#god my tags are all over the place

[flowercrowngods]

part 1 | part 2 | part 3 | part 4 | part 5 | part 6 (these make one big story, you won't understand this part without the others)

day 07: free space a happy ending

Wakefulness embraces him so slowly and gently that Steve’s not entirely sure he isn’t dreaming when he sees Eddie lying next to him, watching him with an easy smile as his fingers tap out a slow beat on his pillow. Steve looks at him, blinking away the remnants of sleep, not quite daring to do anything more than that for fear of it being a dream after all, scared that Eddie would disappear if Steve reached out to touch. 

But then Eddie’s smile widens. “Good morning, sunshine.” 

Steve gasps a little and moves his hand to Eddie’s cheek, tucking a few strands of hair behind his ear, his breath hitching when Eddie leans into the touch. 

“You’re here,” he whispers, his gaze wandering over Eddie’s features, taking it all in and looking for any indication that this is a dream. 

Eddie hums. “And you’re pretty.” 

It hits him out of nowhere, the open sincerity in Eddie’s voice, the fondness in his eyes, the honesty in everything about him. The love, open and free now — or getting there, at least. It’s still so raw, though, so new, that Steve doesn’t know how to handle it yet. 

“Shut up,” he huffs once he’s caught his breath, rolling over to hide his face and the way his cheeks are heating up. He rolls right into Eddie's chest, though, and he's so warm, so close, smells so good that Steve wants nothing more than to bury his face in his neck and stay there for the rest of the morning. Or maybe the rest of his life.

The reflex to pull away is there. The urge to run and hide, to laugh it off, to freeze up and find something else to do, something to occupy his hands and stop them from reaching for Eddie. Years and years of muscle memory telling Steve to leave. 

But Eddie's arms come around him, holding him close and pulling him even closer. And Steve breathes him in, remembering that it can be okay. Remembering that they get a chance now. 

Remembering the words. 

What are you doing? 

Changing the world. 

So he tries that, too. Changing the world. He tries by winding his arms around Eddie, too, and breathing in again and again, learning that Eddie won't disappear if he does. 

Slowly, he dares to move his arms, stroking along Eddie's back in slow, gentle patterns, lulling himself into a safety he hasn't felt in a while. Maybe ever. At some point Eddie begins to hum, and Steve thinks that it's just another one of his audible smiles, inviting Steve and the rest of the world to join in if they're so inclined. But then he detects a familiar melody in the vibrations of Eddie's neck against his skin, and he holds his breath to find out what it is. 

His heart jumps when he recognises the song as one he used to listen to on repeat like a lovesick fool around the time his feelings for Eddie turned into something more, something better, something infinitely worse. 

It skips and he forgets how to breathe as he lets his hands travel over Eddie's back, slowly and tentatively daring to slip underneath his shirt and touch his skin. 

Eddie begins to sing, then, and Steve wonders if he's even been in love with him before, because nothing of what he's ever felt compares to Eddie's gentle, hoarse, sleep-rough voice as he sings Somebody to Steve, to their little bubble, or to the world outside. 

"I want somebody to share, share the rest of my lifeShare my innermost thoughts, know my intimate details."

He closes his eyes as he listens, focusing on the vibrations, on the warmth, on the closeness, on how this moment is everything he's never even dared to want. Everything so perfect that he couldn't even dream it up. 

Everything. You're everything. 

He needs to be closer still, so be buries his nose in Eddie's neck and breathes him in, tangling their legs, filled with a breathless kind of joyful bliss when Eddie's breath hitches, too, and he stumbles over the words of the second verse as Steve tries to climb into his skin. 

"I want somebody who cares for me passionatelyWith every thought and with every breath."

You have me, Steve thinks, pressing his lips to Eddie's pulse point. It's not a kiss, not quite. It's something deeper. It's a promise. 

Eddie's hands come up to hold him there even as his voice carries through the drumbeat of Steve's heart in his throat, running fingers through his hair, lightly scratching at his scalp, making him purr along to the melody. 

"But when I'm asleep I want somebodyWho will put their arms around me and kiss me tenderlyThough things like this make me sickIn a case like this, I'll get away with it."

When the song ends, Eddie's words faded out, replaced once again by the gentlest silence, Steve feels raw. Vulnerable. Open and exposed. But he also feels safe, and loved, buried in Eddie's skin and held there, as though Eddie is just as scared of fading away as Steve is. 

He lifts his head just slightly, enough to meet Eddie's eyes – only to find that they're closed, an expression so serene like Steve has never seen before. Mesmerised and overflowing with affection, he reaches out to trace the line of his brows, down to his cheeks and all the way to his lips, where his eyes are glued for a second. 

The thought of kissing Eddie is right there. The opportunity is, too. But he doesn't. He barely dares to move as it is. But he does roll them over the rest of the way until he lies comfortably on top of Eddie, and tucks his head underneath his chin, finding one of his hands and lacing their fingers. 

"You've got him," he breathes eventually. "That somebody. If you—“ 

"Yes," Eddie says, his other hand finding its way to the nape of Steve's neck to play with his hair again. "I want."

"Good." It's lame; far from what he wants to say. From what he has already said last night. It feels like they're doing this backwards, starting with the I love you and catching up with the slow build-up afterwards. "Good. Me, too." 

"Good," Eddie hums, and there's that smile again that Steve can't help but mirror. 

They fall asleep again like that even though it’s already late in the morning; cuddling and holding and cradling each other, still trembling slightly. Maybe that's what changing the world will do to you. Maybe that's the bravery more than the love. 

Or maybe it's just Steve and Eddie. Steve and Eddie. SteveandEddie. 

I love you. 

~*~

It takes a bit for Steve to relearn loving Eddie. To not associate it with tragedy and sadness and a bone-deep loneliness that'll leave him breathless even on the best of days. 

It takes a while for Steve to learn a whole new kind of breathlessness, a whole new kind of aching when it comes to Eddie. 

And Eddie's not much better than Steve, pulling away when Steve wants him closer, swallowing his words and needing a second, third, fourth try until he learns that he gets to love Steve now. 

Years of unrequited love, or feelings unreturned, of words put out into the universe with no one to receive them, are not easily or quickly unwritten. But every time Steve's breath gets lodged in his throat and he wants to run away, Eddie is right there to remind him of what they can have now. Every time Steve tries to be a little less of who he really is, Eddie is right there to coax him out of his head with gentle touch and a lot of hugs. 

Every time Eddie starts to doubt himself and all the ways he makes Steve the happiest person on the planet, Steve is right there with the words he only has for Eddie. Words that don't get stuck anymore. Words that finally get a recipient. 

~*~

Their first kiss, the first real kiss, doesn't happen that first morning. They spend the first week only holding each other, barely wanting to let go, hiding their vulnerabilities within each other. 

Steve is worried about it at first, seeing Eddie so quiet, so reverent, lacking his usual cheer, his energy and snarky comments. He asks about it one night, ready to prove right that he isn't and can never be enough for him, that all he will do is steal the things that make him Eddie. 

Eddie stops then, lifting Steve's chin with a finger when he's too scared, too ashamed, too vulnerable to meet his eyes on his own accord. 

