#essays i found.

[goldenspirits]

I feel like Little Shop of Horrors borrows a lot from Black Culture but I can't find any good essays on it

(In my mind it's mainly the black girl trio and the fact that Audrey II sings in a style typically associated with black people)

Though I'm non-black so I feel like this isn't really my place to talk.

[dansemacabre]

(tw unreality!)

ayo new theory just dropped and bad news! the implications are cosmically horrifying

in the bulletin from time baby in book of bill, he says bill is a “danger to narrativity”, and that he risks the fourth wall. this kept bothering me. why reference the fourth wall here? why have time baby reference it? yeah the heaven page and shit is a bit meta, but thats just how bill talks, right? Well i was a fool

when you put “seven eyes” into the lost files site, this warning pops up from the oracle question mark? from journal three:

the therapese at the bottom translates to “set coords for dimension: r34lity”.

and putting r34lity into the website gives us this image:

the text below it reads they found a new home. those are “real” fucking images. the henchmaniacs are in our “reality”. the cryptids page might not have been a goof goof bit- they were “real”. (“real” meaning our reality in the book of bill sense of it but still our reality. is that tracking.)

none of the rest of the cast actually references us as a specific audience, or the fandom, or acts like we know them at all. the cast addresses everything they write to a mystery “reader” who needs to be saved from the book’s influence.

meanwhile, in the book of bill:

because bill’s not talking to a mystery “reader” who’s reading this book.

bill fucking sees us.

bill sees reality. REALITY reality. like this earth the one with alex hirsch and gravity falls the show and tiktok and shit. book of bill is a book in our reality for us the reader. (ie. there’s a reference to “they both reached for the gun” if you put gun in the website, which would only make sense if bill was sentient in this “reality” right now.) and someone is trying to get here to hide from him. maybe they’re already here.

[tarantula-hawk-wasp]

Earth’s hottest day ever recorded by human instruments

Better way to phrase this is : top 3 hottest daily average-global-temperatures ever recorded by human instruments were this week.

[chihirolovebot]

on a real note that bit near the end of the video was genuinely haunting. hearing somerton talk about how gay writers are erased from history was one thing (with all the irony being that he stepped on the backs of numerous underpaid, underprivileged and uncredited queer writers to build his youtube channel) but when h revealed it wasn't even somerton's quote in the first place? the worst, most crushing sort of irony. how do you lament about the erasure of gay people and gay writers in history... whilst erasing a gay writer and taking his words as your own?

[riddlerosehearts]

thinking about how people who watch the emperor's new groove and somehow come out of it shipping pacha and kuzco, or thinking yzma only became evil when kuzco fired her and that she would've been a better ruler than him, are both so wrong in so many different ways and are also missing one of the things that i absolutely love about the movie. which is that, the way i see it, pacha and yzma are counterparts. as parental figures to kuzco.

like, just to get this out of the way first, yzma was a dismissive asshole to a peasant whose family was starving. and yeah, if kuzco had been in her place he definitely would've also done that, which... is why she would not be a better ruler than him. she'd just be the same because they're both horrible people in the exact same ways. her reaction to being fired is to plot murder, and as soon as his funeral is over she sets everyone to work on replacing paintings of kuzco with paintings of herself and covering the palace with imagery that makes it clear that it's all about her now. i'm not even sure why this is a discussion tbh.

and also, kuzco is literally a teenager. he's barely 18 years old. source: in the movie, yzma says at his funeral that kuzco was "taken from us so tragically on the very eve of his eighteenth birthday." she also claims in the movie to have "practically raised" him, to which kronk replies "yeah, you'd think he would've turned out better". and sure, she could be exaggerating, but what evidence do we have that she is? we learn absolutely nothing of his parents, who are never mentioned even once in the movie, or of anyone else who could've raised him, and she's his advisor who for some reason sees no problem with attending to royal duties in his place. most likely because she's his regent. also, i'm not exactly a fan of the sequel tv series "the emperor's new school" but it does have something that backs up my point: kuzco is revealed to be an orphan and just before his father went and got lost at sea, he asked yzma (who was also his advisor) to take care of kuzco if anything happened to him. so, yeah, the writers who worked on the series clearly thought that yzma genuinely did raise kuzco, and nothing in the movie contradicts this.

