#good lord that's a lot of words @_@

[theladysherlock]

talk shop tuesday! incredible coincidence - i wanted to ask you more about your dnd OCs, and you posted a new art piece with one of them! continuing the theme: could you tell more about your dnd OCs and how they came to be?

Ohhhh you have opened Pandora's Box my friend!! I could talk about this topic all day.

Basically there's two parts to this: my approach to DnD in general, and in-depth explanations of the characters. I'm going to put this under a Read More to save everyone's Dash.

Part One: Dungeons and Dragons

So the thing I love most about DnD (and other TTRPGs) is that it's a collaborative game. I'm not responsible for the entirety of the story, I bring my character to the table and everyone else brings their characters and between us, the DM, and the dice, we figure out where the story is going. I enjoy it so much more than trying to come up with everything on my own. And I love that people can surprise me!! @mothmansbigfatass and @ahawkmet (my irl friends and in most of the campaigns I play) can attest, apparently I'm a lot of fun to watch during revelations because I always have a big reaction.

So when making a dnd character, it's important for me to know 1. What the world we'll be playing in is like, and 2. What everyone else is doing. Again, it's a collaborative game, so I want to make sure that I'm playing nice with the DM's world. AND often the setting itself will give me an idea (see Ethan: the game is set at a community college. What's a college stereotype that would be fun to play?). Ideally, the character I make would have a really hard time being plopped into a different campaign and have it still make sense. Secondly, it's more fun for me to play a class that will fill out the party. For example, if we already have a cleric, I don't also need to play a religious character. Those story beats are covered by someone else, I don't want to be competing with another person for cool moments.

Once those two things are settled, character creation is determined by what seems fun to play and what would be interesting aesthetically. I like to keep the backstory light to see what happens as we start playing, and then I can fill it in bit by bit later. Sometimes that bites me in the ass, though (see Ethan: I didn't give him birth parents and then they were incredibly important to the plot). I tend to have a general idea about who they are and what they're like, and then I always get surprised by what they actually end up acting like once we start playing. It's fun for me to figure them out along the way!

The last thing I wanna say about DnD (for now) is that I love everyone else's characters just as much. I just draw mine more because, well, they're mine. I feel weird putting their guys in situations and guessing how they'd react because they aren't my little guys. I much prefer working collaboratively with the other players (like an RP thread) to just writing a story on my own.

Part Two: Ethan

Where to even start with my boy. A bunch of my work friends got together to start a DnD game, and I hadn't played with most of them before so I wasn't sure what to expect. I also did not think the game would last very long, since most campaigns tend to fizzle out after a few sessions. So I made kind of a joke character with extremely little backstory: He's a half-orc, since I hadn't played that race before, he's a bard who is the captain of the local community college's Improv Team, he's "the kind of guy to play wonderwall at a party but you're not mad about it", and I said he's adopted by two men, neither of whom were his biological parents, and he wasn't particularly interested in tracking down his bio parents. This last point is for two reasons: one, I was trying to avoid just duplicating a Dimension 20's Gorgug, a half-orc who was adopted by gnomes and spent the whole first season trying to find his dad; and two, I was pushing an "Adopted parents are not less than biological parents" agenda.

My DM took this personally (affectionate). First session, I was given a clue about his birth parents' identities. From then on, Ethan was dragged kicking and screaming into being the unofficial main character of the campaign. His mom was one of our favorite NPCs, a kickass pirate with a truly tragic backstory who would always jump to help us out of a scrape. His biological dad was the human embodiment of Pride who had took on the form of Fantasy Harrison Ford and was an extremely famous actor in-world. Our BBEG was his uncle, the embodiment of Greed. Every plot point became very personal and it was a lot of fun. I also loved putting him through the wringer, so between me and the DM the poor guy couldn't catch a break.

Part of the dice telling the story, I rolled so bad all the time when I played Ethan. It didn't matter which dice I used, I just rolled really bad, which was not something that normally happened with me. So that was fun to incorporate into his character as we played-- he was insecure about his own abilities compared to the extremely powerful characters he was surrounded by (we had a 20 ft Earth Titan who was an extremely powerful Druid, Emeshka you will always be famous). So he became a more three-dimensional and actualized character the more we played.

