Mr Brown's Ensemble at the Ball
I think this officially marks the moment I've moved from obsessed to completely unhinged. It was only a matter of time. Welcome one and all! Here I loose my mind over the fact that Mr Brown is seen revived in line for the coffee shop wearing his outfit from the Dirty Donkey, NOT his outfit from the ball. But to back up, let's start here:
There's already been theories about how Mr Brown's outfit at the Whickber’s Street's Ballroom Meeting resembles Crowley's from when they met at the pub because Mr Brown has a pash on Aziraphale (also infamously blogged about here). Just as a reminder (in case anyone could forget) I'm referring to this outfit...
And the fact that Mr Brown shows up at the ball in a turtleneck and vest and jacket much like we see above, however with the vest and jacket in tartan that looks suspiciously similar to dear Mr Fell's bowtie.
I had headcanoned that Mr Brown dressed himself like this at the ball on purpose to catch Aziraphale's eye, but upon latest rewatch I caught this:
The next morning, Crowley brings Mr Brown back wearing the exact same outfit that he was wearing from the other day at the Dirty Donkey:
Aaaand this is where I completely lose the last shred of my sanity to this show. Does this mean
Crowley noticed Mr Brown dressing like him and did not care for it and deliberately brought him back in the outfit he'd seen him in before??
The outfit was miracled, and when Crowley brought Mr Brown back from the dead (have we confirmed officially that he died? I can't remember) or from whenever he’d been in the demon’s clutches, he brought him back in his pre-miracled outfit, either on purpose or because the miracled outfit had disappeared upon death/whatever happened to him?
Furthermore, if Aziraphale is miracling the outfits, then he miracled Mr Brown's ballroom ensemble to both look like Crowley's usual outfit AND complement his bowtie?!? SCANDAL!!! Jk, we all know Aziraphale only has eyes for Crowley which leads me to speculate that...
The ballroom outfits were not chosen by Aziraphale, but instead his magic allowed each person to create their own outfit of choice from their subconscious/imagination that would make the event feel more special or perhaps more romantic for them. Has anyone else done a meta about this already? I only remember reading one getting into lapels and allegiances from the ball outfits. However…
If his outfit was miracled and he was revived in the pre-miracled outfit, it seems odd that Mr Brown would have been wearing the exact same outfit from a few days ago. I don't think we've seen any of the other Whickbar street characters wearing the same outfit on a different day, although there are a potentially suspicious amount of extras that do. Does this costume repeat have anything to do with the extras wandering around in the same outfits? Otherwise…
This brings me back to the theory that Crowley made a choice to revive Mr Brown in what he had previously seen him wearing regardless of what he had gone to the meeting in. Maybe because his memory of the previous night was faulty? Or, going back to option #1, he simply did not care for Mr Brown stealing his and Aziraphale’s looks.
For those still reading, let it not be said that I left any stone unturned. Here is Mr Brown entering the bookshop. This is shot in what seems to be the exact same way both Nina's and Mrs Sandwich's entrances are shot, where we see each of them already wearing the changed outfit from the first glimpse we get of them standing outside the door.
One could extrapolate from this that his outfit was changed like Nina's and Mrs Sandwich's, but we don't actually see him walking up to the bookshop beforehand, so I couldn't definitively say from his entrance alone if he came to the meeting dressed this way or if this is his miracled ensemble.
Thanks for joining me on this unhinged adventure!
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Good Omens 2: specifically s2e5, The Ball.
Around 37 minutes into the episode, Maggie goes to “Mr. Fell” to ask what’s going on. There’s 1/75th of a legion of demons at the door, Crowley has bamboozled them with a bit of legalese—and Aziraphale frantically wiggles his fingers in Maggie’s face (and Nina’s; she’s right behind Maggie, looking over Maggie’s right shoulder). We hear the miracle noise, and Maggie seems to flinch. It doesn’t take(?), and he tries again.
Maggie: I still don’t understand. What’s happening?
Aziraphale: Um… It’s a bit complicated, but, um… Probably best you forget all about it [Miracle Sound] and do whatever Mr. Crowley suggests. [Miracle Sound]
Maggie: Are you trying to hypnotize me? Is that what’s happening on here?
Nina: You’re doing something to us.
Aziraphale: I’m trying to save your lives!
Um, I have questions! WHAT is this miracle(s) for? Presumably the first to wipe their memory, and the second to make them obedient to Crowley so that they can be led to safety. So WHY does it not work? If Shax had used a miracle blocker, wouldn’t that have prevented Aziraphale from moving the chandelier around in the next scene as he prepares for battle?
