#gradient loader

[codenewbies]

CSS Glowing Gradient Loader

[canadianasphalt050]

How to Fix a Pothole: A Guide to a Typical Replacement Patch?

Pothole patching is a huge industry. Your business can fix potholes for nearby companies and private homes for a very pleasant extra income with just a few pieces of equipment and a two-man staff. Some municipal administrations also use local contractors as subcontractors for this task. For example, In Grimsby area several patching companies are working with contractors to provide asphalt patching service. The fundamental steps for patching a pothole are listed below.

Ways to fix a pothole: 1. Cut the patch's outline, extending at least 0.3 m (I ft) outside of the damaged area, using a pavement saw or pneumatic hammer. Two of the sides of the shape should be at right angles to the direction of travel, making it square or rectangular.

2. Remove as much pavement as required in order to get solid support. A patch's foundation needs to be at least as sturdy as the original roadway if it is to be an essential component of the pavement. This might need removing a portion of the sub-grade as well.

3. Flatten and trim the subgrade.

4. Cover the excavation's vertical faces with a tack coat.

5. Use the asphalt mixture as a backfill. Place the mixture straight from the truck into the prepared excavation using a shovel or skid steer loader. In significant part, the type of asphalt mixture and the compaction equipment available determine the maximum lift thickness. Deep lifts are appropriate for placing asphalt concrete because the heavier layers' increased heat retention helps with compaction. Patches made of asphalt concrete can be backfilled in a single lift from the perspective of compaction. To make it easier to determine the total amount of mixture needed for the patch, it is generally helpful to leave the initial lift 2.5 to 5 cm (I to 2 in.) below the finishing grade when installing a patch deeper than 3 cm (5 in.).

6. Spread sparingly to prevent mixture segregation. Refrain from transferring the material from the patch's center to its edges. If additional material is required along the edge, it ought to be added there and the extra removed with a rake. The mixture should be put in an amount that will guarantee the patch surface will not be lower than the surrounding pavement following compaction. However, if an excessive amount of material is used, a hump will rise.

7. Firmly press down on every lift of the patch. Make use of tools appropriate for the task at hand. Larger areas are probably better suited for a vibratory roller, while little projects work well with a vibratory plate compactor. When compacting the last lift, which might be the only lift, overlap the vibratory roller or plate compactor's first pass and return by no more than 5 cm (6 in.) on one side of the patch. After that, go to the other side and carry out the same procedure. After you've done this, move forward at an angle to the compacted edges, overlapping the uncompact mix by a few inches with each pass and return. In order to reduce the possibility of the mix being pushed, compaction should move from the low side to the high side if there is a gradient.

8. The patch's surface ought to be the same height as the nearby pavement when suitable compaction equipment is utilized. However, if hand tamping or other gentle compaction techniques are used, the patch's surface should be slightly higher than the surrounding pavement because the patch is likely to be further compacted by traffic.

9. Examine the patch's vertical alignment and smoothness using a straightedge or string line.

[cssmonster]

Explore 10+ CSS Skeleton Loadings

Welcome to CSS Monster! Dive into our latest compilation of HTML and CSS poster code examples sourced from premier platforms like CodePen and GitHub. In this August 2023 update, we present 7 fresh additions to spark your creativity and elevate your projects. CSS posters are an artistic means to enhance the visual appeal of your website or application. They empower you to craft vibrant and interactive posters that captivate your audience. Tailor them to harmonize seamlessly with your project's aesthetic, ensuring a unified and engaging design. Embark on an exploration of our updated CSS poster collection. Each poster is meticulously curated, offering distinct features and design elements. Whether you're an experienced developer or a novice, these posters stand as a valuable asset for your projects. Keep in mind that all the posters are not only visually captivating but also free to use and modify according to your requirements. Don't hesitate—explore the collection now and infuse a touch of creativity into your projects! Happy coding on CSS Monster! Author Chris Sev January 13, 2021 Links Just Get The Demo Link How To Download - Article How To Download - Video Made with HTML / CSS (SCSS) About a code LOADING CARD Compatible browsers:Chrome, Edge, Firefox, Opera, Safari Responsive:no Dependencies:- Author Steven Lei January 9, 2021 Links Just Get The Demo Link How To Download - Article How To Download - Video Made with HTML / CSS About a code CSS SKELETON Compatible browsers:Chrome, Edge, Firefox, Opera, Safari Responsive:no Dependencies:- Author Håvard Brynjulfsen June 9, 2020 Links Just Get The Demo Link How To Download - Article How To Download - Video Made with HTML / CSS (SCSS) About a code SKELETON LOADING USING ONLY A FEW LINES OF CSS Compatible browsers:Chrome, Edge, Firefox, Opera, Safari Responsive:yes Dependencies:- Author Kiran A June 28, 2019 Links Just Get The Demo Link How To Download - Article How To Download - Video Made with HTML / CSS About a code MOVIES SKELETON LOADING Compatible browsers:Chrome, Edge, Firefox, Opera, Safari Responsive:yes Dependencies:bootstrap.css Author Samir Munjewar November 9, 2018 Links Just Get The Demo Link How To Download - Article How To Download - Video Made with HTML / CSS About a code CSS SKELETON LOADER ANIMATION Compatible browsers:Chrome, Edge, Firefox, Opera, Safari Responsive:yes Dependencies:- Author Markus Oberlehner November 4, 2018 Links Just Get The Demo Link How To Download - Article How To Download - Video Made with HTML / CSS (SCSS) About a code PURE CSS SKELETON LOADING ANIMATION WITH SHIMMER Compatible browsers:Chrome, Edge, Firefox, Opera, Safari Responsive:yes Dependencies:- Author Rafael Goulart September 6, 2018 Links Just Get The Demo Link How To Download - Article How To Download - Video Made with HTML / CSS (Less) About a code CSS GRID CARD SKELETON SCREEN WITH CUSTOM PROPERTIES Compatible browsers:Chrome, Edge, Firefox, Opera, Safari Responsive:yes Dependencies:- Author Alexander Kusminov February 23, 2018 Links Just Get The Demo Link How To Download - Article How To Download - Video Made with HTML / CSS About a code CARD SKELETON LOADER Compatible browsers:Chrome, Edge, Firefox, Opera, Safari Responsive:no Dependencies:- Author Max Böck August 9, 2017 Links Just Get The Demo Link How To Download - Article How To Download - Video Made with HTML / CSS (SCSS) About a code CARD UI SKELETON SCREEN Compatible browsers:Chrome, Edge, Firefox, Opera, Safari Responsive:no Dependencies:- Author Viktor Hundahl Strate July 22, 2017 Links Just Get The Demo Link How To Download - Article How To Download - Video Made with HTML / CSS (Sass) About a code SKELETON SCREEN GRADIENT ANIMATION Compatible browsers:Chrome, Edge, Firefox, Opera, Safari Responsive:no Dependencies:-