"Stevie," Eddie says, his voice so gentle that Steve immediately feels stupid for doubting. "I have loved you for ten years. I've had you for three days. Let me bask in it. Let me be unable to be myself with how absolutely and utterly overcome I am with the knowledge that I have you now. That I get to hold you. That I get to kiss you and keep you and... God. I'm not unhappy. I'm so much the opposite of that that I'm not sure there's a word for it. Other than devoted. Smitten. Bewitched, body and soul."

Steve wants to kiss him then. Almost does, with the way they're just staring at each other, breathing the same air —air that smells like Eddie now. In the end, Eddie just holds him, brushing a kiss to his cheek, his forehead, his temple, and whispers, "Let me bask in it." 

And so they do. 

Wayne called Eddie not long after with the words, "Chrissy just told me the wedding's off. Please tell me that means what I think it means." 

Eddie just blushed, reaching for Steve, tucking a strand of hair behind his ear. "Yeah, I, uh. I finally talked to Steve."

There was a very loud cheer on the other end that made Steve laugh, falling into Eddie's side, holding him tight, a weight falling off his shoulders knowing that Wayne was okay with them. 

You know, I always figured it would be you. 

No matter what happens, you'll always be a son to me.

It made his eyes sting again, but he basked in the moment and in the knowledge that Wayne was on their side. Always has been, always will be. 

"You better come here on Sunday, and bring Robin and Chrissy, too." 

"Robs and Chrissy?" Eddie asked. 

"Oh, you're in for a treat. I'll see your asses on Sunday, boys." 

And with that, he hung up. Steve immediately went to call Robin, hopeful and giddy with Wayne's implication, knowing that Chrissy was Robin's person just like Eddie was his. 

"She loves me," Robin said, on the verge of tears, and Steve joined here right then and there. "She's– Steve. She's so– She... God!" 

"Yeah," Steve laughed at the ceiling above his bed, grinning because Robin sounded so happy, not even caring that she didn't have the right words for it, because he could hear Chrissy laughing in the background, too. Laughing and saying hi to him and interrupting Robin's ramblings and groans and giggles with kisses that always left her dumbstruck for a good two seconds each time. 

When the call ended, he went right back to the living room, where he and Eddie started watching Pride and Prejudice before, and fell right on top of him with a happy, happy smile. 

~*~

It happens at Wayne's, exactly one week after Eddie showed up at Steve's in the middle of the night. One week after the phone call. One week after I love you. 

It happens in the soft glow of the fairy lights Steve and Eddie helped him put up years ago. I happens after Wayne hugged him tight once more, after he pulled Chrissy to the side and promised her that she's still his kid, that he still loves her, and that he's happy to see her smile like that. After he promised the same to Robin.

It happens when Wayne's inside to refill their drinks and Chrissy and Robin are caught up in each other that they're blind and deaf to the rest of the world. When Steve turns to find Eddie looking at him with the softest, gentlest expression. 

"Eddie," he whispers, leaning in to rest their heads together, lacing their fingers and stroking his thumb along Eddie's palm.

"Yeah, baby?" 

Baby. It fills him with butterflies, with the urge to scream, to shout from all the rooftops that he loves Eddie, and more importantly, that Eddie loves him back! Baby. Baby.

"I love you." 

"Hmm. I love you more." 

No, you don't. Just longer. "Can I kiss you?" 

He can feel Eddie's little gasp before he leans in even closer, rubbing their noses together, cradling Steve's face with his free hand. "Please," he whispers. 

And Steve does. He captures Eddie's lips, pouring into it everything he feels and more. Sealing the promises he's made and all the ones he's yet to make. The promises to love and cherish Eddie. To be brave. To be there. To stay and keep and bask. 

It's nothing like their first kiss all those years ago. There is no question behind it this time. Only declarations, only promises, only the beginning of a shared future. 

And there are many, many more after this one.

🌷🤍🌷 THE END 🌷🤍🌷

tagging: @sexymothmanincarnate @mcneen @livsters @eddiemunchondeeznuts @abstractnaturaldisaster @steddie-as-they-go @hyperfixationgoddess @goodolefashionedloverboi @stxrcrossed186 @eddiemunsonswife @bidisastersworld @ghost-ly-s @romanticdestruction @walkingaftermidnight07 @anaibis @rainydays35 @mightbeasleep @sunfloweringstories @korixae @tuesdaycats @totoroinatardis @ilovebookshowboutyou @musical-theatre-gay @theluckyalien @copingmechanizm @srra @changelingbaby @sassygoop @obsessivelyme @r0binscript @hardboiledleggs @estrellami-1 @bisexualdisastersworld @space-invading-pigeon @swimmingbirdrunningrock @y0urnewstepp4r3nt @oxidantdreamboat @spilled-jar @phirex22 @littlemsterious @captaingigglyguinea @animecookie95 @sharingisntkaren @haluton @littlemsterious @animecookie95 @suddenlyinlove @bisexual-bilingual-biped @jinx-nanami @makewavesandwar @scheodingers-muppet @morcantinon @hexdbog @homosexualhomocide13

god i can't believe it's over. i thank you, every one of you, who cheered for me, cried with me, screamed and yelled at me, and stayed with me throughout this past week. i have no words right now other than thank you 🤍🌷 and i hope this is okay

[luck-of-the-drawings]

"And soda; runs off into the street..." "...and soda... is totally okay!"

[mazeyphaedra]

processing ep 11 one day at a time and idk i was just really reminded of how fig’s an only child too

and this isn’t really all that significant considering the party (given that adaine and kristen are the only ones with siblings); fabian’s been talking to podcasts alone in the manor and riz has been locking in on extracurriculars and cases but like fig had her self-concept twisted in on itself right on the cusp of a new chapter in life. and i think it’s great that the doubt she felt when her horns came in, she thinks it’s sacred. a tool for rebirth. but does she have any reason to believe looking inward is productive? as someone who can literally change her reflection? she’s a wonderful and compelling person in her own right now but where are her friends from when she was a preppy preteen, who invited her to every party until she wasn’t a bubbly wood elf anymore? what did she carry over from that life? was she more introspective then? maybe she attached that to who she was. maybe she’s barred herself from it because she’s not that person anymore. maybe she can’t sit with all the selves she’s had inside her because the magnitude of all the personas she’s invented and reinvented have muddled her identity into this convoluted curdled thing. and it is by far the easiest thing to direct all the fiendish energy and power and personality outward, to her friends, to school, to solving the mystery. and so she disappears.

ANYWAY avoiding max falling damage into your bedroom thanks to the gift you gave your president is as good a start to self-reflection as any right????

[lesovyart]

im so obsessed w them that I made fanart AND my own playlist

[rosepompadour]

Catherine, the girl in the silver dress, gleaming, Daisy Buchanan-like, safe and proud above the hot struggles of the poor - the perfect medieval royal consort. She was young, privileged, and politically sheltered. It is quite possible that many of the nuances, and much of the unhappiness [of politics] bypassed her completely, unlikely to disturb a girl laughing, flirting, and crying behind the red brick walls of Norfolk House. The portrait that emerges of Henry’s fifth wife is of an elegant, beautiful, and vivacious young woman. Her faults were obvious, but usually trivial. She could be vain, quick-tempered, egotistical, reckless, and when in a temper, capable of great rudeness. Catherine was mediocre in everything, except her appearance and her charm. She was a girl whom many of us may know or have known.

