#fire Brian Robbins | Explore Tumblr Posts and Blogs

agentcable · 24 days

Text

Chicago Fire Season 6 Ep. 8 "The Whole Point of Being Roommates"

Dawson has to make a tough decision after saving a girl. Her father is addicted to painkillers. Herrmann gets into a fight with a police officer after responding to a call. Otis and Cruz want to know who Brett is dating. Boden is skeptical when Julian comes to town.

If you want to watch the series for yourself, stop reading! This post contains spoilers to the storyline.

Gabby stops by to see Bria. She offers to play cards. At the firehouse, Lt. Kelly Severide is fixing the legs of the table. Stella Kidd suggests he could have just jammed paper under the legs. He scoffs, saying he won't take advice from a woman who duct tapes her mirror to a wall.

Gabby arrives and tells Severide about her visit with Bria. There were no drugs in her system, and she seems unreliable. Sylvie Brett walks into the dining area. Joe Cruz and Brian Otis tell her she missed doing the grocery run and they are almost out of toilet paper.

When she doesn't argue about which brand they want, Otis wants to know who he is. She says it's no one's business and they shouldn't talk about it. McHolland raises his hand and makes a guess, but quickly puts it down. Otis says it's cute she doesn't want to say, but everyone knows she can't keep a secret.

Brett tells Gabby it's Antonio, but doesn't want to make it official. They get a call about a vehicle-pedestrian accident. Captain Matt Casey discovers a CPD officer has been hit by a car and impaled by a fence. CPD Officer Harris is freaking out, saying it was a routine call and the truck came out of nowhere. Herrmann says they need to pack the wound. They cover his face as they cut off the fence, but it's slow, which upsets Harris. Matt tells him to walk and let the paramedics work.

Julian Robbins (Michael Cognata) surprises everyone. His sister, Donna (Melissa Ponzio), says he can stay with her and her husband, Chief Wallace Boden (Eamonn Walker), while he is in town. Donna can't take the day off, and Julian wants to see Wallace in action. He gives him a tour of Firehouse 51.

Sylvie thinks Gabby is worried about sleeping with Antonio again. She promises she can handle herself. Gabby sees Bria leaving the hospital. Bria says her dad checked her out and she is taking the bus. Gabby gives her a ride home in the rig, but she won't walk with him to the apartment. Gabby follows Bria into the building and knocks on the door, asking what's going on. The man coughs as Bria says she doesn't understand. This is her dad!

Gabby sits at the table. Bria says her dad got hurt at work and took painkillers. Now she has to take care of him because she is all he has. Gabby says her father needs professional help, but Bria can't give it to him. She asks Gabby not to call social services and promises to get help, but needs time to figure it out. Gabby gives her a card with her phone number on it, saying to call her 24/7.

Boden comes out and hears Julian telling stories to SQUAD. Donna comes to get Julian, but he wants to talk to Boden about something. He'll talk later. Gabby tells Severide what happened with Bria, but Matt overhears and gets defensive. He decides to stay out of the conversation.

Herrmann and Boden talk about how he feels about Julian. Boden thinks his brother is only interested in himself, but his wife likes him. Boden tells Herrmann he'll handle this alone.

At the apartment, Cruz, Sylvie, and Otis are talking about movie night, but Brett leaves. Antonio and she talk about not making it a thing, but immediately fall back into bed together at his place.

Boden is in the living room with his son and brother-in-law. Julian wants to talk about a project. He contacted a fire equipment manufacturer trying to enter the Chicago market. He needs $5,000 for 100 fireproof gloves. Boden will look at the info.

Stella is at Molly's when Severide shows up. Sylvie looks at Herrmann's jaw and says Harris punched him. It's not broken, but he needs to ice it. Otis talks to Cruz about Brett's date. Cruz thinks it's a doctor from Chicago Med, but Gabby says it isn't. Gabby's phone rings from an unknown number. She tells the caller to "slow down" and says she needs to go because it is Bria and she's in trouble.

Severide and Gabby arrive. Bria says he's been sick since last night and hasn't stopped throwing up. He has a seizure as Severide calls for an ambulance. He stops breathing. Severide and Gabby start CPR, and the paramedics arrive just in time. Gabby says he's having opioid withdrawals and a fever. They lost him, but got him back, and his pulse is strong. They put a tube in him as Bria keeps panicking. Gabby says Bria can ride with her dad, but Bria says they're going to split them up.

Gabby comes home, wraps herself in a blanket, and lies on Matt on the couch. She apologizes for being rude, and he does too, but she doesn't want to talk about it.

The next morning, Severide asks about Bria. Matt lets go of her hand. Bria was still sleeping in the chair. Her dad was stable with an IV. The nurses didn't mention child services. Severide says he'll visit after his shift. He says she was brave. Matt says they aren't communicating and that she'll do what she wants anyway. She just wants to get through the day to see what happens to the girl who reached out for her help.

Boden sits with Herrmann and Mouch. He has two choices: give Julian the check, or confront him. Hopefully, he can survive the fallout from Donna. Herrmann says it's a lose-lose either way.

Cruz is in the kitchen when Otis says he knows who Brett is dating. He says it's Antonio. He's 99% sure because he heard her say "Diego" on the phone and found a men's large Chicago Police Department shirt in the apartment dryer that morning. Cruz wants to say something to protect her, but no one speaks up when she walks into the kitchen.

On the way to a call, Gabby tells Sylvie she's there for her if she wants to talk about Antonio. Gabby says she's a bad communicator, but Brett says that's not true. They stop at Chicago Med. Sylvie gets supplies and Gabby sees Bria. Tina from family services is there to see Bria Jamison. Gabby says Bria is a good kid and asks Tina to look at this one again. When they get to her dad's room, Bria has vanished.

Gabby talks to Matt and Severide, but he says she shouldn't blame herself since Bria was headed for foster care long before she came into the picture. She's upset she keeps doing this with Bria and Louis. She leaves for a walk.

Julian comes to the Firehouse to thank Wallace. Julian says he wouldn't sell them if he hadn't tested them himself. He knows what they can do and knows the firehouse staff. He tosses a box of gloves towards Boden. The client came back with a discount. It is $3,338.00. Boden shakes his hand and writes a check.

Cruz and Otis talk about burn victims going back to where they got burnt. Sylvie wants to know who told. They say they care about her and want her to be safe. They think she can't take care of herself. She says they have to leave her things in the dryer.

Sylvie is eating a fancy dinner at Antonio's house. His mother taught him to cook. She told him to save some of the best food for special people. He kisses her forehead and says she's one of them. She stops him, saying there's been a misunderstanding. She wants to stay and eat with him, but they agreed not to get attached. She thinks he's great and they have fun, but it's not working. They still agree. She says if she stays and drinks, they'll keep doing this and one of them will get hurt. She kisses him and leaves.

Gabby talks to Severide at the bar, asking him if he was 16, scared and alone and doesn’t want to get caught. He says there is stretch Milwaukee Avenue, where teens stay in encampments and she probably knows about it. He goes with Gabby. Herrmann is still nursing his jaw when Donna comes to see Wallace at the bar. She admits Julian told her about what he did for him. Donna laughs when he says that he didn’t really trust Julian, but she said that she hoped Julian would win him over but couldn’t force it.

Severide and Gabby arrived at the sketchy part of the Milwaukee Avenue encampment, where they begin to ask around for Gabby. Meanwhile, Matt arrives at Molly’s looking for Gabby. No one seems to know who Bria is.

#USA #TV Serie #Action #Emergency #Drama #2018 #One Chicago #Chicago Fire

0 notes

spoilertv · 4 months

Text

#SpoilerTV

0 notes

inspire2inspire · 8 months

Text

youtube

Welcome to Inspire 2 Inspire 2! In this motivational video, we delve into the power of cultivating the right mindset to ignite your inner fire and achieve your dreams. 🔥 Key Messages: Discover the importance of a positive mindset in overcoming challenges. Uncover actionable tips to cultivate a mindset that breeds success. Learn how to turn obstacles into opportunities on your journey to greatness.✦ Like and subscribe for a new video every week! Activate the 🔔beside the subscribe button to get a notification! ✉ If you know someone who could use this video, share it with them! ------------------------------------------------------------------- Speakers: Tim Glover Dr. Myles Munroe Tim Sykes Robert Herjavec Denzel Washington Tony Robbins Mel Robbins Brian Tracy ------------------------------------------------------------------- Alex Doan – The Edge Of The Universe [Epic Orchestral] Music by Alex Doan Composer: Alex Doan Track: The Edge Of The Universe Album: Into the Void (EP) ------------------------------------------------------------------- FAIR-USE COPYRIGHT DISCLAIMER * Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commenting, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. 1)This video has no negative impact on the original works (It would actually be positive for them) 2)This video is also for teaching purposes. 3)It is not transformative in nature. 4)I only used bits and pieces of videos to get the point across where necessary.