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Episode 5: “The Ball”
Good Omens S2 Ep5. This is a liveblog, so spoilers!
- ‘Autistic Aziraphale’ this, ‘autistic Muriel’ that, we need to talk about autistic Shax.
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- “Are you actually going through with this?” “Indeed I am.” “Can I watch?” OTP dynamic to rule them all.
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- “Are they going to talk about the Christmas lights? Because I have things to say.” “.......Yes.”
- This entire sequence is too delightful to stop and comment on, but I love all of these shopkeepers, all of Aziraphale’s methods of bribery, all his earnest, stilted French, and all of Crowley’s disbelieving poses in the background.
- On the flip side, Shax is babygirl and so is Eric, but sadly only one of them can live.
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- Nina is asking Crowley if Aziraphale is his bit on the side and I am being extremely calm right now.
- The thing is! In S1, most of the comments other characters made about A/C being a couple were only said to Aziraphale. The only time it happened in front of Crowley was Sister Mary interrupting the tender moment that was the wall slam. And there was a lot going on then, so Crowley had the luxury of not reacting to it. This conversation with Nina is the first time he has had to nervously vomit up a denial to someone assuming Aziraphale is his boyfriend. Turns out his best retort is, “He’s just an angel I know”. Whoops.
- The ending to this scene is weird, though! Nina says something about other people’s love lives looking much simpler than our own, and Crowley suddenly looks like he’s been given weeks to live. I’d understand a thunderstruck look, but distraught? Why?
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- oh my god a date, Crowley’s set up a date, there’s wine and everything, the restaurant is French, they could have crepes!!!
- “Smitten, I believe.”
...............
SMITTEN, I BELIEVE
OK JUST SAY THAT LIKE IT’S NO BIGGIE
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- Good, Nina deserved at least one of the “fuck”s this season.
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- Ohhh Crowley’s got drunk and angry to talk to Gabriel. This, uh. This could be a whole thing.
- Aaagh they did a callback to “Let there be light” and made it SAD and kind of threatening
- Shit. Shit shit shit shit shit shit. Crowley’s going to give away that they did the body swap. Gabriel’s going to get his memory back and realise that it wasn’t really Aziraphale he tried to execute and he’ll know they’re not immune to hellfire and holy water. shiiiiiiiiiiiiiiiiiiiiiiiiit
- this scene is amazing and excruciating to watch. Crowley is so drunk and cruel and so recklessly protective. He tries to make Gabriel commit suicide. He’s possibly just endangered himself and Aziraphale both without realising. And then! He orders Gabriel back off the ledge and tries to get real answers, because he knows they’re important!
- David Tennant and Jon Hamm are both being phenomenal rn, and the empty house dialogue is a beautiful piece of writing.
- “Where is your memory then?” “In a matchbox.” AAAAAAAAHHHH.
- NOPE, I need the full dialogue down here:
“In a matchbox. No, I took it out first.”
“You took your memory out of a matchbox?”
“Yes, that’s right. I took it out, and I put it in the box and I brought it here, and it’s...”
“Yes?”
“Everywhere.”
“What else do you remember?”
“If it happens again it will make it seem like it’s an institutional problem.”
- Whaaaaaaaatttt!!! OK, thought: The last line about the institutional problem sounds like a direct quote. Either Gabriel said that, or someone said it to him. It sounds like a Michael line, potentially? And.... it sounds to me like somebody took Gabriel’s memories from him and put them into the matchbox, and then he or someone else stole the memories back from the matchbox and put them in the moving box for him to take to Aziraphale’s. So there might be two people involved here, one trying to harm Gabriel and cover something up, and one trying to help him and protect the lost information. It definitely sounds like he knew something he shouldn’t, and someone wanted him out of the way. The matchbox was found in Heaven, so that suggests an angel is the culprit. I would have pointed the finger at Michael immediately, but I’m possibly more inclined to look at the Metatron instead. I think this goes higher than Michael, somehow? I can see her trying to get Gabriel out of the way so she could be the boss, but it sounds like something bigger than that is going on.
(EDIT: Hang on!!! The whole thing about the matchbox is that it’s a material object! Muriel and Michael were uncomfortable touching it! Gabriel’s memory was taken from him ON EARTH, at the Resurrectionist pub, and whoever was sitting with him is probably the person who did it! But then how did the matchbox get into Heaven?)
