#filmmaker🎥

[dogma85]

"I need to have faith in the idea that I had originally"

[savage-kult-of-gorthaur]

QUIET ON THE SET -- HELMING ONE OF THE GREAT ANTI-WAR FILMS OF THE 20TH CENTURY.

PIC INFO: Spotlight on a production phoGlo of film director Stanley Kubrick (at right, seated) on the set of the 1957 American anti-war/drama film "Paths of Glory," directed & co-written by Stanley Kubrick. © United Artists Corporation.

KUBRICKIAN FACT: Stanley notably kept his film crews small, with a number of key members working with him across many of his films.

Source: https://academic-accelerator.com/encyclopedia/paths-of-glory.

[recsspecs]

My companion is like God My lover is like God Whether I love or worship Both are the same thing Why should I go to the temple My companion is God Why should I go to the mosque My companion is God I have dance in my feet I have poems in my breathes I sing love songs in each corner She is the lake of beauty I am old thirst I drank with eyes the water of that beauty I pass my life staring her If some other thought comes, I leave that at sudden I wore the perfume of love And now I have fragrance Now only she is smelt in me every moment

Song – Mera Yaar Singer – Javed Bashir Music – Shankar Ehsaan Loy Lyrics – Prasoon Joshi Director – Rakeysh Omprakash Mehra Banner – Viacom18 Motion Pictures and Rakeysh Omprakash Mehra Pictures Producers – Rajiv Tandon, P. S. Bharathi & Viacom18 Motion Pictures

https://sowmyamusings.blogspot.com/2013/12/mera-yaar-lyrics-translation-bhaag.html

[topnews360]

click Here watch Full video Movie link

[reframingyou]

View this post on Instagram

A post shared by Aishwarya Iyer (@aishwarya_iyerrr)

[aelistgroupofficial]

BABY YOU A STAR ⧽ AELIST INTRO

𝐓𝐇𝐄 𝐅𝐀𝐒𝐓𝐄𝐒𝐓 𝐆𝐑𝐎𝐖𝐈𝐍𝐆 𝐆𝐈𝐑𝐋 𝐆𝐑𝐎𝐔𝐏 𝐈𝐍 𝐇𝐈𝐒𝐓𝐎𝐑𝐘, Æ𝐋𝐈𝐒𝐓 𝐈𝐒 𝐁𝐑𝐄𝐀𝐊𝐈𝐍𝐆 𝐑𝐄𝐂𝐎𝐑𝐃𝐒 𝐈𝐍 𝐓𝐇𝐄 𝐌𝐀𝐓𝐓𝐄𝐑𝐒 𝐎𝐅 𝐌𝐈𝐍𝐔𝐓𝐄𝐒. Æ𝐋𝐈𝐒𝐓'𝐒 𝐂𝐋𝐈𝐌𝐁 𝐓𝐎 𝐓𝐇𝐄 𝐓𝐎𝐏 𝐈𝐒 𝐒𝐓𝐄𝐀𝐃𝐘. 𝐓𝐇𝐄𝐈𝐑 𝐒𝐏𝐎𝐓 𝐈𝐍 𝐓𝐇𝐄 𝐁𝐈𝐆 𝐋𝐄𝐀𝐆𝐔𝐄𝐒 𝐈𝐒 𝐔𝐍𝐃𝐄𝐍𝐈𝐀𝐁𝐋𝐘 𝐒𝐄𝐂𝐔𝐑𝐄𝐃.

𝖬𝖤𝖤𝖳 𝖳𝖧𝖤 Æ𝖫𝖨𝖲𝖳 𝖬𝖤𝖬𝖡𝖤𝖱𝖲 🎥

⌞MAEVIE ˚࿔ VOCALIST & DANCER⌝

　☾ 22, 🇵🇭, introvert, author, songwriter & leader

⌞JULIANA ˚࿔ VOCALIST & DANCER⌝

　☾ 21, 🇦🇷, gymnast, artist & introvert

⌞BAMBI ˚࿔ VOCALIST & RAPPER⌝

　☾ 20, 🇺🇸, youngest member, figure skater, extrovert & producer

⌞NADIA - VOCALIST & DANCER⌝

　☾ 23, 🇺🇸, introvert & producer

⌞MARLENE ˚࿔ DANCER & RAPPER⌝

　☾ 24, 🇺🇸, oldest member, filmmaker, songwriter & producer

[robfinancialtip]

🎬🎥 Katrina Chiovon talks about her life and career in the entertainment industry. "The Glitch," a comedic science fiction short that Katrina produced and directed, was shown at the Chelsea Film Festival. She's a very talented person. Problems with sound quality and a sound guy contracting COVID during production weren't the only obstacles Katrina overcame; she showed remarkable perseverance and resolve to finish the project.

