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My take/designs on the pevensies! (They’re definitely heavily inspired by their looks in the movies.)
Beginning of the lion, the witch and the wardrobe
End of golden age-ish
I’d call this a WIP but it’s not really, mostly once we get into designing clothes in fantasy settings I feel very out of my depth, but I wanna practice more. I’m the most happy with Lucy’s but that’s also cause I most heavily referenced with hers.
Im mostly still just figuring out the clothes design for when they’re in narnia. I want brighter/more jewel toned and warmth to contrast with the more muted London clothes. And for the clothing design I want embroidery, but other than that I have no idea how I would make the designs of the narnian style in this era cohesive.
I also have vague main colours for each of them, lucy green, secondary red, edmund blue secondary brown, Susan purple secondary blue, Peter red secondary purple, and all of them use gold as well.
So I rewatched The Lion the Witch and the Wardrobe today and I gotta say it's weird to me that people misunderstand Edmund and rag on him about getting taken in by the White Witch because it could have happened to any of the siblings.
In fact, Lucy does the exact same thing Edmund does when she first comes to Narnia. She trusts the first person she meets, goes to his house, eats his food and is put under a spell. Literally the only difference is that Tumnus regretted his actions because he wasn't evil. The White Witch had no regrets about how she manipulated Edmund, but the fact remains that she and Tumnus do the same things.
If Lucy had encountered the Witch the first time she was in Narnia, it would have been incredibly easy for the Witch to trick her, probably without even using enchanted food. Lucy was very willing to trust Tumnus until he actually told her he was kidnapping her. If the Witch had been charming with her and asked her to bring her siblings to Narnia Lucy would have tried, just like Edmund.
Susan wouldn't have been much harder, but she would definitely have required some sort of spell since she's so skeptical. But we know that, presented with the actual evidence that Narnia exists, Susan does accept it. From there it'd be fairly easy for the Witch to manipulate her by playing off how Susan's siblings don't like to listen to her logic even when she's right or has better ideas. I think Susan would also like the idea of being a queen and making her siblings listen to her.
Peter is a little harder, just because he's older and more cautious, but I think that it could be done. He has, honestly, the same vice as Edmund at the beginning. He's frustrated at the defiance his little brother is giving him and overwhelmed by the situation he's in. If the Witch could convince him that, when she made him king, his siblings would finally obey him, I think that he, like Edmund, would fall for it (especially if magic was involved in tricking him).
So, yeah, Edmund is just the kid who happens to get taken in by the Witch, but it could have been ANY of the siblings who betrayed the others. And that's the point. Edmund could be any of us- and at the same time, he is all of us. "For all have sinned and fall short of the glory of God." That is the point that Lewis is making with Edmund. It is so easy to let ourselves be deceived when we hear what we want to hear, because that road seems so much easier. But in the end it traps us and enslaves us, like Edmund was to the Witch, and there is only one who can pay the price for our betrayal.
Answers is such a terrifying thing to hear out of nowhere. it starts playing in the car I look at the sky in trepidation like dalamud is going to show up and blast grandpa to particles
Here’s how I would fix the thematic and mystery box issues of this season of Doctor Who while keeping almost everything else the same.
This season would refocus on the thematic tension between Ruby with her desire to find her birth mother and the Doctor’s avoidance of finding Susan. By adding a few choice moments in the Tardis at the beginning and end of certain episodes where Ruby tries to convince the Doctor that finding Susan is important, you would add some really nice character development and even tension to Ruby and the Doctor’s relationship and get to more explicitly explore and discuss some of the big thematic ideas that this season ostensibly centered around like family and fear of abandonment /rejection.
I also think that having the god of death in this season doesn’t make much sense in terms of the themes, so I would probably swap out Sutekh for the Trickster as many others suggested. With the Trickster, you could have the narrative-manipulating, story-changing surrounding Ruby make a lot more sense in universe. This could then better match with the idea that Russell already had: that we imbue things with importance and can thus rewrite our own narratives. Imagine Ruby as central to the finale because her desire to rewrite the false narrative in a positive way could directly counter the negative attempts to rewrite the narrative by the Trickster. Thus, she’s still just an ordinary person as RTD intended, but she is learning to overcome her fear of rejection and abandonment by fixing the negative story that both her own mind and the Trickster have written about her life as she knows she is worthy of love, there’s nothing inherently wrong with her, etc. (A great opportunity to make Carla‘s inclusion narratively significant, too, as she actively contributes to this!)