Frequently Asked Questions

Q: What is CSS Monster? A: CSS Monster is a curated collection of free HTML and CSS code examples, showcasing diverse elements for web development sourced from platforms like CodePen and GitHub. Q: How frequently is the collection updated? A: The collection is regularly updated with fresh additions, ensuring a dynamic range of the latest and most innovative HTML and CSS code examples. Q: Can I use the code examples in my projects? A: Absolutely! All code examples on CSS Monster are free to use and modify, empowering developers to integrate them seamlessly into their projects. Q: Are there specific categories in the collection? A: Yes, CSS Monster covers a wide array of categories, including calendars, carousels, charts, games, illustrations, and more, providing a comprehensive toolkit for web development. Q: Is there a need for attribution when using the code? A: No attribution is required. The code examples are generously shared for developers to use freely without any attribution obligations. Q: How can I stay updated on new additions? A: Stay tuned to CSS Monster's website for the latest updates, or follow our social media channels for notifications on new code examples and features. Q: Can I contribute to CSS Monster? A: Currently, the collection is curated by the CSS Monster team. However, suggestions and feedback are always welcome through our contact page.

Conclusion:

Explore, create, and innovate with CSS Monster! This curated collection serves as a go-to resource for developers, offering a rich array of free HTML and CSS code examples. Whether you're a seasoned developer or just starting out, CSS Monster provides the inspiration and tools you need to elevate your web development projects. Happy coding on CSS Monster! Read the full article

[divinector]

Glowing Gradient Loading Animation

Check out Divinector YouTube Channel For more

[freefrontend-blog]

CSS Neumorphism Gradient Loader https://freefrontend.com/css-spinners/

[nostalgebraist]

You know any decent books for modern neural net stuff? I'm an experienced data scientist who has been working on domains where neural nets don't perform well, but I've started a large text and image recognition project where I suspect neural nets will be necessary to get adequate performance.

Hmm… not books specifically, no.  For all I know there are some good ones out there, but IMO modern neural net stuff is especially hard to distill usefully into books, and you just have to go to survey papers and code examples.

To some extent this is just because the field moves quickly.  It’s also because so many neural nets used in practice today rely on “pretraining,” where instead of doing gradient descent “from scratch” with a completely random starting point, on you initialize a subset of your model parameters with those from a model someone else already trained on a large and fairly generic dataset in the same domain.  (Here’s a cool paper comparing two different flavors of this for NLP tasks, including a few links to papers about the same kind of thing for images.)

Because you need to do this to get anywhere near state-of-the-art performance, the question “how do I make a good neural net model in 2019?” has an answer that is fairly entangled with the specifics of other people’s code and technology choices.

Like, you won’t merely be using a kind of model written by people at (say) Google – which is just some equations that you could implement yourself in principle.  You’ll be using an actual array of numbers produced by those people, which you’ll download off the internet, and yeah in principle you could write your own loader for that array and hook up the loaded numbers to the right ones in your own code, but in practice that might involve reverse engineering half of TensorFlow or something horrible like that.  Realistically, of course, you’re going to use the actual code and packages used by the Google-or-wherever people, which means committing to many of their specific software choices – or you’ll use the code of some 3rd party which can port the same numbers into some other specific software environment.

In short, the core model design stuff is not the hard part (and is continually changing anyway), the hard part is getting familiar with one of the specific software packages you have to use to actually do what all the current papers do, choosing the right one, discovering everything that sucks about it and how to work around that, and similar things.

Anyway, for text classification, you can get up and running with just pretrained word vectors plus some Conv or LSTM layers; if you want to do better you then replace the word vectors with ELMo, and if you want to do even better you replace the whole thing with BERT.

To get started learning about the types of models people use in NLP, at least before the “BERT for everything” transition, a good start is the papers associated with the trained models in AllenNLP, linked from this page and with live demos here.  I don’t necessarily recommend using AllenNLP the package (speaking from experience here), but a nice thing about the project is that they try to reproduce lots of state-of-the-art models inside of it, so they’re a good resource for what those look like.

I don’t know as much about images – I think people start with pretrained models that were trained on ImageNet and there’s a few that are maybe the standard ones?

W/r/t the software choices, a good place to start is to set up Keras with the TensorFlow backend and then run through some tutorials.   When I talked earlier about existing stuff you’ll be forced to work with, that code will probably either be TensorFlow-based or PyTorch-based, and for the TensorFlow ones, Keras is a decent usability layer that can sort of shield you from immense pain and frustration of writing raw TensorFlow.

