Nikolai with a s/o who always has a hand on his chest? With consent ofc, and it’s always to feel his heartbeat. I think of this all the time and it’s always super cute in my head.
Hello! That is pretty cute!
Nikolai Always with Reader’s Hand on His Chest
Nikolai is a pretty laid back and chill sort of man, so he usually doesn’t mind you putting your hand over his heart. Maybe not while you’re walking, though, he doesn’t want you to trip. It’s very sweet to him: You wanna make sure that he’s alive? That he’s still with you? That his heart is still beating? Trust me, not even death could take him away from you. He’d dig his way out of his grave after killing the reaper with his bare hands himself. You can always put your hand over his chest while you’re at home together, though. It’s nice to feel you. After a while it would be reassuring to him as well, feeling that you’re there, that you’re with him. He thinks it’s sweet that you always want to be touching him, because if it was up to you he’d do the same thing with you. After some time, once he’s realized that you’re always touching him whenever you can, he tries to get into positions that facilitate you touching him a bit. Usually lies on his back when you’re cuddling so you have full access to him. Can and will fall asleep like that, but will also want to hold you back. Will also put his hand over your heart as well so he can “get back at you”. In reality, feeling your heartbeat is also just nice and reassuring to him. However, he sometimes might lie on your chest in order to hear it as well, something like it lulls him to sleep, after all. You can put your hand over his chest in public as well, though, he doesn’t particularly mind cuddling in public either. There’s a good chance you’ll be nicely clothed, though, so you won’t feel his heartbeat unless you slip your hand under his clothes. You can do that, he doesn’t care about strangers staring in public. However, once it’s time to continue walking around, release him. You can continue your antics once you’ve found another nice bench to sit on.
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How To Gif: Glass Shatter Effect
By popular demand (ie, 7 people who voted in this poll), here is a tutorial on how to do the glass shatter effect I used to create the first gif in this set.
I use Photoshop CC 2015 (yes I know it's old) for my gifmaking, but you should be able to apply everything to newer versions of Photoshop. For this tutorial I'll be assuming you know the gifmaking basics, but if not, I would recommend this tutorial, which is the process I use to make gifs. Note that this particular process involves saving all of the frames, importing those frames into Photoshop, and then using an action to convert to a smart object.
Keep reading below the cut to learn how to do this effect!
Before I could start making this gif, I needed three things; the two scenes that I wanted to use, and a video of the glass shattering effect. I already knew the scenes I wanted, so then I took to YouTube to find a video which I can't for the life of me find again (edit: thanks to add1ctedt0you in the replies for linking this video!), but it looked like this:
Something like this is what you want. Ideally the green part would be entirely white, but as long as there are two clearly different colours you can usually work with it.
This looks a lot slower than the gif that I made, but that's not because of the frame rate - which is exactly the same above as in the final gif - it's just because there are extra frames in this slower one that I cut out. In the video I used, the glass shattering happened very slowly. I didn't want that, so I ended up skipping several frames when I loaded the frames into Photoshop before using my gifmaking action. I just did this by manually selecting one frame, skipping the next several before selecting another frame, and repeating this until I had selected 60 frames.
After using my gif action, I had a smart object of the glass shatter effect that looked like this:
That's a much better speed! It still wasn't quite where I needed it to be though. I needed this in black and white, so I slapped a hue/saturation adjustment on the smart object and set the saturation all the way down to -100.
Okay great, I could start putting the gif together now.
First, I made a copy of the glass shatter smart object, because I'll need that later. Then, I pulled in frames from the scene that I wanted to appear in the hole after the glass shatters, and I used those to create a new smart object with my gif action (we'll call it Scene-bg). I pulled Scene-bg into the same window as the glass shatter objects. Then I created a new smart object by combining one of the glass shatter objects with Scene-bg, which I did by selecting both layers right clicking, and selecting "Convert to Smart Object".
I renamed this smart object to Shatter-fg. I opened it by clicking on the little icon next to the layer name in the layers window here:
The most important thing here is that the shatter effect object should be the top layer, and I set the mode to "lighten". This will make sure that the lightest colour of either this layer and the layer behind it is displayed; that means that anywhere that's white in our shatter animation will still show up, but anywhere that's black we'll see what's in the layer(s) behind it.
Then I threw some adjustment layers between them to get the colouring I wanted. I used a curves layer, a hue/saturation layer, and I also added text with an outer glow layer effect. Here's what the layer order looked like and the settings I used for each layer:
After this process, Shatter-fg looked like this:
Okay nice, this is starting to look like something! I saved this and went back to the main file with the other glass shatter object.
