#finally started reading the book

[silv-paru]

Crowley you absolute gender icon

[halorvic]

"I only want to live in peace and plant potatoes and dream!"

[scudden]

Daenerys Targaryen, Mother of Dragons

[brother-emperors]

WHAT DOOM FOR YOU?

back again with my Please Read The Thebaid Agenda! I adapted the ending of Book VII into a comic because oh boy. thoughts thoughts thoughts.

There is a horror in having yourself altered to such a degree where you are unrecognizable in your own self, to know that it is happening, to know that you should be dead and yet you are not. You have already seen the moment of your death!!!! (Stat. Theb. 3.537 – 47) There's a horror in knowing, and in it being treated as an act of love when it's really more like a violation. Amphiaraus is spared Creon's decree, but by falling into the underworld, it makes things worse on a cosmic scale.

Statius' Thebaid Book VII, trans. Jane Wilson Joyce

Statius and Virgil: The Thebaid and the Reinterpretation of the Aeneid, Randall T. Ganiban

Statius' Thebaid and the Poetics of Civil War, Charles McNelis

The Perils of Prophecy: Statius' Amphiaraus and His Literary Antecedents, E. Fantham

society6 | ko-fi | twitter (pillowfort, cohost) | deviantart

[foxcort]

listen its not that tamlin locking feyre in a manor is ‘not a big deal’. its that sjm parallels tamlin and rhysand way too much for rhysand to be a viable, healthy option for feyre.

rhys put a whole city under a lockdown so severe people forgot about its existence (and from what the wiki says, the city was kept hidden for centuries even before, for the safety of its citizens) but tamlin locking feyre in a manor, so she wouldn’t follow him into an unsafe situation was crossing a line?

[podsn]

POV: You’re Odysseus after telling a certain cyclops your name

[coquelicoq]

as a huge unreliable narrator enjoyer i love the fact that the raven tower is narrated by someone who cannot lie. so the narration is not unreliable, and any kind of uncertainty is always couched in "here is a story i have heard" or "i imagine", but it scratches the same itch as unreliable narration because the evidentiality of the narration is still so central, just in the opposite way. stories that don't care about where the narrator is getting their information or what biases are present in the way that information is shared with us are on one end of a spectrum, and stories that do care about those things are on the other end, and the raven tower is firmly situated alongside the unreliably narrated stories even though the whole point is that the narrator is as motivated as it is possible to be to never say something that is untrue. and it's fascinating to see how ann leckie manages to build suspense and subvert expectations without really at any point deliberately misleading the reader. every time i reread one of her books, the bouncing of the dvd screensaver in my brain gets a little more frenetic. how does she do what she does. ann leckie what is your secret.

[emillungs]

moiraine dancing

[zelkam]

— rainbow rowell, carry on

[johntorrington]

blunt rotation

[oifaaa]

One thing I will always appreciate about Rick Riordan is that he does genuinely listen when fans criticise his work and tries to do better next time hes definitely not perfect but he tries

[themelodyofspring]

JOMP Book Photo Challenge

Sep 29, 2023 - Freebie

Once upon a time, there was a girl as cunning as the fox in winter, as hungry as the wolf at first frost, and cold as the icy wind that kept them at each other's throats.

[northern-passage]

all of the book recommendations i got for stand alone fantasy:

piranesi, jonathan strange & mr. norrell by susanna clarke

babel by R.F. kuang

the sword of kaigen, blood over bright haven by M.L. wang

house of hunger by alexis henderson

dark lord of derkholm by diana wynne jones

the raven tower by ann leckie

starless by jacqueline carey

the goblin emperor by katherine addison

spinning silver by naomi novik

dreamsnake by vonda mcintyre

juniper & thorn (and other books) by ava reid

[wheels-of-despair]

Draw Me Like One of Your Dwarf Girls, Eddie Pairing: Eddie Munson x You Summary: Eddie decides to work on his drawing skills, and accidentally awakens a monster in the process. Contains: Titanic references, female nudity, a brush with death. Word Count: 1.3k-ish

"Draw me like one of your dwarf girls, Eddie," you say in a sultry voice, trying your hardest not to laugh.

"What did I tell you about talking?" He pauses to give you a pointed look, since he's already told you to pipe down several times. You roll your eyes, and he returns to his drawing with a renewed vigor.

It's early 1998, and you've recently dragged your poor Eddie to a theater to see that damn Titanic movie everybody and their mother keeps raging about. All 3 hours of it. You may have neglected to mention the runtime when you bought the tickets. You owe him.

He survived, but was suddenly faced with the desire to "work on his people-sketching skills." Which of course meant it took him less than a week to convince you to strip and pose like Rose on the couch, wearing only that red guitar pick necklace he's had since high school.

You're stretched out and exposed and already bored. Two hours ago, he'd adjusted your hand a quarter of an inch this way, your knee a quarter of an inch that way, and you'd been instructed not to move.

Well, it felt like two hours, but it was really only about 30 minutes.

With nothing else to do, and being mildly disappointed that he didn't find your commentary amusing, you watch his eyes follow the pencil scratching across the paper you can't see. He's cute when he's concentrating. Tongue poking out, brow furrowed, that spark of creativity in his eye. It must be going well, because he smiles occasionally. He even giggled once. If you had to guess, you'd say it probably had something to do with a nipple. It was a little chilly.