He's extremely easy to put in situations and his character design is pretty solid, so I end up drawing him the most. My perfect little guy.

(Anything about him I've tagged either "Ethan" or "Big Yarr Energy" if you want to find more)

Part Three: Mina

After the campaign with Ethan wrapped up, we started a new one in a Cthulhu-inspired setting. My goal with making Mina was to do as close to a 180 as I could from Ethan. While Ethan was a friendly and charming but bad at most things, Mina is a competent and intelligent Druid who's blunt and overworked and doesn't quite know how to meaningfully engage with her party members (but she tries, bless her). Druid was one of the classes I hadn't played yet and I've been making my way through the list of available classes. The One-With-Nature stuff isn't super interesting to me as a player, but I found a homebrew subclass that was based more in Big Cities and as an Architecture Nerd that was much more my speed. Also, I hadn't played an Aasimar before, so that seemed like fun. From all that, I pulled together her whole deal: She was from a bloodline of guardian angels who were sent to protect different villages and towns, and she's gone from her mother's small town to being the guardian of a city of several million people and it's overwhelming. She's lonely and she's jaded and she's got severe Gifted Kid Syndrome and she's got her head on a swivel to make sure her party members are okay even if they don't like her very much and I love her.

I didn't give her a lot of tragic backstory because there are a lot of us playing and I wanted to have a character who could push the plot forward with her actions, instead of having a "now let's stop and talk about my life!!" moment every session that seemed to happen with Ethan. Give everyone else some time to have cool moments, you know? And by GOD are there some cool moments. My fellow players are so good at making compelling characters. Ask @mothmansbigfatass about Nelly if you get a chance.

We're still playing this campaign, although we're nearing the end of it. There's still space for some big moments for Mina in the game, though I'm hoping our DM lets me save hers for last. She's the kind of character to make sure everyone else is okay before taking care of herself, so it feels appropriate. I'm excited to see where Mina ends up. She's definitely a character I'll go back and write/draw a lot afterwards, though. Part of being in a group this size means there's a lot of stuff that just won't get covered. I'll have a lot of material to play with for my own work once we get to the next campaign.

(Anything about Mina I've tagged either "Mina" or "Cthulhu Crimes" if you want to find more)

Part Four: Jess

Jess is a character that isn't from DnD but is a TTRPG character of mine, and I like her so I'm going to talk about her too. Jess is a cautionary tale in Knowing Your Audience.

Jess is from a different group of players than Ethan and Mina. Our DM for that game is notorious for wanting to give us Big, Shonen-Style fight scenes and an insane level of power creep. Character interactions are fine, but his true passion is making us look like Goku.

Jess was... not built to look like Goku. In this world you could identify different types of magic users by their focus, and I wanted her whole schtick to be about deception. She looked like a wizard when she was actually a monk, she looked like a dumb blonde girl when she was extremely smart and good at stealing things, she's a dancer but her primary fighting style was based on capoeira, etc. Also part of why Jess sticks with me as a favorite character is the way I had her powers work was so fun and visually interesting that I haven't been able to shake it. Basically her superpower was that she could snatch bits of other people's powers and use them herself, and you could tell which ones she had because they would fill out spectral stained glass wings with specific colors.

Jess was (and still is, frankly) too complicated for the game our DM wanted to run. Immediately any hope of her being a chronic liar was dashed as her powers did not manifest in a way that could possibly pass off as being a wizard. So instead of being sneaky, Jess became very angry. She was quick to point out injustices in the world we were in. She beat up creeps, she yelled at bigots, she stole powers from macho superheroes trying to one-up her. She had to get a lot less complicated for the story we were in, but the complicated version of her still lives in my head and I like to see what she's up to from time to time.

