#expos madrid

[theromanticcorner]

Klimt llega a Madrid como nunca antes se había visto en MAD (Madrid Artes Digitales)

Klimt llega a Madrid como nunca antes se había visto en MAD (Madrid Artes Digitales)

Madrid Artes Digitales (MAD) abre este próximo viernes 4 de marzo sus puertas en la Nave 16 de Matadero Madrid, con la exposición inmersiva basada en las obras del artista austriaco Klimt. Este nuevo espacio, que cuenta con 2.000 metros cuadrados, es el centro de desarrollo de cultura digital más grande de España, y el segundo más grande de Europa. De esta manera, MAD apuesta por generar un…

[losjavis]

de visita por la feria arco madrid 2024

[jimenaencadena]

https://www.culturaydeporte.gob.es/mtraje/exposicion/temporales/2022/alvarado.html

Antonio Alvarado.

Expo temporal. Museo del Traje de Madrid.

1 diciembre 2022 al 26 Marzo 2023

[filteredarchitecture]

Feria del campo Madrid, Asís Cabrero

[etwala]

l’Album en rebonds, les 1001 visages de l’album jeunesse

exposition

Institut français de Barcelone Institut français de Madrid Lire et faire lire 12, avec Sophie Van der Linden

thanks to Philippe Corentin © Xap! Corimbo editorial

[unfoldingnarratives]

I believe in the relation between photography and music; And thats my inspiration #ManRay #aventurasdeamigos #madrid #expo #fotografia #anatomias #tipografia https://www.instagram.com/p/Cnc28jaML0b/?igshid=NGJjMDIxMWI=

[peterwalladobe]

‘Imagine Picasso. Image Totale© Exhibition’. Espacio 5.1 de IFEMA Madrid. Comisaria, Androula Michael. Crónica Visual: PeterWallAdobe@yahoo.es 03-11-2022. @imaginepicassomadrid #imaginepicassomadrid @soldoutlive @idolyagency_official @ifema_madrid @espacio5punto1 #ImaginePicassoExhibition #ImageTotale #PabloPicasso #RuizPicasso #Expo #Exposición #Inmersiva #Inmersivo #Guernica #Arte #Madrid #PlanesMadrid #ImaginePicassoMadrid #CulturaMadrid #IFEMA #Picasso #espacio5punto1 https://www.instagram.com/p/CkrCl0BDlMy/?igshid=NGJjMDIxMWI=

[jositoxy]

Exposición en Madrid del gran artista y director de cine Tim Burton con sus dibujos y maquetas de sus creaciones. Nos ha gustado mucho, con la curiosidad que tú elijes que puerta abres y te encuentras algo diferente a los demás. Lo malo es que al llegar al final no ves todas las salas, lo han querido así y no nos pareció justo que no vimos apenas algo de Pesadilla antes de Navidad (Nightmare before Christmas) Y NADA de Batman.... INJUSTO!

[hideous-armor]

Did the illustrations for the new “Malware Acoustics” audiovisual expo organized by Interior in Madrid. https://www.instagram.com/p/CuFHo3Xs-Up/

[mask131]

Max Ernst's "One Week of Kindness"

Which could also be called "A Week of Benevolence" - the original French being "Une semaine de bonté".

This post is a follow-up to a reblog I made, right here. Please go read this reblog first, because this post continues from all the info I placed there. If you don't go check it out first, you'll be slightly or massively confused.

I wanted to expand a bit on this fascinating piece of art, and to do so I'll use the info the Musée d'Orsay shared and put on their website when they organized an exposition of Une semaine de bonté.

An expo that deserves its own mention due to how exceptional it was. It was a 2008-2009 exposition of the original collages of Max Ernst the booklets were reproductions of. It was a grand world-tour that started in the Albertina palace of Vienna and ended in the Musée d'Orsay of Paris, passing by Brühl, Hamburg and Madrid. Why was it such a big deal? Because this was the second exposition of Ernst' work - the only other exposition of Une semaine de bonté's collages was in 1936, in the Museo de Arte Moderno of Madrid, just before the Spanish Civil War. It had been organized by Paul Eluard, who loved Ernst' work, but five of the illustrations couldn't be part of the exposition - due to being deemed too "indecent" or "blasphemous". And since this date, the works had never seen the light of day anymore, being preserved in private collections... It explains why the second exposition was such a big deal.

