lastly, and my biggest issue with how episode 8 adapted volume 8, was the choice to have Atom remembering Gesicht’s final words and the flashback that reveals how Gesicht found the robot child he and his wife adopted, occur in the middle of the scene where Professor Ochanomizu witnesses Atom picking up a snail and showing how he still has his humanity intact after being revived in the way that he was. In the manga said scenes occurred right before Atom is about to deliver a killing blow to Pluto (and are subsequently intercut with the remainder of the climax). The way the anime rearranges the contents of volume 8 in episode 8 really messes up the flow, particularly the emotional flow, of the story’s climax and makes it less engaging and effective as a concluding experience. 

Anyways, despite those three major areas I took issue with, I still really enjoyed the Pluto anime and consider it to be a great work overall. Though I still recommend the manga as the best and proper way to experience the story. 

[sweetbottletops]

みなさまの本のカバーこんな感じです…! Your book cover looks like this...! ! @ agu_knzm x

No new chapter this weekend. Still hard at work on the book deadlines it sounds.

単行本作業で明日の更新はイラストになってしまいそうです…😭いつも応援いただいているのにごめんなさい、頑張ります！！I’ll have to update with an illustration tomorrow due to additional work for the book… thank you for being patient with me 💚 x

Understandable. I love the illustrations anyway.

I do enjoy how this cover says Vol 1. As it indicates there will be a Vol 2. I saw that on the amazon listing, but still wasn't getting my hopes up until now. I do wonder if she will be serialized at some point or continue with this format. Especially since twitter has been swooning lately and instagram is her only other option.

She is doing several bonus booklets for different booksellers (not amazon) but maybe those will someday be in an English version. I have to stick with my amazon preorder because I'm sure it will actually arrive.

For example Toranoana states for them: "The newly drawn content is limited to Toranoana. The content is different from paid benefits of other companies....Booklet is B6 / saddle stitch / 8 pages / included There will be 4 pages of newly drawn manga and 2 pages of illustrations....Includes a newly drawn story about Mitsuki's past."

Hopefully she isn't being overworked.

With booklets: melon books / gamers / animate / toronoana

[guys-in-distress-database]

The GID Awards: Comic Book

Our next category is a certifiable classic and the origin of many a bondage kink, I imagine: the comic book.

I know a LOT of people in the community who developed bondage kinks because they grew up reading golden and silver age comics. For most people, it was American superhero comics, namely Batman, Captain Marvel and, for DID fans, Wonder Woman.

Not me though...

I grew up reading Franco-Belgian comics and they probably hold about 75% of the blame for me developing a bondage kink. I don't know (and would be really curious to learn) why predominantly children's media between roughly 1920-1980 was SO bondage-heavy. Like, were men with bondage kinks running the media industry or was there some sort of bizarre romanticization of kidnapping (that got upended by the public revelation of the domination of serial killers and kidnappers during the 60s and 70s) or was this all a wacky coincidence?

Aaaaaaaaanyways...

This one was hard to get personal bias out of the picture simply because I just don't read American comics that don't have anything to do with Star Wars. That being said, I did end up choosing one just because, how could I not?! My choice is:

Shazam/Captain Marvel

Now I'm cheating a bit with this one because I've never done an entry on it, though I can justify that as comics being difficult to make entries for owed to how many of them there are and just how confusing they are to categorize. And how can I not choose this one with the impact it's had on GID?

Any character who activates their superpowers through speaking is just asking to get gagged over and over and over. And that's exactly what happened to Billy Batson. While they've definitely toned it down over time (likely due to changing attitudes around having underage characters in distress like this), back in the early days, the guy couldn't go a few issues without getting bound and gagged.

Every source of conflict in his early days seemed to be him getting captured and then finding some clever way to get his gag off. Hilt of a sword, flaming piece of wood, hook in the wall, you name it.

Although there's definitely been a reduction of scenes overtime, you do still see the modern Shazam suffering similar fates, especially in the Injustice comic and the Friends Like These comic, so it's nice to see his legacy being upheld.

So for its contributions to GID, I have chosen Captain Marvel as the winner for best GID comic!

Honourable Mentions

Some other comics I considered, but ultimately did not choose for this award:

Suske en Wiske (for directly influencing my bondage kink and sheer volume of scenes)

Attack on Titan Manga (for having a great scene that didn't make it into the anime)