(I don't think I have anything tagged for Jess, unfortunately)

TL; DR:

TTRPG characters are fun because they let me do my favorite thing creatively, which is bounce ideas off of other people. I typically design them based on the setting, party needs, character tropes that I think are interesting, and just general vibes. Most importantly, though, I don't have a fleshed out character without the input of the other players.

[pirateprincessjess]

I feel the need to periodically remind people that Idiocracy is a eugenics movie.

One of the things that eugenicists believe is that it is bad for society when the “wrong people” breed.

The entire premise of the movie is that “stupid people” kept having kids while “smart people” didn’t have kids, and it ruined society because stupid genes propagated while smart genes died out. This is eugenics propaganda.

I know people will read this and their response will be “actually it’s satire” but the movie isn’t satirizing eugenics. It’s satirizing anti-intellectualism, and consumerism, and it proposes eugenics as a solution.

When eugenics was first conceived, it was used as a way to justify inequality. The idea was that people who held privilege were able to do so because they were smarter and genetically superior to lazy and stupid people who don’t have privilege. Obviously this is bad and wrong, but it is also the core lesson of Idiocracy.

The movie literally ends with the main character becoming president and having “the smartest children in the world.” Because he and his wife have smarter genes than everyone else. The proposed solution for the things that Idiocracy is satirizing is for the smart people to have children that can be in charge of the world.

I know it’s fun to use this movie to dunk on anti-intellectualism and the MAGA movement, but we need to stop. When you quote and reference this movie you are spreading eugenics propaganda.

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[lokh]

its sooo fun how dungeons reveal the psyche of the dungeon lord like. thistles dungeon was so planned and meticulous but so full of ghosts and unravelling at the end. mithruns dungeon was apparently so convoluted and 'made out of jealousy, lies, anger and inferiority'. marcilles dungeon was like.... that lmao, everything being brought to the same level with no real regard for what that might do to the ecosystem, and laios' dungeon ultimately ends up spilling out onto the surface. becoming one with it you might say

anyways if you were a dungeon lord what would your dungeon look like

[cementcornfield]

https://www.tumblr.com/cementcornfield/754280825602932736

Hi new to this fandom and was told this is the Joe’marr blog . I’d love to know your favorite moment between these two and how would you describe this dynamic cause it seems like Ja’Marr don’t play

Hi anon, welcome to the fandom and to joe'marr in general! and lol yes i do definitely post about them a lot!

ja'marr does NOT play, i agree! neither of them do about each other i'd say <3. i've described my perception of their dynamic a few times in asks (and! important to remember it's just my perception because we don't actually know any of these men personally) but here goes way too many words about it below the cut 🫡

differences and similarities

to me, they're two good friends who are seemingly very different, but complement each other well, and are actually very similar on the inside! ja'marr is outwardly more extroverted, warmer and friendlier, while joe isn't cold, necessarily, but he seems to take longer to warm up to people in general; he's never friendly just to be friendly ("he'll walk right by you and not smile" per ja'marr), and, despite recent appearances lol, is more of an introvert. (although honestly, ja'marr recently has said he's starting to prefer staying in playing video games and joe has been more out and about! so it seems like they may be rubbing off on each other!) but at their core they're both stubborn, strong, brave and have an edge to them that i think they've recognized in each other since day 1 (all those fights at LSU practices! a love of taunting!)

taking care of each other

they care about each other a tremendous amount and it seems like they are always trying to take care of each other in their own ways. ja'marr with his (maybe???) buying joe clothes and taking him out and wanting him to live his life (he must be thrilled about France Joe), and always defending him in the press (and on twitter lmao). joe always getting in extra throwing sessions with ja'marr (including and most importantly ja'marr's rookie year when he was struggling and they'd stay after practice getting extra work in), always talking up ja'marr's talent and intelligence and work ethic in the press, and he basically guaranteed him a spot on the team during the 2021 draft.