#inspirational quotes #life quotes #inspiring quotes #book quotes #Youtube

1 note · View note

screenandcinema · 1 year

Text

Coming to Your Screen - May 2023

Here is a list of new shows coming to television or streaming services this month:

White House Plumbers - David Mandel directs Woody Harrelson, Justin Theroux, Domhnall Gleeson, and Lena Headey in this mini-series about the Watergate break-in. (Coming to HBO on May 1st)

Star Wars: Young Jedi Adventures - This new Star Wars series, set during the High Republic era is aimed at pre-schoolers, follows a group of younglings. (Coming to Disney+ and Disney Junior on May 4th)

Bupkis - Pete Davidson stars as a fictionalized version of himself in this new comedy series. Along for the ride are Edie Falco and Joe Pesci. (Coming to Peacock on May 4th)

Silo - Based on a book series of the same name comes this sci-fi series starring Rebecca Ferguson, Rashida Jones, David Oyelowo, Common, and Tim Robbins. (Coming to AppleTV+ on May 5th)

Class of ‘09 - Brian Tyree Henry and Kate Mara lead the way in this drama miniseries about the FBI from creator Tim Rob Smith. (Coming to Hulu on May 9th)

City on Fire - Based on a novel of the same name (not the Don Winslow City on Fire, but a different City on Fire) comes this new crime drama about a murder in New York City. (Coming to AppleTV+ on May 12th)

High Desert - Patricia Arquette, Matt Dillon, and Rupert Friend star in this new comedy series about a burgeoning private investigator. (Coming to AppleTV+ on May 17th)

XO, Kitty - Spun-out of the To All the Boys... film series on Netflix comes a new romantic dramedy set in South Korea. (Coming to Netflix on May 18th)

Primo - From Shea Serrano comes this new semi-autobiographical sitcom. (Coming to Amazon Freevee on May 19th)

American Born Chinese - Michelle Yeoh stars in this action comedy based on a graphic novel. Shang-Chi’s Destin Daniel Cretton is along to direct the first episode. (Coming to Disney+ on May 24th)

Platonic - Rose Bryne and Seth Rogan star in this comedy series about two friends at different points in their lives. (Coming to AppleTV+ on May 24h)

FUBAR - Arnold Schwarzenegger has his first leading role in a scripted live-action television series with his spy-adventure co-starring Monica Barbaro. (Coming to Netflix on May 25th)

-MB-

0 notes

rambleyrabbit · 2 years

Text

A ranking of all the new books I read this year with exactly zero context:

39.Every Word You Never Said (Jordon Greene)

38.And They Lived… (Steven Salvatore)

37.Wolfsong (TJ Klune)

36.Half Truths (Bronte Meredith with Nadia Mack)

35.Lore & Lust (Karla Nikole)

34.The Queen of Nothing (Holly Black)

33.The Temperature of Me and You (Brian Zepka)

32.So This Is Ever After (F.T. Lukens)

31.The First to Die at the End (Adam Silvera)

30.The Charm Offensive (Alison Cochrun)

29.The Duke and I (Julia Quinn)

28.Meet Cute Diary (Emery Lee)

27.Fifteen Hundred Miles From The Sun (Jonny Garza Villa)

26.Of Fire and Stars (Audrey Coulthurst)

25.The Dark Prophecy (Rick Riordan)

24.Pilu of the Woods (Mai K, Nguyen)

23.A Little Bit Country (Brian D. Kennedy)

22.Fence: Disarmed (Sarah Rees Brennan)

21.Chef’s Kiss (Jarret Melendez)

20.City of Ghosts (Victoria Schwab)

19.Husband Material (Alexis Hall)

18.Georgia Peaches and Other Forbidden Fruit (Jaye Robbin Brown)

17.The Song of Achilles (Madeline Miller)

16.Winter’s Orbit (Everina Maxwell)

15.A Marvellous Light (Freya Marske)

14.The uncensored picture of dorian gray (Oscar Wilde)

13.Before We Disappear (Shaun David Hutchinson)

12.Convenience Store Woman (Sayaka Murata)

11.Fence, Vol 5: Rise (C.S. Pacat & Johanna the Mad)

10.In a Garden Burning Gold (Rory Power)

9.Bonds of Brass (Emily Skrutskie)

8.In Deeper Waters (F.T. Lukens)

7.An Enchantment of Ravens (Margaret Rogerson)

6.The Thirty Names of Night (Zeyn Joukhadar)

5.Young Mungo (Douglas Stuart)

4.Once Upon a Broken Heart (Stephanie Garber)

3.A Conjuring of Light (V.E. Schwab)

2.Dark Rise (C.S. Pacat)

1.Peter Darling (Austin Chant)

#bookblr #booksbooksbooks #2022 reads

0 notes

charmingleon · 4 years

Text

I accepted TMNT 2012 ending but I will not accept Rise to end with episodes cut short! I never been so disgusted in my life! I love TMNT ever since 2012 but Rise became my most favorite TMNT series with that beautiful message about them being more than just TMNT! It taught us the real true meaning of family! That really filled my heart with love and I don’t want to let go! I want more! There’s too much left unexplained. Like Kraang and many others. The episodes that got cut off sounds like really good episodes. A movie isn’t going to be enough for me either. @andysuriano, Please do a spin off on @netflix! @nickelodeon lied to everyone! Brian Robbins needs to be fired!

#rise of the teenage mutant ninja turtles #rise of the tmnt.#rottmnt #tmnt #boycott nickelodeon #fire Brian Robbins

13 notes · View notes

rostovs-lover · 4 years

Text

roy rogers

brian may x reader | cursing, some suggestive language, a little bit of anxiety, alcohol consumption | she/her pronouns | fluffy? slow-burn?? | wc.3667

i’m low key tempted to make a part two,,

anon : Can I request a super cute fic where Bri needs more money for uni, so he starts offering guitar lessons and the reader has a little brother who really wants to learn how to play, so she signs him up. Maybe her brother is extremely good with a guitar and he has a lot of lessons with Bri. He also sees the reader a lot and he catches feelings HARD. Maybe the reader’s little brother spills something to both of them with the help of the rest of the band and they end of together. I just need major FLUFF

your younger brother thinks his guitar teacher is perfect for you and he’s adamant about getting you together. requests open!!

A Roy Roger’s is a nonalcoholic drink made of cola and cherry grenadine and topped with a maraschino cherry.

Your younger brother, David, practically lived in your apartment. For a fourteen year old he was brilliant and very, very sneaky. Sneaky enough to creep out of your mother’s house in the dead of night and crawl up to the fire escape of your second story apartment.

When you’d stumbled to the kitchen, half asleep, he’d been at the table thumbing through a cookbook. He’d also had the audacity to laugh when you screamed, thinking he was an intruder. It wasn’t the first time this had happened, and it most definitely wouldn’t be the last either.

“One of these days something is going to be thrown at your head,” You hissed, setting a bowl of cereal in front of David, who looked at it with the utmost disgust.

“What is this?”

“Quisp, either eat it or starve.”

He glowered at you, “I like Waffelos,”

“That's so sad, I have no money, its Quisp or nothing.” It was quiet for a while as you both ate, David still looking through your cookbook.

He closed the book, examining the cover as he spoke, “Mum said you have to sign me up for guitar lessons,”

“Mum said what?”

“You have to sign me up for guitar lessons, she’ll pay. I have a well of untapped potential in the musical realm. That's according to her coworker, Deirdre.” He sighed, exasperated, “Mum trusts Deirdre apparently because now I have to learn guitar.”

“Where on earth does mum expect me to sign you up, I mean did she give you any specifics, like a price range? Do you even have a guitar?”

“First, I have mum’s old guitar. Second, she just said lessons. I think she trusts your judgment.”

Despite how much you appreciated your mother trusting your judgment, finding reasonably priced guitar lessons with someone who wasn’t a creep was harder than anticipated. You had collected a handful of flyers and business cards, all offering said lessons. The first call you placed was to a nice old lady looking to take up some spare time by providing lessons but she lived too far away for your mother to drive every week. The next was almost promising until you told Robert MacIntere that the lesson was for your brother, not you and he hung up the phone. One woman had too many cats, another man asked for your shoe size, someone else cursed you out when you said you couldn’t do their outlandish prices. The only promising thing you had gotten was a History professor, a very nice man too. You were thrilled when the lessons had finally been scheduled until he bowed out at the last minute and you were back at square one.

You had almost given up when, one rainy Thursday evening, you found an advert pinned outside of the auditorium. Guitar lessons, not too far away, open every Tuesday and Wednesday after three o’clock. The document was typed, all except a phone number scrawled on the bottom, almost as if an afterthought. You scratched the number on the palm of your hand and called straight away when you got home.

The line wrung for several seconds, “Yo?”

“Hi. Hi, yes I’m calling about a flyer I saw posted at Imperial College? It was an advert for bi-weekly guitar lessons, and your number was on the paper. I was wondering about booking a couple of weeks?”

The person on the line snorted, “Sorry dear, that’s not me. I assume you’re looking for my mate, just one moment and I’ll gather him-” You heard his hand cover the receiver as she called for someone, “Just one sec’ lovie,”

The phone was audibly handed off, “Hello?”

“Hi, um I’m calling about the guitar lessons?”

“Oh!” His voice, “Yes, of course! That's me, are you looking to schedule one?”

You had scheduled for the following Tuesday at four, to meet at his apartment. In the car on the way there, David rambled on about everything he wanted to learn and exactly how ecstatic he was for this. He had named his guitar George, after George Harison, who he admired. On the elevator ride up to Brian’s apartment, David was practically vibrating and he bounced on the balls of his feet as you waited at the door.

The door was opened by a blond, clad in a bathrobe and flannel pyjama pants who puffed at his cigarette as he stared at you, “What brings you here?”

Before you could speak David, who the blond hadn’t noticed until just then, piped up, “The guitar lessons. I’m the one being taught, [Name] is just sitting in.”