A few more sources for this collage-work I forgot to talk about: Beyond the general category of covers and illustrations of investigation stories/crime novels/polar tales, we also know that Ernst used illustrations of Sade's novels, the caricatures of Grandville, and the illustrations of Fantomas.

As with typical surrealist work, Une semaine de bonté offers a work of onirism that transcends the limits and categorizations imposed by society, by science, by our very conception of reality, and rather offers nonsensical visions and extraordinary wonders. It was the third "roman-collage" of Ernst, after "La femme 100 têtes" of 1929 and "Rêve d'une petite fille qui voulut entrer au Carmel" (1930). Throughout the illustrations, we find many references to the Bible, to famed legends, to fairy tales, to Greco-Roman mythology, but mixed with Ernst' recurring and favorite themes. More precisely, his strong rejections and dislikes: his rejection of the Church, his hatred of the bourgeoisie, his dislike of the traditional family, his refusal of patriotism...

Because Une semaine de bonté is actually a denunciation work, a great critique, a satirical caricature of the French society of the 1930s. Ernst superposes, subverts and reverses all sorts of stereotypical and cliches depictions, of either the "good society", or of the evil, the crime, the monster. Now, of course, there is no actual "real" or "good" story for this work. It is open to interpretation and everybody has to and must find their own meaning in it - as with all proper surrealist work... But there is still strong themes that form recurring motifs, and a message Ernst wasn't so subtle about.

The satirical, ironical, cynical, biting nature of the work can be read in the very title, which plays on two levels. One, on a Christian level: "Seven capital elements" is, as I said, a parody of the "seven deadly sins/seven capital sins" ; the motif of a work centered around a week alerts that there will be numerous references to the Biblical genesis, but most importantly "One week of kindness" is a reference to "La semaine de bonté", The Week of Kindness, a 1927 association creating for social help. Tied to this subversion of typical Christan morals, ideas and values, is the second level of irony in the title: this collage-novel is called "One week of kindness"... And yet it depicts all sorts of violences and abuses. Its pages are filled with murders, tortures and natural disasters - and Ernst doesn't hesitate to subtly denounce the sensationalism of a society obsessed with depictions and illustrations of the most horrible and criminal sides of humanity.

It also is no wonder that this work was created during the 1930s. The ghosts of the World Wars are haunting this piece. On one side, Ernst was seeing with an anxious and angry eye the rise of violent nationalist movements and of brutal, discriminatory dictatorships - the very ones that would cause World War II. On the other side, Ernst was of this generation that inherited the trauma and memories of World War I, had to live with the broken and disfigured survivors of the "Great War". Ernst himself had served in the German army during the Great War (if you don't know, while Ernst was born and raised in Germany, he ended up having a triple-nationality, German, American and French). One can almost read in this book Ernst' vitriolic take on a society that distracts itself with materialism, excessive pleasures and sensationalism, in an attempt to bury the wraiths of its past, and to stay blind to the dangers ahead...

It is only by the last day of the week that the atrocities fade away, and that we return to pure oniric poetry, in a set of illustrations focusing on voluptuousness and fantasy, inviting to or glorifying freedom and dreams... Now let's take a look at the structure of the Week in more details.

Day 1: Sunday. Element: Mud. Example: The Lion of Belfort

(The Lion of Belfort is a commemorative statue of the Alsacian town of Belfort in France, in homage to how the city had been assieged by the Prussians during the Franco-Prussian war of 1870)

Another Christian subversion: the week doesn't begin here on a Monday, but on a Sunday. We also see some of the games Ernst has with the Biblical Genesis not just by waking the "last" day of Genesis the first day of the week, but also by associating to Sunday (the day of rest for a God that created everything already) the day of the "mud" (understand, the primordial mud from before the world was created, the "chaos", the "primordial soup" from which the universe had to be sculpted). Not only that, but Sunday, the holiest day of the week for Christians, is filled with brutal deaths, sadistic violence and blasphemous imagery.

