#fortunately i resisted

[wren-of-the-woods]

I was singing along to Fair today and I noticed something fascinating: it's possible that there are three characters in the song: "I," "he," and "she."

Most of the first-person material in the song is in the form of quotations (e.g. and he'll say "it's not fair how much I love you"). We certainly have two characters, "he" and "she", who speak to each other throughout the song.

At the beginning and the end, however, something different might be going on. The song opens with a few verses in first person with no reference to "he" or "she" (It's what my heart just yearns to say...the reason I was born). Because Joey Batey is singing, it's easy to assume that this is "he" narrating. That may be the intention. It's interesting, though, that directly after this it switches to third person: Cos outwardly he says I try so hard to make you laugh at me / And she, she does, she laughs...

A similar thing happens at the end, starting with "how unfair they'll sing." This verse is narrated by an outside perspective: something looking in on the couple from outside. Fascinatingly, the chorus that comes after this is the only one that does not begin with a dialogue tag, simply saying "it's not fair." It's almost like that first line is a moment of the narrator's perspective before it switches back to dialogue between the characters.

Is this narrator a different person, perhaps a friend of the couple? Is it the world? Is it destiny? Is it the stars that hum and hear them? Regardless, they seem to be just as in love with the story and the people as the couple are with each other, and I think that's beautiful.

TLDR: The narrator in Fair may be a seperate entity from the characters within the song, but they are just as in love with the story as the characters are with each other.

[stupidsexpotflanders]

Amon + stealth waterbending

[viatrix-glow]

new di x warrior cats

name explanations and more info below :3

basic stuff

-each agency is a clan, not each unit. 14-15 clans would be silly and then we would have some clans with 5 cats and some with 2.

-starpro -> lightclan. i couldn’t call them “starclan” for obvious reasons. light is somewhat synonymous with star, so i’m going with that.

-cospro -> nightclan. i don’t think the cats in warriors know the word “cosmic”, but cosmic implies cosmos implies night sky, so we’re going with night

-rhyth lin -> rippleclan. ripple is sort of a synonym to rhythm….? this one was hard

-new di -> fortuneclan. this one is a stretch but neither “new” or “dimension” have synonyms that really fit a clan name. fortune is something that relates to multiple characters in new di though

-starclan still sort of exists, but the cats do not believe in them the way they do in warriors. they are more of a nursery tale than anything, and select cats (ex: tatsumi) believe in them, but it is not written into their code. medicine cats can still interpret signs, but they do not necessarily think of them as coming from starclan.

-medicine cat forbidden romance is not a thing here

-intermingling of clans is ok and common

-there’s like. other cats in their clans besides just the enstars cast i assume

cat names/why i chose them

fortuneclan:

knights

-tsukasa -> scarletstar (scarletblossom) . he is the leader of fortuneclan because he is one of the new di reps for the summits. both scarlet and blossom were chosen bc of his last name (scarlet is a red color… kinda similar to cherry…. and blossom for the cherry blossom).

-leo -> lionheart. ok this one is kind of cheating because lionheart is already an existing warrior, but…come on….

-izumi -> silverspring. sora describes his color as silver, and spring is in his first name

-ritsu -> frostmoon. his first name means cold moon according to the wiki so i just rehashed it

-naru -> goldenroar. since she doesn’t like her first name i didn’t want to use “storm”, and her last name can be read as “thunder” but that’s a little too close to storm? so golden for her hair and roar for her last name

switch

-natsume -> sageeye. a sage is similar to a wizard, and eye is in his first name . also the “dovesong” mentioned is wataru :)

-tsumugi -> bluewing. he is a bluebird. warrior cats probably wouldn’t straight up call a cat “bluebird” so i put wing there instead. deputy cause he’s the vp

-sora -> skyspring . sora means sky. spring is in his last name. i could have used “stream” instead to differentiate him from sena but i think spring is cuter

mam/df

-madara -> tawnystripe . tawny bc it’s like kind of close to calico if you squint. stripe(s) is in his last name

[valiantvillain]

Hadil's motives for flirting with Emmrich out the gate once the Veilguard meets him:

1) A man her age and an at least somewhat attractive one at that with a semblance of intelligence? Already standing out.

2) Betting against herself how long it would take her to fluster him for funsies.

3) If she does then she can at least tell her daughters she is making an attempt at meeting a nice man in her letters (not really).

All because yet again, I form ships for comedy first, narrative exploration second, and romantic sweetness third.

[lexicat36]

Robo-fortune.

(A character from skullgirls, go read it on webtoon or play the game if you like fighting games.)