“Oh, well come in then, I’ll go and get Brian.” He tucked his cigarette behind him and lead you inside, “Um, make yourselves at home, couch is all yours.” He howled Brian’s name and ducked into the kitchen, snuffing out the smoke in an ashtray.

David got settled on the couch, tugging out his guitar, and you set into a chair. From around the corner rushed a very frantic body, clutching his own guitar. He was very tall, and the black pants he wore made his legs seem unproportionate to his body. What caught your eye the most though was his hair, he had a thick mane of tightly wound black curls, which also added to his height.

“Hi, I’m very sorry about this, I got a touch caught up in a bit of school work.” He settled onto the couch next to your brother, “You must be David, I’m Brian.” He gestured a hand to your brother.

David, ever the charmer, shook firmly as he spoke, “Its pleasure meeting you. I wasn’t quite sure that lessons were even going to happen, no one seemed right, according to mum, but you seem nice! Your guitar is neat. Oh! That's my sister, [Name], I believe you spoke on the phone.”

“We did,” Brian leaned forwards to shake your hand as well, “Its nice to meet you,”

A better teacher would have been hard to come by. Brian was patient and soft spoken, he worked at your brother’s pace, never rushing past anything he didn’t fully understand. The lesson was only an hour long but it seemed much shorter, with a book in tow you didn’t pay much mind to anything else. That was until you caught yourself glancing over the cover to watch the lesson. Brian was attractive and he had very nice hands. You were somewhat aghast you’d never seen him on campus, he seemed hard to miss.

The lessons became weekly, and despite trusting Brian and his roommate, Roger, you still opted to stay for every one. It was always pleasant, the apartment was nice, Brian was nice, and you had begun to get acquainted with his friends. During the third week, Roger had let it slip that they were in a band. Brian’s face had flushed scarlet and he’d played with his fingers as he explained that it wasn’t anything serious. On that same visit, you’d had a conversation with Roger in the kitchen while he got you a glass of water. He was nice, only half awake at the time, but you’d realized you had an evolution class together at school. He had also given you his number, and David would absolutely not let you hear the end of it.

“Please-” Your brother cried as he threw himself onto your sofa, “You haven’t had a boyfriend in ages. The last one was, what was his name?”

You rolled your eyes, “Chet?”

“Chet Robbins! Chet the safe bet!”

“Chet the safe bet? Did you make that up?”

David smiled, very proudly, “I did! Just now actually, because it's true! Chet, the business student, trust fund child, frat boy. Why not date a drummer?”

“Because I like stability David,”

“[Name] date the drummer. I beg, I plead. He was so into you, he gave you his number!”

“If you will recall, I have his number. Because his number is the apartment number and that's what I called for the lessons. I also refuse to date your teacher’s best friend. How would I approach that, ‘Hi Brian! You’re teaching my brother an instrument, I did your friend last night. How have you been?’”

David gasped in mock disgust, “I never said a word about doing him. You foul wench, I simply implied dinner. Maybe seeing one of his shows.”

“Oh my dear, when you date a drummer it's never just dinner.” You snorted.

“Well, when I date a drummer it will be. Only dinner, no foul play.”

“Please, please keep that attitude for the rest of your life.”

It was quiet as he mulled over your words. You started off, putting away your bag and coat when he abruptly sat up, “You don’t dislike the drummer, in fact, it has nothing to do with him. You don’t like my teacher’s best friend, you like my teacher.” He grinned when your face lit up, “Oh you do, you absolutely do! I’ve never seen you blush that hard.”

“You little twit,” You hissed, “If you say a word about this I will have your head. This stays between us and us only.”

David was sneaky, very sneaky. Your conversation had planted an idea in his head like a seed and every brief glance and soft smile you shared with his teacher was water. He was growing a downright devious plan, with you directly at the center of it.

David, after quietly looking over the house and picking up on Brian’s affinity for science fiction, had been the one to recommend you start reading George Orwell’s 1984. He had also purposely disappeared to the restroom when he caught sight of Brian eyeing the cover.

Brian carefully cleared his throat, “Do you read much Orwell?”

“Oh, Orwell? No, not really. I, um- I read The Road to Wigan Pier for a book club a while ago. Are you a fan?”

“Oh yes,” He smiled, leaning forwards, “I’ve read that, actually. I was in a band a few years back by the same name,”

You cocked your head, closing the book against your finger, “1984?”

“Yes, quite silly, I know. Never was much good at naming.”

“Roger said you’re in a band now, what's that called?”

His cheeks were beginning to pick up a soft pink again, “Um, Queen. Our singer named it-”

David sat back down, “Did I miss anything important?”

Brian looked away and you went back to your book. The only noise became the guitar residing between the two boys on the couch. David had learned enough to start on a song, I Walk the Line by Johnny Cash. It was recognizable enough to draw your attention, and it was lovely at first until it was all David played. When you returned home, when you visited your mother, he played it so much you had memorized the fingering to it.

It was at another lesson, several weeks later, when you had been left by your lonesome. David had gone to get a drink and Brian had run to retrieve something from his room. All alone and with nothing to tell you not to you settled into the couch with the guitar and tried at the song. It was choppy, a bit off-key, but mostly there.

“I didn’t know you played?” Brian’s voice was soft but you still jumped, shooting around to find him. Leaned against the back of the sofa he twirled a coin between his fingers, grinning down at you.

You swallowed, “I don’t, no, not really. Dave’s just played this so much I remembered how it looked.”

He propped his chin in his hand, “I think you could be quite good. Just, here-” He slipped the coin between his teeth to reach down, softly grasping your wrist, adjusting your placement on the neck. His hands were warm and it sent a shiver up your spine as he carefully moved your fingers, “That should do nicely, I trust you’ll do well with the right placement.” He was quiet for a moment, silently pondering something, “Friday night we have a show at about ten o’clock, say you come and maybe I could show you something on the guitar afterwards.”

You considered, “Where is it?”

“The Cameo, downtown London.”

“It sounds lovely, very, but I have to admit I’m not big on the downtown London clubs. I actually don’t know where that is. Although I do have a friend whos well versed with the scene, I could ask her to show me there?”

“Wonderful,” He grinned, “It's a date!” Something else David wouldn’t let go of. Usually, all he talked about was the music he learned but now he was enthralled with the prospect of a new romantic venture. You had been informed on exactly how to dress, what makeup to wear, what drink to order. He also picked the exact shade of blue for you to paint your nails.

You called Marilla after your mother picked David up and she had agreed, enthusiastically, to show you to the club. When she arrived you had been called ‘prudish’ and were forbidden to dress yourself. In the very back of your closet was a floral dress you’d bought for a wedding reception that never happened. It was supposed to be returned but you just hadn’t gotten around to it.

“It doesn’t scream rock n’ roll,” She inspected the green fabric under the kitchen light, “But anyone can look like Twiggy with enough eyeshadow so it’ll have to do. You should invest in club clothes, you might have to if anything goes with this guitar player.” Her eyebrows wagged.

You rolled your eyes, taking the dress from her, “Hush, you’re just as bad as David.”

“Your brother?” Marilla snorted, “What's he got to do with this?”

“He's an insufferable little shit, that's what-” You pushed off your top, “At first he tried to get me with the guitar player’s flatmate but when that didn’t work he really pushed Brian and I,”

Marilla was amused, far more amused than you, “He's a cunning thing, I’ve always liked him. Oh boy, now I really want to see your guitarist, Brian was it?”

The club pulsed, dull lights glaring down against everything. It was smokey and smelled of weed and whiskey. The band onstage was far too loud and you clung to Marilla’s hand as she pulled you up to the bar.

“What do you want?” She practically had to yell for you to hear but it went through you, you couldn’t think with all the noise and lights. She sighed and patted your hand, “A Moscow mule and a Roy Roger’s please.” She shouted at the bartender, “It's alright babes, no alcohol, just fancy cherry coke.” You nodded and accepted the drink, taking a tentative sip as you scanned the crowd. The band onstage had seemed to conclude their set but it didn’t make things any quieter. It was overwhelming really, moreso as Marilla started to pull you up to the front.

“Come on, it's almost ten. Your boy’ll be up next!” She settled in front of the stage, rooting you to the spot next to her.

Brian’s flatmate came out, twirling a drumstick between his fingers and he was met with loud cheers. Marilla whooped, waving big up at him. He was followed by the bass player, Brian, and the singer. They were all enthralling, and you were enraptured. The boys on stage looked ethereal, in flowy tops and sparkly makeup. The frontman was clad in glittery jewelry and the bass player wore platform boots. Their music drew you in and eased your nerves about how crowded the club was. The last song had a guitar solo and as he played Brian’s eyes met yours. A rose of warmth bloomed into your cheeks and he grinned, fingering at the chords.

Marilla, immune to none, elbowed you in the ribs, “That's him?!”

You nodded, “It is,”

“Damn girlie! Good for you! But for the record, I think I like the drummer,”

“His name is Roger. If you come backstage with me you can meet him.”

She grinned, “I’m so proud of you, getting connections!” As they finished Roger flung one of his drumsticks into the crowd. You flinched as Marilla’s hand shot out. She squawked as she caught it, quickly tucking it into her pants and taking your hand, pulling you towards the back lounge. She pushed at the thin curtain to the side, slipping in.

It was quieter and you watched people in glamorous outfits dally about. A redhead in hot pants dropped onto the shabby leather sofa, passing glass bottles of something to both the drummer and bassist. The singer was swirling what you could only assume to be a cosmopolitan. He looked up, catching sight of you and Marilla, both looking a bit lost.