and i find the idea of her being his only parental figure for pretty much his whole childhood incredibly interesting because, and this also goes back into why she wouldn't be a better ruler than him--she mirrors him as a reflection of what would've become of him if he'd never met pacha. they're both incredibly arrogant, power-hungry, selfish, and cruel, with a tendency to blame their problems on everyone but themselves. yzma was even originally going to have her own reprise of kuzco's theme song "perfect world", which i really wish had been kept:

[ID: Lyrics that read:

I'Il be the sovereign queen of the nation And the chicest chick in creation I'm the cat with all the cream and ooh-la-la This deadly concentration Will put an end to my frustration Now this perfect world begins and ends with moi

What's my name? Yzma, Yzma, Yzma Yzma (what's my name?) Yzma, Yzma (What'd you say?) Yzma (Ha ha ha ha ha ha ha ha ha!) Yzma. End ID]

(this song can be fully heard in "the sweatbox", the documentary about the making of the movie, and is also on youtube btw)

anyway, i'm sure yzma would not exactly have been the most nurturing or hands-on guardian, especially given that she and kuzco don't exactly treat each other like family. but it makes a lot of sense to think that her behavior influened kuzco's throughout the years. and for the entire movie, she remains determined to kill him. when he tries to reason with her and admits that he should've been nicer, she says the same thing to him that he originally said when he fired her. she never grows or changes and in the end, she hurts the one person who was willing to stand by her (and even then, kronk had never fully been on board with her plan) and he ends up trying to crush her with a chandelier. kuzco on the other hand is able to realize the error of his ways, come to regret who he was in the past, and start taking steps toward being a better person. his theme song gets a reprise where it's changed from a song about one person being the center of the world to a Power Of Friendship song. why? because, as i've already mentioned, he has pacha.

pacha, who similarly to both yzma and kuzco is in a position of authority as the leader of the village but unlike either of them is gentle and humble. who isn't afraid to stand up to kuzco and be honest with him even though he's the emperor, who agrees to take him back to the palace but has no obligation to be so helpful, kind, and caring toward him--and just about every reason not to be--and still chooses to be anyway. pacha who is 45 years old (also stated in the sweatbox documentary) and can see that kuzco is practically still a kid, not a single day over 18, who has time to grow and change. pacha, who already has a wife and two kids with another on the way, but practically treats kuzco like one of his own. who acknowledges that if kuzco dies all his problems will be gone and then still worries about him and goes out of his way to rescue him after he wanders into the jungle. who sees kuzco shivering at night and covers him with his poncho, who carries him when he's genuinely too weak to keep walking, who refuses to give up on him even after repeatedly being betrayed by him because he believes there's good in everyone.

also, while yzma ends up repeating kuzco's harsh words of dismissal as she tells him of her plans to kill him, kuzco had previously repeated pacha's words that "nobody's that heartless" after he saved pacha's life. and as the movie progresses kuzco and pacha's relationship becomes more and more equal and is constantly contrasted by moments of yzma being cruel and unappreciative of kronk's kindness. a good example of this is how kronk is constantly being forced to carry yzma everywhere on his back while yzma literally walks all over him and steps on his hands when she gets down, whereas when pacha briefly carries kuzco after the latter collapses he tells him he'll have to walk the rest of the way later and kuzco doesn't even protest.

idk if i'm even explaining well what i'm trying to say here. but basically, if yzma actually raised kuzco and contributed to his current behavior, then she and pacha both are figures who guided him and helped him grow. only yzma helped him become the tyrant that he was at the start of the movie, who was selfish and callous and saw everyone else as beneath him. whereas pacha helped him see the value in being selfless and considerate of others. and in the end, yzma is stuck as a cat and nobody is concerned about her. kronk has found a new job that makes him genuinely happy, while kuzco has decided to build a hut on the hill next to pacha's and effectively joined his family. in the sweatbox documentary it's even mentioned that chicha and the kids were at risk of being removed from the film, but it was decided that they needed to be there because having just pacha as a single guy who lived alone wasn't interesting enough--kuzco needed to go from having basically an empty world where he had nobody to being able to come together with pacha's whole family. and i just think that's incredibly satisfying and beautiful. it also leads up to one of the few things i really do enjoy about the emperor's new school, which is the fact that during the show kuzco moves in with pacha and chicha and pretty explicitly thinks of them as basically his parents while he's like a son to them.