[ikemenomegas]

Omega!Gojo Satoru x Alpha!Reader

I believe we are fated to do the things we choose anyway*

gege akutami is the kind of mangaka who makes fun of almost all their characters. with utmost affection, gojo deserves to be bullied a bit. we love that he's a little heartless, a little frivolous, that he's powerful as a fact, that he cares a little bit strangely, so doing him a bit of justice, here's the mirror to Getou's youth story

tw: canon character death, spoilers for the manga, gojo's emotional constipation and egotism

Toji Zenin cut so many threads the day he arrived on the Tokyo school grounds, but the one between you and Satoru survived. It's already a miracle that Riko was the only one who died that day. The miracle of surviving should have been enough, but now you've lived long enough to find out how much you could love someone too. You get to see how afraid someone is of loving you. Gojo Satoru had one friend. Gojo Satoru had one mate. That was it, that was all he could let himself have.

Springtime Tokyo is still cold. Not as cold as up north in the mountains, but the winter uniforms are blessedly warm. An assistant manager drops you off at Tokyo Jujutsu Technical School on a milky March morning where you are met by Yaga-sensei, the first year teacher.

This teacher has some kind of idea about building community, which is why he's clustered the four of you first-years in the same building, around a loud blue-eyed boy who barely takes one look at you, squinting around a pair of blackout sunglasses, at your purposeful non-expression, before he is grinning, far too wide and it feels like he gets even louder, movements expansive to pull you into the range of an argument he's having with a tall slim boy with long hair tied at the back of his head.

Yaga-sensei just shakes his head and introduces you to Ieri Shoko, who is physically leaning away from the noise as if to escape some blast radius and has the most distant smile you've ever seen in your life on her face.

It's unsettling is what it is. The dark haired boy is just rolling his eyes at the one who had somehow both dismissed you and pulled you into his orbit. The automatic response is to try and get that attention back, but you have at least a little more self respect than that. You climb the stairs to take a room on the same floor to Shoko-san's and leave them to their snipping. You don't see Gojo fall silent for half a second before carrying on bickering, Yaga now stepping in to separate them.

School hasn't quite started yet. It's a boarding school so everyone is just around, getting the lay of the school, setting up their rooms, exploring Tokyo, running into one another and trying to figure out how their pieces fit together.

Satoru has already sorted you all into neat little piles of adjectives

Polite: the boy with the long dark hair, Getou Suguru, although this doesn't necessarily mean nice he notes gleefully. Self righteous and reactive, as in he can be baited into a no holds barred fight, which is new for him. He hasn't been able to fight someone who could hold their ground for more than a minute since he was thirteen. Subversively irreverent.

Morbid: the shortie with the short hair, Shoko Ieri. She discovered her abilities somewhere and even Satoru has to admit some of the diagrams she pulls up are admirably disgusting. Neutral. Satoru has never met someone else who sticks so close to their own whims before but she isn't like anything he expected, dismissive, meandering, goading. And she can't explain how she does what she does, which is aggravating because he can't do it.

And you, the new one. The last to arrive. Fresh meat. Quiet, wary.

You catch him not following you, but showing up near where you are a little too frequently to feel coincidental while you're making a point to meet the upperclassmen. He adds opportunistic and watchful to the list when he notices you do this, but some of the older students seem to find it vaguely endearing - the clan ones like a small animal they can toss treats, the recruited students who aren't trying to suck up to the clan kids with the cautious familiarity of greeting another outsider.

He tries tossing you a treat, granting you some offhanded attention in the common space of what is now the first years' block. Suguru laughs at him when you mostly look confused and apologetically tell him you've never seen either of the movies he wants to debate before refilling your water bottle and wandering back out onto the school grounds with your umbrella.

School starts regardless with some tentative unspoken agreement between the four of you to try and be friends, or at least classmates. There is after all, no one else to be friends with.

Class is boring, so Satoru watches his classmates. Where Shoko is passive and watchful and Satoru is staring into the air, you're openly attentive and Suguru more casually mirrors your attention. Which makes him want to call you another boring small-town bumpkin

Except you are in the same the advanced mechanics elective he is, and you and Shoko become animated discussing the curse anatomy lectures. Yaga takes you away to practice hand-to-hand with his dolls while he lets Satoru and Suguru pummel each other, which makes him think you must be too fragile to handle the two of them. Most people are, so he doesn't think much on it.