(Unfortunately, even here things are kind of ugly because there’s “Keras,” which interfaces with TensorFlow and a few older frameworks, and then “tf.keras,” which is the Keras inside of TensorFlow that’s a different project, and then TensorFlow has its own other usability layer called “Models” or something, and also I think TensorFlow 2.0 is an attempt to make TensorFlow itself vaguely usable by human beings, but it’s quite new and I’m sure it has it’s own horrors.  Or you could just choose PyTorch.  But “Keras (not tf.keras) with TensorFlow backend” is the actual setup I can vouch for personally as being reasonably friendly)

Edit to add: I also recommend this famous blog post as a reference for all the different fancy gradient descent algorithms people use in the area.  Important because all current work uses one of them (and so yours will), usually Adam.

[ckret2]

Handsome Ride (19/20)

So I asked for crack pairings because that’s what I wanted to write today, and:

@slenderwave: Miki x Godzilla, Handsome Jack x Knock Out, Prowl x That Cop From Hot Fuzz

@slenderwave: (listen, you said crack and extremely unusual. i shot for the moon)

And I’ve been hooting over Handsome Jack/Knock Out for the last hour and a half. So today I wrote a double length.

###

"Oh, wow." Jack rushed right past the other cars Mr. Blake was showing him—options for his first tour of the Opportunity construction site—and directly to the hot red number at the end. “Hey there, gorgeous. Didn’t see you there."

Behind him, Blake mumbled, “I don’t think that one’s on my list of…"

"Check out this body." Jack traced two fingertips along one line from over the front left tire to the back of the door. “Smooth. Sleek. And look at that paint job—the red says ‘timeless classic married with youthful energy,’ the gradient fade says ‘creative and innovative, but I’d never support a real graffiti vandal.’ And juuust enough gold detailing so you know the driver’s rich but but not so much he looks insecure about it. Oh yeah. This is the one."

"Sir, I don’t think this is one of—“

"Shut up and call the flower children in our graphic design department, I want this beauty photoshopped in place of that hideous fur rug they’ve got me lying on for November of next year’s pinup calendar." He ran his hand over the hood. “What would you call this color—crimson? Candy apple?"

The car replied, “I consider myself more of a torch red, actually."

Jack pulled his hand back, staring at the car.

“And you’re not too bad looking yourself," the car replied, in the kind of voice that usually came from a man leaning one elbow on a hotel bar and holding a fifty dollar drink while he gave another business traveler a slow, arched-eyebrows up-and-down leer. “Handsome Jack, isn’t it? Mind if I just call you Jack? Mind if I just call you Handsome?"

Jack turned in the direction Blake had gone to call graphic design and shouted, in a voice a bit higher pitched than usual, “Who programmed this car? I love this car."

"Oh, please. No one here programmed me. At the company that made Claptraps?" The car scoffed. “You’ve improved your aesthetics since then, I’ll give you that, but you’ve never put out a robot I’d want to talk to for more than five seconds."

"Got to admit, it’s a novel experience for me too." Jack eyed the car a tad more warily as he shifted a step back. “So, mind explaining what you’re doing in a giant H-shaped Hyperion space station if you’re not a Hyperion product? What are you, exactly—Maliwan?"

"You flatter me." The car’s body split into pieces. As Jack watched, they twisted around a shifting metal chassis, rising into the air—like a JET Loader changing modes but infinitely more sophisticated. It continued speaking as it reconfigured itself: “I considered going to Maliwan, actually; but we prefer your company’s work with—and access to—energon."

"’Energon’?"

When its parts had stopped moving, the car was a kneeling, smirking robot with the kind of broad-chested narrow-waisted physique that some execs would pay millions to have their heads grafted onto. “I believe your species calls it eridium?" The robot held out a business card the size of a poster. “Knock Out. I represent the Decepticons—don’t mind the name, long history there—and we’re looking into expanding our energon mining operations. Our market isn’t human, so we won’t be cutting in on any of your business. You’ve got nothing to lose."

"Robotic and alien, huh?" Jack held up the business card in both hands. “Love your corporate logo, very chic. Makes me think… ‘sharp.’ ‘Cutting edge.’" He tucked the card under one arm. “So what have I got to gain?"

"A massive jump in your weapons R&D. We’ve been making energon-powered weapons for millions of years." Knock Out pulled out what looked like a touch pad and scrolled through several holographic projections of weapon blueprints annotated in an alien language. “Think you’re ready for an eridium weapon that does more than spew a mining byproduct?"

"Oh, I love that line, that’s a great line, it’d be perfect for marketing a new product line. Out with the slag, in with the new."

"Also catchy," Knock Out said. “So. Intrigued?"

Jack’s echo communicator beeped, and he held up a finger. “Let’s talk on the go." He strode toward the elevator—cargo elevator, unfortunately, to make sure a car-sized robot would fit. Knock Out kept pace with a leisurely stroll. “I’ve got a tour of Opportunity I’m running late for—and I mean actually late, not ‘I’m making them wait three hours standing outside in the heat so that by the time I arrive they’ve stopped being mad and are just grateful to see me’ late. You know what I mean?"

"Oh, absolutely," Knock Out said, ducking to get into the elevator. “I’m a surgeon."

Jack laughed so hard he bent over double.

When he straightened up, still gasping for air, he said, “Hey, hey, this business deal—does it come with getting to drive you?"

With a sideways glance and a coy smirk, Knock Out said, “Only if you’re gentle." He transformed back into a car and popped open the driver’s door. “My leather parts are sensitive."

"Genuine leather?" Jack tossed the business card into the passenger seat and slid into the driver's seat.

"Obviously."

He fastened his seatbelt as the door shut itself. “How sensitive?"

"Why don’t you find out?"

Running his hands along the steering wheel, Jack whispered, “I really, really love this car."