idk. i feel like my mind went in a million different directions while i was writing all this. but i guess i just think that for all of the praise the emperor's new groove gets for its comedy and for how hilarious yzma and kronk in particular are as a duo, the movie also has a lot of genuine heart that gets overlooked. kuzco's character growth and his unique dynamic with pacha is, for me, really what elevates the movie from just a funny movie that i like to one of my favorite disney movies. and i wish more people appreciated that aspect of it and saw it as a found family story in the same way that treasure planet, brother bear, and lilo and stitch are all found family stories.

[sharliexth]

youtube was made in 2005. mgs1 takes place in 2005. therefore there is a non zero chance that solid snake may have uploaded videos of dog shenanigans with ominous thumbnails like this

[redbean-nom]

Cadets

(aka trash children, chaos children, and children who understand 98 is getting graded on this)

Inspired by @thefoundationproject! Closeups under the cut:

jesse got this pic from jangotat:

[koldefingre]

They are so not father son in the way that they so are father son. Yk?

[tovaicas]

not me thinking abt how estinien is consistently one of the most emotionally intelligent characters (at least when it comes to other people) we have yet this is constantly forgotten or minimized

[mihotose]

the same. you know what i mean

[kimi-co]

Antonelli and his dad have a SPECIAL bond:

"F2 silverstone, Kimi crashed out and came into the garage, where his dad was sitting there, watching the race on this tiny little TV. And Kimi just went and sat on his dad's lap, and they started eating Pringles together."

[cookie-nom-nom]

Reading Barrayar I felt trapped in Cordelia’s head. It’s incredibly effective for the dread of war as a civilian. Plans and machinations happening beyond you, with no input. Hearing of things happening that seem far off and like yeah that’s awful but then suddenly it dominoes in a way that destroy your life and it’s not your fault and you could've done nothing at all to prevent it. Especially the tension of being hunted in the Dendarii mountains with no idea how the war is going, if they’ve already lost, if it is already too late. Cordelia is doing actively important things in service of the war by sheltering Gregor, yet there's this pervasive feeling of helpless lack of control. She spends most of the book with this dread of not knowing when the next threat to their family will come, and I don’t think it could’ve been done so effectively if we had access to the information Aral had. I found it frustrating at times, since it felt like Cordelia was swept up in events with little agency (at first; obviously our dear captain didn’t remain there). I wanted so badly to be with Aral seeing and knowing and making the decisions.

But that’s the point! Most people have absolutely zero agency in those situations and little information and it’s terrifying. Barrayar captures the feeling of being a civilian in war where so many narratives narrow in upon the heroes and 'men of history' that control conflicts. That's what readers expect. I think that’s why I loved the ending so much. After so long trapped with Cordelia, just trying to survive the larger machinations of Barrayar’s bloody politics, it felt so, so good to finally be on the offensive, to have information the opponents don’t, to finally have power and the means to control what happens. It's a relief to the constant tension of having no agency in a giant conflict that frankly Cordelia had no business being affect by, yet was swept up in because of her love of Aral.

Which is the second thing I deeply enjoyed in Barrayar. I love how the war is made so human. A messy tangle of human relationships control it. I can’t stop thinking about the hostages. There are just so many children being used because the war holds the future hostage. Tiny precious Miles utterly incapable of comprehending how large a pawn he is. Young grieving Gregor vital to the plans of both sides whether dead or alive. Elena, who should be of no importance but she is because that's the kid of an unimportant soldier, just like every other hostage is another piece in the web of the war. I keep thinking about the relatives of Aral’s men caught in the capital. The hostages that Aral refuses to take. Everyone just trying to take care of those they love, and the points where they must put other priorities over their relationships are heart wrenching.