🛠️🔊Technical difficulties with the sound and the complete loss of all film progress because of an accident in the sound studio were among the many obstacles that the production of "The Glitch" had to overcome. Katrina had an unwavering commitment to her endeavor even though she had periods of frustration and wanted to quit. She stresses the significance of perseverance and creative problem-solving in hardship.

🏠💔As a young girl, Katrina dealt with a lot of upheaval and difficulty at home. Katrina was eventually placed in a foster home due to her family's situation. She loved her mother deeply, but their connection was strained because she couldn't understand her decisions in light of her life.

🎭🌆Katrina always felt a strong pull toward the arts, especially dancing and acting, even as a little girl. When Katrina recalls her love of acting from childhood, she remembers trying out for a role in a Brady Bunch movie. She arrived in New York City at seventeen and a half, seeking opportunities such as modeling for Ralph Lauren and Glamour magazine. Katrina overcame the dangers and difficulties of growing up street-smart and alone in the city.

🌟👼Despite Katrina’s many hardships and disturbing incidents while residing in Bed-Stuy, Brooklyn, she persevered and found solutions. Even though she was aware of the threats she faced, she attributes her survival to gut feelings and, maybe, a guardian angel. She exemplifies the strength and determination to follow one's passions despite challenges. Katrina also sought acting roles, landing parts in films including Vendetta Wounds and The City on the Edge. Her film debut was in Christopher Corulla's Old Secrets No Lies (2010). The picture had its world premiere that year at the Tribeca Film Festival, and it featured the late Vinnie Vella.

💪🙏 Katrina demonstrates the significance of self-belief and resilience in the face of adversity. Her unwavering dedication to filmmaking and the arts propelled her through challenges, culminating in a successful debut at the Chelsea Film Festival. Her inspiring message resonates with aspiring artists and entrepreneurs, urging them to embrace challenges as pathways to growth. Let your determination turn obstacles into stepping stones to realizing your dreams.

[lockwoodandconetflix]

ealingstudios instagram update

“Did you know Lockwood & Co. was filmed right here at Ealing Studios? 🎥👻 This Netflix hit brought ghost-hunting adventures to life on our historic stages, adding to the long list of iconic productions shot here. Fun fact: The show’s eerie, atmospheric London streets were recreated using detailed set designs right inside our studios! 🏙️✨ Ealing Studios has been a filmmaking hub for over a century, hosting everything from classic British comedies to Hollywood blockbusters. Who’s missing Lockwood & Co. and hoping for more ghost-hunting action? 👀 #LockwoodandCo #EalingStudios #FilmingLocation #BehindTheScenes”

[gleesonarchive]

“You don’t just play darkness—you carry it.”

NEW • Domhnall Gleeson talks about the responsibility filmmakers carry when telling stories about grief and emotional violence at the Q&A London screening of 'ECHO VALLEY'

🎥 — kristina_maskalenko (09.06.2025)

[earthsickwithoutyou]

Fic preview: Josef x Reader

Premise: Reader (femme/gender-neutral) is a talented and ambitious young filmmaker who has a little problem with romantic obsession and leaves a trail of blood in their wake. They notice Josef’s latest Craigslist post searching for a Videographer and get the job. Josef and Reader meet and fall desperately-madly in love immediately. Thing is…neither one is used to the object of their affections being equally unhinged and 100% into them in return.

This will be a dark romance with tooth-rotting fluff, and so much (kinky) smut. ☺️

Preview:

Coming soon to AO3! 😉🐺🪓🩸🎥💓

[eddieredmayneargentinablog]

Article & Video:

"Eddie Redmayne and the Filmmakers Behind ‘The Day of the Jackal’ on Paying Tribute to a Classic While Creating Something Entirely New".

Redmayne, director of photography Christopher Ross, costume designer Natalie Humphries, director and executive producer Brian Kirk, and executive producer Nigel Marchant talk about what they wanted to keep and where they wanted to go off in new directions in remaking Fred Zinnemann's 1973 classic.