As queen, Catherine made many mistakes, but it was not a foregone conclusion that she should pay for those errors with her life. At every stage of Catherine’s fall, after the first revelation, her husband’s hand can be seen guiding her into the grave as punishment for her betrayal and humiliation of him. - Gareth Russell, Young and Damned and Fair

[serenescribe]

Hello hello~ I was wondering if you like zombie apocalypse AU’s? If so, Because my request for you is a non Twst zombie apocalypse!

Lilia and Silver become separated and try to find each other with the odds stacked against them- with their respective parties trying to instill the realistic idea that their father/son is likely dead, but when they find a sign of the other, they have hope.

[✐] ficlet frenzy

Four years ago, a mysterious outbreak swept the world by storm. Countless people had, seemingly out of nowhere, become stricken by a strange disease, one that clogged their minds with a vile, ink-like substance that had come to be known as “blot.” A zombie apocalypse, the news reporters called it, the infection rendering people mindless, shambling monsters. It was a topic that was once restricted to the realm of fiction, except now, it was their reality.

Over the course of mere months, the world collapsed in on itself. Countless people died, succumbing to the illness — those who merely passed away were considered lucky, for a sizable number of them wound up reanimated by the blot, groaning as they shambled around with the purposes of finding others to attack.

Silver had been lucky that his father was such a capable man. For the first several months, the two of them had taken refuge in a bunker Silver hadn’t even known they’d had, keeping each other company, their only source of news coming from a crackly radio. It wasn’t until they’d begun running out of food rations that they were forced to leave the safety of their shelter, venturing out into the wild as well-equipped as possible, searching for any supplies and signs of civilization.

They’d stuck together for a year. One year of surviving together, working in tandem, until a horrific ambush at a seemingly abandoned building, zombies suddenly storming the lobby, split them apart.

“My father isn’t dead.”

That is the truth that Silver stubbornly lives by, refusing to relent on this vicious belief no matter how hard any of his fellow survivors try to tell him otherwise. The only person who remotely believes him is Kalim; everyone else looks at him with scepticism when they hear his insistent words. Riddle simply frowns, while Jamil heaves a sigh, and the twins look at him with a mocking pity in their eyes. Even Idia, when he bothers to tear himself away from tending to his younger brother’s haphazard prosthetics, mutters something about hopeless optimism.

But it’s true: Silver’s father cannot be dead. Silver knows this in his heart and soul; his father is too strong, too prepared, too important to die. Even though the last Silver saw of him was him firing off at a swarm of zombies as he yelled at Silver to run, faced down with a seemingly hopeless fate, he knows that his father has to be alive somewhere.

He’s kept his eyes and ears out for any hint of his father’s existence since then, but to no avail. Silver can only sigh as he helps to pack up their supplies as they head off for a location Idia received from his mysterious partner — a man he communicates remotely with through morse code signals, technology utterly jammed in this wretched apocalypse.

Silver hopes that he’ll find something today, any trace at all that his father is alive.

“My son is not dead!”

Lilia snarls those words whenever someone tries to warn him against clinging to hope. The practice of optimism is a dangerous affair during the volatility of a zombie apocalypse, but though Lilia exercises a cautious pessimism with everything else, this is the only thing he refuses to back down on.

He knows Silver is alive. He has to be. Lilia had told him to run when the zombies broke in and began to swarm the two of them — Better him alive than me, he’d thought back then as he turned back to the screeching mob and began to gun them down. The swarm had been burnt to a crisp before he’d finished, courtesy of those who found him, a group that had saved his life in exchange for his services and supplies.

Lilia knows nobody believes him. Fools, the lot of them! Still, none of them can complain considering how versatile of a survivor Lilia is; he knows that those in his group value his skills, especially given his ability to trade morse code messages with another distant group of survivors, trading little bits of information about safe spots and supplies. Azul is hard pressed to give up such precious details, but Lilia can’t give a single shit about profit when the world’s ended and everyone’s dead or worse.

He finishes off the last bits of a message before he joins the others — Azul grumbling about all they have to leave behind, while the youngsters, a group of five, give the money-minded man the stink eye. Vil chats with Rook about where they shall head next, and Malleus dips his head at Lilia as he joins them.

Lilia hopes that he’ll find something today, any trace at all that his son is alive.

Silver sees it when they arrive at the safehouse. He finds it when he’s cleaning up, searching around for any supplies they can store: a tiny little container that makes his heart leap from the familiarity of it, the colours and gilded edges catching his eyes in the dust-covered haze of the apocalypse.

And within it—

(His breathing stutters to a stop, heart catching in his throat as a well of hope springs up within his chest, bursting anew.)

A rotting acorn bracelet is nestled inside.

[blazingblorbos]

oh god. oh god. oh.. oh gosh. I didn't expect this so soon. I didn't expect this today, I've been busy with life related things so the HYV calendar is really unbeknownst to me, is this update really next week already?? where can I rant about this- whERe can I rant about this-

oh. I made a blog for that exact purpose ! OKAY—!

fuck. fuck me, dude holy-

FUCK.

the slightly worried look on Arle's face as Snezhevna is reaching out her hand, only for her face to seemingly revert back to cold and neutral once the camera actually focuses in on her. Her tone is cold but her words are reassuring,,,,,,,,

ALSO GOD FUCKING DAMN IT. HOW GENTLY SHE HOLDS HER HAND.

the d o o r. the DOOR. THE FUCKING DOOR, CHAT. the slow opening at first, and once you can make out that it's certainly Arle's silhouette she shoves it fully open - both doors, both hands. incredibly attractive—. the FEAR in that man's eyes.

The crossed hands. We can't see her face but you know what expression she's making (it's not really an expression. it's neutral but you can feel it). THE FUCKING F E A R ON THAT MAN'S FACE.

Oh- she literally just grabbed him by the throat. Just like that- ! There's the expression. Oh, you feel it, alright. If you go frame by frame, you'll notice her eyes narrow in the slightest right before ->

POV: you're getting chocked out by Arlecchino, and that's actually the least of your worries. (my god she is beautiful).

I did not expect him to simply be thrown down to the ground and I ... d i d not expect her to step on his FACE. [insert gay masochistic joke here. you know the one]. Did not expect her to smile (this is the ONLY scene wherein we see her smile even slightly... huh...) *And the reason I say "I did not expect her to smile", is because with the momentum we were getting I thought she was straight up going to crush his throat, or stab him (hand, weapon or otherwise). It looked like she was digging the forefoot of her shoe into the guys head and not the... .. y'know deadly fucking heel, so that.. confused me. (and the sound when she supposedly stomped his head in did NOT sound all that impactful) but ANYWAYS I digress-

I'm of course assuming more happened after the cut to black because . madam where did you get that bloodstain on you—

BLOODSTAIN ON HER FACE!?!?!? (more on this in a second)

Freminet??? Freminet feature ! (not Lyney or Lynette.. interesting). :(((( the poor boy sounds so,, desensitized. His father

holy shit quick intermission. After the mental chronological fuckfest that was "The Song Burning in the Embers" I don't think I can look at Arle and the HotH the same anymore because she's.. she's like not even 10 years older than them (?) it's insane this doesn't make any sense- ANYWAYS.

