#from London

[ghosthats]

He almost doesn't look real in this pic. And that's because he's not. I made him up in a daydream.

[bxnyi]

Unlucky you who knows way too much, doesn't try to change with music or such

[lasttarrasque]

[g3othermal3scapism]

rose tyler visiting home wearing tshirts from artists and tours that havent happened yet or tv shows that dont exist yet and everyone thinking she just has weird obscure music taste and is rly weird. its 2006 rose tyler walking down the street and everyone who glances at her shirt is thinking ‘who in the fuck is olivia rodrigo and where did this girl get a 2024 tour shirt’

[fa-cat]

【独自】ロンドン五輪女子バレー銅メダリスト・山口舞、妻子持ち男性と「沖縄旅行」で堂々不倫！「謝罪なし即結婚」の“開き直り”略奪婚トラブルが勃発

　事実確認のため、山口が働いている中国学園大学に問い合わせると、山口本人が対応。不倫について聞いてみると、

「いったいどこからそんな話を聞いたんですか……」

　と狼狽。否定することなく、

「それを載せられては困ります。今は忙しいので、またこちらから電話しますから」

　と電話は切れたが、山口から連絡は来ず、大学に再度電話をかけたものの、本人にはつながらなかった。

[zanephillips]

HARRIS DICKINSON Postcards from London (2018)

[classichorrorblog]

10 Movies From The 1980s To Consider For October/Halloween

[columban-von-iona]

[khruschevshoe]

You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.

The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.

It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.

[balineza]

[galina]

Just enough sun to open a window

[ghosthats]

Your honour he's my wife and I love him

[bxnyi]

[voidstilesplease]

the way he translated half-royalty half-movie star, depressed gay, and hrh prince dickhead from pages to screen so effortlessly 🥲

[pierppasolini]

Postcards From London (2018) // dir. Steve McLean

[k-i-l-l-e-r-b-e-e-6-9]