Barrayar looks dead on at how little people try to survive a civil war. From the mountains where the fighting seems so far, and information is slowed to a trickle of the singular mailman. The invasion of forces that disrupts people who may not even know there’s a war yet. The scientists and the genius lost in a single blast that goes unnoticed. The urban populations trying to sneak in food and people and keep their heads down. Random citizens debating who to sell out, weighing risks and bounties, if it will get them the favor with the occupiers that will help them survive. All so small in the grand scheme of things, and yet they are who Barrayar concerns itself with.

Cordelia’s uncertainty and fear would’ve been undermined if we were allowed to see in the heads of people driving the conflict, because Barrayar isn’t about those people. It is the desperation of two mothers, powerless and kept in the dark, that topples the regime.

Addendum: Cordelia’s relationship to Aral firmly places her in an upper class position that is important to note when discussing the role of civilians/‘little people’ within this analysis. But as a woman on Barrayar she is extremely limited in the power she is allocated, especially compared to someone like Aral, which would be the military leadership POV that novels more focused on the grander scope of war would utilize. Again not to say Cordelia has no agency or power, but it is not to the degree of the people in charge. Thus I place her alongside the average people swept up in a war outside their control. Still, her position as a Vor Lady gives her some access knowledge and connections that she turns into power, which while limited are far more than the average citizen. Her significance to Vordarrian is exclusively viewed as yet another hostage, an underestimation that Cordelia readily exploits, but still afforded only due to her status. Cordelia occupies a position of importance but not power beyond the scope of the people she’s formed direct relationships with, which only further ties into the essay's thesis.

[lovesickeros]

☆ decadence divine [ act I ]

{☆} characters arlecchino, neuvillette, furina {☆} notes yandere, drabble, gender neutral reader {☆} warnings yandere content, stalking (implied), kidnapping (implied) {☆} word count 2.3k

ARLECCHINO

Arlecchino was wont to leave social gatherings to her subordinates– the private meetings were where she thrived. It was so much easier to lure your prey into a trap when you didn't have prying eyes and ears waiting for the barest hint of blackmail.

She clicked her tongue in distaste, her eyes narrowing beneath the mask of the fox as she set down her cup sharply. It was difficult as it was to draw them from the safety of their bubble– at the slightest hint of danger, her quarry would run. A chase would be fun, but she couldn't risk getting caught here. The political nightmare it would cause..it already gave her a headache. She had to be discreet.

They weren't making it easy, however.

Which is why she never liked crowds. But this chance didn't come by every day. She wasn't going to simply let it pass by because of a little danger. She'd have them eventually, it was just a matter of how. There were already numerous of her own lingering in the crowds, hidden beneath the masks that every patron bore. It was difficult to stand out amongst the flurry of masked patrons constantly shifting around the room, moving from one conversation to another, gliding from one dance partner to another.

Her heeled boots clicked sharply against the tile as she stalked through the crowds, keeping a wide berth yet always lingering nearby– she was sure they could feel the vague sense of being watched, but with the huge crowds..her lips quirked into a grin with the barest flash of teeth. There were a great many ways to break them in– she'd spent a great amount of time and mora to get anything she could for blackmail, if she so wished. She had the backing of the Fatui as well if she played her cards right– it wouldn't be difficult to convince them that they were a valuable target, and none of them would dare to question just what she did with them afterwards.

Perhaps a bit of play, first. Test the waters. She was familiar with playing the polite gentleman, despite her status as a Fatui Harbinger. Stage something for her to intervene, perhaps, to look the hero. The look of shock when she revealed the wolf beneath the wool..she could see it already. That wide, doe-eyed look as they realized the monster they've followed blindly like a lost lamb..she was beginning to see the appeal.

All it took was a few hushed words and subtle signals before the tiles started to fall in place, her hand gliding along their lower back as she leaned over their shoulder with a thin, predatory smile. She'd have to organize for the agent to be released later, her eyes following as the Gardes dragged him out of the room in a flurry of curses, but for now..she tilted her head to peer down at them, polite and almost apologetic.

"You aren't too startled, are you? Now now, there's no need to look so..scared, poor thing. I won't let another lay a hand on you," She cooed in a sickly sweet tone, the husky rasp of her voice whispered in their ear like dripping honey. "You have my word. Now, why don't we get you some fresh air? Come. Allow me to escort you."