HIS FATHER comes back with what we later see to be real blood on her face. Tells him "I've acquired new funds". We know what that means... HE knows what that means!!, and the way WE - THE AUDIENCE - know that Freminet knows what it means is because the boy replies "Oh.. Okay.."

LIKE-! chat omg this is truly just routine for them,,,, Like out of the 3 siblings, Freminet always gave off the biggest child assassin vibe, but wow. To see that routine and desensitized nature of the HotH's line of work just,, splayed out in a Character Trailer is . wow. and the look in his eyes as he says it is- wow.

YEAH UHH BLOODSTAIN ON HER FACE??/ The lighting in this scene now is evidently less saturated. And it's just- oh my FUCKING GOD it does so many things:

the blood on Arle's face looks... dry. it doesn't look as fresh as you may expect which could mean many things. It could mean she spent,,, hella long in there with that guy doing what needed to be done. It could mean she took care to something else immediately after dealing with the guy (perhaps smth related to the children Snezhevna wanted to save). But regardless it means she didn't put in the effort to clean her face and hide what happened. OBVIOUSLY !!! that is so . obviously her style but to S E E IT IN MY GENSHIN IMPACT CHARACTER TRAILER it's- oh my god

it serves to highlight the really, truly, bleak nature of the scene now that we know plain and simple Arlecchino just killed a man. There's no subtext, there's no reading between the lines. The only thing that didn't happen is that we didn't see contact nor see a body. But, no sugarcoating, Arlecchino killed a man. No one is hiding it. You are not surprised. No one should be but damn.

and ofc it acts as a representation of Snezhevna dying...

because it seems like the saturation is back once the camera switches to looking at Snezhevna laying in bed.

And is it me, or does it look like Arle's allowing herself to actually display a tinge of worry in her expression this time? And also, EVER so slightly in her tone as well. You can feel it, it's gentler.

"Once I'm better I'll start my next mission.."

THIS. THIS!! IN SO MANY WAYS THIS!

OKAY. so bear with me. I haven't actually read any of the sibling's character stories yet, so there could be a LOT of info I'm missing but:

There's still a pretty thought-provoking conversation going on (in MY mind, at least) about just how intensely these children are being trailed to be soldiers for the Fatui. They're obviously in an environment that indoctrinates them into being soldiers of SOME kind, but I still don't know what kind of soldier that's supposed to be. Are they all ALWAYS extensions of the Fatui? Or are they more-so extensions of Arlecchino specifically..? Snezhevna was obviously trying to help those children she came across, and I'm assuming that happened on her latest mission, so was the mission for a charitable cause?? What was her next mission supposed to be?? Same line of work? Saving people? Or would it switch up and was she going to be sent to "take care of" (kill .) someone???

So I don't know whether to interpret that line as a hint of them being overworked and 1) feeling like they need to continue their work out of pure fear that they'll be deemed ineffective and useless... or 2) feeling like they need to continue their work out of a sense of loyalty and duty to the place that took them in and raised them. Or both..

and ofc the funeral scene. I can't say much more than what's already shown right on the screen.

and am I bugging? Or is the location of the grave....

[nurseydexunsolved]

“you are poseidon’s son”

“i am SALLY JACKSON’S son!”

THATS MY MAMAS BOYYYY thats my baby percy right there

[corfisers]

i really need to finish this one day

[smidgen-of-hotboy]

Our Angel of Brahma, pt. xi

Hello Travelers, before we begin I need to stress that this part of Our Angel of Brahma contains explicit violence. With that being said, consider this your warning for the following content: kidnapping (mentioned), assault, police brutality, interrogations, and some self-harm. I will be going back to add CW to previous parts and will update when those have been added in. If there are any warnings that you would like added to this part or any others do not hesitate to reach out in my ask box or DMs! Additionally: I am planning on transferring this series over to ao3 in the coming weeks. The google doc is starting to crash and that is my sign that this is no longer a self contained one shot au. It is a drabble. a nearly 19k long (and counting) drabble @ananxiousgenz @ceaseless-watchers-special-girl @the-private-eye @demonic-panini

Calypso walks into her office. Coffee mug in one hand, and her comms in the other. She hadn't checked her emails yet and had only briefly skimmed the messages Frannie had sent her early in the morning. Most of which didn’t make much sense and had been sent five hours before she was awake, which was by her standards, five hours too early to be doing absolutely anything important. She booted up the computer and took a long sip of her coffee. Her comms rang and it was un-surprisingly Frannie. 

“Calypso Starr speaking–”

“Have you seen them yet?” 

“Frannie. Good morning to you too. I believe conversations start with hello.”

“Right– hello, did you see them yet?”

“See what?” She opens her email and smiles reading the subject line “RE: THE CASE OF THE MISSING ANGEL”. Rita was creative. Calypso would give her that. But she also seemed just as scatterbrained as Frannie did at times. They both knew their way around computers and comms. More than Calypso ever learned from her mom, so she was in no position to really judge either of them. If anything, they had every right to laugh in her face for not being able to do all the work on her own. Some shit journalist she was turning up to be. 

“The videos!” Frannie huffed and in the background, Calypso could make out the sound of a cabinet door opening and slamming shut. “Listen, I’m hanging up, and when you’re done with the videos and taking notes– and I mean all the videos, and all your notes– call me. Rita spent ninety-six hours trying to hunt all this down for you, kid. You better write the best damn article this side of the galaxy has ever seen! Because she ain’t helping you anymore after this, alright?” 

Calypso opens her mouth to argue but the call ends right then. She sets her comms on the desk in its designated spot next to her coffee mug and one of the glass swans. She isn’t a kid. She’s a grown adult just like Frannie. Frannie was however much, much older than her. And it wouldn’t be the first time that she’s let an older lady step all over her. 

Without anymore preamble, she takes a seat and opens the first video file. 

The video starts with a lone woman sitting at a table. The room is bare and poorly lit with no windows.  “State your name.” “Why should I? You already know who I am.” The woman’s dark hair falls out of her face revealing dark eyes and a few freckles. She glares at the camera. “And get that thing out of my face.” “No can do, now state your name.”  The woman huffs hanging her head low to the table. “Eve Bell.” “Full name.” “Eevee Bell.” She jerks her chin up and snarls, “Happy?”

Calypso pauses the video. This is Eevee Bell. Eevee the same night she was taken from her home.The same night she tucked Baird into bed and promised nothing bad would happen to her. Calypso flips open her journal thumbing through the pages until she finds her notes on the “Dad” recording. She reads back over them and flips to the next blank page. She rummages around her desk for a bit before finding a pen tucked into her newly acquired swan pen holder. She hits play on the video, and begins taking notes.