More precisely, this booklet/day explores the relationships between men and women, male and females. And... let's just say Ernst has a bad view of it, since all the interactions between male and female characters in this booklet can be summarized by: persecution, seduction, theft, punishment, torture, death. Since the Lion of Belfort is the recurring theme, there is a recurring character throughout the illustrations of a lion-faced man. He is always in a position of power and domination, and it is no surprise: we often see him wear military decorations, political medals or even religious symbols such as the Sacred Heart. As a result, the lion-man clearly embodies all the dominating, oppressive and violent male-dominated organizations of the time: the political world, the military and the Church.

(If you are curious, the Musée d'Orsay offered the original picture on which the one above was based. It was taken from the Mémoire de Monsieur Claude:

Day two: Monday. Element: Water. Example: Water.

Unlike the male-dominated first booklet, this one is filled with female figures, making it the most "feminine" of all the days. There is still a lot of violence in it - but it is not a man-made violence anymore. Rather Ernst presents the violence of nature, the brutality of natural disasters - through water, a water that is seen flooding bedrooms, destroying bridges, or drowning entire streets of Paris.

Day three: Tuesday. Element: Fire. Example: The dragon's courtyard/The court of the dragon.

La Cour du Dragon, The Dragon's Courtyard is actually - or rather was - a famous street of Paris. It doesn't exist anymore, but it was in the 6th arrondissement, between today's Rue du Dragon and Rue de Rennes. This street was called as such because of a famous dragon-sculpture located at the top of one of its entrances - the dragon can still be seen at the Louvres I believe. And it is within illustrations of this "Dragon's courtyard" that the booklet begins.

The dragon is one of the recurring symbols of the booklet, with variations: dragons and snakes of all shapes and size that follow the characters around ; humans with various dragon or snake-like features ; or simply the presence of bat wings reminding of demons, sometimes counterbalanced by angelic characters with bird wings. Here, the caricature, in terms of setting and characters, clearly is of the bourgeoisie. Not only is Ernst making the world of the bourgeoisie "Hellish" by filling it with snakes, dragons, demons and flames, but he also seems to use the symbolism of the fire as a way to denote the cliche of the "passion bourgeoisie", the violence of passions, emotions and desires within the bourgeois world, leading to tragedies. (Opposing the "natural forces" of the water, here fire seems to be the human forces) It is no wonder that this booklet has a great emphasis on walls and doors, often decorated by surrealist symbols: they are here to evoke a cloistered, walled-up, compartimented world where walls and doors hide and try to restrain things such as fears, desires or dreams...

Day four: Wednesday. Element: Blood. Example: Oedipus.

This booklet is entirely driven by the myth of Oedipus (that we know to have been one of the surrealists' favorite Greek myth). All the illustrations have one element or another of the legend, and keep retelling specific episodes of Oedipus' adventures. Oedipus killing his own father, the riddle of the Sphinx, or baby-Oedipus being abandoned at birth... Oedipus himself is symbolized in the collages as a bird-headed man.

One of the most famous collages of this booklet is the one that retranscribes the part of the legend that gave Oedipus his name, "swollen feet" or "swollen ankles", due to receiving a wound there as a baby. In Ernst's work, the bird-headed man (Oedipus) rather stabs in the foot a woman:

Day five: Thursday. Element: Black. Example: The laughter of the rooster ; followed by "Easter Island".

This is where we reach the last three days placed in one same booklet. It is also only in this last booklet that Ernst placed text, in the form of quotes or poems from other authors. This day has three quotes. In the "Laughter of the Rooster" segment, two. One from Marcel Shwob's L'Anarchie: "Those of them that are joyful sometimes rise their behind up to the sky and thow their feces at the face of other men ; than they lightly hit their bellies." Another from Schwob's Le Rire: "Laughter is probably fated to disappear." The third quote comes from the Easter Island segment, and is from Arp: "Stones are filled with entrails. Bravo. Bravo."