mind reading - good

they've known each other for 6 (SIX!!) years now and according to both of them they "don't need words" to understand each other at this point. which is maybe my FAVORITE thing to analyze about them lmao. because that's definitely obvious on the field. i don't think i really understood how special their on-the-field connection is (despite announcers and coaches and analysts talking about it constantly!) until i finally started understanding how the game actually works (lol i didn't watch football until 2 years ago and started understanding it even later). like, ja'marr's ability to know when to break out of his route, when to improvise when joe needs him to, and joe's ability to know exactly where ja'marr's going to be??? and all of this is happening in SECONDS while people are actively trying to bring them down through any means possible?? that's such an impossible feat and it's one they pull off all the time! and this translates to off the field for them too. one of my favorite clips ever is ja'marr describing how he can tell how joe's feeling just by how he walks in the building, and that joe can do the same for him. "i know him like the back of my hand, he knows me like the back of his" like??? ok boys! that's some soulmate shit actually!

mind reading - bad

BUT on that note, i do think that, ironically, this ability to "read each others' minds" sometimes could lead to miscommunication for them! or at least it could lead to them NOT saying things that maybe they should say out loud. i don't have a lot of concrete examples here (obviously because if they're not saying things to each other they aren't saying them to the press) but there's an interview where ja'marr's talking about his hip injury. and how he "never talked to joe about it" but he "knew in his mind that he'd come back when joe needed him" which ???? what are you talking about ja'marr?? the double mind reading there of a. expecting joe to know that he'll come back when he needs him but also b. expecting himself to know when joe would need him! like! that seems really complicated, you could just, talk to each other? maybe?

ja’marr also said that joe didn’t believe him when he told him that his presence was enough at practice, that joe thought he was joking (i guess it’s not commonplace for ja’marr to come right out and say how important joe is to him and the team! so joe probably wouldn't know what to make of that rare moment of sincerity!)

and i think they aren't talking to each other about contracts (which, fair enough, that's business), but people sure were asking ja'marr about joe's contract anyway (and they're starting to do the same for joe about ja'marr!) and we all remember a lot of ja'marr's comments that came around to bite him lol. and, i have NO proof for this one besides my projections/feelings, but i wonder if joe's worried at all about ja'marr's contract this year. if he's worried that if he doesn't perform, ja'marr won't want to stay. now, ja'marr tells the press (and twitter. and his twitch chat. and his dad.) that he wants to stay with joe, but does joe believe that? has ja'marr ever come out and actually said that to him? or is he expecting joe to just know that?

(oh man i wrote a lot in that section, and i have so little actual evidence, but it's something i love thinking about! i don't want them being too cutesy or perfect tbh. they're flawed! they're men raised in stoic sports culture and honestly i am so sure they suck at communicating. i'm sure they've had misunderstandings. i'm sure they've argued. and that's so important!)

balance

i think another thing i love about their dynamic is that ja'marr is such a good check for joe. if you haven't noticed, joe kind of runs the organization lmao. from day 1 he's been involved in the play calling, drafting, overall culture and philosophy. and that's his right! he is good at all of that! he's The Franchise (worshipped throughout the team, the city, half of the state!) and, in the beginning, i think ja'marr felt that way about joe too. joe led him to a perfect season and a national championship in college and then a super bowl his first year in the league! he himself said, right before the super bowl in 21, "he's like a god to me" which is...just a WILD thing to say about your friend :') like??? the devotion? the loyalty?? okay ja'marr!!

but, then they lose, and ja'marr "coaxes joe out of bed" to go celebrate anyway. he gets to be the one to see joe at his absolute lowest and he's the one to build him back up. and i think that really affected their dynamic from then on, to the point that ja'marr became the only guy to think of joe as an actual human being in the organization. i don't think (until very very recently with zac) that a single person other than ja'marr ever said no to joe (the way joe stayed in that titans game last year despite being hurt, at risk, and losing by so much cemented that for me!) ja'marr was the ONLY ONE to say that joe should sit out as long as he needed to for the calf. the only one not celebrating (in fact, he seemed PISSED) when joe was running around during preseason games despite not being fully healed 😭 the only one saying "come on joe let's go out" instead of just coming to him (and it seems that's finally worked lol) and joe NEEDS that. he needs that desperately! someone who will support him but call him on his shit, someone who sees him as more than just his abilities and wants what's actually best for him!