Her lips pulled into a jagged grin at the relief in their eyes– the blind lamb following the shepherd as it led them into it's maw. Just a little longer, and she could finally have her own caged bird– a pretty thing to admire, to protect, to possess.

Something no one else would ever touch again. Something hers.

NEUVILLETTE

Neuvillette was not one for parties. The intricacies and delicate handling of public relations he oft left in the capable hands of Furina, rather then himself. It was only at her behest he even attended at all, but he still felt rather..out of place amongst the bodies constantly shifting through the ballroom like a constant rush of water from one end to the other, no rhyme nor reason to the flow. The only thing that kept him afloat among the tides was the mask of the deer obscuring his face– even if it was exceedingly difficult to truly hide himself among the crowds, most passed over him without second thought.

Though he had to be honest with himself, even if he couldn't bring himself to admit it to Furina despite her insistence that his attendance was mandatory. He had his own reasons for coming– selfishness that left a sour taste in his mouth. It was purely by chance he'd seen the briefest glimpse of them prior, and he..was intrigued, that was all.

He refused to let his thoughts linger on the sleepless nights he spent prying every piece of information he could from loose tongues and obscure documents, every moment he managed to squeeze in between trials spent lingering in their most favored locations– cafes, stores, restaurants, the like.

Now a masquerade.

He tried not to let the guilt gnaw at his conscious, but it lingered like an age old scar that still ached.

So he relegated himself to simply residing in the further corner, nursing a goblet of water like a fine wine, trying not to let his eyes stray to the brief glimpses of them through the ever moving bodies filling the center of the room, dancing like puppets in music boxes.

Still, his hand twitched in an instinctual desire– a need to clasp his hand in their own, to touch his lips upon their knuckles, to indulge in a moment of reprieve and unshackle himself from the mantle that bears heavy upon his shoulders. He seeks reverence, worship, but not of himself– but towards the one who had drawn the eye of the dragon amongst the waves of humans he'd seen come and go for a great many years.

No one could compare, he is certain. None have left him as breathless, as hopelessly infatuated, as the one who made him wish only to kneel at their feet in senseless reverence until he could no longer speak. A hopeless man, indeed, if he has never even truly met them.

Instead he's spent his time prying into their life from the shadows. Caution, or simple cowardice?

He dares not ponder.

Yet in his ceaseless pondering he'd blocked out the world without, failing to notice the figure stepping up beside him until their hand brushed against his elbow– just the briefest touch, but it had his pupils narrowing and his entire body tensing like a coiled spring. That touch..bliss. It left him breathless and lightheaded as he tilted his head to regard them, his lips parting in a shaky sigh. They are as beautiful as he remembers– even with their face obscured beneath the mask, he would never forget them.

"Greetings, Monsieur– I hope I didn't frighten you too much." Their laugh made him feel rather faint, just the sound of their voice making his hand tighten around his cane. "..Not at all. I was simply lost in thought." He admitted apologetically, trying to reign in the urge to cup their face between his palms. A dangerous thought. He didn't want to scare them off when they'd provided him a priceless opportunity.

"My apologies, you must have needed something. It was rude of me to have been so absorbed in my thoughts to have ignored you." He continued, gently turning to set his goblet down– offer them his full attention, be a gentleman. The words rang in his skull like a ceaseless alarm, blaring and rattling his thoughts as he gently took their hand in his own. It was a split second decision– an indulgence, but he could simply not help himself. Even with his gloves between them, he felt like he was going to lose his composure just from such a brief touch..

He truly was a hopeless man before an altar, praying for a salvation he intends to bury deep beneath the waves– to keep it hidden in the darkness of the depths that only he can reach. A selfish man, he must be, to even think of it, but it is an itch that he cannot scratch. A need that must be satisfied. He cannot allow any hands but his own to tend to them, to know what it feels to touch them, to hear their voice and see their eyes as he prays– prays like a man starved, devotion born of desperation.

"I hope I did not make you wait too long." He smiles, soft and affectionate, like the bloom of spring beneath the winters chill– yet just as deadly, only masked by the sweet fragrance of flowers.