I needed to invert that other glass shatter object. There's a weird quirk with the version of Photoshop that I use where it doesn't like it when I apply specifically an invert adjustment to a smart object (it appears correctly when editing, but not on export) so I did this by creating a new smart object which included a separate invert layer, but if you have a newer version of Photoshop you can probably just apply the invert adjustment directly. Just note that you'll need to do one of these options; it won't work if you add a separate adjustment layer in the main file, it needs to be applied specifically to the smart object (which we'll now be calling Shatter-bg). It looked like this after I inverted it:
Once that's done, I made sure Shatter-fg was the layer directly above Shatter-bg, and set the mode of Shatter-fg to "darken" and Shatter-bg to "lighten". Since Shatter-fg is set to darken, it will be visible only when it is darker than the layer behind it. By setting Shatter-bg to lighten, I've guaranteed that the layer behind it will always be lighter (ie, white) in the places we want Shatter-fg to be visible, and will be black otherwise. Once I update those settings, this is what the gif looked like:
This is all there is to the glass shatter effect itself. Next I pulled in frames from the second scene to fill in the black areas. This layer needed to go below both glass shatter layers, so that it only shows through where the black. Then I added adjustment layers and some text. I used curves, hue/saturation, and vibrance adjustment layers, and I also added the "archer" text below the glass shatter layers so that it would be hidden to reveal the "prey" text. The other text I added above all of the layers, since I wanted this to be visible all the time. Here is the layer order and all of the settings I used for each of the layers:
I also grouped Shatter-bg and Shatter-fg and shifted them on the timeline so there would be some time to see the background gif before the shatter effect starts.
And that's all! Then it''s just a matter of exporting the finished product:
This is the first gifmaking tutorial I've ever made, so I hope I was able to be reasonably coherent and helpful! I'd love to hear if you make anything by following these steps, or even if you just feel like you've learned something reading through this. And if you have any outstanding questions, feel free to reply or send me an ask and I'd be happy to answer!
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(Okay, I'm sorry for asking about what you think of my art posts, it was kinda fucking stupid and I apologize for that...)
So.. do you think about eggman nega is actually eggman's descendant or just an alternate dimension? If it's the former, do you think eggman nega might've been secretly a robot? Cuz now I'm starting to have this thought.
Don't apologize, I can just take a while to get to certain asks sometimes. Nothing stupid about it, I always enjoy and appreciate being asked for my thoughts on anything Eggman related.
They seem to be going with Eggman Nega being Eggman's descendant in some way. However, people jump to extreme and bizarre conclusions of how this might be, things I never felt fit his character and so I couldn't stand discussions about it for years. But it actually seems like canon has actually been on my side with my feelings on it!
Notice how it's kept very vague with no precise specifications made on how he's his descendant. They made a deliberate choice to not explain exactly how he's related to him. This leaves us up to a ton of speculation and possibilities. He could very well be an organic but indirect descendant and that's my first and most plausible theory.
It makes sense because in killing Eggman, Nega would be erasing himself and stopping himself from existing if he was a direct. Plus Nega can still feel Eggman is a disgrace to the family name and want to kill him. So it makes the most sense in terms of the logic of killing Eggman and the way Nega being direct wouldn't be in character for Eggman.
I say that last part because of the implications made in this Egg Memo!
So with this it's now pretty much been established that it's not in character for him to create life in the typical natural biological way instead of his superior science, there's no appeal. He scoffs at it and looks down on it while bragging about how a true genius does it with code and electrons like how he created Sage. He already has far better.
Eggman is very stubborn and arrogant and will never budge on things he feels this strongly about, especially when it involves his ego, so there's no convincing him otherwise. He likes how he can look down on others and consider himself superior for his ability as a scientific genius to create a life-like being with codes and electrons!
So if he was direct it'd definitely have to be in artificial scientific ways of robotics, code and electrons, test tubes like Flynn suggested, or anything else to be consistent with the memo. But that's a bit too speculative for me as nothing implied Nega was anything but organic and I go only by what we can see/analyze/use as evidence in official media.
With the vagueness of him just being a "descendant" and never elaborating further instead of being his great great great great grandson or something else more specific and obvious, which would've been very important significant information and they surely would've revealed and explained if it was, plus the way he views creating life the natural biological way in Frontiers, and the way Nega doesn't have a fear of himself being erased if Eggman is destroyed, the most plausible theory is that he's an organic descendant but not a direct one.
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