###

((Screenshot of the original handwritten page below! Reblogs & comments are appreciated. Previous #writing warmup posts are on my blog & crossposted to AO3))

[codenewbies]

Gradient Text Background Animation

[clearzombiestrawberry]

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News Punch — The 2020 Red Wave Could Be Starting Already – In...figure{margin:0}.tmblr-iframe{position:absolute}.tmblr-iframe.hide{display:none}.tmblr-iframe--amp-cta-button{visibility:hidden;position:fixed;bottom:10px;left:50%;transform:translateX(-50%);z-index:100}.tmblr-iframe--amp-cta-button.tmblr-iframe--loaded{visibility:visible;animation:iframe-app-cta-transition .2s ease-out} /* Colors */ body { background: #FAFAFA; } .blog-title { font-family: 'Gibson', sans-serif, "Helvetica Neue", HelveticaNeue, Arial, sans-serif; font-weight: bold; } .blog-title a, .description, .search-no-results, .likes-no-likes, .related-posts-wrapper > h2, .loader .loader-bar, .widget-title { color: #444444; } a { color: #529ECC; } #pagination a, .nav-wrapper .nav-item .label { color: #529ECC; } #pagination a.next:after { border-left-color: #529ECC; } #pagination a.previous:after { border-right-color: #529ECC; } .header-image.cover { background-image: url(https://66.media.tumblr.com/9791e3ac6b55616ef7caa5d5fffa1886/a7d065b9e5472bd4-b9/s2048x3072/99073094cbce7211a3c690be13d7bda8cca20e58.png); } .user-avatar { background-color: #FAFAFA; border-color: #FAFAFA; } .avatar-style-square .user-avatar { -webkit-box-shadow: 0 0 0 4px #FAFAFA; box-shadow: 0 0 0 4px #FAFAFA; } .no-header-image .logo-wrapper, .contain-header-image .logo-wrapper { color: #529ECC; } /* Adjust logo for light accents on light backgrounds */ .light-on-light.no-header-image .logo-wrapper, .light-on-light.contain-header-image .logo-wrapper { color: #444; } /* Adjust logo for dark accents on dark backgrounds */ .dark-on-dark.no-header-image .logo-wrapper, .dark-on-dark.contain-header-image .logo-wrapper { color: #fff; } /* Logged-out compact Tumblr iframe */ .tmblr-iframe-compact .tmblr-iframe--unified-controls { min-width: 100%; background-color: #FAFAFA; } /* Sticky nav colors */ .nav-fixed { background-color: #FAFAFA; } .nav-responsive .inline-nav::after { background-image: linear-gradient(left, rgba(250,250,250, 0) 0%, rgba(250,250,250,1) 100%); background-image: -webkit-linear-gradient(left, rgba(250,250,250, 0) 0%, rgba(250,250,250,1) 100%); background-image: -moz-linear-gradient(left, rgba(250,250,250, 0) 0%, rgba(250,250,250,1) 100%); background-image: -ms-linear-gradient(left, rgba(250,250,250, 0) 0%, rgba(250,250,250,1) 100%); background-image: -o-linear-gradient(left, rgba(250,250,250, 0) 0%, rgba(250,250,250,1) 100%); } @media screen and (max-device-width: 568px) { .header-image.cover { background-image: url(https://66.media.tumblr.com/9791e3ac6b55616ef7caa5d5fffa1886/a7d065b9e5472bd4-b9/s2048x3072/99073094cbce7211a3c690be13d7bda8cca20e58.png); -webkit-background-size: cover; background-size: cover; } .avatar-style-square .user-avatar { -webkit-box-shadow: 0 0 0 3px #FAFAFA; -moz-box-shadow: 0 0 0 3px #FAFAFA; box-shadow: 0 0 0 3px #FAFAFA; } } /* Custom CSS */ {"@type":"SocialMediaPosting","url":"https:\/\/newspunch.tumblr.com\/post\/620381956453122048\/the-2020-red-wave-could-be-starting-already-in","mainEntityOfPage":true,"datePublished":"2020-06-08T18:52:18-04:00","author":"newspunch","image":"https:\/\/66.media.tumblr.com\/77f889677306fee98b68da988fd042be\/df722d4e886b54bc-e8\/s540x810\/4362c9fdf8cd4c361b7bf323ce8a4cab4d6b14b8.png","headline":"The 2020 Red Wave Could Be Starting Already \u2013 In Virginia, Citizens Just Voted 3 Democrats Out Of Office","articleBody":"Democrats won a majority in Virginia\u2019s government. Soon after, they began to push a radical left-wing agenda.\nIt got even worse during the pandemic, as their governor took drastic lockdown steps. Extending them, like many other liberal states.\nBut it looks like their moves may be backfiring. An...","@context":"http:\/\/schema.org"}

News Punch — The 2020 Red Wave Could Be Starting Already – In...

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna

News Punch

The 2020 Red Wave Could Be Starting Already – In Virginia, Citizens Just Voted 3 Democrats Out Of Office

Democrats won a majority in Virginia’s government. Soon after, they began to push a radical left-wing agenda.

It got even worse during the pandemic, as their governor took drastic lockdown steps. Extending them, like many other liberal states.

But it looks like their moves may be backfiring. An election was this week. And voters are striking back hard.

From Daily Caller:

Republican candidates Mark Robertson, Amy Darby, and Steve Claffey all joined incumbent Andrea Oakes in a four-seat GOP sweep, WHSV reported. The three incoming council members replaced Democratic incumbents Erik Curren, Ophie Kier, and James Harrington all almost doubled their vote totals from 2016, yet still lost.

Woah. A Virginia city that went for Obama in both elections just ousted Democrat leaders in a landslide result.

Three Democrat incumbents were voted out, replaced by GOP candidates.

What’s amazing is that all three Democrats got more votes from 2016—but still lost.

That means voters came out in force to back the Republican candidates. What does that tell you?

Reports say that Republican voters came out in numbers close to a governor race, a big election.