And then there’s “everywhere”! Gabriel’s memory is everywhere? Is this because Aziraphale opened the box and let it out?? Also, I’ve been treating the memory Gabriel’s talking about as his entire memory, but maybe it refers to a specific memory? Perhaps the only way to remove the one important memory was to nuke all of Gabriel’s memories at once. I’m just waffling now, I have no clue what Everywhere could mean.
Finally, the line about the institutional problem. “If it happens again.” Could this be Armageddon? Is someone saying, if Armageddon fails for a second time, it will start to seem like an institutional problem? One that could only be dealt with by removing Gabriel?
I got NOTHING, and this is the last episode to figure ANY of this shit out in advance of the finale. My head hurts like Goob. :( I should get a hot chocolate.
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- How about that fly buzzing noise while zooming in the matchbox, huh???
- If Beelzebub is the one who took Gabriel’s memories and put them in the matchbox, but then Gabriel took his memories back out and put them in the moving box, then maybe he went to Earth/Aziraphale under his own power and Beelzebub genuinely is trying to track him down?
- .....I’m AN IDIOT who only just realised Gabriel was humming Everyday because it was playing on a loop in the pub, and it’s probably the last thing he heard before he lost his memory. Sorry, everyone else probably got there in Episode 3, I’m slow >_<
- Muriel repeats the obvious lie A/C told her that you have to wait a few days to see if humans are in love because humans are weird and that’s how it works. Michael, without skipping a single beat: “I knew that.” They. They’re just as dumb as Gabriel. Every angel is an absolute girlfailure.
- Muriel: “It’s just Aziraphale -” Uriel: “The traitor.” Michael: *odd little sideways frown at Uriel* What’s with that...? Does Michael just feel Uriel spoke out of turn, or is she a little bothered by calling Aziraphale a traitor? It’s a weird expression on her face, can’t quite read it.
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- The bookshop! Everyone gets a magical transformation! Mrs Sandwich looks fabulous! Aaah
- One concern I had going into S2 is that most of the main characters appeared to be angels/demons, and it seemed as though humanity would be deemphasised, which struck me as out of keeping with the themes of the book. And, to be fair, no humans have got to drive the main plot this time around (so far). But I still love the fleshing out of Wickber Street and all the shopkeepers, and the various interactions our boys have with humans in the minisodes. Maybe humanity isn’t saving the world this time, but we are a vital part of what makes the world important.
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- ...Oh dear. Ms Cheng. Who (or what?) are you...?
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- This is enchanting, everyone looks beautiful <33 Love the magic shop owner and his spouse, those are some amazing tattoos.
- BEHOLD THE MAJESTY OF GOOB
- He is doing so well distinguishing the key differences between selling books and handing round canapes!
- Nina did get to say “fuck” again!
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- PROTECTIVE CROWLEY STRIKES AGAIN and he’s protecting HUMANS, he’s protecting the people Aziraphale cares about 😭😭😭
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- The “seamstress” conversation is delightful. Maybe nothing’s up with Ms Cheng? Don’t know why there was that weird shot of her entering the bookshop, then.
- This is just the Pride & Prejudice dance, isn’t it.
- Aziraphale is the soppiest old romantic, look at his faaace
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- Aw yyyeah, everyone wants to fuck Goob
Goob: *does that thing with his face*
The People no longer want to fuck Goob
- “Tell me while we dance” IT’S HAPPENING
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- Shax still does her funny bobbing little walk in full battle armour. I love her.
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- OK, it’s not that all demons are vampires, it’s that the bookshop has its own demon-repelling forcefield. After the zombies I was fully prepared to accept anything.
- GOOB IS HEROICALLY SACRIFICING HIMSELF OH NO
- THAT OUTFIT IS MAGNIFICENT ASDKLGASD
- “T - O - S - T - ........... - E! TOAST!”
- This scene is somehow actually threatening, despite the fact that it is just Shax with a woeful army of scrub demons, none of whom can spell, demanding something that she is incapable of seeing even when it literally walks out and hands itself to her on a silver platter. Beelzebub was SO setting her up to fail.
- Crowley/Mrs Sandwich pals 4 life please.
- “You’re a good lad.” “I’m not actually. Either. But thank you!” NB Crowley canon dialogue, I never thought I’d see the day
- Nina: “Why don’t you stand up for yourself? Make your own plans!” Aziraphale: “Oh, I am. But rescuing me makes him so happy.” aaaaaAAAAAaaahhhhhhhhhh
- oh my god it’s the end of the ep, I’m not ready
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- Swing band theme song, you are my only comfort in this stressful time
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