🎥 video preview: IndieWire on IG

Watch and read more at the following link:

[leonardcohenofficial]

as is tradition here are my top nine new-to-me watches of the year—in no particular order (l-r, top row to bottom row):

the african desperate (martine syms, 2022) not a pretty picture (martha coolidge, 1975) anatomy of a fall (justine triet, 2023) the girls (mai zetterling, 1968) network (sidney lumet, 1976) the year of the cannibals (liliana cavani, 1970) all the beauty and the bloodshed (laura poitras, 2022) straight on till morning (peter collinson, 1972) microhabitat (jeon go-woon, 2017)

i hit 150 total films and my continual goal of half of the films by women and nonbinary filmmakers, and still definitely need to keep up with deliberately seeking out films by directors of color! feel free to tell me your faves if you’ve seen any of these 🖤👀🎬🍿🎥

i'll tag @privatejoker / @wanlittlehusk / @majorbaby / @edwardalbee / @draftdodgerag / @lesbiancolumbo / @frmulcahy / @nelson-riddle-me-this / @firewalkwithmedvd and anyone else who'd like to share their top watches of the year!

full list of films for the year is included below, favorites are bolded in red:

Farewell Amor (Ekwa Msangi, 2020)

Hell Camp: Teen Nightmare (Liza Williams, 2023)

Blacks Britannica (David Koff, 1978)

New Year, New You (Sophia Takal, 2023)

Family Band: The Cowsills Story (Louise Palanker and Bill Filipiak, 2011)

The Color Purple (Blitz Bazawule, 2023)

The Apology (Alison Star Locke, 2022)

Close (Lukas Dhont, 2022)

Unintended (Anja Murmann, 2018)

Other People’s Children (Liz Hinlein, 2015)

Omega Rising Women of Rastafari (D. Elmina Davis, 1988)

The Gypsy Moths (John Frankenheimer, 1969)

Be My Cat: A Film for Anne (Adrian Țofei, 2015)

Insomnia (Christopher Nolan, 2002)

Chowchilla (Paul Solet, 2023)

Intimate Relations (Philip Goodhew, 1996)

Monument (Jagoda Szelc, 2018)

After Sherman (Jon Sesrie Goff, 2022)

Remnants of the Watts Festival (Ulysses Jenkins, 1980)

Network (Sidney Lumet, 1976)

The Taking of Pelham One Two Three (Joseph Sargent, 1974)

Down Low (Rightor Doyle, 2023)

Our Father, the Devil (Ellie Foumbi, 2021)

The Zone of Interest (Jonathan Glazer, 2023)

Youngblood (Noel Nosseck, 1978)

Joy Division - Under Review (Christian Davies, 2006)

Being Frank: The Chris Sievey Story (Steve Sullivan, 2018)

Sun Ra: A Joyful Noise (Robert Mugge, 1980)

Fanny: The Right To Rock (Bobbi Jo Hart, 2021)

Depeche Mode: The Dark Progression (Alec Lindsell, 2009)

Kraftwerk And The Electronic Revolution (Thomas Arnold, 2008)

Blank City (Celine Danhier, 2010)

Oliver Sacks: His Own Life (Ric Burns, 2019)

Monster (Hirokazu Kore-eda, 2023)

Black Is Beltza (Fermín Muguruza, 2018)

Werewolf (Ashley McKenzie, 2016)

The Humans (Stephen Karam, 2021)

Relative (Tracey Arcabasso Smith, 2022)

The Believer (Henry Bean, 2001)

Lost Angel: The Genius of Judee Sill (Brian Lindstrom and Andy Brown, 2022) 

Animals (Collin Schiffli, 2014)

Scott Walker: 30 Century Man (Stephen Kijak, 2006)

Novitiate (Maggie Betts, 2017)

Hunger (Henning Carlsen, 1966)

Late Night With The Devil (Cameron Cairnes and Colin Cairnes, 2023)

The Stunt Man (Richard Rush, 1980)

New York Doll (Greg Whiteley, 2005)

The Iron Claw (Sean Durkin, 2023)

Your Fat Friend (Jeanie Finlay, 2023)

Scarred Justice: The Orangeburg Massacre 1968 (Bestor Cram and Judy Richardson, 2008)