Our Take:

Why did voters come out in a May election—during the ongoing crisis—to push out these liberals? I think you know the answer.

According to reports, voters were particularly fired up over the state’s aggressive gun control measures. We’ve covered much of what Virginia’s Democrat lawmakers have tried to pull.

On top of that, it looks like voters have gotten sick and tired of the governor’s COVID-19 lockdowns.

That is a trend we’ve seen in recent special elections. Earlier in the month, two special elections in Wisconsin and California went for Republicans.

Republicans flipped a CA blue seat red. Many point to the strict lockdown measures California’s Democratic leadership endorsed.

All across the country, Americans watch Democrats enforce tough orders that cripple the economy.

Meanwhile, conservative states have safely reopened, and it looks like the virus is mostly under control.

There’s a pretty big difference between both party’s leadership during this crisis. And after all the things Virginia’s Democratic leadership has tried to pull—should we be surprised from this turnout?

But what does this mean for the future of the state? What will happen in November, when more elections in VA take place?

Will this trend continue or will the swamp continue to drown Virginia?

SHARE if you are ready to see a Red Wave this November.

Source: Daily Caller

Jun 8th, 2020

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[suretechinfrastructure]

Top Useful Construction Equipment- Recognized Worldwide

Due to the productive nature of the building job, it is common practice to make use of earthmoving equipment. During the early age, human power was employed to move the earth, which required a significant amount of time and people.

However, with the advancement of technology, earthmoving equipment has been brought into the construction industry. These days, earthmoving equipment that is both more modern and more readily maneuverable can be found on the market. This results in a significant reduction in the amount of time and labor required, which in turn leads to building practices that are more efficient and save time.

There is a wide variety of earthmoving equipment Top Construction Equipment Supplier that may be employed for the building process, and each piece of machinery has a specific function.

Here is a list of a few Top Construction Equipment to make your work easy:

Backhoe

The backhoe is a useful piece of construction equipment that is utilized extensively in the business. It is a machine that is a hybrid of a bulldozer and an excavator. It is possible to utilize it for earthmoving work that has to be done quickly, and if the volume of the task is small, it may stand in for both excavator and loader attachments.

In addition, since it has a four-wheel system, it can navigate any kind of uneven terrain with ease. As a result, backhoes are often used in the construction industry. The levers are moved by hydraulic pistons, and the bucket may be swapped out for various helpful attachments depending on the situation.

Skid steer loader

A skid steer loader is a piece of compact machinery that may be used for rapid labor as well as in locations that are inaccessible to larger pieces of machinery. The equipment can be maneuvered with relative ease, which is one of its primary advantages.

In addition to this, it may be used to load dirt into dump trucks. The fact that each wheel on this piece of machinery can revolve in its own right is this device's defining quality; it enables it to maneuver in confined areas.

Trencher

When it comes to construction work, a trencher is another helpful piece of equipment that can be used to dig trenches. The trencher is characterized by a lengthy arm that is fitted with a revolving belt of blades.

While the equipment is traveling in the desired direction along the specified line, the blades dig trenches. Additionally, this may be put to use in the excavation of irrigation channels, foundation trenches, road drainages, and other similar applications. Trenchers are frequently used in the agricultural sector of the economy.

Motor grader

Another helpful piece of earthmoving equipment is called a motor grader. This machinery sees a lot of action in the field of road building. The primary function of a motor grader is to shape surfaces following prescribed gradients and orientations of the slope.

 It is possible to prepare flat surfaces by using the long blade that is connected to the front arm of the equipment. Because of its widespread use in the process of road building, the motor grader is also known as the road grader. The development of irrigation systems also makes use of this particular technology.

My personal preferred Excavator and loader Attachments

I would utilize excavators, backhoes, and a skid steer loader for the job that has been presented. The primary reason for hiring an excavator is the quantity of dirt that has to be removed to have the basement ready.

Backhoes will be used for work on a smaller scale and the preparation of slopes. Skid steer loaders are going to be used for smaller jobs that cannot accommodate larger pieces of equipment due to space constraints.

Most skid-steer loaders

Most skid-steer loaders are four-wheeled vehicles with wheels that are mechanically locked together on each side. The wheels on the left side can be driven separately from the wheels on the right side. A skid loader is a small, rigid-frame machine with lift arms that can be used to attach a wide range of tools or attachments that make work easier.

Conclusion

It is predicted that the Top Construction Equipment Supplier, Excavator and loader Attachments, and demand for earthmoving equipment would expand. As a result of persistent shifts in the framework of existing infrastructure as well as the expansion of the engineering and construction sector. Earthmoving Equipment manufacturers are implementing a variety of technological improvements by making adjustments to a select number of key aggregates in order to improve the loaders' capacity to work while consuming less fuel and increasing their overall productivity. This will allow the loaders to produce even more.

[gta-san-andreas-hud-mods-w6]

