I'm playing Baldur's Gate 3
My honest reaction (absolutely not me romancing that anarchic, anticlerical and depressed mage in DA2)
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food critic falls hard for red-haired chef
it’s officially posting day for the @qpkrbkzine 💗
i had the pleasure of working with @drifting-manatee on her fic Taste, which is now on AO3! in her own words, “Katsuki and Eijirou share stories, memories and something deeper- one meal at a time.” please give it some love!
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well, guess who lost control of my hands again and was compelled to scribble down designs for ANOTHER Deltarune AU? yeah. me. it doesn't really have a proper name yet so I've just been calling it Changeling AU for now, I'll figure that out later.
these would be the cast's dark world designs; they parallel early Deltarune concepts in which the lightners would turn into monsters in the dark world-- with a few medieval fantasy fae-flavored twists this time around. mortals become a variety of magical beasts in the fae's dark realm, with only 'Kris' strangely unaffected... aside from the hue shift and conspicuously pointed ears, that is.
the main 'Kris' of this AU isn't the only human in town. instead, they're ironically the only one in town who ISN'T human, though not even they know it yet. in reality they're a Changeling, a fae creature that was left as a 'gift' to replace a taken human child. they can do things, strange things. animals come to them in the night, and the cool touch of iron burns their skin. they're afraid of what they see in the mirror; human eyes don't gleam in the dark, and their teeth shouldn't be so sharp. so they hide their features, and they ignore the whispers of the townsfolk, and they keep their head down.
they made a mistake, a terrible one... and they need to set it right.
meanwhile, the human they replaced is still out there somewhere in the fae world, twisted by its curse into a cornered, desperate beast seeking any escape from the realm that has held them prisoner all their life. it's said that when the full moon casts deep shadows over the woods, you can still hear their anguished howls in the dark begging for the name that once was theirs. they can never leave the dark world without it. they'd do anything to get it back.
all they've ever really wanted was to find their way home.
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Do you ever think about how Fakir, after him and Ahiru finally broke everything that kept the town of Goldkröne in the ghostly hands of its writer, after they finally have some air of peace over the town finally being able to live in its intended early 2000s environment, that Fakir still feels at times like it's not real and that for a while he fears that if he closes his eyes it'll be back in Drosselmeyer's control. Like it just doesn't feel real to him during that first year of calm, until he feels the dull pain on his recovering hand injury and Ahiru who follows him without a pendant anywhere to be found.
He doesn't feel it's real, the calm finality of this town, but he makes sure to feel the scar on his hand. And he makes sure to hold the little duck and realize that she is who she has always been. Him and the town are finally living peacefully.
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I swear to god if Pedro joins Marvel and I get Charlie, him, Sebastian, and Oscar all on screen at once in a scene I will die. I'm not even joking, I have a heart conditon, MY HEART AND BODY WILL NOT SURVIVE BUT JFC WHAT A WAY TO GO GIVE GIVE GIVE GIVE
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various fairfaxes and a drawing from my english civil wars hiking au which i never posted :-) [id under cut]
[image description:
the first image is a digital drawing of a group of men on a light brown background. they are all wearing hiking-appropriate clothing. from left to right: a young man swinging from a tree; arrows pointing at him read ‘weirdly passionate about hiking’ and ‘like 15′. a man leaning against a tree; arrows read ‘grumpy’ and ‘only here for family bonding with father-in-law’. a man with a cane and one arm in a sling, leaning over to read a map; arrows read ‘has injured himself on every hike so far’ and ‘designated driver’. a man reading a map with a serious expression; arrows read ‘annoyed about everything except hiking and sometimes also hiking’ and ‘only one who can read a map’. a man with his hands on his hips looking at the viewer; arrows read ‘arranges hikes and then doesn’t go on them’ and ‘good at arguing’.
the second image is a collection of four digital drawings of thomas fairfax, a man with long dark hair, a moustache, and a beard. he is wearing seventeenth-century clothing. one is a full-body coloured drawing of him sitting in a chair facing away from the viewer with his legs folded and his hat on his knee. the other three are uncoloured: two are headshots of him as a young man and an older man, and the third shows him sitting at a table reading a piece of paper with an expression of concentration.
the third image is a coloured digital portrait of thomas fairfax as an older man. he is clean-shaven and has long dark hair and a scar across his cheek. he is wearing a dark doublet and a large white falling band, and is looking to the left of the image with a serious expression.
end image description.]
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