Satoru sometimes goes out alone to train when he can't sleep. He lashes out at the wooden dummies on the practice field, ducking under wooden arms and lashing out to see sections of it spin faster. On one of these nights, a week or two into the first year, he sees you standing outside the track, leaning on a railing, face buried in a thick scarf. He's aware of your vague attention, watching him without any particular interest, like how one might watch water sliding under a bridge, but when he sneaks a glance around the practice dummy, you're just as often more fixated on the sky. The moon is full and you're watching the clouds chase across the deep blue expanse, listening to Gojo Satoru's knuckles impacting on wood. And then at some point, he looks over and you're gone, your weird cursed energy signature fading in the dark.

Satoru only sees your technique the first time a substitute makes you spar with everyone else during training while Yaga is away. Apparently the teacher is someone you know because you get into the first argument he's ever seen before you send a spear flying so fast it hits the center of a target and topples it over.

The same teacher makes you fight Satoru, to already defeated attempts at appalled refusal. He'd usually help you push back just on principle, but he hasn't gotten to go on a mission with you yet and his sometimes oppressive curiosity has settled on whether you actually can keep up with him after all.

You can't, but this is Gojo Satoru at fifteen, not fully realized, and the first time he fights you he amends how he feels about "opportunistic". He flies right at your face and swears he makes contact, but you step back at the last minute and he feels an impending impact from his left that is almost the same strength as his own attack. He tries again and you twist out of the way much faster than he had expected. He tries to throw you and you end up descending slowly to the ground, trying to get the teacher to end the bout. Eventually Satoru overwhelms you and breaks your arm when you try to block too many hits in rapid succession. Shoko fixes it, and you wince with gritted teeth and tears in your eyes but don't cry or sob or glare at him with the kind of face that is calling him names you can't say out loud. The demonstration has him, fortunately or unfortunately, folding you into the energy of your little first year group like you'd been there all along.

He's a shaman clan kid, so it's interesting to see you now as not necessarily opportunistic but curious about the other sorcerers, about other people. What a novelty, to be inconsequentially curious. If he'd been too curious as a child he would be either lectured on responsibility or nearly drowned in related gifts meant to appease his moods

You don't appease his moods and the attention of him, one of the strongest sorcerer of the generation, doesn't appease you.

Satoru tries to bait you and things go right over your head. He tries to disrupt your silent, invisible schedule and you let him drag you away with minimal fussing, especially when Shoko or Suguru is involved, but will wander to the side on outings and either find some accidental trouble or something that makes him a little surprised at the intensity of your focus.

He forces you into a combat-determined wager that demands you stop using honorifics with his name and Suguru's name and Shoko's name (without asking the other two) and there's no way for you to get out of it or win so that forces some artificial closeness that becomes real. Language is very important for creating distance, for creating hierarchy and Satoru somehow isn't interested in a hierarchy between you.

He is however far more self conscious of his omega status than Suguru is. He won't say it, but it's a relief when none of you make a big deal out of it when you find out and also a surprising comfort when you and Shoko who don't have to suffer through the literal additional headache of heats try and make them comfortable

For Satoru this involves distracting him by playing video games with him, watching movies, or tossing balls of paper at him while he tries to stop it with his technique. Mostly he's with Suguru, especially if they sync up, but Satoru doesn't have the same heat symptoms as him. During first year even though he sleeps more than he does as an adult, it's typically less than the rest of you might want. Where Suguru gets tired, Satoru will get cranky and mean because he's bored and feverish and Suguru is too tired to entertain him. His family also was never very comforting during his heats so he knows what to do as far as nesting, but having people around is new for him.

He likes to call and text you if you're on missions during these times, which is typical given his clan's sensitivity to him being around alphas at these times.

So even when you're on campus, you and Shoko only spend a few hours with him at a time. Sometimes you play games and the heat makes him almost slow enough to beat on a DS link game. Sometimes he makes you do his homework. Sometimes he likes to throw throwing things at you to see how you use your technique to deal with it.

He adds "sentimental" to the list of adjectives when he realizes he can so easily pressure you in these times into revealing more of yourself to him than you usually do. He's bored and there's only so many things to talk about before you start telling him about an encounter with one of the rare cats that will tolerate living around the cursed energy of the campus, when you grimace and tell him about a terrible noodle stand in Yamanashi province that you still crave somehow, when you tell him about saving fallen leaves in a heavy dictionary you use for that purpose, or the one time you reveal that you've kept every pair of shoes your parents bought you to wear on the first day of school. You tell him these things and it makes him feel like maybe, someday, he might want to tell you things too.

It's not soft but there's a softness to it. A genuineness in the four of you together, in Satoru's and Suguru's growing strength and self surety. Satoru tries to make himself the center of the world, because it's fact that is where he has been all along. But he's not so easily the center of your world. You didn't come from his world.