“Hello, come come!” The singer waved you over and Marilla practically dragged you.

“You are spectacular!” She raved, “All of you, magical!” She tugged the stick out of her waistband and made her way to the drummer.

You cleared your throat, “You really are amazing, you have a lovely voice.”

The brunette smiled, “Thank you! I’m Freddie by the way, our charming drummer is Roger. The lovely John plays bass and Brian should be around here somewhere, he plays the guitar.”

“It's nice to meet you, Freddie, I’m [Name]. I was actually looking for Brian,” You twiddled with your fingers, looking down, “He asked to meet here tonight. You wouldn’t happen to know where he is would you?”

“You know, he may have popped to the kitchen. I’ll show you,” Freddie stood up. He seemed to catch your hesitation, glancing back to Marilla, “I’ll keep an eye on her. Roggie really is no harm, he plays much bigger than he actually is, I don’t think he could hurt a soul. Not an undeserving one at least.” He started towards the kitchen with you in tow.

Aforementioned kitchen was small and shockingly clean. Your guitarist sat on the counter with a glass of water.

Brian seemed to be in his own world until Freddie caught his attention, “Someone’s been looking for you, my dear,”

Brian looked up, “[Name]! Hello, I’m so glad you came!” He slid off the counter setting his drink down, “Did you bring your friend?”

“I did, she’s become infatuated with Roger though.”

He grinned, “Oh Rog seems to do that to some people.”

“Well, I'll leave you to it!” Freddie called, waving and walking back to the lounge.

When the door shut Brian began to fiddle with the bottom of his shirt, “I left my guitar in the other room, I could go and grab it if you’d still like to learn that song.” He studied your face, “But you don’t look comfortable, are you alright?”

“Yes, this just isn’t really my scene. I’m not used to the noise and everything, there's a lot of people here.”

He smiled sympathetically, “I know, it's crowded. There's a nice little diner just down the road, we could walk there and talk if you’d like.”

You nodded, “Sure, that would be lovely.”

The air was crisp and it brought you back to reality from the club. Brian had lent you an extra sweater he had brought, it was warm but you had to roll the sleeves a few times. It was quiet as you walked, the occasional car rushing past. The sidewalk narrowed as you got closer to the strip of restaurants and you felt the back of Brian’s hand brush yours. You caught his fingers, lacing yours into them and nervously looking up. His expression mimicked yours, jittery and shy and totally taken.

“You look very pretty,” He murmured, thumbing over your knuckles, “That green looks very nice on you.”

You smiled, “Thank you, you look lovely as well.”

“Oh pish posh, this is just stage wear. But I’m glad you think it looks okay, Rog said I looked frumpy.”

You giggled, “Marilla, the one who brought me, called me prudish earlier.”

His laugh was soft, “Well, we can be fashion disappointments to our friends together,” He pulled open the door to MaryAnne’s Diner, holding it for you.

You were settled in a booth waiting for your order when Brian spoke, “David really has potential,”

“With the guitar? I’m not surprised, he's always been good at everything he tries. It's really quite annoying, how brilliant he is.”

“He seems so, a very nice kid. Does he live with you?”

“No no,” You smiled, “No he lives with our mum, he just sneaks out to see me more than he should. I don’t know if I ever thanked you for letting me sit in, I know it's not common practice. I just worry about him, he seems so much older than he actually is and I’m worried it’ll get him in trouble one day.”

Brian patted your hand, “Oh darling, I understand. I really don’t mind at all, I’m glad I met you.”

“I’m glad I’ve met you as well.”

He had walked you home, contently explaining the story behind one of the constellations he saw.

He stalled at the door, keeping your hand in his, “So I suppose I’ll see you next week?”

“Absolutely,”

He moved one hand to push a piece of hair out of your face, “Well until then I suppose,”

You leaned up, closing in on him. You felt his hot breath against your cheeks, “Is this okay?”

He nodded, “More than,” And pulled you into him.

He was as gentle in kissing you as he was in everything else, carefully nudging his nose against yours. His mouth was warm and he stroked your mandible, easing deeper into the kiss. He relished in the taste of maraschino cherry from the Roy Roger’s you’d had earlier. You gasped softly as he nipped at your bottom lip, pulling away. The lipgloss he had been wearing was smeared against the corner of your mouth and he carefully wiped at it with his thumb.

David would never let you hear the end of this either.

#Brian May #brian may imagine #brian may x reader #Queen #queen imagine #queen x reader #bohemian rhapsody #bohemian rhapsody imagines #queen #lennie writes

205 notes · View notes

destinydecade · 3 years

Text

I Want to Be Hyped But I Can’t

I honestly can’t. I can’t forgive Nickelodeon for what they did to Rise of the TMNT. No way. Why do I say this? Because it was a victim of many different factors.

The first was the transition. The series came out during the last of the Cyma era and then came the management transition where Cyma Garhani left/fired and was replaced by Brian Robbins. Weird thing about this guy is that he was responsible for All That and he directed Norbit. I’m serious. He also was responsible for Ready 2 Rumble. I got nothing. When he took over, he made the whole thing focus on well it was doing on merchandise. Let’s face it. Playmates should have done better in terms of the toys.

Speaking of which, the second was the merchandise. And yeah, for as much as I want to blame Nickelodeon and their executives, I also want to blame Playmates because it’s like they didn’t even try. Their lack of quality in their toys actually is the reason why the series suffered and Nickelodeon knew this. The only reason why TMNT 2012 lasted as long as it did is because the fact that the toys made them money. And when a show like that makes a lot in merchandising, you know it’s going to last for a long time. It lasted five seasons yet Rise lasted two due to Nickelodeon’s idiocy and mismanagement along with Playmates’ lack of quality control.

I did mention that I no longer want to support Nickelodeon and I want them to experience karma. Karma came for them once and will do so again. If there is an actual hell, Brian Robbins, his executives and all of Nickelodeon deserve to rot in it. Go to hell Nickelodeon. To hell with your upcoming reboot and Seth Rogen movie.

To the people responsible for making such an amazing show despite all the bullshit, you have our gratitude. I support the creators, not the networks. And you all should to.

#rise of the tmnt #saverottmnt #supportrottmnt #Rise of the teenage mutant ninja turtles

7 notes · View notes

bongaboi · 4 years

Text

2021 Grammy Awards: The List.

New age

Best New Age Album

More Guitar Stories – Jim "Kimo" West

Songs from the Bardo – Laurie Anderson, Tenzin Choegyal & Jesse Paris Smith

Periphery – Priya Darshini

Form//Less – Superposition

Meditations – Cory Wong & Jon Batiste

Jazz

Best Improvised Jazz Solo

"All Blues" – Chick Corea, soloist

"Guinnevere" – Christian Scott Atunde Adjuah, soloist

"Pachamama" – Regina Carter, soloist

"Tomorrow is the Question" – Julian Lage, soloist

"Celia" – Gerald Clayton, soloist

"Moe Honk" – Joshua Redman, soloist

Best Jazz Vocal Album

Secrets are the Best Stories – Kurt Elling featuring Danilo Pérez

ONA – Thana Alexa

Modern Ancestors – Carmen Lundy

Holy Room: Live at Alte Oper – Somi With Frankfurt Radio Big Band

What's the Hurry – Kenny Washington

Best Jazz Instrumental Album

Trilogy 2 – Chick Corea, Christian McBride & Brian Blade

on the tender spot of every calloused moment – Ambrose Akinmusire

Waiting Game – Terri Lyne Carrington and Social Science

Happening: Live at the Village Vanguard – Gerald Clayton

RoundAgain – Redman Mehldau McBride Blade

Best Large Jazz Ensemble Album

Data Lords – Maria Schneider Orchestra

Dialogues on Race – Gregg August

Monk'estra Plays John Beasley – John Beasley

The Intangible Between – Orrin Evans and The Captain Black Big Band

Songs You Like a Lot – John Hollenbeck with Theo Bleckmann, Kate McGarry, Gary Versace and The Frankfurt Radio Big Band

Best Latin Jazz Album

Four Questions – Arturo O'Farrill & The Afro Latin Jazz Orchestra

Tradiciones – Afro-Peruvian Jazz Orchestra

City of Dreams – Chico Pinheiro

Viento y Tiempo - Live at Blue Note Tokyo – Gonzalo Rubalcaba & Aymée Nuviola

Trane's Delight – Poncho Sanchez

Gospel/contemporary Christian music

Best Gospel Performance/Song

"Movin' On"

Darryl L. Howell, Jonathan Caleb McReynolds, Kortney Jamaal Pollard & Terrell Demetrius Wilson, songwriters (Jonathan McReynolds & Mali Music)

"Wonderful is Your Name"

Melvin Crispell III, songwriter (Melvin Crispell III)

"Release (Live)"

David Frazier, songwriter (Ricky Dillard featuring Tiff Joy)

"Come Together"

Lashawn Daniels, Rodney Jerkins, Lecrae Moore & Jazz Nixon, songwriters (Rodney "Darkchild" Jerkins Presents: The Good News)

"Won't Let Go"

Travis Greene, songwriter (Travis Greene)

Best Contemporary Christian Music Performance/Song

"There Was Jesus"

Casey Beathard, Jonathan Smith & Zach Williams, songwriters (Zach Williams & Dolly Parton)