Targets (Peter Bogdanovich, 1968)

Uptight (Jules Dassin, 1968)

Messiah of Evil (Gloria Katz and Willard Huyck, 1973)

Plastic Paradise (Brett O’Bourke, 2013)

You Hurt My Feelings (Nicole Holofcener, 2023)

Pretty Poison (Noel Black, 1968)

The Shout (Jerzy Skolimowski, 1978)

Shakedown (Leilah Weinraub, 2018)

Class of 1984 (Mark L. Lester, 1982)

Betty: They Say I’m Different (Philip Cox, 2017)

Beautiful Boy (Felix van Groeningen, 2018)

Anatomy of a Fall (Justine Triet, 2023)

Gimme Shelter (Albert Maysles, David Maysles, and Charlotte Zwerin, 1970)

The Beach Boys (Frank Marshall and Thom Zimny, 2024)

High and Low (Kevin Macdonald, 2023)

Brats (Andrew McCarthy, 2024)

I Saw The TV Glow (Jane Schoenbrun, 2023)

The Talented Mr. Ripley (Anthony Minghella, 1999)

Altered States (Ken Russell, 1980)

This Closeness (Kit Zauhar, 2023)

How To Have Sex (Molly Manning Walker, 2023)

American Commune (Rena Mundo Croshere and Nadine Mundo, 2013)

Look In Any Window (William Alland, 1961)

Private Property (Leslie Stevens, 1960)

We’re Still Here: Johnny Cash’s Bitter Tears Revisited (Antonino D’Ambrosio, 2015)

The Wobblies (Stewart Bird and Deborah Shaffer, 1979)

Last Summer Won’t Happen (Tom Hurwitz and Peter Gessner, 1968)

Goodbye Gemini (Alan Gibson, 1970)

Keyboard Fantasies: The Beverly Glenn-Copeland Story (Posy Dixon, 2019)

The Most Beautiful Boy in the World (Kristina Lindström and Kristian Petri, 2021)

The Passenger (Carter Smith, 2023)

The Boys Who Said No (Judith Ehrlich, 2020)

Synecdoche, New York (Charlie Kaufman, 2008)

Karen Carpenter: Starving for Perfection (Randy Martin, 2023)

...And Justice For All (Norm Jewison, 1978)

I Used To Be Funny (Ally Pankiw, 2023)

Badlands (Terrence Malick, 1973)

Straight On Till Morning (Peter Collinson, 1972)

The Same Difference: Gender Roles in the Black Lesbian Community (Nneka Onuorah, 2015)

Thanksgiving (Eli Roth, 2023)

Sorry/Not Sorry (Caroline Suh and Cara Mones, 2023)

Am I OK? (Tig Notaro and Stephanie Allynne, 2022)

Joan Baez: I Am a Noise (Maeve O’Boyle, Miri Navasky, and Karen O’Connor, 2023)

No Direction Home (Martin Scorsese, 2005)

Shutter Island (Martin Scorsese, 2010)

Water Lilies (Céline Sciamma, 2007)

The Strings (Ryan Glover, 2020)

The Crucible (Nicholas Hytner, 1996)

Woman of the Hour (Anna Kendrick, 2024)

The Platform (Galder Gaztelu-Urrutia, 2019)

Tabloid (Errol Mark Morris, 2010)

Will & Harper (Josh Greenbaum, 2024)

Miller’s Girl (Jade Halley Bartlett, 2024)

Give Me Pity! (Amanda Kramer, 2022)

Landlocked (Paul Owens, 2021)

Perfect Love (Catherine Breillat, 1996)

Not a Pretty Picture (Martha Coolidge, 1975)

Seeking Mavis Beacon (Jazmin Jones, 2024)

Renfield (Chris McKay, 2023)

Compulsion (Richard Fleischer, 1959)

An Angel At My Table (Jane Campion, 1990)

Longlegs (Oz Perkins, 2024)

Rare Beasts (Billie Piper, 2019)

Nightman (Mélanie Delloye-Betancourt, 2023)

The Changin’ Times of Ike White (Daniel Vernon, 2020)

The Substance (Coralie Fargeat, 2024)

The Year of the Cannibals (Liliana Cavani, 1970)

Fanatical: The Catfishing of Tegan and Sara (Erin Lee Carr, 2024)

The Loneliest Planet (Julia Loktev, 2011)

