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Jancy you could be so tragic if they let you be. You could be SO TRAGIC. Two people who love each other, who respect and value each other, who want to be together but are unable to be together not because of circumstances outside of their control or family strife or anything, but because of their different goals and priorities and hangups. Because of who they are. If they let Jancy be messy it could be heartbreaking!! Devastating! Regardless of if the ship is endgame or not, they have potentially relationship ending issues they have to work out. They love each other so much, but what they need and want and expect from each other, from the future, from a relationship, isn't what the other can give. The realization that just because they love each other doesn't mean they would be happy together romantically and follow through on dreams or even discover them, that's heartbreaking. Tragic. I want!! To see it!!
look, guys, i know that farleigh isn't the main character in saltburn and is supporting cast at best, but truth is—i’d loved if they’d explored the queer and racial aspects of his character because there’s a lot of material there that they could’ve worked with. god, how i would’ve loved if they’d just given him five more minutes of screen time for that. but just like in the plot, no one really cares about farleigh, do they? because it’s not his story and it’s not his house.
but like- theres just so much to say about a queer and colored character in 2006-2007, y’know? at that point in time, being queer and colored was still seen as horrible and something to make fun of. and, like, farleigh is so extra, somewhat effeminate and just downright scandalously fashionable for an era where men were severely toxically masculine and wore double popped collars and relatively simple clothes. i’m sorry but… you’re telling me that nobody ever said anything about this man?
not only that, but he’s a black/mixed man in a predominately white university/space. i mean, huh? people were massively racist in 2006-2007, especially in places like britain (and you can’t tell me otherwise because we all know it’s true).
but, sure, let’s entertain the possibility that he might be in the closet, okay? yeah, whatever, i don’t care. but the doors are glass!! not even opaque glass or something like that, they’re plain see-through, transparent glass doors.
no one, NO ONE said anything? and he’s still popular as fuck just because he was felix’s cousin? people still talked shit about oliver at oxford even when he was felix’s friend but we never heard a single thing about farleigh. and that may be because he wasn’t given enough screen time for that, but it doesn’t matter.
what i’m trying to say is that they had so much material and they wasted it by not making the movie about him.
consider sanuso bodyswap where Sanji is of course "admiring" Usopp's body and Usopp is trying desperately to keep himself from getting worked up so that he doesn't light himself on fire.
Luffy and Chopper are not helping. They are in fact doing the opposite of helping. They've ramped up their pranks and are doing anything possible to get Usopp angry so that he combusts, freaks out, and then dives into the ocean to put himself out. They think it's hilarious.
Nami and Brook are Also not helping, since they're conspiring with Sanji to put on a fashion show with Usopp's body. Sanji called it "not wasting a precious opportunity to get him in something other than overalls". Usopp called it mutiny and he was gonna- dive into the ocean, holy fuck Sanji why is it so easy to catch fire?!
Best part about this is that Sanji assured him, several times, that his body doesn't get hurt by catching fire. Usopp still jumps into the ocean every time.
Robin pipes up at one point, asking if Sanji was immune to just his own flames or all flames. Sanji just kind of shrugs and said it depends. Franky, having just been leisurely watching all of this gets an idea. Would his Franky Fireball hurt Sanji's body or just give him more fire to work with?
He tries to coax Usopp into agreeing to test it out and, somehow, he manages it. Albeit, Usopp is all knocking knees and chattering teeth, a very odd sight from 'Sanji'. As part of the deal though, he can only shoot a fireball the size of his hand.
Usopp meant his small hand. The one Franky used for tinkering and fine detail work. He did not, however, clarify this.
So, when a fireball the size of Franky's big hand comes out, well. Usopp runs for his goddamn life.
It takes him a few moments- and the voices of his friends sounding distant and below him- to realize he hadn't, in fact, run to the men's quarters, but rather into the fucking sky.
And oooooh, boy he is gonna kill Sanji one of these days. Why was his body's first fucking instinct when running to go up, what the actual HELL-
Usopp lit himself on fire again.
He curses out Sanji as his Sky Walk fails in the same moment and he plummets towards the deck.
Time to rewatch Extraction and lol forever about how Wolffe's first instinct upon meeting CX-2 is to hate him and then repeatedly try to get him accidentally or intentionally killed.
Important question, do more of the RE8 villagers survive in this version?
Yes, very much yes. I can't, at this time, guarantee any specific characters other than Elena (definitely) and Luiza (probably), and an undetermined number of unnamed villagers, but I definitely plan for some of the villagers to survive.
While the total wipe-out of the Village in RE8 is a lot more believable than other "total wipes" like Raccoon City or the Pueblo in RE4, as it seems significantly smaller than both RC or the Pueblo, and has a more intelligent breed of bioweapon under specific instruction to exterminate the Village, Resident Evil has a weird and kind of uncomfortable history with complete massacres over its long history that I'm always inclined to push against. It's lazy, uninteresting writing to me when it's a trope recycled so frequently... especially given it's very clearly mostly used to provide clean narrative "closure" between each game by eliminating any other survivors other than the main protagonists (and Wesker lol). Like... RE4, for example, functions as a contained narrative because the Pueblo dies at its end. Its function is over in the continued story of "Resident Evil"... it only matters going forth in the context of Leon, Ashley, and Ada as characters. But as a writer, I'm much more intrigued by a version of that story that involves other survivors. What would it mean to live through something like that, not as the hero outsider protagonist, but as a civilian? How do you even recover? Who would you be after?