This would also make the moment where the Doctor cautions Ruby against reconnecting with her birth mother a more meaningful emotional payoff, because Ruby isn’t afraid to try reconnecting with her mother and it goes so well despite the Doctor’s own fears. This could serve as a turning point for the Doctor as he realizes that getting over your fear of rejection can lead you to new avenues for happiness and connection.
Then, instead of having a sorrowful “the doctor is always alone” ending to the season, have the last line of this season be the music swelling triumphantly and the doctor declaring that, yes, he’s going to go find Susan. This would show the actual impact that Ruby had on him and allow his character to go through some growth rather than end up where they’ve always been. (Plus, what a fun teaser to leave the audience on haha.)
You could then spend the second season, (which was ordered at the same time as season 1) on the Doctor trying to track down any clues of where Susan is. So, the season-long arc would become the doctor looking for Susan, but getting sidetracked in the typical adventure of the week.
NOW you can justify Sutekh as the big bad for this second season. If the doctor is actively looking for Susan, it makes a lot more sense that Sutekh would use her to lure the Doctor in and more devastating when it’s revealed Susan Triad isn’t her. Thematically, this works because the Doctor claims to have never reconnected with Susan before because they were terrified that they would either hurt Susan or she would already be dead, so the big bad being death this time around would haunt him: The Doctor is too late and it’s all his fault.
In terms of the “I am life, and you are death” theme, this also makes a lot more sense within a context of actively trying to find Susan, because the doctor is so afraid that he brings death, but the fact that Susan exists at all (and perhaps he finds her or some evidence of her life) in addition to the amazing family he’s built across time and space rallying around him (like Ruby, Mel, Kate, and Rose which justifies a unit based episode AND the memory Tardis as the Doctor’s equivalent of Carla’s wall of photos of her foster kids) is proof that he isn’t a “harbinger of death.” That all of us defeat death when we choose love and support for ourselves and offer it to others. Self indulgently, I would love a conversation between the Doctor and Cherry about family and found family, too. Imagine how wonderfully thematic it would be if this ordinary woman gave the doctor what he needed physically and spiritually to save the day: grandmother to grandfather. Heck, maybe she is the one who gives him the spoon. A teaspoon in fact :).
So anyway, those are the big changes that I think you could make and leave literally everything else the same to get a better emotional payoff and prevent the audience from feeling a little robbed by the mystery boxes.
The reveal of Sutekh was not what I was expecting to come about but honestly I really enjoyed it. It’s funny that that even though RTD keeps saying that it’s a fresh season he keeps being like, “so here’s a thing from 50 years ago, enjoy!”
Despite this I think that the choice of Sutekh is a good balance as the character only appeared in only one classic who episode, therefore, you do not need tons of background, allowing new viewers to still engage just as much as older viewers.
While I am sad not to be getting Susan Foreman yet, I am hopeful that we will get a reunion at some point during this season or at least sometime during Ncuti’s run. It would be really nice to see Carole Ann Ford make an appearance as she has spoken about wanting to come back to it if asked. Honestly just give me anything on how Susan is doing I beg you!
Overall I’m super freaking out about everything and only have more questions than before! God I cannot wait to get some questions answered!
went into the susan x caspian (narnia) tag and saw two different ppl complaining about casmund bc of the age gap and saying it is "disgusting and not okay to ship them under any circumstances!!!" help why cant yall just enjoy ur stuff and we'll enjoy ours.. theyre literally words written in a paper, fictional characters from a book.. and most ppl who ship them dont even know their ages lmao they just think they both are about the same age in the last movie, its not that deep
Something about how the wolf consumed the child in Ylfa but wasn't it going to be consumed anyways? as a metaphor for how trauma forces children to age faster but the death of the inner child is impossible to avoid.
Something about how the wolf mentions a bond between him, Ylfa's mom, and her grandmother. Something about how badly all three of them wanted to protect her.
Something about how her grandmother was once a little girl named Ylfa too.
Something about how her grandmother and the wolf both died for her because she was so innocent, and because she deserved to live.
Something about how that's the same way Gerard and Timothy talk about her.
...shout-out to the first-ever edit for Eddie x Susie on YouTube (though I maintain the teaser trailer actually gave us our first-ever EdSie song), my favourite kind of fan content for an OTP. I would say between this, the growing notes on posts, and the prospective Discord if anybody wants to help with that, we are well on our way.
Your love is scaring me
No one has ever cared for me
As much as you do
Oooh, yeah, I need you here, oh