thinking about fma, one of the things i love about it is arakawa's very intentional worldbuilding. she never gave the story more than the plot needed. we don't get a bunch of flashbacks detailing the characters' lives, eveything that we know about them is only in service of the plot.
the xingese characters are there because they need the secret to immortality to gain their father's favor. and despite this being so interesting we don't really know anything else about them lol. how well do mei and ling know each other? how do their clans stand with one another? anything at all about their other siblings? they get like two interactions and other than the clans just generally hating each other we've got nothing. we don't even get anything about how lan fan even became ling's bodyguard.
then xerxes, a personal favorite of mine. ed and al are kind of casually confirmed to be descendants of a dead civilization renowned for alchemy. are we going to explore that civilization at all? ofc not. anything about hohenheim's past, other that the things you really need to know? nope. we're just generally gonna mention how he's known as a sage throughout both the east and west.
the fact that grumman is riza's grandfather? left untouched. the fact that roy studied under riza's father? you get one (1) flashback.
i love this style of worldbuilding tbh.
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dunmeshi and fma were already kinda taking up similar niches in my brain bc 'really good story told by a female author' but the more i think abt it, the more im CONVINCED fma influenced dunmeshi
a sibling relationship is a big focus (bonus gold hair and eyes)
dark but relatively simple premise that gets increasingly more complex until you hit cosmic proportions
similar tonal shifts (like how you can get comedy then super emotional beats in the same sequence)
similar art in terms of how it can go from the most beautiful art youve ever seen to low-effort for comedy
well thought-out worldbuilding and politics within said world
a more calm section after the intense climax that largely deals with solving our original issue
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On the topic of Riza and conqueror of shamballa:
I think both riza and roy were ooc, and the main problem was that their story had already ended at episode 57. There wasn't really a reason for them to be in the movie except for a brief cameo.
So I guess my hot take is that they shouldn't have been in cos at all.
Anon, you make a great point! 👏🏻
Roy and Riza’s character growth is definitely detrimentally impacted by their participation in Conqueror of Shamballa (and they only get about five-minutes of screentime!) 😔
When we leave them in 03, their story has come to a natural conclusion. In amongst the bleaker landscape of the 03 series’ ending, they’re also probably the characters with the ‘happiest’ end
They actually reach a point where they’re ready to explore their relationship outside of the Amestrian military so when we see them in Shamballa, it undoes a lot of the excellent groundwork which the 03 series laid down: it rips up the script for a “cameo” which could’ve been removed and had no overall impact on Shamballa’s story 🤷🏻♂️🤷🏼♀️
- Mod Mustang & Mod Hawkeye 🔥🦅
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To all the fma fans here who have been following me for a while now, I'd like to bring a few chapters to light in consideration to the recent tragic palestinian apartheid
FMA has made sure to speak out about these reoccuring events, and whoever hasn't noticed from reading yet needs a critical thinking class.
Let's start with chapter 90:
Chapter 90 of the series, although censored heavily in the anime (but we'll get to that later), played a HUGE role in establishing what kind of message arakawa was building up to deliver to her audience as a plot B (ishvalan genocide) sided with plot A (the search of the philosopher stones, eventually turned plot A (overthrowing the military), a message meant to awaken her readers to the truth, and one that serves as a warning
Does this not all ring familiarity?
One of the reasons arakawa wrote this story was to bring this side of history into light,
the oppression, the abuse of military power, the imbalanace in arms between two parties at "war", the perfect guise of "protecting the people from radicalized terrorists", and using it to justify the murder of countless lives, committing war crime after war crime, massacring the land and lathering it with the spilled blood of countless innocents and people fighting back for their freedom, for their home. Those that die have their lives tragically cut short, too soon.
A total extermination
And to those that remain alive,
Forcefully immigrated from their own homeland
Or exploited for their bodies, harvested for their organs, abused, tortured and humiliated
Not only that, but the emphasis on making the reason behind starting the war in the first place, being the first bullet shot at a young child by a soldier, and intentionally making it seem "trivial" for the ishvalans to retaliate because of that, and painting them as animalistic
Writing off roy mustang and maes hughes as heroes for doing whats best for their country, glorifying their relationship as war buddies, and believing theyre in the right for putting down the people of the holy land, when they couldve backed down from contributing to this one-sided war,
and when they do step back from the field, theyre labelled as cowards. When they inevitably realize the abnormality and inhumanity of their actions, that theyve been solely used as tools and weapons of destruction, that impact is softened with rewards, of medals and cheers of accomplishment from the population-wide brainwashed by lies spread by the people in power, and if theyre lucky, accomodations for the negative mental effects of being part of a war
(arakawa interview source)
What do I conclude from this?
That the author of your favorite manga does not support genocide and in fact, condemns those who partake in it
If it isnt obvious, She included these stories because they have happened before
She is telling these stories, while not 100% protrayed correctly, to fill the empty gaps in the western perspective that have been contaminated with propaganda and demonization of these indigenous people
The designs of ishvalans and cultural clothing are intentionally influenced by japanese ethnic groups, middle eastern and south asian cultures, and the military intentionally european/western looking as an example for their expansion and dominance in mind
And now we are watching all this happen in reality, again, witnessed live, in much worse conditions, throughout history
Where the heroes arent kids who can sway elements at their command with the flick of a hand, but the people who stand against it in mass, marching in the streets to break the suffocating silence, and spread the voices of those seeking help and demanding their freedom back
Does everyone realize how fucked up that is? That the lines drawn between fantasy and reality blur so much that they become indistinguishable from each other? That is true horror, when the monsters and tyrants in your stories no longer stay on ink and paper, but are on your screens broadcasting their crimes, beyond humanity
You must understand that if these stories are included for you, the reader, they are not written just for the plot, but to bring awareness to you, and avoid history from repeating itself, and work against committing the same irredeemable mistakes as before
(thanks to @borkthemork for the help in outlining this and proofreading)
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