Here the symbols seem to again represent men or organizations of power. On one side, you have the recurring rooster - which is of course the symbol of France, and thus can be seen as a representation of the French government or French state. On the other side you have cruel and brutal men with the head or faces of the Easter Island statues, reflecting them not just being humans made of stone - but being literal "stones idols" (in the religious sense of the term, the sin of idolatry, again a Christian subversion).

Day 6: Friday. Element: Sight. Example: The inside of the sight / The interior of the view.

Again, three quotes here. One from Professors O. Decroly and R. Buyse's "Les tests mentaux": "If three is greater than six, make a circle around the cross, and if water extinguishes fire, draw a line from the sceal to the candle, passing above the knife, then make a cross on the ladder." One from Paul Eluard's "Comme deux gouttes d'eau": "And to love I oppose / Already-made images / Instead of images to be made" (The text is much more poetic and punny in the original French). The final quote is from André Breton's "Le revolver aux cheveux blancs": "A man and a woman absolutely white."

Unlike the previous booklets which presented dynamic, violent, active, interactive scenes, here we are in more still, contemplative images. Symbols, visions and settings to be looked at and gazed at, as the title of the section indicates.

Final day: Saturday. Element: Unknown. Example: The key of songs (again, a pun on "The key of fields", a French expression)

Only one quote: "........ / ........ / ........ / ......" from Pétrus Borel's "Was-ist-das".

For this part, the Musée d'Orsay used a quote by André Breton to explain Ernst's intentions: from the Surrealism Manifesto, "Glory to hysteria and its cohort of young, naked women sliding down the roofs. The problem of womankind is, to the world, everything there is of wonderful and troubled/murky." In this final day, we see women, always leaving a bed or bedroom or resting place, and either flying away or entering landscapes where gravity does not work. There is clearly here a work on the "clinal hysteria", and Ernst' own take on the surealists great obsession with hysteria, that they deemed to be disease, yes, but an illness that brought both freedom and inspiration. This idea of being set free is within the section's very title: "Prendre la clé des champs", "To take the key of the fields" is an expression meaning to go away (especially to go away from an oppressing or suffocating, unpleasant situation), to flee, escape, disappear (with the connotation of the fields as a vast, open space of great possibilities and endless horizon).

[peakymelody]

a compilation of pics i took at the f1 madrid expo ft. baby carlando and carlos' silverstone trophy <3

[csapda]

T35 Turné. Ez nem az összes dátum, csak amelyek már biztosak. Jelentkezünk még!

MÁJUS

0504 :: Nyírbátor :: Papok rétje 0505 :: Komárom :: ErődFeszt 0509 :: Pápa :: Pápai Expo és Agrárpiknik 0517 :: Kecskemét :: CityRocks 0518 :: Sopron :: SopronFeszt 0519 :: Tiszavasvári :: Városi Strand 0522 :: Budapest :: Kongresszusi Központ (Bochkor 60 szülinap) JÚNIUS 0616 :: Békéscsaba :: I. Országos Kamionos Találkozó 0621 :: Topolya, Szerbia :: Lake Festival 0623 :: Nagymaros :: VéNégy Fesztivál 0628 :: Debrőd, Szlovákia :: Szent László búcsú 0629 :: Budapest :: Open Road Days JÚLIUS 0713 :: Veszprém :: Gyárkert 0720 :: Mezőtúr :: EastFest 0724 :: Debrecen :: Campus Fesztivál (Tankcsapda 35) 0725 :: Debrecen :: Campus Fesztivál (Tankcsapda B-oldal) 0726 :: Sirok :: Bike Week 0727 :: Debrecen :: Campus Fesztivál (Tankcsapda Akusztik) AUGUSZTUS 0801 :: Székesfehérvár :: FEZEN 0824 :: Budapest :: Budapest Park 0830 :: Alsóörs :: Tábor Fesztivál OKTÓBER 1011 :: Amszterdam, Hollandia :: Bitterzoet 1012 :: London, Egyesült Királyság :: O2 Academy Islington 1018 :: Madrid, Spanyolország :: Panda Club

[holanenufar]

Bases Expoñoña pirates and mermaids

LUGAR: Madrid 747, Santiago

Fecha: 11 de noviembre

Horario: de 12:30 a 19:00 hrs.