gta san andreas hud mods download trainer 6KW4+

💾 ►►► DOWNLOAD FILE 🔥🔥🔥🔥🔥 GTA 5 Hudis an ASI plugin that completely changes the interface of GTA San Andreas to a new interface and menu, in the style of GTA 5. What is. GTA San Andreas GTA V HUD Mod was downloaded times and it has of 10 points so far. Download it now for GTA San Andreas! Download modifications of the player's visual interface. They will help you customize the HUD in GTA San Andreas SAMP for yourself. These mods change fonts. 4, Downloads. / 5 stars (24 votes). HUD (and crosshair) in the style of GTA SA that I originally made for IV but then ported to V. 9 CLEO scripts. Other transport. Car trailers. News and articles. Mods by tags: Textures. Sky and water. Loading screens. Top mods. Sort by: date rating downloads. The mod was taken from the mod "ClassicHud" where there were many versions of hoods, from all GTA series of games. Requires ASI Loader. Classic Custom Hud HD The mod will replace the old hood with a high-quality classic hood, radar icons are also being replaced. Improved standard cursor The cursor is similar to the standard one, but it has narrower borders, high resolution, there is a gradient, as well as a slight glow. Works in samp. Have a good game! The author is unknown. RazorUSD and mrsmv94 modified it and changed some small things. Updates: - Modified the icons of weapons; - A new phone; - Improved icon when selecting weapons in the menu. And the little things C-HUD Hapaxe v15 It is a hud for people who use the widescreen fix, because those who use widescreen are not usually found huds compatible and look good. Hud Zero Fix This. Also, I reduced the stroke from 2 to 1 to make this figure more like an indicator from the mobile version. The new location of the hood MOD rearranges Huda on more compact. As well, replaced with radar maps. Prev 16 15 14 13 12 11 10 Subscribe and receive notifications of new mods in the facebook feed! Click to not miss the news! Subscribe to mods. Hulk Mod crash bro by majdgamer Skin Selector v 2.

[digitaldocumentservice-blog]

CD DVD Blu-Ray Disc Printers: SpeedJet inkjet DVD printers

All Pro Solutions is a prominent manufacturer and innovator of CD, DVD, Blu-Ray, and Blu-Ray Publisher duplicators and publishers. All Pro Solutions is setting the bar for the CD Duplication business by providing the widest selection available. All Pro Solutions has everything covered, from entry-level CD duplicators and Blu-Ray printers to very complex and network-based mission-critical Blu-Ray DVD CD Publishers systems.

There are a variety of top-of-the-line printers to pick from, all of which can be used with any of our printer autoloaders and duplicators in the future. Inkjet, monochrome thermal transfer, and other printing technologies are available. Today we will be discussing CD DVD Blu-Ray Disc Printers: SpeedJet inkjet DVD printers.

Overview of the SpeedJet Pro

The SpeedJet Pro brings professional print quality to in-house CD and DVD manufacturing, delivering amazing photo-quality pictures right into the disc surface, allowing customers to select vibrant backdrops and images that define their business.

CD DVD Blu-Ray Disc Printers: SpeedJet inkjet DVD printers' Technology from HP

● HP's UNIQUE Photo Ret IV color-layering technology is used in the SpeedJet Pro to produce rich, true-to-life images.

● The arrangement of the 6-inks is more exact than ever before with HP Photoret IV.

● Each dot may hold 32 microscopic drops of color, each carefully positioned to generate finer tone gradients and nearly remove roughness in the printed image.

● Optional adapters allow you to print 80mm mini discs and CD business cards in addition to 120mm CDs and DVDs.

● Photo Ret IV has a complete palette of over 1.2 million colors and can deliver 289 levels of shade for each color (compared to 17 levels in previous generations).

● The exceptional print quality is also due to the innovative design of the drawer mechanism, which holds the discs in place with such precision that the best inkjet printing can be done. Fast printing speeds are also possible thanks to the drawer mechanism's improved in/out tray.

● The SpeedJet Pro, unlike most disc printers, employs regular HP color, picture, and black ink cartridges for the most cost-effective printing.

CD DVD Blu-Ray Disc Printers: SpeedJet inkjet DVD printers' Versatility

The SpeedJet Pro is a suitable desktop printing option for low-medium volume/small business users. The SpeedJet Pro, on the other hand, can be readily linked with any All Pro Solutions auto loader or automated disc duplicator for faster, unattended printing and duplicating of larger volumes, making it ideal for even the most demanding professional duplicators.

Unique interface CD DVD Blu-Ray Disc Printers: SpeedJet inkjet DVD printers

The SpeedJet Pro has a unique interface that makes it the most user-friendly and accurate CD/DVD printer available. The Disc Mask ensures that patterns are printed precisely every time, and the quick and easy calibration process ensures that the arrangement is correct.

Final thoughts on CD DVD Blu-Ray Disc Printers: SpeedJet inkjet DVD printers

All Pro Solutions is a leading manufacturer and innovator of duplicators and publishers for CD, DVD, Blu-Ray, CD DVD Blu-Ray Disc Printers: SpeedJet inkjet DVD printers and Blu-Ray Publisher. All Pro Solutions is raising the bar in the CD duplication industry by offering the most comprehensive range. From entry-level CD duplicators and Blu-Ray printers to very complicated and network-based mission-critical Blu-Ray DVD CD Publishers systems, All Pro Solutions has you covered.

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Implementation of Skeleton Screens

Learn about what a skeleton screen UI is, and other types of skeleton screen libraries, along with their pros and cons. Traditionally, spinners and loaders have been a way of informing users that content would take a while to load. While that approach is fantastic, modern architecture is rapidly becoming obsolete.

Skeleton screens

are becoming the ideal substitute for conventional loaders, as they concentrate on progress rather than waiting times, reducing disappointment in loading-time.

The difference between a loader and a skeleton screen UI UI and UX experts tell us that we can keep them engaged while users wait for content to be loaded to a tab.The idea behind using spinners to engage users before content loads is great; however, the result could be less than ideal because most users may get bored staring at a dummy animated spinner like a clock is. That is what Luke Wroblewski elaborates about.Skeleton screens have a better user experience by raising annoyance with load-time. By concentrating on improvement rather than waiting times, it creates the impression for users that the information will be shown incrementally on the computer. This is confirmed by Bill Chung in his study. Define Skeleton Screen?A skeleton screen is a variant of the UI that does not contain actual content; rather, it imitates the layout of the page by showing its elements in a manner identical to the actual content as it loads and becomes accessible (i.e., when network latency allows).A skeleton screen is basically a website wireframe, with text and pictures in placeholder frames. Why is a Skeleton Screen different?A skeleton UI resembles the actual user interface on the website, so users can understand how soon the site or mobile device can load even before the content appears. Here are a few explanations of why you would want to consider using skeleton screens in your next project: • It's simpler to emulate a page's layout with a skeleton screen, • the material loads slowly (not all at once).Skeleton screens are often known as: • ghost components,  • placeholders of content, • loaders of content.Blockchain.com, YouTube, Twitter, Medium, and other large-scale tech firms view skeleton screens as their content enhances the UX.