“Very,” a figure walks around the camera to stand behind Eevee. They’re dressed in a freshly pressed uniform. Their epaulets are black, with two embroidered stars in silver thread. A Constable of high rank. They place one hand on her shoulder and grip her chin with the other. “Now look directly at the camera, and tell them exactly what you did.” She clenches her jaw and tries to pull away. The Constable keeps her firmly pinned in place.  “Not gonna talk, huh.” “Over my dead body.” The Constable tsks and lets go of Eve’s face. Eevee, to her credit, rolls her shoulders as much as she could with her hands cuffed behind her back, and tilted her chin up higher. “You’ll hear me sing and squeal before I tell you anything you want.”  The Constable shakes their head and laughs, “We’ll see how you feel after today.” They exit out of frame and a heavy door can be heard opening. Eevee looks over and her eyes go wide as three other uniformed Constables walk into the room.  “Welcome to New Kinshasa, Eve.” The Constable says out of frame said. The video ends.

Calypso leans back in her seat. She glances down at her notes. Nothing. Blank. She puts her pen down and folds her hands over one another, leaning to rest her elbows on her desk. Her stomach does a strange thing, flipping up over on itself. The coffee is starting to kick in and give her heartburn. 

From her research and based on Baird’s recordings, the Constabulary does not treat its prisoners kindly. Their treatment is not as harsh as Aurinko Permanent Corrections. No, nothing could compare to Palomine Aurinko, and nothing will ever come close to Hoosegow. But there’s a good reason the Solar Planets consider the Guardian Angel System a war crime and New Kinshasa has been charged off and on for committing multiples since the Galactic Civil War ended. 

She grabs her comms and searches for anything she can find on the Constabulary on New Kinshasa and Brahma. She wasn’t expecting her quick galactic search to turn up anything. Just like everything else she’s been looking into privately, this too should have been a dead end. Instead, a tourism site hosted on a Saraswatan travelers guide comes up. 

One of the main attractions to vacationing to Saraswati it turns out, is visiting New Kinshasa. Vacation to Saraswati, and set time aside for a three days, two nights trip to see New Kinshasa. Shuttle over on day one, and see New Kinshasa day two. Get to meet Constables, shake hands with Sergeants, and rub elbows with Inspectors off duty at hotel bars. Take a tour down main street and stop by the Skydeck: Edge of New Kinshasa and peer down at Brahma from up high. 

The photos on the website are orderly and well lit. More than likely staged pieces of propaganda meant to make the average person forget about what happened to Brahma. If Calypso were anyone else even she’d believe it. But Baird’s recordings exist and Brahma has been suffering. Dark Matters can successfully scrub all records from the galaxy but they never stood a chance at stopping something from slipping through the cracks. 

One of the photos on the website catches her eye. A Constable in uniform, with epauluets on their shoulders embroidered in silver thread. Perfectly stitched planets with tilted rings. They’re shaking hands with a man with grey hair and a peculiar mustache. A gold brooch with blue jewels is pinned to his suit. His wide smile reaches his eyes. 

Calypso scrolls down to read the caption at the same time she reaches for her mug. She takes a long sip of her coffee. 

Superintendent Constable Bishop shaking hands with art collector, Osiris Cygnet. 

A “cygnet” is a word used to describe a baby swan. So named after the swan-shaped constellation, Cygnus, and -et indicates smallness. 

If Calypso were the average person, she shouldn’t know this. As she leans back in her desk chair and stares at the swan pen holder, Calypso is reminded that she is not the average person. As she stands now running through her apartment, digging through a cardboard box for a gold swan brooch with sapphire eyes, she has not been the average person since childhood. 

The storage unit came from a deceased art collector. He had an affinity for collecting crystal swans and counterfeit paintings. She sold most of the glass swans back to collectors on Earth while on her visit to her mother’s grave. She held on to the pen holder as a memento and sought out a pawn shop to trade in the brooch when the shop owner said she ought to keep it, “you don’t find jewels like that out there anymore.” Or whatever that meant. 

“Shit shit shit shit–” she finds the brooch and races back to her office clutching it tight. Sure enough, it’s a good match. 

Osiris Cygnet, art collector that vacationed sometime within the last ten years to Saraswati and took a shuttle trip to New Kinshasa. Just how the fuck did he get ahold of Baird’s recordings?

Superintendent Constable Bishop, Eve’s prison guard, and most likely, her future executioner. And he was promoted. At some point in the last twenty years, he was promoted. Multiple times. 

The pin back on the brooch digs into her palm. Calypso clenches her teeth. She should let go before the wound is too deep and forms an ugly gash. She reaches with her free hand and hits play on the next video.

Eevee sits on the stone floor of a prison cell. She stares pointedly at the door. Occasionally her eyes flick up to the camera. Its hard to tell, but her face looks puffy. Her arms have bruises running from her elbows all the way down to her wrists. There are red marks on both wrists from wearing handcuffs. She pulls her knees up to her chest letting out a long groan of pain. The camera zooms in. It is just near inaudible, but the camera's microphone picks up her quiet voice.  I hear your tune,  like a songbird at noon. What a lovely trill, it makes me feel ill. Eve looks like she would curl tighter around herself if it were possible. Shrink into nothing. Make herself as small as a mote of dust.  Like chimes in the wind, we were destined. A full-body shudder wracks through her.  Birdie, I’m not comin’ home, I'm sorry to leave you all alone. A figure approaches the cell. They’re not in uniform but the way they approach Eve’s cell is not without confidence.  “It’s a good song.” Eve jumps with tears in her eyes as she blinks at the person in front of her. “Hey baby, I came to bust you out.” The figure shoves their hands in their pockets.  “Cyrus…” Eve slowly gets to her feet and crosses over to the bars of her cell. She holds a hand out. Cyrus takes it carefully, pressing his lips to her knuckles. She is nearly breathless as she asks, “What are you doing here?” “Like I said: busting you out.”  “I–” Eve shakes her head. “No, you can’t. What about Iris? What about Baird? They need you more than I do right now! How'd you even get in here anyways?” Cyrus shrugs and pulls a key card out from his pocket. “Snuck onto a shuttle, knocked out a Constable, stole their key card? C'mon, Eve, it's not that hard.”  “Not that hard– Cyrus! That's a death sentence! If you get caught–” “I won't get caught, alright? Peter Nureyev”– Eve flinches– “scared them shitless. They’re scrambling right now and too disorganized to notice me.” She's quiet, staring at their hands. “How long has it been already?” “Day five of the Warden Strike, second day without you. Camilla was the one who reached out to. Everyone else apparently was too afraid to, and the other Wardens are losing steam without someone to keep their morale up and minds motivated.”  “And what about Baird? And Iris? You left them alone to try and rescue me? Cyrus, I'm a prisoner, not a princess in a tower.” Cyrus clicks his tongue. “Iris has been alone for a long time, they’ll be fine. And Baird isn’t alone, the Spade’s are taking care of him.” He plays thoughtlessly with her fingers. “You and I only have each other though. I promised your parents I’d look out for you, and I intend to keep that promise, til’ death do us part and all that.”  Eve jerks her hand away to grip one of the bars. “Cyrus, look at me.” He lifts his head and flinches in response only slightly. “I came here willingly. And I’m not going to make it out of here alive. Eber and Camilla can barely afford to take care of themselves and Charlie. And Iris lost their family like you and I did. You and I both know what it's like to lose your parents. I don't want Baird to experience the same thing.”  Cyrus shakes his head. “Eve you're thinking this all backwards. I'm the one that dragged you into this, let me take your place and get you out of it.” The video ends. 