"The Blessing (Live)"

Chris Brown, Cody Carnes, Kari Jobe Carnes & Steven Furtick, songwriters (Kari Jobe, Cody Carnes & Elevation Worship)

"Sunday Morning"

Denisia Andrews, Jones Terrence Antonio, Saint Bodhi, Brittany Coney, Kirk Franklin, Lasanna Harris, Shama Joseph, Stuart Lowery, Lecrae Moore & Nathanael Saint-Fleur, songwriters (Lecrae featuring Kirk Franklin)

"Holy Water"

Andrew Bergthold, Ed Cash, Franni Cash, Martin Cash & Scott Cash, songwriters (We the Kingdom)

"Famous For (I Believe)"

Chuck Butler, Krissy Nordhoff, Jordan Sapp, Alexis Slifer & Tauren Wells, songwriters (Tauren Wells featuring Jenn Johnson)

Best Gospel Album

Gospel According to PJ – PJ Morton

2econd Wind: ReadY – Anthony Brown & group therAPy

My Tribute – Myron Butler

Choirmaster – Ricky Dillard

Kierra – Kierra Sheard

Best Contemporary Christian Music Album

Jesus Is King – Kanye West

Run to The Father – Cody Carnes

All of My Best Friends – Hillsong Young & Free

Holy Water – We the Kingdom

Citizen of Heaven – Tauren Wells

Best Roots Gospel Album

Celebrating Fisk! (The 150th Anniversary Album) – Fisk Jubilee Singers

Beautiful Day – Mark Bishop

20/20 – The Crabb Family

What Christmas Really Means – The Erwins

Something Beautiful – Ernie Haase & Signature Sound

Latin

Best Latin Pop Album or Urban Album

YHLQMDLG – Bad Bunny

Por Primera Vez – Camilo

Mesa Para Dos – Kany García

Pausa – Ricky Martin

3:33 – Debi Nova

Best Latin Rock or Alternative Album

La Conquista del Espacio – Fito Páez

Aura – Bajofondo

MONSTRUO – Cami

Sobrevolando – Cultura Profética

Miss Colombia – Lido Pimienta

Best Regional Mexican Music Album (Including Tejano)

Un Canto por México, Vol. 1 – Natalia Lafourcade

Hecho en México – Alejandro Fernández

La Serenata – Lupita Infante

Bailando Sones y Huampangos con Mariachi Sol De Mexico De Jose Hernandez – Mariachi Sol De Mexico De Jose Hernandez

Ayayay! – Christian Nodal

Best Tropical Latin Album

40 – Grupo Niche

Mi Tumbao – José Alberto "El Ruiseñor"

Infinito – Edwin Bonilla

Sigo Cantando al Amor (Deluxe) – Jorge Celedon & Sergio Luis

Memorias de Navidad – Víctor Manuelle

American roots

Best American Roots Performance

"I Remember Everything" – John Prine

"Colors" – Black Pumas

"Deep in Love" – Bonny Light Horseman

"Short and Sweet" – Brittany Howard

"I'll Be Gone" – Norah Jones & Mavis Staples

Best American Roots Song

"I Remember Everything"

Pat McLaughlin & John Prine, songwriters (John Prine)

"Cabin"

Laura Rogers & Lydia Rogers, songwriters (The Secret Sisters)

"Ceiling to the Floor"

Sierra Hull & Kai Welch, songwriters (Sierra Hull)

"Hometown"

Sarah Jarosz, songwriter (Sarah Jarosz)

"Man Without a Soul"

Tom Overby & Lucinda Williams, songwriters (Lucinda Williams)

Best Americana Album

World on the Ground – Sarah Jarosz

Old Flowers – Courtney Marie Andrews

Terms of Surrender – Hiss Golden Messenger

El Dorado – Marcus King

Good Souls Better Angels – Lucinda Williams

Best Bluegrass Album

Home – Billy Strings

Man on Fire – Danny Barnes

To Live in Two Worlds, Vol. 1 – Thomm Jutz

North Carolina Songbook – Steep Canyon Rangers

The John Hartford Fiddle Tune Project, Vol. 1 – Various Artists

Best Traditional Blues Album

Rawer than Raw – Bobby Rush

All My Dues are Paid – Frank Bey

You Make Me Feel – Don Bryant

That's What I Heard – Robert Cray Band

Cypress Grove – Jimmy "Duck" Holmes

Best Contemporary Blues Album

Have You Lost Your Mind Yet? – Fantastic Negrito

Live at the Paramount – Ruthie Foster Big Band

The Juice – G. Love

Blackbirds – Bettye LaVette

Up and Rolling – North Mississippi Allstars

Best Folk Album

All the Good Times – Gillian Welch & David Rawlings

Bonny Light Horseman – Bonny Light Horseman

Thanks for the Dance – Leonard Cohen

Song for Our Daughter – Laura Marling

Saturn Return – The Secret Sisters

Best Regional Roots Music Album

Atmosphere – New Orleans Nightcrawlers

My Relatives 'nikso' Kowaiks – Black Lodge Singers

Cameron Dupuy and The Cajun Troubadours – Cameron Dupuy And The Cajun Troubadours

Lovely Sunrise – Nā Wai ʽEhā

A Tribute to Al Berard – Sweet Cecilia

Reggae

Best Reggae Album

Got to Be Tough – Toots and the Maytals

Upside Down 2020 – Buju Banton

Higher Place – Skip Marley

It All Comes Black to Love – Maxi Priest

One World – The Wailers

Global music

Best Global Music Album

Twice as Tall – Burna Boy

Fu Chronicles – Antibalas

Agora – Bebel Gilberto

Love Letters – Anoushka Shankar

Amadjar – Tinariwen

Children's

Best Children's Album

All the Ladies – Joanie Leeds

Be a Pain: An Album for Young (and Old) Leaders – Alastair Moock And Friends

I'm an Optimist – Dog On Fleas

Songs for Singin' – The Okee Dokee Brothers

Wild Life – Justin Roberts

Spoken word

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)

Blowout: Corrupted Democracy, Rogue State Russia, and the Richest, Most Destructive Industry on Earth – Rachel Maddow

Acid for the Children – A Memoir – Flea

Alex Trebek – The Answer Is... – Ken Jennings

Catch and Kill – Ronan Farrow

Charlotte's Web (E.B. White) – Meryl Streep and Full Cast

Comedy

Best Comedy Album

Black Mitzvah – Tiffany Haddish

I Love Everything – Patton Oswalt

The Pale Tourist – Jim Gaffigan

Paper Tiger – Bill Burr

23 Hours to Kill – Jerry Seinfeld

Musical theater

Best Musical Theater Album

Jagged Little Pill – Kathryn Gallagher, Celia Rose Gooding, Lauren Patten & Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen & Vivek J. Tiwary, producers (Glen Ballard & Alanis Morissette, lyricists) (Original Broadway Cast)

Amélie – Audrey Brisson, Chris Jared, Caolan McCarthy & Jez Unwin, principal soloists; Michael Fentiman, Sean Patrick Flahaven, Barnaby Race & Nathan Tysen, producers; Nathan Tysen, lyricist; Daniel Messe, composer & lyricist (Original London Cast)

American Utopia on Broadway – David Byrne, principal soloist; David Byrne, producer (David Byrne, composer & lyricist) (Original Cast)

Little Shop of Horrors – Tammy Blanchard, Jonathan Groff & Tom Alan Robbins, principal soloists; Will Van Dyke, Michael Mayer, Alan Menken & Frank Wolf, producers (Alan Menken, composer; Howard Ashman, lyricist) (The New Off-Broadway Cast)

The Prince of Egypt – Christine Allado, Luke Brady, Alexia Khadime & Liam Tamne, principal soloists; Dominick Amendum & Stephen Schwartz, producers; Stephen Schwartz, composer & lyricist (Original Cast)

Soft Power – Francis Jue, Austin Ku, Alyse Alan Louis & Conrad Ricamora, principal soloists; Matt Stine, producer; David Henry Hwang, lyricist; Jeanine Tesori, composer & lyricist (Original Cast)

Music for visual media

Best Compilation Soundtrack for Visual Media

Jojo Rabbit – Various artists

A Beautiful Day in the Neighborhood – Various artists

Bill & Ted Face the Music – Various artists

Eurovision Song Contest: The Story of Fire Saga – Various artists

Frozen II – Various artists

Best Score Soundtrack for Visual Media

Joker – Hildur Guðnadóttir, composer

Ad Astra – Max Richter, composer

Becoming – Kamasi Washington, composer

1917 – Thomas Newman, composer

Star Wars: The Rise of Skywalker – John Williams, composer

Best Song Written for Visual Media

"No Time to Die" (from No Time to Die)

Billie Eilish O'Connell and Finneas O'Connell (Billie Eilish)

"Beautiful Ghosts" (from Cats)

Andrew Lloyd Webber and Taylor Swift (Taylor Swift)

"Carried Me with You" (from Onward)

Brandi Carlile, Phil Hanseroth and Tim Hanseroth (Brandi Carlile)

"Into the Unknown" (from Frozen II)

Kristen Anderson-Lopez and Robert Lopez (Idina Menzel featuring AURORA)

"Stand Up" (from Harriet)

Joshuah Brian Campbell and Cynthia Erivo (Cynthia Erivo)

Composing/Arranging

Best Instrumental Composition

"Sputnik"

Maria Schneider, composer (Maria Schneider)