Types Of Skeleton ScreensThere are various types of screens with skeletons. The key ones are placeholders of text and placeholders of pictures (or color).Most developers tend to use text placeholders as the skeleton UI on their pages because they are easy to create, and the developer does not need any information about the actual content substance; instead, the skeleton imitates the UI.Color placeholders are more difficult to create since they require material information.Other common packages promote the implementation of skeleton screens in web apps. Let's take a closer look at Trigger Placeholder and Skeleton Reaction Ready.Before deciding which to use for our application, we will look at the pros and cons of each kit. React PlaceholderPROS • Components to the placeholder are used to build a custom skeleton UI.• Animation of the pulses (i.e. the effect of motion on the element) is assisted.• It comes with an API based on the components. CONS • Skeleton components are kept separately, so updating a component's styles can entail upgrading the skeleton component too. • The learning curve is not linear since multiple elements are required for different needs. React Loading SkeletonPROS• It is API-based and has one part for all customization with props.• It can be used as a separate part of the skeleton and also directly inside any part, so it is versatile.• Supports thematic and animated Pulse. CONS • For a basic skeleton UI it is easy to implement but difficult for more complex skeletons.• Having a different part of the skeleton would make it more difficult to manage as the UI and styles shift. How to create your own skeleton screen?Drawing the Skeletons in CSSNext, we will draw the basic shapes which will make up the skeleton of the deck. We can do this by adding various gradients to the image-background property. By nature, linear gradients extend from top to bottom, with various transitions to avoid colors. If we describe the only one-stop color and leave the rest translucent, we can draw shapes.Keep in mind that here are stacked on top of each other multiple background images, so the order is important. The last description of the gradient is at the back, the first at the top.

.skeleton {   background-repeat: no-repeat;   background-image:     /* layer 2: avatar */     /* white circle with 16px radius */     radial-gradient(circle 16px, white 99%, transparent 0),     /* layer 1: title */     /* white rectangle with 40px height */     linear-gradient(white 40px, transparent 0),     /* layer 0: card bg */     /* gray rectangle that covers whole element */     linear-gradient(gray 100%, transparent 0); }

As with standard block-level components, these shapes extend to fill the entire room. If we want to change that, we need to define the dimensions explicitly for them. The value pairs set the width and height of each layer in background-size, keeping the same order we used in the background image:

.skeleton {   background-size:     32px 32px,  /* avatar */     200px 40px, /* title */     100% 100%;  /* card bg */ }

The final step is the placement of the elements on the board. This works much like position: absolute, with values reflecting the property at the left and right. For example, we can simulate a 24px padding for the avatar and title, to suit the appearance of the actual content card.

.skeleton {   background-position:     24px 24px,  /* avatar */     24px 200px, /* title */     0 0;        /* card bg */ }

Breaking it up with the Custom PropertiesIn a basic example, this works well-but if we try to create anything a little more complicated, the CSS quickly gets messy and very difficult to read. If that code had been given to another creator, they would have no idea where all those magic numbers come from. Having it sure would suck.Fortunately, we can now use custom CSS properties to write skeleton styles in a far more succinct, developer-friendly manner-and even take into account the relationship between different values:

.skeleton {   /*     define as separate properties   */   --card-height: 340px;   --card-padding:24px;   --card-skeleton: linear-gradient(gray var(--card-height), transparent 0);   --title-height: 32px;   --title-width: 200px;   --title-position: var(--card-padding) 180px;   --title-skeleton: linear-gradient(white var(--title-height), transparent 0);   --avatar-size: 32px;   --avatar-position: var(--card-padding) var(--card-padding);   --avatar-skeleton: radial-gradient(     circle calc(var(--avatar-size) / 2),     white 99%,     transparent 0   );   /*     now we can break the background up     into individual shapes   */   background-image:     var(--avatar-skeleton),     var(--title-skeleton),     var(--card-skeleton);   background-size:     var(--avatar-size),     var(--title-width) var(--title-height),     100% 100%;   background-position:     var(--avatar-position),     var(--title-position),     0 0; }

Not only is this much more legible, it's also much easier to later change some of the values. Plus we can use some of the variables (think —avatar-size, —card-padding, etc.) to describe the individual card styles and keep it in line with the skeleton version at all times.It is now very easy to add a media question to change parts of the skeleton at different breakpoints too:

@media screen and (min-width: 47em) {   :root {     --card-padding: 32px;     --card-height: 360px;   } }

Adding AnimationsWe can animate our skeleton to make this even easier, and make it look more like a loading indicator. All we need to do is put a new gradient on top layer and then, with @keyframes, animate his location.

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A post shared by Seven Chan (@seven_lingheng_machinery)

CE certificate excavator loader for mining engineering ,adaptive tunnel gradient : <=15。 Custom made ,4 wheels driving or crawler driving #excavator #loader #crawler #mining #crawlerloader #mucking （在 Henan Ling Heng Machinery co.，ltd）

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Implementation of Skeleton Screens

Learn about what a skeleton screen UI is, and other types of skeleton screen libraries, along with their pros and cons. Traditionally, spinners and loaders have been a way of informing users that content would take a while to load. While that approach is fantastic, modern architecture is rapidly becoming obsolete.

Skeleton screens

are becoming the ideal substitute for conventional loaders, as they concentrate on progress rather than waiting times, reducing disappointment in loading-time.