Marjoe (Howard Smith and Sarah Kernochan, 1972)

Witches (Elizabeth Sankey, 2024)

Angela (Rebecca Miller, 1995)

The Morning After (Richard T. Heffron, 1974)

Beach Rats (Eliza Hittman, 2017)

Last Summer (Catherine Breillat, 2023)

The Fits (Anna Rose Holmer, 2015)

Hold Your Breath (Karrie Crouse and Will Joines, 2024)

What Comes Around (Amy Redford, 2022)

Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)

Priscilla (Sofia Coppola, 2023)

The Girls (Mai Zetterling, 1968)

Sweetie (Jane Campion, 1989)

Victim/Suspect (Nancy Schwartzman, 2023)

The African Desperate (Martine Syms, 2022)

Les Nôtres (Jeanne Leblanc, 2020)

A Sacrifice (Jordan Scott, 2024)

All the Beauty and the Bloodshed (Laura Poitras, 2022)

My Name is Not Ali (Viola Shafik, 2011)

Committed (Sheila McLaughlin and Lynne Tillman, 1984)

Chained (Jennifer Lynch, 2012)

The Hour of Liberation Has Arrived (Heiny Srour, 1974)

All Power To The People! (Lee Lew-Lee, 1997)

Night Moves (Kelly Reichardt, 2013)

Destroyer (Karyn Kusama, 2018)

Late Night (Nisha Ganatra, 2023)

The Year Between (Alex Heller, 2022)

Loved (Erin Dignam, 1997)

Girl In The Picture (Skye Borgman, 2022)

Microhabitat (Jeon Go-Woon, 2017)

Dear Ex (Mag Hsu and Chih-yen Hsu, 2018)

[silvyysthings]

🎥❤️🐶

After reading and listening to more interviews with Luca, I think I want to spend a weekend with him. I love the fact his puppy was in full puppy mode not wanting to listen and sit for a photo. 😂

This is a pre-‘Challengers’ interview but has another interesting insight into Luca. Google Translate was my friend with this.

https://elpais.com/icon/2024-05-04/luca-guadagnino-nada-es-mas-fascinante-que-el-poder-devastador-de-la-represion-especialmente-la-masculina.html

😍 thank you anon

Jonathan is one of the most intelligent people I know,” says the filmmaker. “He is a man of infinite wisdom and with an incredible sense of humor. He is a great artist, a great creative director and one of the most important people the world of fashion has produced in the last fifty years. And he is also my soul mate.

[retromania4ever]

The Senna 🇧🇷 biopic is not just a #Movie 🎥, it’s a technological revolution in storytelling.

This is how the future of filmmaking meets the legacy of a racing #Legend

[tentative-wanderer]

Recently read these manga and manhwa with gay relationships:

☀️ The Summer Hikaru Died: liked it lots, wish it were complete. The creepy art style took some getting used to, I didn’t like how unnerving even normal people looked at first but I ended up loving how the art fits its genre. Mystery + horror + a sort of love I like, occupying the twilight zone between platonic, romantic and goodness knows what*. The theme of grief is executed well, very moving, and thumbs up for the other complicated feelings the characters wrestle with. From the Chinese words/kanji, I can tell that the title is “The Summer the Light Died”, which makes me go ahhhhh. I’d like to have the reassurance that there will be a happy ending, because I feel like there could be a melancholy one.

* I like amorphous kinds of love. Qijiu from the danmei book SVSSS has that too (don’t look this pair up if you haven’t read SVSSS, it’s spoilery). The phrase that comes to mind is 犹抱琵琶半遮面, ie, (a musician) “covering half their face with the pipa in their arms”. The beauty of things only semi-revealed.

🎥 Twilight Out of Focus and its sister series: enjoyed them. My favourite character is the film director with semi-long hair who’s capable, strong-willed, outspoken, and competitive, tempered by a softer side (the thing he’s loud and passionate about besides filmmaking is BL, of all things. But I didn’t know he swung that way until he got his own manga series. Should have seen that coming). That tends to be a winning combination of physical and personality attributes in my book, I always fall for this type of character, but I’d be on edge if I had to deal with such people in real life because their cut-throat attitude would be, well, cutting.