Satoru doesn't fall. He doesn't think hard about why it becomes so. He barely thinks about it all. He just knows at some point that you're one of his. You're one of his and he wants you to pay him the attention he' accustomed to as center of the world (except he doesn't maybe. He'll be able to say it one day that what he loved was you treating him like he was as human as he could be)

He's terrible at acknowledging whether this possessiveness is anything in particular. After a sparring session, you watch Shoko patch a cut on Suguru's arm with so much longing and a pang of something worms its way in Satoru's chest. He crowds in next to Suguru before Shoko's done, draping over Suguru's shoulders. You don't see the way Satoru's eyes flicker from Shoko's steady hands to your wide-eyed gaze.

He's jealous the way a child is jealous of a favorite toy, hooking his arm around your neck if any omegas outside of school talk to you in the street. If you brush him off when he's trying to use you as a tool for self-affirmation, he sulks around until you acknowledge him in some other way and he will not admit to a single soul why it matters. When he's forced to go home for holidays like oban and returns in a terrible pique, you may fight with him if he lashes out in the worst, most personal ways. You push back and talk to instead of around him or through him and you also don't realize that is why he backs off.

He realizes slowly that he has to be careful with you. He forgets sometimes that you're more fragile that Suguru, that you need help Shoko doesn't need. On what you call the "worst school trip in existence" and Shoko calls "lucky we didn't all die" and Suguru smiles and calls "well we all made it out in the end", even Satoru got injured, yet he feels invincible, like he caught a bullet and threw it back.

When Toji nearly kills him and everyone he ever cared about, he awakens with the power to keep it from happening ever again. He thinks he can carry the world for all of you, for everyone, reveling in his power. He doesn't realize that his presence, the gravity well he made in the monster class's lives, doesn't exist the same way while he's not there because he has a tendency to think everything will be easy for him to fit back into when he returns, or not to think on the fact things could change at all.

Then Suguru leaves and the center of Satoru's world, his reference point, collapses

You're there in Shinjuku the day it happens. It's getting cold again. You're there to meet Shoko. Suguru has gone missing, Satoru is... away. Again. Still. He's been absent whenever he is around anyway. The jujutsu world doesn't have the resources to devote to hunting curse users in particular so the effort to find Suguru has been halfhearted at best and even if he's on your minds, you have jobs to do still.

You're there in Shinjuku and when you don't find the person you're looking for, you find someone else, It shouldn't happen, but it does. You run into Satoru, mind reeling at Suguru's betrayal. You nearly don't see him and he nearly doesn't see you except he sees everything and he's been walking around the district like a ghost.

He appears like a ghost too, tall and pale and ridiculous eyes. You'd tried to see if the world reflected in them once, but now it's more obvious to you than ever that it's just him, nothing more and nothing less.

"Let's go back," he says, and for the first time in months, you return to the college, side by side on the train, feeling like there should be more people in the near-empty car. You get as far as you can before you get to a station that's closed where you can no longer transfer and then you get out and walk in silence.

You walk like there's another person jostling for space between you. When you get to the school, Shoko meets you at the red tori gates. When you get to the mostly empty dormitory building, now a little emptier, Satoru looks at you. And looks and looks and looks. This time, he feels like you might disappear in the pre-dawn light casting your faces in blue.

Maybe it's because he's already lost one precious thing long before he noticed it was gone that he grips your shoulders tight, so tight you almost wince, but turn into it instead, tilting your head as though, were you less careful people, you might brush your cheek against his hand. Just for a little bit of comfort, for a little familiarity.

Then Shoko makes a noise at the top of the stairs, the scuff of her foot, the tap of her palm on the banister. What a terrible day it must be if Shoko is interfering. And you step away.

Satoru doesn't go to bed. For the first time in his life he feels like he doesn't know who he is. He watches your light come on and then go off. He doesn't see you stand at the mouth of the hall leading to Suguru's room with a blanket around your shoulders until eventually you turn away and fall asleep on one of the common room couches, near to where a year of his body in the same spot had left an indent. He doesn't think about the world where you aren't here, where he never sees you again, because he can't quite fathom it.

Because even when he was gone, he never felt like he had let any of you go

It makes him feel sick to his stomach, the closeness of someone else, but it feels worse to push you away so you sit shoulder to shoulder with him some time in the morning. He pretends not to see the new dark shadows in your eyes. You sit and watch the mist burn off and pretend his warmth can hide how the world is a little colder.