Horario Expositores: montaje a las 11:00 hrs. NO ANTES

Plazo máximo para postular: Postulaciones Abiertas hasta agotar cupos, tienes 5 días de plazo para pagar tu stand si eres seleccionadx.

NO SE RESERVAN CUPOS.

1-Stand ilustradores/ handmade 

Mesa de 1.70 y 2 sillas

Se puede compartir

máximo 2 ilustradores

$45.000 + Donación de 1 premio por tienda

2-Stand tienda mesa

Mesa de 1.70 + 2 sillas

Se puede compartir máximo 2 tiendas

No se pueden sumar elementos

$50.000 + Donación de 1 premio por tienda

3- Stand tienda 3x3

Espacio de 3x3

Incluye sillón y una mesa de 1.50

Puedes sumar todo el mobiliario que quepa en los 3x3 m

Se puede compartir, máximo 3 tiendas

$75.000 + 1 premio por tienda

4-STAND TOLDO COMIDA:

Espacio para Toldo de 3x3

1 día $80.000 + Donación de 1 premio por tienda

 

Pocos cupos.

-No se puede compartir con otra tienda este stand.

-Hay acceso a electricidad, pero debes llevar tu alargador, no se pueden conectar maquinas de alto consumo o que generen cortes

-Es solo el espacio, debes llevar tu mobiliario (mesas y sillas) y toldo.

-Puedes compartir este stand pero debes postular con tus datos y los de tu compañerx.

-Si trabajas con materiales que puedan ensuciar el piso debes traer elementos para proteger la superficie (láminas de cartón, plástico etc )

-Se facilitará un trapero por stand para que en caso de ensuciar puedan mantener limpio el espacio.

CALIFICAN EN LA EXPO:

* Merchandising, artículos de colección, video juegos, consolas, productos tipo ¨cute / kawai¨, ilustraciones, editoriales, cómics, fanzine, alimentos varios (solo alimentos ya preparados o que deban calentarse).

NO CALIFICAN:

* Productos cosméticos testados en animales. Revisa en https://ongteprotejo.org/ la lista de cosméticos certificados como CF en Chile

* Reproducción no autorizada de trabajos de otros artistas.

*Venta de sustancias ilícitas.

*Menos de 3 productos, no puedes vender solo stickers.

*Contenido extremadamente erótico, soft porn o xxx, al evento asisten niñxs pequeños y no debemos exponerlos a este contenido.

*Material que incite al odio.

REGLAS:

*Debes seguir nuestras cuentas en instagram, estas serán la mayor fuente de información para el evento.

www.instagram.com/expo.nona

www.instagram.com/hola.nenufar

* Puntualidad: se les solicita a los expositores respetar las horas de llegada y salida. NO LLEGAR ANTES. El horario de montaje es a las 11:00 hrs.

*Cada expositor e debe responsabilizar monetariamente si realiza daños en el recinto.

*Si a las 13:30 hrs no has llegado nuestro equipo dará otros fines a tu stand y perderás tu lugar.

* Mantener el orden y limpieza.

*No está permitido fumar en el recinto, se expulsará a quienes no cumplan con esta regla.

*Solo se permitirán 2 personas por cada mesa y 3 por cada toldo

* Respeto y empatía con tus compañeros expositores: respeta el espacio asignado.

*Si has pagado tu stand y no puedes asistir debes avisar esto con 15 días de anticipación y se realizara la devolución del 90% del pago por el stand.

*Cada expositor/tienda debe dar un premio a elección para la realización de concursos dentro del evento. Solicitamos que esto lo tengas listo y sea entregado al momento de ingresar al recinto para no retrasar las actividades en la expo. El valor sugerido de este premio es de $5.000, te recordamos que esto es parte del pago y el staff dispondrá de estos como estimen conveniente.

