#films for children

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[oldschoolfrp]

Jason and the Argonauts, Columbia Pictures, 1963, directed by Don Chaffey, starring Todd Armstrong and Douglas Wilmer -- but really starring the animated creations of Ray Harryhausen (born June 29, 1920)

[bixels]

The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.

[nathsketch]

Extremely sad news today with the passing of our beloved Bernard Hill.

“Arise!! Arise, Riders of Théoden!”

“The horn of Helm Hammerhand shall sound in the deep one last time.”

He will go to his fathers. And even in their mighty company he shall not now be ashamed. 🗡️🐴👑

Forth, Eorlingas!!

[wyrmswears]

yknow what, fuck you, [unhumans your previous elemental masters of lightning and ice and makes them best friends^_^]

Ice is an unspecified eldritch being. He has an uncanny valley effect on humans that unnerves the majority of the team who in turn can't understand how Libber, Garmadon, and Wu don't feel unsettled by him. Eventually, the teams warms up to him, and though no one becomes as close to him as Libber is, everyone knows they can come to him if they want to hex their ex or get a demon exorcised (sometimes these are one and the same).

Libber is a raijū and though this isn't common knowledge when she joins the elemental masters, news quickly spreads; she isn't great at keeping secrets. She DOES bite and Maya learnt this the hard way.

more art but also cw for death under read more

[charitydingle]

The Children’s Hour, 1961 dir: William Wyler

[sugarbear2001]

Hollywood needs to bring this genre back.

[crionic-dubs]

[speakofcompersion]

Minho's never-ending love for children 😖💕

[sauronism]

references from celebrimbor's life ( a memory that disguise itself as a vision ) :

1. maedhros and maglor, portrayed in a depiction most commonly seen of the brothers within fanworks.

2. horses and huan. celebrimbor confront his father before curufin move forward on his hunt for the silmarillis and luthien. huan was present with celegorm.

3. miriel, celebrimbor's great grandmother. she was known for her weaving and needlework.

easter eggs aside; i truly believe in the narrative sense, that the visuals presented here belongs to celebrimbor and suppose to mirror the life he had experienced and the Feast of Reuniting. perhaps a hidden desire within him that he wishes to keep his family under a different light. not as a kinslayer but as a creator and an artists.

[365filmsbyauroranocte]

The Sun's Gonna Shine (Les Blank & Skip Gerson, 1969)

[reality-detective]

Jim Breuer reveals that the names on the Epstein list are so powerful and influential that their exposure could bring down governments and topple the entire entertainment industry worldwide. 🤔

[zanephillips]

Patrick Wilson as Brad Adamson Little Children (2006) dir. Todd Field

[pairingbrainrot]

!!!!!

(Clip starts at 3:10)

[texaschainsawmascara]

Charlie Hunnam, Papillon