Calypso drops the brooch on her desk to run her hands through her hair. She tugs on the ends of her short bob. 

Eevee pushed Cyrus away because he wanted revolution. And he got it. He got a revolution and it took everything from Baird. 

These are real people. Not just voice recordings or a bedtime story a mother made up to soothe her distressed child. Baird, Eeve, Cyrus, and Iris. A real family. Charlie, Eber, and Camilla and their daughter, Evelyn. A spare family. Josie and the twins. Hank and Mrs. Darius. The Rats. Brahma was full of life. And it still is. Peter Nureyev is a legend to these people. Even if it turns out the name was fake, he was just as real as any of them. 

And despite all their hardships, Cyrus still married Eevee and then Iris. Josie still went on to have twins. Camilla and Eber brought a daughter into the galaxy. Charlie chose to go down singing. Cyrus went out singing. Eve echoed a song. And Baird kept his head high and trilled for their memory. 

The recordings from the comms were real. Are real. Calypso knows this. She doesn't have any faces to put to any names except now for Eve and a rough idea for Cyrus. They were alive. 

Calypso hesitates to start the next video. She's seen more than enough already. More than plenty. There are still two videos left. She already knows how this ends. Eevee Bell walked out of her apartment in the middle of the night so her son wouldn’t have to wake up screaming and watch her be dragged out the front door. She did everything in her power to safeguard him from a War she never wanted to bring home in the first place. And what did it get her? What good did it do when two years later Baird watched what happened to his father anyways? What good did any of it do when they broadcasted Charlie’s execution? 

Taking a deep breath, she hits play. 

“Songbird,” Constable Bishop stands in front of Eve's cell. They keep one hand on their blaster. Eve tucks her chin down while pulling away from the bars. “Tired of singing? That's a pity. You know, a few hours ago, I was alerted that someone came to pay you a visit. I had the cameras checked and we put the facility in lockdown. You'll never believe what we found trying to fly the coop.”  Two Constables drag a man into frame. It's Cyrus. Eve stands in place, her face drained of all its color. Cyrus tilts his head up. The two Constables flanking his side force him to stand, hoisting him up by his underarms. His hands remain pinned behind his back. .  “I wouldn't be all smiley right now if I were in your shoes, Desrosiers.” Constable Bishop pulls their blaster from its holster. They click the safety off and point it directly at Cyrus. “Now then, here's how this is going to play out. Ms. Bell, you're going to admit that you organized the Warden strike, you're going to take the fall and you're going to accept the consequences.” “And if she doesn't?” The Constables holding Cyrus pull on his arms. He hisses through his teeth.   “If she doesn't, then we'll blame you both. And then, with you both out of the way, we'll hunt down that Little Birdie of yours, pluck him from the nest, and make him sing us songs about how beautiful it is to be saved by New Kinshasa–”  “I did it.” Eve crosses her cell and reaches out as far as she can to grab the Constable Bishop’s uniform. Her fingers just barely reach their elbow. “I organized the strike. It was all my idea to begin with. I knew it was risky and stupid but I did it anyways. I poisoned the watering hole–” “Eevee–” “And Cyrus had nothing to do with it. Joining the revolutionaries and inciting the Dome Wardens was all me. Let him go. Blame me for everything, say that I'm the Revolutionary's mother while you’re at it and publicly execute me. Tear me limb from limb– just let Cyrus go and leave my son out of this.”  Constable Bishop holds her gaze. He lowers his blaster and gives her a curt nod, “I wasn't going to go that far, but if that's how you feel, well…” He put his blaster away. “I’m pleased you came around, Ms. Bell.” He turns to the other two Constables and motions for them to leave. “Escort the Pest off of New Kinshasa.” They grab hold of Cyrus’ jaw and force him to look up. “And if we ever catch you sneaking up here again, you’ll be publicly executed.” Eevee looks away as they drag Cyrus out of frame. His voice comes as a muffled shout that grows quieter and quieter.  “Don’t look so down Ms. Bell. You made the right choice. New Kinshasa thanks you for your candor.” The video ends. 

She lied. Eevee lied to Constable Bishop. Even if half of what she said did hold some truth to it, there were still lies she sprinkled in that they believed. At least they chose to believe them. And choosing to believe in something only grants it more power. It warps reality, and makes it more real. 

Baird’s first recording that Calypso heard echoes in the back of her mind. Some say that the legend isn’t true. Some say that Eevee Bell set the Dome Wardens on strike. At least one person believes that she is Peter Nureyev’s mother. 

Baird and Iris did not know everything. For whatever Cyrus was caught for finally, Constable Bishop made good on their promise and did eventually come back for him. They did not however publicly execute him. 

They got Charlie instead. 

With only one video left, Calypso hits play. She’s only slightly surprised to see Cyrus in a similar interrogation room to the one Eevee was in in the first video.

“There will be a free Brahma. There will be a free Brahma. Brahma will be–” “Do you ever, shut up!” Constable Bishop slams their fist against the table in front of Cyrus. His epauluets are different, now instead of two stars theres three. Cyrus winces clenching his jaw, but doesn’t draw away. “No wonder you got a divorce, I’d get one too if I was stuck married to you.” “Charmed, though I don’t find you pretty enough to marry… maybe if you lost the scrappy beard–” “Enough!” Constable Bishop drags a hand down their face, scratches at their stubble, and stares down at Cyrus. “All you have to do, is look at the camera,” they point to the one currently rolling, “and say exactly what you did.” “And then what? You’ll let me go scot free? You’ve already beat black and blue, I think I felt a tooth or two dislodge from my mouth. You willing to pay for my dentist bill?” “There are no dentist left on Brahma.” Constable Bishop circles around Cyrus and stands behind him. They grip his left shoulder, and guide his face up towards the camera with their other hand. “Now go on, tell them exactly who you are, and what you did.” Cyrus’ eyes are a muted green. His face is long and skin a darker shade of brown than Eevees’. He takes a deep, calming breath, and flashes a quick smile revealing a dimple on his left cheek.  “My name is Peter Nureyev, and I am going to bring down New Kinshasa.” Constable Bishop lets go of Cyrus to whip out their blaster. They crack the blunt end against the back of his head. Constable Bishop’s hand and blaster come away slightly bloodied, and the shout Cyrus lets out echoes in the small room.  “Think you’re so smart, huh? Try again.” “Cyrus Desrosiers-Bell, and when I get out of here,” Cyrus strains against his restraints baring his teeth in a sharp, sadistic grin, “I’m going to rip your fucking throat out!”  Constable Bishop clicks the safety off their blaster. They press it to the side of Cyrus’ head. “Go on, keep talking. We don’t need you alive, you serve no greater purpose to your revolution. You get caught in New Kinshasa once and I let you go, shame on you. You get caught sneaking around New Kinshasa a second time and get far enough back home just outside your front door, shame on me.” Bishop tsks rechecking their blaster. “One jolt. That’s all you need.” “Well go on then,” Cyrus lifts his chin. His brows squish together. A small gasp escapes his lips. “You don’t scare me. Not the first time you’ve pressed that thing to my head.”  After a moment, a comms goes off. The Constable checks it with a quick glance and relaxes. “You’re right,” they draw their blaster away from Cyrus but do not click the safety back in place. “I don't scare you enough. But she probably will.” A question forms on Cyrus’ lips but dies just as quickly as the interrogation room doors whirls open and close. Heavy bootsteps cross the room. A small shadow falls over Cyrus. His eyes go wide.  “Eve, my angel…” Cyrus shakes his head, tearing his gaze away. He grits his teeth. “No. You killed her.”  “Did we though? Constable,” the Bishop turns to the new arrival. They pass their blaster off to them. The new arrival walks into frame to accept the blaster. Standing beside Constable Bishop, is none other than Eevee Bell. The same dark hair, dark eyes, and constellation of freckles. A collar of some sort clasps snuggly around her neck.  It is as if the soul that bubbled to life inside of her has been snuffed out. This may look like Eevee Bell, it may move like Eevee Bell, but it is not her. Not anymore. No song whistles from her lips as she levels the blaster pressing back against Cyrus’ head.  “Eevee, baby,” the Constable places her finger over the trigger.  “Now then, any last words, Desroisers-Bell?” Cyrus licks his lips and stares into the camera. “My angel, my angel. Set me free.” The Constable pulls the trigger. Her arm absorbs the recoil as Cyrus’ body seizes and–