teasing <3

finally (oh my god this is SO LONG) i really enjoy how playful they are with each other. joe tends to be very Stoic and Serious (not all the time, but it's a tendency) and i think ja'marr is good at bringing him out of that. he's talked about how back at LSU he would joke around with joe and it took him a long time to finally figure out how to make him smile and laugh. and i think that's a skill he's perfected over the years! every mic'ed up between the two of them, we get to hear them tease and mess with each other. "you see that big blue thing over there??" "you couldn't overthrow me and get me in stride?" "my guy you were wide open!" (ja'marr's hands on joe's hips the entire time) "you're looking pretty slow" "be serious" and "he said you underthrew him" "yeah right" and "i ain't gonna lie, you look slow as hell" and "i'll start taking it off for you ja'marr" and "joe swears he's sneaky fast" and "hey man you're so cool!" and on and on and on! i HATE that we've never had a long form interview/podcast with BOTH of them on it because my god i want to know what an actual conversation is like between them. but i think it must be a lot of that. a lot of fond jokes, compliments hidden in teasing; we see them laughing together so often <3 and of course we CAN'T forget the UFC moves they practice on each other :) "we mess around every now and then".

the end

okay i'm stopping myself because oh my god this is so much. anon i'm sorry, you absolutely aren't going to read all of this. but it's been two years and i STILL apparently have so much to say about these two. it's ridiculous. i'm ridiculous. (but so are they!!)

[nothing-behindher-eyes]

I ahve so many things to say about how mike faist is the finest, most beautiful, sexiest, kindest, purest soul on the planet and I'll DIE on this hill

he will be the death of me

[queerofthedagger]

finally finished the main editing round of this 30k fic and turns out now it's only 23k words long which like. i love deleting shit when editing, truly, but that's 7k words. can we not try and be concise the first time around like girl pls

[batsplat]

number of sunday race wins per title winner this century (wins/number of races)

2001: 11/16

2002: 11/16

2003: 9/16

2004: 9/16

2005: 11/17

2006: 2/17

2007: 10/18

2008: 9/18

2009: 6/17

2010: 9/18

2011: 10/17

2012: 6/18

2013: 6/18

2014: 13/18

2015: 7/18

2016: 5/18

2017: 6/18

2018: 9/18

2019: 12/19

2020: 1/14

2021: 5/18

2022: 7/20

2023: 7/20

current wins of title contenders this season (out of 9 races, another 10-11 to go): bagnaia - 6; martin - 2

[afaramir]

did you guys understand what i meant in my tragedy of the psychic warfare post when i said i will not be your banner. i need to make sure you understood because just the thought of it has been genuinely fucking me up ever since. i just. denethor definitely knows the story of the end of the second age, and more specifically, what banner the armies of sauron carried onto the battlefield. and if you need a refresher, its celebrimbor’s dead body. tortured and mutilated and probably stripped naked (someone fact check me on that one) and stuck on a standard to be carried into battle. and. well. god i cant even say it. even thinking of it makes me visualize it in my head and i genuinely get nauseous. ok just. if gondor falls denethor’s death will not be easy. he has been too much of a thorn in sauron’s side for far too long. and. alright you draw the Logical Conclusion from the facts ive presented while i go and cry for a minute.

now sauron has famously had a lot of enemies, and yet he only did the banner thing once. so you might ask well what’s my rationale for thinking he might do it again? well pure sick deranged angst of course. but i do have AN argument although i do not promise it is bulletproof.

i think that he chose to do it to celebrimbor as a final act of desecration. he’s taken the rings they made together and all of the art of their creation and corrupted them and used that great craft to forge a tool solely of domination. he’s tortured him, personally, to death. and THEN he turns his body into a banner and marches on the last alliance. its an act of specific psychological horror every elf on that battlefield knows exactly who that is, hanging from the standard.