He had waited too long.

No longer.

FURINA

Furina was right at home amongst the crowds– where the masks obscured the identities of most, it was impossible to not recognize the charming banter of the Hydro Archon beneath the mask of the lamb as she graced the masquerade with her presence, speaking with a silver tongue to any who would listen. A truly enthralled audience fitting for the grandest of performers in Fontaine.

But her eyes lingered not on the people who's praise dripped from their lips like honey– yet so very bitter upon her tongue. Even the mask obscuring her expression did little to hide the longing that had her visibly deflating like a popped balloon. She hated all the eyes on her, really– it was suffocating. She was only putting on a show in the foolish hope that they'd finally pay attention to her. Just her luck, she supposes, that instead she's had to throw herself straight into the role of Archon without a pay off..

They hadn't even spared her a glance! It would be infuriating if not for the fact she couldn't even keep her composure just seeing them across the room. They didn't even have to look at her and she could feel the heat rush to her ears as she forced another smile at the crowd gathered around her. It was unfair how easily they could fluster her without even knowing it– her heart was thumping so hard against her ribcage she felt like it might burst.

Her only solace was the fact none of the patrons seemed to realize she'd clocked out of the conversation, her thoughts and eyes lingering on the distant figure– what a lovestruck fool she makes..it was a chance encounter she'd seen them during one of her outings. That was all it took to enthrall her, evidentially, try as she might to have ignore it for months.

They never left her mind for longer then a day, in the end, and she had to face the fact they had managed to enrapture her so deeply she felt like a newborn lamb learning to walk whenever she so much as thought of them. What an embarrassment! She..she was the Archon, she had a reputation to maintain, she couldn't be seen fawning over a human.

But oh, she still longed for it, beneath the veneer of a God. She'd watched them more times then she'd admit even to herself, wishing to find herself in place of those who'd hands were cradled so casually in their own– to hear their voice, their laughter, as often as she pleased..like a fine delicacy she so badly wished to taste, yet so far from her reach.

Would they think her pathetic for her infatuation? She pursed her lips at the thought, trying to bury the sour mood beneath her faux image of the Archon. Yet it lingered, and with only the quietest of excuses, she slipped into the crowd like a ghost– she needed to leave before she did something..stupid. Neuvillette would surely have a few choice words with her if she did, and she was inclined to avoid such a fate.

She..she just needed a moment to collect herself was all. That was it. She could go back to playing Archon for a little longer, she just needed a moment to herself. At the very least, the balcony had been regarded as off limits so late into the party– which gave her an opportunity to slip out of the public view for the briefest of moments. A welcome reprieve– she was starting to feel suffocated amongst the crowds.

Perhaps on instinct, she reached for the mask, lifting ever so slightly away..only to let out a startled yelp at the touch of a hand on her shoulder, the mask slipping back into place far too easily. It made her lightheaded, even now, but she dared not to dwell on it.

But when she turned sharply on her heel to chew out the person who'd followed her and had the gall to scare her..oh, she was done for, her ears flush with heat. The brief glimpse of their eyes beneath the mask, the curl of their lips as they smiled– her heart stuttered in her chest, and she was certain it had stopped all together when they clasped her hand.

"Y–you.." She wanted to be angry, to brush them off and leave with her rationality in tact, but the warmth of their hands on her skin rendered her speechless. She was no better then a fish on land, struggling to fill her lungs with air as she drew in a shaky breath. "Ahem, you caught me off guard. That's all. Surely you do not make it a habit to sneak up on people?" She huffed in indignation, trying to mask the fluster that threatened to break through her carefully crafted facade.

Ah, what a cruel twist of fate..she'd slipped away to escape their allure, but here they were, dragging her back into their orbit without even knowing how deep her infatuation ran. They were alone, too..it was a chance she wasn't sure she'd ever get again.

Maybe, just this once, she could do something for herself rather then everyone else.

She buried her guilt, the fear– buried it beneath the need to be seen.

"But if you want to make it up to me.."

[oceans-beloved]

Meme dump yayyy🥳✨️

(off to make more now muhahaha >:3)

[lialox]

Singnsong was so right when they implied that a reader knows the story better than its own author does.