"Just as I thought; it's a masterpiece."

"Are you done?" You'd only been in this position for an eternity.

"Oh yeah, this baby's getting framed." Ignoring you, he holds his sketch pad out to view it at an arm's length, beaming at his creation.

"Can I move now?!"

"Yeah, you can move."

You stretch your stiff limbs and get up off the couch, reaching for the flannel he'd discarded on a chair nearby, buttoning a few buttons as you pad over to where he sat admiring his work.

You place a hand on his back and look over his shoulder at the figure on his sketchbook. You're confused, but you can't take your eyes off of it. You can't think of anything to say. Until…

"What. The FUCK. Is THAT."

He looks up innocently and says, "What? I was just following instructions. You kept talking, figured I better listen."

You have no words.

You do, however, have a fucking BEARD in Eddie's drawing.

He sits there, looking up at you with a proud grin on his face, waiting for you to react.

You stare at him wordlessly, still in a state of shock.

Until he laughs at you. LAUGHS AT YOU.

Your brain begins to swirl furiously, until it flashes one word: KILL.

You clench your fists, and he begins to sense that you're not going to start laughing with him. His eyes widen, and he jumps out of his chair, vaults over the coffee table, and stands on the couch.

"I can explain," he says quickly, trying to sound calm, steps unsteady on the cushions.

You can explain too. Explain to the responding officers how one Edward James Munson met his gruesome demise.

"It's Tolkien."

You ignore him and advance slowly, like a predator stalking its prey. Eyes unblinking. Blood boiling. Steam probably coming out of your ears. He jumps off the couch as you approach the coffee table.

"It's from a book!" He's walking backward, holding out his sketch pad like a lion tamer with a chair.

His eyes bulge as he hits something solid. You've backed him into a corner. Literally.

"Tolkien! Middle-earth! The Hobbit! Nerd shit!"

Nerd shit won't save you now, Munson. You narrow your eyes and prepare to go in for the kill. He panics.

"Dwarf women have beards! It was a joke! I'm sorry! I love you!"

The "I love you" makes you pause, just as you were about to pounce and slash your prey to pieces. The hell?

"What?" you ask, giving your head a slight shake in confusion.

"Dwarf women have beards. In the books. You said to draw you like a dwarf. It was a joke. I thought you'd know what it was."

"You thought I'd know some random detail from a book I haven't read in over a decade?"

"I mean, it's a pretty memorable detail…"

You roll your eyes, heave a sigh, and pinch the bridge of your nose. Why is this not surprising?

"So you're not gonna kill me?" He's still backed into his corner. You consider it for a moment, deciding that you've played with him enough for today.

"Not tonight, Munson."

He exhales and leans his head back against the wall.

"But I WILL get you for this," you threaten, pointing a finger at him. He nods, used to this constant back-and-forth game you'd both been playing for over a decade. He knew you'd never really hurt him, just like you knew he wouldn't hurt you either. It was just a game.

You turn to walk away, and hear him whisper to the abomination he's still clutching: "Don't worry baby, you're still gettin' framed."

You whip around, eyes flashing. He gulps. You step closer, making him lean further back into the wall. He's cute when he's scared.

"Give it."

He stares at you with those big, beautiful brown eyes of his.

"Give it," you repeat, holding out a hand and waiting for him to place his sketchbook into it.

Reluctantly, he hands it to you. You maintain eye contact as your fingers find the thick cover page, not wanting to give him the satisfaction of looking at his ungodly creation again. You slam it shut and he flinches.

"What are you gonna do with it?"

Beat your nerdy ass to death with it.

Still clutching his sketch pad, you step back silently and gesture for him to walk on by with your free hand. He slowly peels himself off the wall and begins to move with an apprehensive look in your direction, and a thought occurs to you.

As he scurries past you, you smack him on the ass with his sketchbook. He whirls around with a yelp, hands clutching his cheeks. It's cardboard, you drama queen. You step closer and swing the book at his arm.

"You made me lay there for AN HOUR! While! You! Drew! That!" You punctuate each word with another smack of the sketch pad. He continues overreacting to each hit and falls to the floor with a wail when you finish yelling, clutching his imaginary wounds. You lift the book above your head with both hands, ready to finish him.

"It started out real! But I couldn't make it look like you! It wasn't pretty enough!" You graciously decide to let him continue, still holding the sketchbook in an attack position, just in case. "I tried," he explains calmly now, "but it wasn't working out, and then you said the dwarf thing, and I thought it would be funny. I'll make it up to you."

"Damn right, you will." You lower the book and release it. It lands on his chest with a light thud. He grins from his position on the floor. You step over him and make your way toward the bedroom.

"Starting now," you inform him from the hallway, not slowing or turning around. You hear him scramble to get up, knock something over, and curse before he hurries in your direction.

He's lucky he's cute.

[margareturtle]

I mean I guess it’s kinda symbolic

That the book in which Kit and Ty kiss for the first time

Is released an ENTIRE DECADE after the book in which they meet

(Maybe we’ll even get their bdays in the tenth anniversary edition of Lady Midnight 😃)

[eerna]

The Oleander Sword is so good. literally feeling like kicking my feet and giggling rn. what happened to Tasha Suri in that year between book 1 and book 2