"Baby Jack"

Arturo O'Farrill, composer (Arturo O'Farrill & The Afro Latin Jazz Orchestra)

"Be Water II"

Christian Sands, composer (Christian Sands)

"Plumfield"

Alexandre Desplat, composer (Alexandre Desplat)

"Strata"

Remy Le Boeuf, composer (Remy Le Boeuf's Assembly Of Shadows featuring Anna Webber & Eric Miller)

Best Arrangement, Instrumental or A Cappella

"Donna Lee"

John Beasley, arranger (John Beasley)

"Bathroom Dance"

Hildur Guðnadóttir, arranger (Hildur Guðnadóttir)

"Honeymooners"

Remy Le Boeuf, arranger (Remy Le Boeuf's Assembly Of Shadows)

"Lift Every Voice and Sing"

Alvin Chea & Jarrett Johnson, arrangers (Jarrett Johnson Featuring Alvin Chea)

"Uranus: The Magician"

Jeremy Levy, arranger (Jeremy Levy Jazz Orchestra)

Best Arrangement, Instruments and Vocals

"He Won't Hold You"

Jacob Collier, arranger (Jacob Collier featuring Rapsody)

"Asas Fechadas"

John Beasley & Maria Mendes, arrangers (Maria Mendes Featuring John Beasley & Orkest Metropole)

"Desert Song"

Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (Säje)

"From This Place"

Alan Broadbent & Pat Metheny, arrangers (Pat Metheny featuring Meshell Ndegeocello)

"Slow Burn"

Talia Billig, Nic Hard & Becca Stevens, arrangers (Becca Stevens featuring Jacob Collier, Mark Lettieri, Justin Stanton, Jordan Perlson, Nic Hard, Keita Ogawa, Marcelo Woloski & Nate Werth)

Package

Best Recording Package

Vols. 11 & 12

Doug Cunningham & Jason Noto, art directors (Desert Sessions)

Everyday Life

Pilar Zeta, art director (Coldplay)

Funeral

Kyle Goen, art director (Lil Wayne)

Healer

Julian Gross & Hannah Hooper, art directors (Grouplove)

On Circles

Jordan Butcher, art director (Caspian)

Best Boxed or Special Limited Edition Package

Ode to Joy

Lawrence Azerrad & Jeff Tweedy, art directors (Wilco)

Flaming Pie (Collector's Edition)

Linn Wie Andersen, Simon Earith, Paul McCartney & James Musgrave, art directors (Paul McCartney)

Giants Stadium 1987, 1989, 1991

Lisa Glines & Doran Tyson, art directors (Grateful Dead)

Mode

Jeff Schulz, art director (Depeche Mode)

The Story of Ghostly International

Michael Cina & Molly Smith, art directors (Various Artists)

Notes

Best Album Notes

Dead Man's Pop

Bob Mehr, album notes writer (The Replacements)

At The Minstrel Show: Minstrel Routines From The Studio, 1894-1926

Tim Brooks, album notes writer (Various Artists)

The Bakersfield Sound: Country Music Capital Of The West, 1940-1974

Scott B. Bomar, album notes writer (Various Artists)

The Missing Link: How Gus Haenschen Got Us From Joplin To Jazz And Shaped The Music Business

Colin Hancock, album notes writer (Various Artists)

Out Of A Clear Blue Sky

David Sager, album notes writer (Nat Brusiloff)

Historical

Best Historical Album

It's Such a Good Feeling: The Best of Mister Rogers

Lee Lodyga & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Mister Rogers)

Celebrated, 1895–1896

Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (Unique Quartette)

Hittin' the Ramp: The Early Years (1936–1943)

Zev Feldman, Will Friedwald & George Klabin, compilation producers; Matthew Lutthans, mastering engineer (Nat King Cole)

1999 Super Deluxe Edition

Michael Howe, compilation producer; Bernie Grundman, mastering engineer (Prince)

Souvenir

Carolyn Agger, compilation producer; Miles Showell, mastering engineer (Orchestral Manoeuvres In The Dark)

Throw Down Your Heart: The Complete Africa Sessions

Béla Fleck, compilation producer; Richard Dodd, mastering engineer (Béla Fleck)

Production, non-classical

Best Engineered Album, Non-Classical

Hyperspace

Drew Brown, Andrew Coleman, Shawn Everett, Serban Ghenea, David Greenbaum, Jaycen Joshua, Beck Hansen & Mike Larson, engineers; Randy Merrill, mastering engineer (Beck)

Black Hole Rainbow

Shawn Everett & Ivan Wayman, engineers; Bob Ludwig, mastering engineer (Devon Gilfillian)

Expectations

Gary Paczosa & Mike Robinson, engineers; Paul Blakemore, mastering engineer (Katie Pruitt)

Jaime

Shawn Everett, engineer; Shawn Everett, mastering engineer (Brittany Howard)

25 Trips

Shani Gandhi & Gary Paczosa, engineers; Adam Grover, mastering engineer (Sierra Hull)

Producer of the Year, Non-Classical

Andrew Watt

"Break My Heart" (Dua Lipa)

"Me and My Guitar" (A Boogie wit da Hoodie)

"Midnight Sky" (Miley Cyrus)

"Old Me" (5 Seconds of Summer)

"Ordinary Man" (Ozzy Osbourne featuring Elton John)

"Take What You Want" (Post Malone featuring Ozzy Osbourne & Travis Scott)

"Under The Graveyard" (Ozzy Osbourne)

Jack Antonoff

"August" (Taylor Swift)

Gaslighter (The Chicks)

"Holy Terrain" (FKA Twigs featuring Future)

"Mirrorball" (Taylor Swift)

"This Is Me Trying" (Taylor Swift)

"Together" (Sia)

Dan Auerbach

Cypress Grove (Jimmy "Duck" Holmes)

El Dorado (Marcus King)

Is Thomas Callaway (CeeLo Green)

Singing for My Supper (Early James)

Solid Gold Sounds (Kendell Marvel)

Years (John Anderson)

Dave Cobb

"Backbone" (Kaleo)

The Balladeer (Lori McKenna)

Boneshaker (Airbourne)

Down Home Christmas (Oak Ridge Boys)

The Highwomen (The Highwomen)

"I Remember Everything" (John Prine)

Reunions (Jason Isbell And The 400 Unit)

"The Spark" (William Prince)

"You're Still the One" (Teddy Swims)

Flying Lotus

It Is What It Is (Thundercat)

Best Remixed Recording

"Roses (Imanbek Remix)"

Imanbek Zeikenov, remixer (SAINt JHN)

"Do You Ever (RAC Mix)"

RAC, remixer (Phil Good)

"Imaginary Friends (Morgan Page Remix)"

Morgan Page, remixer (Deadmau5)

"Praying for You (Louie Vega Main Remix)"

Louie Vega, remixer (Jasper Street Co.)

"Young & Alive (Bazzi vs. Haywyre Remix)"

Haywyre, remixer (Bazzi)

Production, immersive audio

Best Immersive Audio Album

The judging for this category was postponed.

Production, classical

Best Engineered Album, Classical

"Shostakovich: Symphony No. 13, 'Babi Yar'"

David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)

"Danielpour: The Passion of Yeshua"

Bernd Gottinger, engineer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)

"Gershwin: Porgy and Bess"

David Frost & John Kerswell, engineers; Silas Brown, mastering engineer (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra & Chorus)

"Hynes: Fields"

Kyle Pyke, engineer; Jesse Lewis & Kyle Pyke, mastering engineers (Devonté Hynes & Third Coast Percussion)

"Ives: Complete Symphonies"

Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel & Los Angeles Philharmonic)

Producer of the Year, Classical

David Frost

Beethoven: Piano Sonatas, Vol. 9 (Jonathan Biss)

Gershwin: Porgy And Bess (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra & Chorus)

Gluck: Orphée & Eurydice (Harry Bicket, Dmitry Korchak, Andriana Chuchman, Lauren Snouffer, Lyric Opera Of Chicago Orchestra & Chorus)

Holst: The Planets; The Perfect Fool (Michael Stern & Kansas City Symphony)

Muhly: Marnie (Robert Spano, Isabel Leonard, Christopher Maltman, Denyce Graves, Iestyn Davies, Janis Kelly, Metropolitan Opera Orchestra & Chorus)

Schubert: Piano Sonatas, D. 845, D. 894, D. 958, D. 960 (Shai Wosner)

Shostakovich: Symphony No. 13, 'Babi Yar' (Riccardo Muti, Alexey Tikhomirov, Chicago Symphony Orchestra & Chorus)

Blanton Alspaugh

Aspects Of America - Pulitzer Edition (Carlos Kalmar & Oregon Symphony)

Blessed Art Thou Among Women (Peter Jermihov, Katya Lukianov & PaTRAM Institute Singers)

Dvořák: Symphony No. 9; Copland: Billy The Kid (Gianandrea Noseda & National Symphony Orchestra)

Glass: The Fall Of The House Of Usher (Joseph Li, Nicholas Nestorak, Madison Leonard, Jonas Hacker, Ben Edquist, Matthew Adam Fleisher & Wolf Trap Opera)

Kahane: Emergency Shelter Intake Form (Alicia Hall Moran, Gabriel Kahane, Carlos Kalmar & Oregon Symphony)

Kastalsky: Requiem (Leonard Slatkin, Steven Fox, Benedict Sheehan, Charles Bruffy, Cathedral Choral Society, The Clarion Choir, The Saint Tikhon Choir, Kansas City Chorale & Orchestra Of St. Luke's)