*I didn't fall in love with you. I walked into love with you, with my eyes wide open, choosing to take every step along the way. I do believe in fate and destiny, but I also believe we are only fated to do the things that we'd choose anyway. And I'd choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I'd find you and I'd choose you ― Kiersten White, The Chaos of Stars

[i3utterflyeffect]

i'm going to kill someone <- saw reblog bait

[danielnelsen]

well this is what ive been doing for the past 2 weeks

[white-flower-blooming]

What a good day to get my fingers burn...just like Paradise Manor

[obstinatecondolement]

My sister was saying "You should write that idea for a novel about [REDACTED] that you had a while ago for NaNo. I think that could be really fun" and I was like oh yeah! I remember we got a kick out of that one. And then, after a pause, had be like... could you remind me what the plot was again? Because litearlly all I could remember was that it had been funny At The Time and involved [REDACTED].

It was like when my mum reads a book and strongly recommends it to me the day after she finishes it, but can't remember any of the characters names or what happened, but it was definitely very good and I should read it so we can talk about it!

Except this was a story I made up myself and devoted not an insignificant amount of thought to, and then never committed any of what I came up with to the page because it was still early stages and I would "remember" what my initial ideas were 🙄

[carewyncromwell]

[HPHM] Tristan Cromwell Playlist

Tristan Cromwell is the youngest member of the Cromwell Clan, and therefore the youngest of Carewyn Cromwell's cousins. Despite this, being the only son of Carewyn's uncle, Blaise Cromwell, who took over leadership of the Clan after Charles's imprisonment and death, Tristan is also intended to inherit the role of Clan patriarch from Blaise once he becomes an adult. This is complicated, however, by Blaise's suffocating, controlling, abusive parenting, which results in Tristan being dreadfully sheltered, eccentric, entitled, condescending, and lacking in both social skills and basic politeness. Fortunately Tristan isn't completely hopeless. When Carewyn first meets him, it becomes clear to her that for all his faults, Tristan is an incredibly creative, yet lonely person who is desperate for love and approval. And because Blaise has always been the most important person in his life, Tristan longs to make his father proud and take care of him and the rest of his family the way he's expected to. This includes mending the rift between the Clan and Lane, Jacob and Carewyn. Somewhere along the line, Tristan internalized a lesson about love that Blaise never did, which was that love at its core is selfless and longs to make others happy instead of just yourself -- and so Tristan wants his family reunited not out of possessiveness like Blaise, but out of a strong sense of duty to and caring for his loved ones. Tristan's focus on the feelings of others may be linked to his strong interest in both creature and animal anatomy, which eventually earns him an internship with the Department for the Regulation and Control of Magical Creatures and (later) helps him pursue a career as a Healer specializing in the care of magical creatures. Like all other Cromwells as well, Tristan has a deep love and passion for music. Unlike the others, though, Tristan's musical talent isn't best expressed vocally, but at the piano, which he mastered over the course of many long, lonely years trapped inside the Cromwell Manor with no one his age for company.

"This is Halloween (cover)" by Marilyn Manson

"Victor's Piano Solo" from Corpse Bride

"There's a Good Reason the Tables are Numbered Honey" by Panic! at the Disco

"Paint It Black" by the Rolling Stones

"Waiting on a Miracle (cover)" by Scott Shattuck

"Learn to be Lonely" by Minnie Driver

"Misfit" by Curiosity Killed the Cat

"Boulevard of Broken Dreams" by Green Day

"Shatter Me" by Lindsey Stirling ft. Lzzy Hale

"Because of You (cover)" by Stephen Scaccia

"Welcome to the Black Parade" by My Chemical Romance

[redlyriumidol]

I want to resist temptation and play a dwarf rogue instead of an elf this time because variety is the spice of life etc... however if rivaini seer is at all a specialisation you can pick I don't care. it'll be another mage for me.

[sigmastolen]

the orch is visible in act ii so we've been asked to wear gowns and tuxes instead of pit black, and it's a 1920s setting and. friends. i sit the furthest back, and though i don't have time or money to do The Most the way i want to in my heart, i have purchased a bow tie and cummerbund set to give myself the gift of a little gladys bentley crossdressing moment and i'm so excited

[plagasitize]

[bunnymerchandise]

Fortuning's JDS Cute Bunny Plush

[solradguy]

Crying and throwing up why is the official Sol Badguy plushie so expensive and DISCONTINUED this is god’s retaliation it has to be

If it's any consolation, mine was about $70 after shipping/proxy fees and I had to sign a blood contract with one of my friends to get it. I hope you're some day able to find one for much, much, less than that, when the stars align and fate smiles upon you