and denethor? well - sauron destroyed numenor, did he not? not directly, but i think he claims it as his victory because otherwise the loss of his fair appearance and his physical form to the alkallabeth would be too heavy of a blow to his ego lol. and now here is this man - nay, this numenorean, who is the first person in centuries who has dared vie with him directly. who not only contests him mentally but HOLDS OUT, for DECADES, where saruman, also a literal maia, greatest of the order of the wizards, could not. who poses a genuine threat to him, while also standing as a bulwark between him and the rest of middle-earth. denethor’s entire existence fucks with him so much. because he thinks oh, numenor was easily corruptible. men are easy to enslave or turn to my will. and then here is denethor, single-handedly proving him wrong. by the end of the war sauron has so many sick revenge fantasies against him in his head. i really don’t think its too much of a stretch to think that bannering him is one of them.

further...i also think part of the thing with choosing celebrimbor is that the final battle was upon them. it was sort of expedient. well i need a banner for this battle and CONVENIENTLY i also have this guy i hate whom ive tortured. and what is sauron going to do once gondor falls? march on the rest of middle-earth. with the lord of its first line of defense, its forlorn hope, as. well you see what i mean. i typed it out and then HAD to delete it.

and oh my GOD he KNOWS. AND HE KNOWS!!! HES SEEN HIMSELF ON THAT STANDARD!!! I FEEL! I FEEL!!!! anyway yeah i picture it and i wish for death!

[raeofgayshine]

I love playing Pokémon in a way that would absolutely kill anyone who knows a thing about the game. No I don’t know most weaknesses and strengths of typings or what I should be using. No I’m not building a well rounded team. No I don’t remember battle to battle what moves are effective against what Pokémon’s even if I just fought them and lord knows I don’t really understand their power or literally any stat my mons have. I am heavily brute forcing my way through this game with my team full of Sunflora fusions because this is Infinite Fusions and I can do that. Yes having everyone a grass type presents problems. No I don’t care! I will beef them up enough they can tank hits until I can destroy whoever I’m fighting and if all else fails I have potions and revives and everything I need on stock to keep going. I do not know what I’m doing but I’m having fucking fun with it!!!!

[a-song-of-art-and-fire]

Ser Denys Mallister, Commander of the Shadow Tower

“We are the sons of great lords, you and I. We know the importance of birth, blood, and that early training that can ne’er be replaced. I was a squire at twelve, a knight at eighteen, a champion at two-and-twenty. I have been the commander at the Shadow Tower for thirty-three years. Blood, birth, and training have fitted me to deal with kings."

Rounding out my winter's worth of cold themed minis - the Commander of the Shadow Tower. This is going to destroy any credibility I had, but... despite loving House Mallister and loving Denys Mallister, I had somehow never consciously connected that Denys Mallister is... a Mallister. It actually fits very well with his rivalry with Cotter Pyke as an ironman vs Mallister rivalry, but until I was painting those little eagle pauldrons, I'd never considered him as a Mallister.

It also fits with GRRMs pattern of using the Mallisters in particular as a stand in for "The Nobility" - Will was arrested for poaching in a noble's woods - Mallister. There's a rough lowborn commander vs a hoity toity noble commander - Mallister. Catelyn realises she can hide in plain sight because nobles who have known her her whole life won't look twice at an apparent commoner - Lord Mallister, even though he's in a tournament in Kings Landing at that time.

The mini is pretty straightforward, classic Nights Watch colour scheme, but I'm fond of the details - his breastplate and especially those eagle pauldrons. Honestly if I'd noticed them before starting painting, I might have repurposed him into Jason Mallister, my bizarre minor character crush.