I couldn't understand this until I wrote my first long fic. I always thought ?? doesn't the author know best? It's their story.

But the sheer number of times a reader has told me something about my own story that I didn't know, and was ALSO true has convinced me otherwise.

I'm talking foreshadowing I forgot I added. Or a completely different interpretation to a line I wrote that matched up with how I characterized someone. The author might forget about the line they wrote, but that one reader will totally remember!!

I wish I could pretend I'm a genius but the longer you write the more the story becomes a trust fall and you just hope that world you created exists enough within you to stay consistent the whole way through.

[turtleblogatlast]

Thinking about the Don Suave scene and what it means in terms of LGBTQ+ representation because my brain does nothing if not torment me with random topics to ramble about on the regular.

Anyway, I just wanted to ramble about why I like the scene but to get it out of the way - the scene can very easily be interpreted in so many different ways, and all of them are valid. I personally see it as Leo having at least some attraction to a man. And the following is an explanation of my own interpretation and thoughts on it and what it means especially for Leo’s portrayal in the grand scheme of things.

Long-winded interpretation under the cut!

Now, to start with, it’s important to me that in the scene Leo looks at Don Suave in the very beginning and then for the entirety of the rest of the time the man is on screen, Leo’s eyes are closed. Yet, in the end, he is still visibly enamored with Don Suave, happily cuddling up to him as he’s being carried away.

You can very easily interpret this as Leo being spellbound and that’s honestly super valid and I believe he likely was at least somewhat in the beginning, but considering how fast he looked away and how he never looked again, I personally think it makes more sense to read it as Leo just finding the man attractive, at least somewhat. (For the record, I personally headcanon Rise Leo as bisexual with a heavy preference for men, but I want to be blunt when I say that any interpretation is valid. Literally any. Ace, pan, gay, bi, none of the above or a mixture of something new literally all of it is more than okay and fair. Hell you could even interpret this entire scene as more romantic attraction than physical and it would still work. Anything goes!! Don’t bother people, guys, really.)

The main reason I take this scene to be at the very least LGBTQ+ adjacent isn’t just because of how it’s portrayed, but because of who Leonardo is. Not in terms of Rise of the TMNT, but in terms of the entire Teenage Mutant Ninja Turtles™️ franchise.

Leo’s a character who, while changing with each iteration, has still at his core been around for decades upon decades as “the blue one”. One fourth of the team. He’s the one most are going to look at as the Leader, and oftentimes he is the one closest to having the title of Main Character. Not to say the others aren’t just as important, but Leo’s presence in the A plots of basically all TMNT media is often something very main character-esque.

And that’s very, very important to note. Here we have a Main Character of a prolific and decades long-running franchise distributed by a children’s television network. You can play around with his and his brothers’ characters all you like, but there is always going to be challenges to dodge around, especially since this was still in 2018-2019.

For example, you can play around with their designs so long as they’re color coded turtles, but their sexualities? Now that’s tricky.

“But what about Hypno and Warren?” Not main characters and also they’re Rise originals. They have a lot more room to play around with than a character like Leo does. But even talking about main characters in the franchise, you could arguably have an easier time playing around with Donnie or Mikey’s sexualities than Leo or even Raph, as (unfortunately) the former two tend to get more B plots, so they’d likely have had a little more leeway (still not a lot though.)

So, where does this leave us?

It leaves us in a place where outright stating and/or showing undeniable proof of Leo’s attraction to men is very, very difficult. So, workarounds!

Workarounds like the entire Don Suave situation.

To be honest, as left up to interpretation and lowkey and deniable as it is, this whole scene means a lot to me because of who Leo is as a character. It’s just nice when we get so see even the bare bones of representation with characters that have been such a large part of pop culture for decades, y’know? Even if more would be so much nicer, this is better than I thought we’d ever get for these boys.

And, again, literally nothing I’ve said is the only way to interpret it, I’m more than happy when people interpret media on their own honestly, it’s just something I’ve been thinking of lately and I was wondering if others felt the same way.

Whatever you think when you interpret this scene or Rise Leo as a whole, I just thought this would be interesting to think about, even if it was ramble-y, haha.