Calypso closes out of the video and turns away. She presses her head between her legs gasping for lungfuls of air. 

Rita spent ninety-two hours digging through Goddess knows what just to dig up this. The tumbling feeling in her stomach returns full force. Combined a racing heart and the rising bile in her throat, Calypso isn’t so sure anymore if she wants to call Frannie back. Maybe she ought to reach back out to Mister Mercury and try creative writing again. Maybe she ought to quit writing and journalism altogether, shuttle home to Venus, find a nice well off spouse, pop out another fucked up kid like her and her mother, and pat herself on the back for not dying to cancer or radiation poisoning or whatever. It might also do her a whole lot of good to find a therapist. At least looking for one wouldn’t kill her.

She waits until her heart has stopped racing and stomach settled back into place. Her pen feels like it’s barely there as she scratches down quick notes:

Eve gave the constable’s idea for public execution, thus Charlie. 

Cyrus Desrosiers-Bell. He took Eevee’s last name? And then kept it after marrying Iris?

Cyrus was beat and taken away because he snuck on to New Kinshasa– twice. First time to try and save Eve (failed to) and second time for unknown reason (caught and tracked down). Could this be why/how Talia’s book club found a way to New Kinshasa?

Don’t know what song Cyrus sang as he was dragged away from Iris. Possibly some version of Charlie’s Lament? 

How does Osiris Cygnet connect to all this?

What was the collar around Eve’s neck?

Constable Bishop’s promotions: have something to do with what happened to Eve? With what he did to Cyrus? (SIDE NOTE: I pray to my Goddess that whatever the hell happened to Eve, they did not do to Cyrus.)

… I pray that whatever they did to Eve, they did not improve and inflict upon Charlie. 

She puts her pen back in the swan holder and examines the puncture wound in her palm. The injury is small, not a gash like she thought it might be. A bandage and anti-spetic and Calypso will be right as rain. Peachier than an Earthen Sunday morning. 

“I need to find a hobby.” Calypso glances at the swan holder. Perhaps– no. Absolutely not. 

She dresses her injury and calls Frannie back despite every part of her howling not to. Her coffee has long since gone cold. Normally this woudln’t be a problem. Just drop a few ice cubes in and presto. Or reheat the whole mug and presto. Today is one of those rare days where neither is an appealing option and the last of her six hundred cred coffee goes down the drain. Finally her call connects with Frannie.

“You finished the videos?”

“Frannie.”

“Right, hello. You finished the videos.” It’s not even a question anymore. Calypso hums turning away from her sink to lean her lower back against it. Slowly she lowers herself to the floor. “I’ll take that as a yes, okay! I asked Rita about Peter Nureyev like you wanted me to. And she turned back around within a day to tell me that there was nothing she could find about the man. He doesn’t exist. Just another legend.”

Calypso scoffs, “Well that’s impossible, I just saw the videos. Eve and Cyrus both mention him by name. Baird mentions him in his recordings by name. Camilla mentions him by name at some point. He has to be real.”

“Well I don’t know what to tell you, kid, but if Rita can’t find him, no one can. It’s impossible to find something or someone who doesn’t exist.”

“Or maybe he disappeared.”

Frannie hums, “Sure, maybe that. Look, kid,” Calypso bites her tongue, “I wanted to talk with you about asking for help. Remember how I said you won’t be asking Rita for anymore favors?”

“Yeah, yeah actually– Frannie what was that about?”

“Kid,” Calypso does not retain her inward groan, “Rita is a really good friend of mine. Me and her go way back to when we were just little ladies getting our noses dirty and toeses wet with cybersecurity. She went down the HCPD path, I went down a freelance one. 

“My point though is that me and her aren’t the same little ladies we used to be anymore. We’re little old ladies now. And us little old ladies need our rest and relaxation. When Rita starts something she doesn’t know when to take a break. She puts her whole body into it.”

“Don’t you mean mind?”

“No, body. Rita has been sacrificing her own health for the better part of three decades now trying to help her Boss. He’s a prick at best and an asshole at his worst. He’s taken her for granted a lot.” Well, maybe she should find a better Boss, goes unsaid. “Their relationship is better now, but I’m not going to let another kid like you come and drag her around the whole galaxy.���

“For fucks sake Frannie– my name is Calypso! I’m not your damn kid!” Calypso pants. The swooping feeling returns. “I’m not you’re damn kid, I haven’t been anyone’s damn kid in over ten years, so stop calling me a fucking child! If you don’t want me talking to Ms. Rita anymore fine. I get it. You don’t wanna hear about my requests to her that’s fine. I’ll cut you out of it and–”

“Calyspo Starr.” Her jaw clamps shut narrowly avoiding biting her tongue. “If you reach out to Rita after today, I will cease to help you myself. You can take your little comms and find someone else willing to help you for free. All I’m asking, Ms. Starr, is that you don’t involve Rita any further. Have I made myself clear, Ms. Starr?”

Ms. Starr, I’m sorry but there’s nothing more we can do for your mother. Your next decisions are going to shape how the end of her life are going to be. Have you got a will lined up already?

Ms. Starr, I can’t accept your solo proposal. Everyone else found partners for this project at the start of the year. Maybe you can join a group and be their editor? 

Ms. Starr, that will be a demerit for you. Let’s find you something more suitable in the lost and found. You wouldn’t want to mistaken for a ruffian, do you?

“Crystal.” Calypso ends the call before Frannie can respond. She calls back. Calypso decline the call and throws her comms across the kitchen. She watches as it skitters along the tile. 