Massenet: Thaïs (Andrew Davis, Joshua Hopkins, Andrew Staples, Erin Wall, Toronto Mendelssohn Choir & Toronto Symphony Orchestra)

Smyth: The Prison (Sarah Brailey, Dashon Burton, James Blachly & Experiential Orchestra)

Woolf, L.P.: Fire And Flood (Julian Wachner, Matt Haimovitz & Choir Of Trinity Wall Street)

Jesse Lewis

Gunn: The Ascendant (Roomful Of Teeth)

Harrison, M.: Just Constellations (Roomful Of Teeth)

Her Own Wings (Willamette Valley Chamber Music Festival)

Hynes: Fields (Devonté Hynes & Third Coast Percussion)

Lang, D.: Love Fail (Beth Willer & Lorelei Ensemble)

Mazzoli: Proving Up (Christopher Rountree, Opera Omaha & International Contemporary Ensemble)

Sharlat: Spare The Rod! (NOW Ensemble)

Soul House (Hub New Music)

Wherein Lies The Good (The Westerlies)

Dmitry Lipay

Adams, J.: Must The Devil Have All The Good Tunes? (Yuja Wang, Gustavo Dudamel & Los Angeles Philharmonic)

Cipullo: The Parting (Alastair Willis, Laura Strickling, Catherine Cook, Michael Mayes & Music Of Remembrance)

Ives: Complete Symphonies (Gustavo Dudamel & Los Angeles Philharmonic)

LA Phil 100 - The Los Angeles Philharmonic Centennial Birthday Gala (Gustavo Dudamel & Los Angeles Philharmonic)

Langgaard: Prelude To Antichrist; Strauss: An Alpine Symphony (Thomas Dausgaard & Seattle Symphony Orchestra)

Nielsen: Symphony No. 1 & Symphony No. 2, 'The Four Temperaments' (Thomas Dausgaard & Seattle Symphony)

Elaine Martone

Bound For The Promised Land (Robert M. Franklin, Steven Darsey, Jessye Norman & Taylor Branch)

Dawn (Shachar Israel)

Gandolfi, Prior & Oliverio: Orchestral Works (Robert Spano & Atlanta Symphony Orchestra)

Singing In The Dead Of Night (Eighth Blackbird)

Whitacre: The Sacred Veil (Eric Whitacre, Grant Gershon & Los Angeles Master Chorale)

Classical

Best Orchestral Performance

"Ives: Complete Symphonies"

Gustavo Dudamel, conductor (Los Angeles Philharmonic)

"Aspects of America - Pulitzer Edition"

Carlos Kalmar, conductor (Oregon Symphony)

"Concurrence"

Daníel Bjarnason, conductor (Iceland Symphony Orchestra)

"Copland: Symphony No. 3"

Michael Tilson Thomas, conductor (San Francisco Symphony)

"Lutosławski: Symphonies No. 2 & 3"

Hannu Lintu, conductor (Finnish Radio Symphony Orchestra)

Best Opera Recording

"Gershwin: Porgy and Bess"

David Robertson, conductor; Angel Blue & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

"Dello Joio: The Trial at Rouen"

Gil Rose, conductor; Heather Buck & Stephen Powell; Gil Rose, producer (Boston Modern Orchestra Project; Odyssey Opera Chorus)

"Floyd, C: Prince of Players"

William Boggs, conductor; Keith Phares & Kate Royal; Blanton Alspaugh, producer (Milwaukee Symphony Orchestra; Florentine Opera Chorus)

"Handel: Agrippina"

Maxim Emelyanychev, conductor; Joyce DiDonato; Daniel Zalay, producer (Il Pomo D'Oro)

"Zemlinsky: Der Zwerg"

Donald Runnicles, conductor; David Butt Philip & Elena Tsallagova; Peter Ghirardini & Erwin Stürzer, producers (Orchestra Of The Deutsche Oper Berlin; Chorus Of The Deutsche Oper Berlin)

Best Choral Performance

"Danielpour: The Passion of Yessuah"

JoAnn Falletta, conductor; James K. Bass & Adam Luebke, chorus masters (James K. Bass, J'Nai Bridges, Timothy Fallon, Kenneth Overton, Hila Plitmann & Matthew Worth; Buffalo Philharmonic Orchestra; Buffalo Philharmonic Chorus & UCLA Chamber Singers)

"Carthage"

Donald Nally, conductor (The Crossing)

"Kastalski: Requiem"

Leonard Slatkin, conductor; Charles Bruffy, Steven Fox & Benedict Sheehan, chorus masters (Joseph Charles Beutel & Anna Dennis; Orchestra Of St. Luke's; Cathedral Choral Society, The Clarion Choir, Kansas City Chorale & The Saint Tikhon Choir)

"Moravec: Sanctuary Road"

Kent Tritle, conductor (Joshua Blue, Raehann Bryce-Davis, Dashon Burton, Malcolm J. Merriweather & Laquita Mitchell; Oratorio Society Of New York Orchestra; Oratorio Society Of New York Chorus)

"Once Upon a Time"

Matthew Guard, conductor (Sarah Walker; Skylark Vocal Ensemble)

Best Chamber Music/Small Ensemble Performance

"Contemporary Voices" – Pacifica Quartet

"Healing Modes" – Brooklyn Rider

"Hearne, T,: Place" – Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods & Place Orchestra

"Hynes: Fields" – Devonté Hynes & Third Coast Percussion

"The Schumann Quartets" – Dover Quartet

Best Classical Instrumental Solo

"Theofanidis: Concerto for Viola and Chamber Orchestra"

Richard O'Neill; David Alan Miller, conductor (Albany Symphony)

"Adés: Concerto for Piano and Orchestra"

Kirill Gerstein; Thomas Adès, conductor (Boston Symphony Orchestra)

"Beethoven: Complete Piano Sonatas"

Igor Levit

"Bohemian Tales"

Augustin Hadelich; Jakub Hrůša, conductor (Charles Owen; Symphonieorchester Des Bayerischen Rundfunks)

"Destination Rachmaninov - Arrival"

Daniil Trifonov; Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)

Best Classical Solo Vocal Album

"Smyth: The Prison"

Sarah Brailey & Dashon Burton; James Blachly, conductor (Experiential Chorus; Experiential Orchestra)

"American Composers at Play - William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto"

Stephen Powell (Attacca Quartet, William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto, Charles Neidich & Jason Vieaux)

"Clairières - Songs by Lili & Nadia Boulanger"

Nicholas Phan; Myra Huang, accompanist

"Farinelli"

Cecilia Bartoli; Giovanni Antonini, conductor (Il Giardino Armonico)

"A Lad's Love"

Brian Giebler; Steven McGhee, accompanist (Katie Hyun, Michael Katz, Jessica Meyer, Reginald Mobley & Ben Russell)

Best Classical Compendium

"Thomas, M.T.: From the Diary of Anne Frank & Meditations on Rilke"

Isabel Leonard; Michael Tilson Thomas, conductor; Jack Vad, producer

"Adès Conducts Adès"

Mark Stone & Christianne Stotijn; Thomas Adès, conductor; Nick Squire, producer

"Saariaho: Graal Théâtre; Circle Map, Neiges, Vers Toi Qui Es Si Loin"

Clément Mao-Takacs, conductor; Hans Kipfer, producer

"Serebrier: Symphonic Bach Variations; Laments and Hallelujahs; Flute Concerto"

José Serebrier, conductor; Jens Braun, producer

"Woolf, L.P.: Fire and Blood"

Matt Haimovitz; Julian Wachner, conductor; Blanton Alspaugh, producer

Best Contemporary Classical Composition

"Rouse: Symphony No. 5"

Christopher Rouse, composer (Giancarlo Guerrero & Nashville Symphony)

"Adès: Concerto for Piano and Orchestra"

Thomas Adès, composer (Kirill Gerstein, Thomas Adès & Boston Symphony Orchestra)

"Danielpour: The Passion of Yeshua"

Richard Danielpour, composer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)

"Floyd, C.: Prince of Players"

Carlisle Floyd, composer (William Boggs, Kate Royal, Keith Phares, Florentine Opera Chorus & Milwaukee Symphony Orchestra)

"Hearne, T.: Place"

Ted Hearne, composer (Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods & Place Orchestra)

Music video/film

Best Music Video

"Brown Skin Girl" – Beyoncé, Saint Jhn & Wizkid Featuring Blue Ivy Carter

Beyoncé Knowles-Carter & Jenn Nkiru, video directors; Lauren Baker, Astrid Edwards, Nathan Scherrer & Erinn Williams, video producers

"Life Is Good" – Future Featuring Drake

Julien Christian Lutz, video director; Harv Glazer, video producer

"Lockdown" – Anderson .Paak

Dave Meyers, video director; Nathan Scherrer, video producer

"Adore You" – Harry Styles

Dave Meyers, video director; Nathan Scherrer, video producer

"Goliath" – Woodkid

Yoann Lemoine, video director; Horace de Gunzbourg, video producer

Best Music Film

Linda Ronstadt: The Sound of My Voice – Linda Ronstadt

Rob Epstein & Jeffrey Friedman, video directors; Michele Farinola & James Keach, video producers

Beastie Boys Story – Beastie Boys

Spike Jonze, video director; Amanda Adelson, Jason Baum & Spike Jonze, video producers