[britneyshakespeare]

i have so much nostalgia for femme fatale era because that was probably the first time i realized i was a britney FAN whether i wanted to be one or not. it came out when i was 12, around the time i was first able to make my own music-listening choices off of whatever was marketed to solely a preteen demographic. i had only heard of britney spears as someone immensely popular yet embarrassing to like, even though i knew a ton of her biggest hits from her whole career since i was a baby and pretty much liked-to-love all of them. so when i would hear brand new songs like hold it against me and i wanna go on the radio i was like oh shit, i'm old enough to listen to big kid music on my own now, and these are amazing?

and i couldn't help but follow the rest of the singles as they came out, and go back and listen to all of her older songs (the ones i knew and the ones i didn't) on my own and be like HOLY goddamn. like my mind just exploded. it's one thing to hear all her songs in passing because they're megapopular and you are alive, but it's another thing to binge her discography for the first time and really put together that she put out dozens and dozens of the great pop songs you've ever heard, one after another, constantly, for (at that point) over a decade, my entire life! just being shocked and in awe at the evolution of such a pop goddess. i was just so fascinated and in awe. i was like no one on this earth can ever touch the career and accomplishments of the legendary miss britney spears. no one ever will.

also, criminal. such an underrated song, it wasn't even that popular at the time. i still remember the first time i heard it when the lyric video dropped and i decided from that instant on that i was going to be a terrible person.

[ereborne]

Song of the Day: January 7

"Devil Put the Coal in the Ground" by Steve Earle

[simptasia]

bless all the nurses who sincerely told me i'd make a great nurse, during the months my mum was dying and i was taking care of her near constantly to the point of around the clock emotional and physical exhaustion. and then i'd have to, thank them but gently inform them I'm Only Doing This Well Because I Have To

[sob-dylan]

yellowjackets is not quite as dykey as i was led to believe :/

[an-asuryampasya]

thinking about recipes that taste different in every home, differing with each hand that makes it. how there can be so many different foods all sharing the same name, even within a single culture.

except not in a wow-cultural-variations-are-beautiful-way, but more along the lines of how they can inspire pure, distilled disappointment (or rage) in ways few other things in life can.

the dish stays the same, the ingredients stay the same, the cooking method stays the same - so you hear of [dish] and are briefly filled with hope and longing. bonus points if you're living away from home and you haven't had a chance to eat said dish for months or years. and!! here it is!! you've diligently avoided eating said dish at random restaurants over here because you just know (usually from prior experience) that they'll absolutely ruin it, so you're better off abstaining. or maybe it's the kind of dish that ISN'T available at restaurants, and your only hope is plotting and making friends with the right people that have family visiting in the vague hope that they're the kind to delight in plonking food into hands of "these students living all alone and so far from home :(" (nvm the fact that you saw said friend having the TIME of her life all this time because she's finally in a city with better food outlets than her hometown) (yes, I am aware that this is getting suspiciously specific at this point, shush)

so anyway, the food. it paid off! you put in the legwork and suffered through the appropriate number of awkward conversations with friends' parents who REALLY don't know you as well as they like to pretend they do, gave the right number of fake totally-not-awkward smiles, and now!! they're INSISTENT you join them for lunch because they brought [dish] from back home! and fuck, it's been literal MONTHS since you've had this last, AND they're from broadly the same culture as you so really, surely you can trust them to mean it when they call what they've brought [dish]. your eyes gleam and you agree, because oh man it's been so long and you just know it's going to be so good and the anTICIPATION is-

and then you take one bite and question your life's choices and experience a moment of unadulterated bafflement and abject loss because this was the first time you've had [dish] outside of your home and you didn't realise people used the same name for ATROCITIES like the kind you're attempting to eat now. it looks wrong, smells wrong, and tastes dreadfully wrong. this isn't [dish]. this isn't just a disappointment after all the build-up and hope you had. this is an insult. this is an embodiment of the sheer disrespect they have for the dish.

you realise then that ah, turns out disappointment actually DOES have a very distinct taste, and you just got acquainted with it. you wonder how they managed to ruin it so spectacularly. how!!! why???? literally WHAT lengths did they have to go to in order to manage to make [dish] taste so alien???

anyway, that feeling. few emotions I've experienced in life were as potent as that welling up of abject horror and sorrow as I tasted the first long awaited morsel of a beloved dish made in a different style (an objectively WRONG style /lh)