🧼 Ten Count: can relate to the mysophobia. Interesting premise! Enjoyed it. But I feel like it was dragged down a little by the smut. I have mixed feelings about saying that, because on one hand, smut is always welcome, but on the other hand, I wish there was a greater focus on the process of overcoming the ten mysophobic points beyond the romance and smut. Another downside is pretty-boy same-face syndrome.

🪞 The Black Mirror: there are a number of imperfections but I was hooked because I like mystery.

If anyone has recommendations, I’m all ears! BL manga is new to me (previously, I think I’ve only read the comedy about the guy who realised he’s stuck in a BL world, haha).

***

(Not BL)

Read a number of chapters of Liar Game. I don’t know why the author is drawing manga instead of messing with the stock market or committing fraud or financial world domination. Big-brained stuff. I tend to read comics fast/skim-read so I found it challenging to think deeply about the strategies; even following along is tough. (Edited to add: the ending was really, really bad.)

Caught up with the more recent chapters of Spy x Family and Life Lessons with Uramichi Oniisan. Loved both. Regarding Spy x Family, I thought I couldn’t love it more but it turns out I could; the recent arc about the old female soldier is wonderful, overturns some gender norms to an extent hardly seen in media. Also, I really like Yuri and Fiona; they’re both capable, good-looking, and—importantly—very funny. Fiona is amazing in the anime, her voice actress adds a special spark of life to the duality of her character.

[d-fergi]

Dear Friends, 👋🥹

My name is Motasem Bashir, a Palestinian citizen from Gaza. 🇵🇸 For 25 years, I worked tirelessly as a photographer and screenwriter, striving to build a future after tragically losing my parents and elder brother during the first war on Gaza when I was just nine years old.😭💔

Before October 7th, I was on the verge of achieving stability and pursuing my dreams. Now, I find myself trapped in Gaza amidst constant bombardment and a severe lack of basic human rights.

I've launched this campaign to evacuate from Gaza and rebuild my shattered life. The funds raised will cover transportation costs, temporary housing, and replacing essential work equipment lost in the bombings. Additionally, I need support for clothes and temporary residence in Egypt during this transition.🇵🇸💔💔

Introduction

I fled my home in Al-Karama neighborhood amidst phosphorus bombs that left my neighborhood in ruins. Miraculously surviving, I sheltered with a friend, only to find my sister and her children trapped under debris from a bombing. Risking everything, I helped them escape amid flames.😭

The next day, the house I stayed in was bombed, forcing me to relocate multiple times across northern Gaza. On October 13, amid escalating violence, I joined thousands in a perilous journey southward. Enduring unimaginable suffering, I lived in countless precarious shelters, surviving multiple bombings, including one that destroyed my neighborhood.

I've faced displacement, moving homes eighteen times across Gaza, battling financial hardship and discrimination. Now, I seek your support in rebuilding shattered lives and providing hope amidst Gaza's turmoil. Together, we can make a difference.

Loss of My Home 🏠 💣

I was fortunate to have left for the south because a few days later, the army began its military operation in the Al-Karama neighborhood. Violent clashes ensued, resulting in the destruction of my house and those around it. It took a month before anyone could return to take photos. I was heartbroken to learn that I had lost the place that had sheltered me, even if it was cold and without my family. To make matters worse, the rest of my property had been stolen . 😭

Life in the South

My daily life has become unbearable due to severe financial difficulties, constant fear of bombings, and the monopolization of essential goods pushing prices beyond reach. I also face hostility, airborne illnesses, and a dire lack of resources like electricity, clean water, and hygiene supplies. Malnutrition is a constant struggle, and I often rely on canned food as fresh produce and proteins are rarely available. Despite these hardships, I find solace in brief, safe walks and connecting with others who understand my situation.

Who Was I Before October 7th? 🎥

I was financially independent, collaborating with international companies, and ready to embark on a freelance filmmaking career. I had recently invested in new equipment, including a camera and a laptop, to further my creative pursuits. Sadly, all my plans were shattered by the relentless bombings that not only destroyed my home but also the banks where I kept my savings.

Final Thoughts 🥹🙏

Your support, whether big or small, will make an immense difference in my journey to rebuild. With your help, I can escape the horrors of war and create a new life for myself in a safer environment. Thank you from the bottom of my heart for being my beacon of hope.

With heartfelt appreciation,

Motasem Bashir 😞

Because helping financially helped me morally and physically 💔.

https://www.gofundme.com/f/help-motasem-bashir-rebuild-his-life

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