Black Is King – Beyoncé

Emmanuel Adjei, Blitz Bazawule, Beyoncé Knowles Carter & Kwasi Fordjour, video directors; Lauren Baker, Akin Omotoso, Nathan Scherrer, Jeremy Sullivan & Erinn Williams, video producers

We Are Freestyle Love Supreme – Freestyle Love Supreme

Andrew Fried, video director; Andrew Fried, Jill Furman, Thomas Kail, Lin-Manuel Miranda, Sarina Roma, Jenny Steingart & Jon Steingart, video producers

That Little Ol' Band From Texas – ZZ Top

Sam Dunn, video director; Scot McFadyen, video producer

#2021 #grammy awards

8 notes · View notes

sandramiksaauthor · 4 years

Text

Yearly Reading Wrap Up: 2020

1. La Description Du Monde by Marco Polo ⭐⭐

2. Du côté de chez Swann (À la recherche du temps perdu #1) by Marcel Proust ⭐⭐⭐

3. Discours Du Récit by Gérard Genette ⭐⭐⭐

4. The Private Life of the Diary by Sally Bayley ⭐⭐⭐⭐

5. Anna Karenina by Leo Tolstoy ⭐⭐⭐⭐⭐

6. Let it Snow by John Green ⭐⭐⭐⭐

7. The Loneliness of the Long-Distance Runner by Alan Sillitoe ⭐⭐⭐⭐

8. Roland Barthes by Roland Barthes by Roland Barthes ⭐⭐⭐⭐

9. L'ignorance by Milan Kundera ⭐⭐⭐⭐

10. Mary Ventura and the Ninth Kingdom: A Story by Sylvia Plath ⭐⭐⭐⭐

11. Volkswagen Blues by Jacques Poulin ⭐⭐⭐⭐⭐

12. Enfance by Nathalie Sarraute ⭐⭐⭐⭐

13. Une femme by Annie Ernaux ⭐⭐⭐⭐

14. Je ne suis pas sortie de ma nuit by Annie Ernaux ⭐⭐⭐⭐

15. L’Amour, roman by Camille Laurens ⭐⭐⭐⭐⭐

16. Open City by Teju Cole ⭐⭐⭐⭐

17. The Night Circus by Erin Morgenstern ⭐⭐⭐⭐

18. Philosopher ou faire l'amour by Ruwen Ogien ⭐⭐⭐⭐⭐

19. Frankenstein by Mary Wollstonecraft Shelley ⭐⭐⭐⭐

20. The Diary of Frida Kahlo: An Intimate Self-Portrait by Frida Kahlo ⭐⭐⭐

21. On the Road by Jack Kerouac ⭐⭐

22. Les particules élémentaires by Michel Houellebecq ⭐⭐⭐⭐⭐

23. Red Doc> (Red #2) by Anne Carson ⭐⭐⭐⭐

24. Queen of Air and Darkness (The Dark Artifices #3) by Cassandra Clare ⭐⭐⭐⭐⭐

25. La Barque silencieuse by Pascal Quignard ⭐⭐⭐

26. L'autofictif père et fils by Éric Chevillard ⭐⭐⭐

27. All We Saw: Poems by Anne Michaels ⭐⭐⭐⭐⭐

28. Steal Like an Artist by Austin Kleon ⭐⭐⭐⭐

29. Blue Horses: Poems by Mary Oliver ⭐⭐⭐⭐

30. The Latte Factor by David Bach ⭐⭐⭐⭐

31. La Poursuite du bonheur by Michel Houellebecq ⭐⭐⭐⭐

32. Rester vivant: et autres textes by Michel Houellebecq ⭐⭐⭐

33. The Ballad of Songbirds and Snakes (The Hunger Games #0) by Suzanne Collins ⭐⭐⭐⭐⭐

34. I Am Not Your Negro by James Baldwin ⭐⭐⭐⭐⭐

35. The Four Tendencies by Gretchen Rubin ⭐⭐⭐

36. Little Women by Louisa May Alcott ⭐⭐⭐⭐⭐

37. Wanderlust: A History of Walking by Rebecca Solnit ⭐⭐⭐⭐

38. The Red Scrolls of Magic (The Eldest Curses #1) by Cassandra Clare ⭐⭐⭐⭐

39. Ghosts of the Shadow Market by Cassandra Clare ⭐⭐⭐⭐

40. Borderline Personality Disorder Demystified by Robert O. Friedel ⭐⭐⭐⭐

41. I Will Teach You to Be Rich by Ramit Sethi ⭐⭐⭐⭐

42. Wild Is the Wind by Carl Phillips ⭐⭐⭐⭐

43. Unshakeable by Anthony Robbins ⭐⭐⭐⭐

44. Stray by Stephanie Danler ⭐⭐⭐⭐⭐

45. Rich Dad, Poor Dad by Robert T. Kiyosaki ⭐⭐⭐⭐

46. Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions by Chimamanda Ngozi Adichie ⭐⭐⭐⭐⭐

47. She Came to Slay by Erica Armstrong Dunbar ⭐⭐⭐⭐⭐

48. The 7 Habits of Highly Effective People by Stephen R. Covey ⭐⭐⭐⭐

49. Life of the Party by Olivia Gatwood ⭐⭐⭐⭐

50. Purple Cow: Transform Your Business by Being Remarkable by Seth Godin ⭐⭐⭐⭐

51. Twilight (The Twilight Sage #1) by Stephanie Meyer ⭐⭐⭐⭐⭐

52. Evermore by Julian Barnes ⭐⭐⭐

53. The Dark Between Stars by Atticus Poetry ⭐

54. The Truth About Magic by Atticus Poetry ⭐

55. Wenjack by Joseph Boyden ⭐⭐

56. It’s Hard to Be Human by Valerie Buhagiar ⭐⭐⭐⭐

57. New Moon (The Twilight Saga #2) by Stephenie Meyer ⭐⭐⭐⭐⭐

58. The Truth Will Set You Free, But First It Will Piss You Off! by Gloria Steinem ⭐⭐⭐⭐

59. Twilight: The Graphic Novel, Vol. 1 by Young Kim ⭐⭐⭐⭐

60. Eclipse (The Twilight Saga #3) by Stephenie Meyer ⭐⭐⭐⭐

61. Orbit: Poems by Cynthia Zarin ⭐⭐⭐

62. The Power of Now by Eckhart Tolle ⭐⭐⭐⭐

63. The Poet X by Elizabeth Acevedo ⭐⭐⭐⭐⭐

64. A Very Large Expanse of Sea by Tahereh Mafi ⭐⭐⭐⭐

65. Breaking Dawn (The Twilight Saga #4) by Stephenie Meyer ⭐⭐⭐⭐⭐

66. Your Money or Your Life by Vicki Robin ⭐⭐

67. In Conclusion, Don’t Worry About It by Lauren Graham ⭐

68. My Ideal Bookshelf by Thessaly La Force ⭐⭐⭐⭐⭐

69. Things We Lost in the Fire by Mariana Enríquez ⭐⭐⭐⭐⭐

70. Saga Vol. 9 by Brian K. Vaughan ⭐⭐⭐⭐⭐

71. I’m Thinking of Ending Things by Iain Reid ⭐⭐⭐⭐⭐

72. #GIRLBOSS by Sophia Amoruso ⭐⭐⭐⭐

73. Outliers: The Story of Success by Malcolm Gladwell ⭐⭐⭐⭐

74. Violet Bent Backwards Over the Grass by Lana Del Rey ⭐⭐⭐⭐⭐

75. The Sun Is Also a Star by Nicola Yoon ⭐⭐⭐

76. The Secret History by Donna Tartt ⭐⭐⭐⭐⭐

77. She Must Be Mad by Charly Cox ⭐⭐⭐

78. home body by Rupi Kaur ⭐⭐⭐⭐⭐

79. Wind in a Box by Terrance Hayes ⭐⭐⭐

80. No One Is Too Small to Make a Difference by Greta Thunberg ⭐⭐⭐⭐

81. Howl and Other Poems by Allen Ginsberg ⭐⭐⭐⭐⭐

82. Normal People by Sally Rooney ⭐⭐⭐⭐⭐⭐

83. Almost Midnight: Two Festive Short Stories by Rainbow Rowell ⭐⭐⭐

84. A Christmas Carol by Charles Dickens ⭐⭐⭐

85. Holidays on Ice by David Sedaris ⭐⭐

86. Monstress, Vol. 3: Haven (Monstress #3) by Marjorie M. Liu ⭐⭐⭐⭐

87. Monstress, Vol. 4: The Chosen (Monstress #4) by Marjorie M. Liu ⭐⭐⭐

88. Monstress, Vol. 5: Warchild (Monstress #5) by Marjorie M. Liu ⭐⭐⭐

89. My Book With No Pictures by B.J. Novak ⭐⭐⭐⭐⭐

90. The Short Second Life of Bree Tanner (The Twilight Saga #3.5) by Stephenie Meyer ⭐⭐⭐⭐

91. The Twilight Saga: The Official Illustrated Guide by Stephenie Meyer ⭐⭐⭐⭐

92. Midnight Sun (The Twilight Saga #5) by Stephenie Meyer ⭐⭐⭐⭐

#yearly reading wrap up #2020 #2020 books #goodreads #star raitings #books #fiction #literature #French books #French literature #English literature #classics #the twilight saga #graphic novels #reading list #reading wrap up

11 notes · View notes