Alone. Shit writer. Parentless. Jobless. Flying by the seat of her pants and overpriced coffee grounds. She was never cut out to be a journalist. Maybe she ought to go off and find a cold ditch to lie down in. Or a warm ditch. Whichever she stumbles across first. 

Just who is Calypso Starr? Who the hell does she think she is anyways? And what gave her the idea that any of this meant something to someone in the first place?

I choose to believe… 

Calypso takes a deep breath and starts counting back from ten. 

I choose to believe… 

As she slowly exhales, true clarity rings through her mind. Baird chose to believe. And it doesn’t matter how, his recordings made it off-planet. And if not Calypso Starr to tell his story, to transcribe every last detail she can capture, then who else? Who else does that leave? 

Calypso Starr, the rebel who didn’t wear the right uniform. The orphaned university student who scrapped by without any friends. And now, a Solar based, historical freelance journalist. Scratch that from the record: Galactic, historical freelance journalist. She’s worn half a dozen different hats over the years, but one thing has remained consistent: a Starr burns brightest before they go out. And if Baird Bell and Brahma are the undoing of her, then there’s nothing to be done about it. She’ll get to the end of the recordings and uncover the truth one or another. With or without Frannie’s help.

[tellmeabtspinos]

damian using his art skills for evil and drawing timber in an awful 90s yaoi artstyle (yes the proportions are awful and the hands are nightmarish)

he gives it to tim in front of bernard so tim isn't able to tear it up or even say anything bad about it

it's on bernards fridge now and tim is forced to look at it everytime he comes over

[herearedragons]

Three-Song Playlists

So making long playlists takes time, and I don't even have that many songs for some characters, but three sounds like a reasonable number. So I'm going to compile three-song playlists for as many ocs as I can manage, and while I'm at it, let's make it a tag game!

Tagging @solas-backpack-mug @dungeons-and-dragon-age @ndostairlyrium @curiouslavellan @greypetrel @transprincecaspian @zundely and whoever else has ocs and songs that fit hem! (and if, unlike me, you have extensive playlists for every character, I guess the challenge is to choose the three songs that fit them best)

Kyana Amell (Dragon Age: Origins)

a force to be reckoned with

Muse - Survival

Muse - Blockades

Florence + The Machine - Various Storms And Saints

Adina Saar (Dragon Age: Inquisition)

loud and bright, secretly longing for a world she can't have (the Fade as spirits experience it)

Fall Out Boy - Immortals

EVE - Yuseiboushi (Living idly and dying as if in a dream) (flashing lights/images warning)

Fall Out Boy - Hold Me Like A Grudge

Selene (Pillars Of Eternity)

psychic demigod born to be the final boss, forced to be the protagonist

Tarja - Lost Northern Star (also the remixes I lovingly dubbed boss battle phase 1 and boss battle phase 2)

Lyriel - Voices In My Head

Evanescence - Bring Me To Life (linking the gregorian monk cover because it fits her setting really well)

Firi of the Read Scarves (D&D)

elf boy escapes abusive home, becomes a criminal prodigy

Ado - Motherland (flashing lights/images warning)

EVE - Tokyo Ghetto (flashing lights/images warning)

Saint Motel - A Good Song Never Dies

Evelyn Trevelyan (Dragon Age: Inquisition)

suffers under the weight of secrets and impostor syndrome, but finds love and understanding eventually

EVE - Dramaturgy (flashing lights warning)

Florence + The Machine - No Light, No Light (flashing lights/images warning)

EVE - Yoku (flashing lights warning)

Aqun Adaar (Dragon Age: Inquisition)

local mercenary tries to be a good leader, grows more stressed with each day

Imagine Dragons - Ready, Aim, Fire

Encanto - Surface Pressure (linking the Caleb Hyles cover for matching pronouns)

Twenty One Pilots - Pet Cheetah (eye strain warning)

Neilar Lavellan (Dragon Age: Inquisition)

LAVELLAN ANGST + a Dorian POV in the last song

R.E.M - Losing My Religion

Florence + The Machine - What The Water Gave Me

Florence + The Machine - What Kind Of Man

[lorephobic]

idk how to even like. put this pain into words and i would normally vent about this shit on twitter, but the person its about follows me on there so like. anybody have skills for coping with the crushing realization that the person u love most in this world and have built ur life around sees ur current situation together as a temporary hurdle that's preventing them from their truest and happiest self which. is separate from u entirely? anyone know how to deal with this?

[hippolotamus]

Good Vibes Tuesday

Thank you @mostlyinthemorning for this perfect idea

I'm in the mood for some positivity this morning, so let's share something that makes you happy about fandom*. It can be anything you like-a person or blog you appreciate, a post that made you laugh, a fic you liked, anything that puts good vibes into the world.

*fandom can be whatever you want it to be

Tagged by darling wife @lizzie-bennetdarcy @rmd-writes @stereopticons @jesuisici33 💕

What makes me happy about fandom is that it is so much more than "just fandom." Certainly it is a place to yell and scream with other unhinged like minded people.

It is also a safe haven to reread a comfort fic on a bad day. A place to learn new skills and grow your creativity. It's finding a particularly hilarious, heartbreaking or mind-blowing creation and shoving it at all your fandom besties. Fandom is a way to torture your poor blorbos (again) as a way to process grief, fear, anxiety, sadness and any other number of scary (and amazing!) emotions.

Not adding anything new here, but it is Fandom Friends. Encouraging messages when you need that final push to finish something. Hi, I had this crazy stupid idea today and wrote it while I should have been working. Will you beta it for me? Exchanging birthday and holiday cards. I'm sorry yesterday sucked. Hopefully today is better. Tag games! Have a safe trip and let me know when you get there. The absolute amazement that I may not know your real name or where you're from, but I know that your favorite color is royal blue, you adore bats, love to crochet, wanted to run a seal sanctuary when you grew up, love soup as much as life itself, or nerd out on spreadsheets. What a time to be alive, besties.

Tagging @shortsighted-owl @alyxmastershipper @alysiswriting @vanillahigh00 @blackandwhiteandrose @elvensorceress @mysteriouslyyounggalaxy @littlebitofdiaz @spotsandsocks @walnuts-and-berries @apothecarose

[itwoodbeprefect]

in photo finish when hutch is present for reasons that are beyond any normal person’s comprehension while starsky and his date are buying a suit for starsky for, uh, their date that night, and then starsky’s date keeps being like, come on hutch, i wish you’d reconsider (meaning she invited him at least once before) and come with us! the woman you met outside my office will be there! and at first hutch is like, that does not ring a bell, before he switches to VERY intense staring at nothing and goes, “the one with the legs!” and “the one with the eyes”... gay. like, literally one step up (if that) from raymond holt pretending to be straight. (she was such a strong, female woman!) one has to wonder if any bell has rung for him at all or if he’s just naming body parts you can be somewhat sure that most people you meet have at least one of.

[star-mum]

Okay OP nation I have some (maybe controversial) statements about the Straw Hats and I need y’all to listEN FIRST OKAY- HEAR ME OUT

Boyfriend: Zoro and Franky

Husband: Usopp and Sanji

Girlfriend: Nami

Wife: Robin

Luffy: Aroace king