*Es deber tanto del expositor como de Nénufar/ExpoÑoña difundir y promocionar el evento.

*Cuida del mobiliario entregado

**La categoría Ilustradores y artistas handmade no se transa, es solo para quienes ilustran y venden reproducciones de su trabajo o artículos fabricados a mano (amigurumis, bordados, etc), por más pequeños que sean tus productos si no eres ilustrador o artesano, esta categoría no te corresponde.

*No se aceptarán reclamos por el tamaño de stand o ubicación del evento, si postulas es porque estás de acuerdo con las bases*

EXTRAS:

*Nenúfar/ ExpoÑoña genera para cada expositor una imagen promocional, esta tiene como fin mantener activo el evento, por lo que se estarán publicando hasta un día antes de la jornada, NO ES LA CONFIRMACIÓN DE LA PARTICIPACIÓN, por lo que no serán enviadas o publicadas de manera inmediata.

*Cuida el recinto, es un lugar importante para recuperación y cultura del barrio, mantengamos limpio este espacio.

* Trae tu mobiliario (solo si eres stand toldo) y elementos que te permitan decorar tu espacio y sacarle el mejor provecho posible.

*Se permite el ingreso de mascotas al recinto.

* Si tienes alguna propuesta interesante para el evento escríbenos!! (talleres, presentaciones etc).

*No pegues cosas a los muros, reiteramos que es un lugar patrimonial y debe ser cuidado.

*Solicitamos los premios para generar actividades y concursos durante la jornada, por favor recuerda que al postular has accedido a darlo.

FICHA DE POSTULACIÓN:

ANTES DE ENVIAR TU POSTULACIÓN ASEGÚRATE DE LEER BIEN LAS BASES Y DIMENSIONES DE CADA STAND, AL POSTULAR ESTAS ACEPTANDO LOS TÉRMINOS DE NUESTRA EXPO.

Envía los siguientes datos a :

exponona.contacto@gmail.com

Asunto: Expo ñoña pirates and mermaids / nombre de tienda o expositor

Nombre de encargado

Rut

Giro o productos que vendes

Nombre de tienda o seudónimo

Fan page o sitio web

Numero de contacto

Stand al que postulas y día o días

Adjunta también una fotografía del producto que te represente más o de tu logo que contenga un gato o algo relacionado con ellos, si eres seleccionado, esta foto será utilizada en tu gráfica promocional.

Si deseas compartir tu stand debes enviar los datos de ambas tiendas o artistas en la misma postulación, NO en diferentes mails.

Solo puedes acceder a compartir stand, si al momento de enviar la información requerida así lo indicas, no se aceptarán stand compartidos posterior a la postulación.

SELECCIÓN:

*Se te notificara en un máximo de 4 días si fuiste seleccionado para la Expo y tendrás otros 4 para pagar el stand.

*Una vez pagado tu stand envíanos captura de pantalla de la transferencia, no basta con la notificación del banco, debes enviar el comprobante o de lo contrario podrías perder tu cupo.

*Debes enviar el comprobante en la misma cadena de mail.

¡Te esperamos con sorpresas y mucho más, no faltes!

[goldenliartrash]

Si estáis en Madrid no puedo dejar de recomendar la expo "No va a quedar nada de esto". Está en CentroCentro gratis hasta marzo y es maravillosa, merece un montón la pena

[decomedula]

Art Expo Ashé 2024: Una inmersión en la WEB 3.0, NFTs, Metaverso y más en Madrid

El 3 de octubre de 2024, Madrid se convertirá en el epicentro de la innovación artística con la celebración de la Art Expo Ashé 2024 en ArtLab Siroco. Este evento, enfocado en la fusión entre arte digital y tecnología, presentará un abanico de experiencias a través de NFTs, 3D, realidad aumentada y el metaverso. Con la participación de reconocidos artistas como Shishi Zhu, Karina Senatore, Mike…