The weight of the horror of the complete destruction of a place that's isolated to a single game becomes faded when it's the same shit in every game. I'm sick of it, and bored of it. It would hit harder if it wasn't every damn game... better to take it apart and try something new with its empty box.
cucurucho and the federation need to step up their game. what is up with those basic ass questions? what the hell do those tell you about a person?? nah. NAH. i have a LIST of questions on my phone that would tell you INFINITELY more about a person than their basic ass "what was your name / occupation / hobby / age" step up your scientific game you polar bear bitch. EXAMPLES:
what is your minecraft sprint keybind? (information gained: are you basic, normal, or are you wacked out of your FUCKING MIND)
what color is your elephant? (information gained: do they take things at face value or do they think more deeply [i.e. did they ask "tf you mean 'my elephant']? are they a basic bitch ("gray") or a quirky random sparkle sunshine (any other color) )
if you could get rid of one word from any language, what word would it be and why? (information gained: do they attack their language or someone else's? is it because of the word's meaning, or its pronunciation, or an outside factor?)
if you could choose a measurement system to use, would you use metric, imperial, or something else? (information gained: are they water (metric) or a human being (imperial) )
how fast can you type? (information gained: are they terminally online and/or a fucking loser for knowing their wpm)
at what minute does 3 o'clock stop being 3 and start being 4? (information gained: do they take things at face value, and where do they start rounding [ex. is 3:30 still 3? is 3:31 still 3? 3:40?] )
when i say 'chair' do you see a chair in your head? describe that chair. (information gained: do they think in images? psychoanalyze their chairs. steel chair? school chair? rocking chair? electric chair?)
which finger do you start counting on? (information gained: do they count with their culture or are they a class traitor)
are you a cowboy or a pirate? (information gained: are they a cowboy or a pirate)
"people love you uwu people care about you" okay? not my problem. love me less. can we work out a reasonable level of care where it's obviously not cool if horrible things happen to me, a human being, and you won't do any horrible thing to me, but you don't feel obligated to fuss over anything out of the ordinary i do and i have to shut up about it and perform Normal Human Emotions lest i commit an awful social faux pas and hurt your feelings?
I really don’t mean to stress you out. After 2 decades? Possibly? Since Jemily days on purged platforms! I guess I’ve been a feral anon supporter for that long. And will long continue to be if you keep these vibes comin (or I’ll keep re reading if you leave us 🥹)
My wife is FINALLY pregs after years of trying (the effective science way and the non-effective fun way 🤣)
alex mack! congratulations! effective science way is just as great! ahhhhhh i’m so happy for you. best news, thank you for sharing it with me (and everyone who reads this post)
also god almighty 2 decades. baby me was really deep in my feelings over jemily at the tender age of too-young-to-be-chronically-online. and yet. here we are. reconnecting with people who have known us in some capacity for the majority of our lives. the internet is a weird and wonderful place. i miss those purged sites. i miss the communities. i’m glad you’re here. what a freaking world.
You don't understand how unhinged I feel trying to construct an ending for Bleach that I personally would enjoy while knowing Bleach does not deserve my time and also not remembering enough to actually make anything coherent. And yet here I am.
Something innately tragic about the darkin is that ultimately their existence is aa never ending body horror filled suffering and an eternal hunger rivaling the things that fractured their minds in the first place. Tarhos is no exception to this though he is given space by Haru to heal and try to come to terms with what he used to be vs what he is now. This makes him appreciate a lot of smaller things in life that most would ignore or not notice in the firstplace.
Tarhos is four-thousand years old and who even really knows how long he's been trapped in his own fragmented blade for and most of that was spent underwater after being tossed off a merchant ship by someone who knew what he was. He couldn't see much of anything, felt like he was drowning, couldn't feel anything and all he was left with was his thoughts that desperately clung to the idea of the Shuriman empire instead of how he and the other god warriors were actually treated after the void war.
So when Haru picks him up and he can't fully make him his vessel, he's rightfully pissed, but he does calm over time by just having someone to talk to. He honestly can't stand the sound of his own voice alone still, he hates listening to his own thoughts. Still at least out of the water he could feel the warmth of the sunlight and the pressure of fingers dancing across his blade. His senses were very dulled though they existed and he was just happy to finally feel something. Though as his feelings grew so did his longing.
And when he was finally allowed to touch the vastayan's skin he weeped. Just being able to feel the grass, hear the birds, see clearly. It was overwhelming, but also held a joy he can never fully describe. He loves the sun on his scales, digging his claws into the Earth, smelling everything nature has to give, even just how pretty things as simple as rocks can be and he'd probably look foolish rambling about it especially to his kin, but it's just how he is. It's why usually when Haru's around he's close by or putting his claws on him, it's something so simple he was deprived of and longed for for so long he doesn't want to lose it again.
And due to being in the blade: he doesn't remember being human at all. He knows he was a slave who was celebrated and worshipped for his bravery which earned him his freedom and ascension, but... He doesn't remember any of it. His mind clung so hard to how he was when he was a giant bull God he's completely forgotten what it's like to be human which combined with how due to how hemomancy corrupted the darkin, makes him not value human life at all. He sees their struggles as pointless, they'll all die in a blink of his eye in his life time, they don't matter. Tarhos of course still enjoys being around humans, but he will trivialize their struggles unintentionally.
He just... doesn't see the point in what most people do at all. He doesn't get the worry or strife. And that's eventually going to be a big lesson for him in humility.