The difference between a loader and a skeleton screen UI UI and UX experts tell us that we can keep them engaged while users wait for content to be loaded to a tab.The idea behind using spinners to engage users before content loads is great; however, the result could be less than ideal because most users may get bored staring at a dummy animated spinner like a clock is. That is what Luke Wroblewski elaborates about.Skeleton screens have a better user experience by raising annoyance with load-time. By concentrating on improvement rather than waiting times, it creates the impression for users that the information will be shown incrementally on the computer. This is confirmed by Bill Chung in his study. Define Skeleton Screen?A skeleton screen is a variant of the UI that does not contain actual content; rather, it imitates the layout of the page by showing its elements in a manner identical to the actual content as it loads and becomes accessible (i.e., when network latency allows).A skeleton screen is basically a website wireframe, with text and pictures in placeholder frames. Why is a Skeleton Screen different?A skeleton UI resembles the actual user interface on the website, so users can understand how soon the site or mobile device can load even before the content appears. Here are a few explanations of why you would want to consider using skeleton screens in your next project: • It's simpler to emulate a page's layout with a skeleton screen, • the material loads slowly (not all at once).Skeleton screens are often known as: • ghost components,  • placeholders of content, • loaders of content.Blockchain.com, YouTube, Twitter, Medium, and other large-scale tech firms view skeleton screens as their content enhances the UX.

Types Of Skeleton ScreensThere are various types of screens with skeletons. The key ones are placeholders of text and placeholders of pictures (or color).Most developers tend to use text placeholders as the skeleton UI on their pages because they are easy to create, and the developer does not need any information about the actual content substance; instead, the skeleton imitates the UI.Color placeholders are more difficult to create since they require material information.Other common packages promote the implementation of skeleton screens in web apps. Let's take a closer look at Trigger Placeholder and Skeleton Reaction Ready.Before deciding which to use for our application, we will look at the pros and cons of each kit. React PlaceholderPROS • Components to the placeholder are used to build a custom skeleton UI.• Animation of the pulses (i.e. the effect of motion on the element) is assisted.• It comes with an API based on the components. CONS • Skeleton components are kept separately, so updating a component's styles can entail upgrading the skeleton component too. • The learning curve is not linear since multiple elements are required for different needs. React Loading SkeletonPROS• It is API-based and has one part for all customization with props.• It can be used as a separate part of the skeleton and also directly inside any part, so it is versatile.• Supports thematic and animated Pulse. CONS • For a basic skeleton UI it is easy to implement but difficult for more complex skeletons.• Having a different part of the skeleton would make it more difficult to manage as the UI and styles shift. How to create your own skeleton screen?Drawing the Skeletons in CSSNext, we will draw the basic shapes which will make up the skeleton of the deck. We can do this by adding various gradients to the image-background property. By nature, linear gradients extend from top to bottom, with various transitions to avoid colors. If we describe the only one-stop color and leave the rest translucent, we can draw shapes.Keep in mind that here are stacked on top of each other multiple background images, so the order is important. The last description of the gradient is at the back, the first at the top.

.skeleton {   background-repeat: no-repeat;   background-image:     /* layer 2: avatar */     /* white circle with 16px radius */     radial-gradient(circle 16px, white 99%, transparent 0),     /* layer 1: title */     /* white rectangle with 40px height */     linear-gradient(white 40px, transparent 0),     /* layer 0: card bg */     /* gray rectangle that covers whole element */     linear-gradient(gray 100%, transparent 0); }

As with standard block-level components, these shapes extend to fill the entire room. If we want to change that, we need to define the dimensions explicitly for them. The value pairs set the width and height of each layer in background-size, keeping the same order we used in the background image:

.skeleton {   background-size:     32px 32px,  /* avatar */     200px 40px, /* title */     100% 100%;  /* card bg */ }

The final step is the placement of the elements on the board. This works much like position: absolute, with values reflecting the property at the left and right. For example, we can simulate a 24px padding for the avatar and title, to suit the appearance of the actual content card.

.skeleton {   background-position:     24px 24px,  /* avatar */     24px 200px, /* title */     0 0;        /* card bg */ }

Breaking it up with the Custom PropertiesIn a basic example, this works well-but if we try to create anything a little more complicated, the CSS quickly gets messy and very difficult to read. If that code had been given to another creator, they would have no idea where all those magic numbers come from. Having it sure would suck.Fortunately, we can now use custom CSS properties to write skeleton styles in a far more succinct, developer-friendly manner-and even take into account the relationship between different values:

.skeleton {   /*     define as separate properties   */   --card-height: 340px;   --card-padding:24px;   --card-skeleton: linear-gradient(gray var(--card-height), transparent 0);   --title-height: 32px;   --title-width: 200px;   --title-position: var(--card-padding) 180px;   --title-skeleton: linear-gradient(white var(--title-height), transparent 0);   --avatar-size: 32px;   --avatar-position: var(--card-padding) var(--card-padding);   --avatar-skeleton: radial-gradient(     circle calc(var(--avatar-size) / 2),     white 99%,     transparent 0   );   /*     now we can break the background up     into individual shapes   */   background-image:     var(--avatar-skeleton),     var(--title-skeleton),     var(--card-skeleton);   background-size:     var(--avatar-size),     var(--title-width) var(--title-height),     100% 100%;   background-position:     var(--avatar-position),     var(--title-position),     0 0; }

Not only is this much more legible, it's also much easier to later change some of the values. Plus we can use some of the variables (think —avatar-size, —card-padding, etc.) to describe the individual card styles and keep it in line with the skeleton version at all times.It is now very easy to add a media question to change parts of the skeleton at different breakpoints too:

@media screen and (min-width: 47em) {   :root {     --card-padding: 32px;     --card-height: 360px;   } }

Adding AnimationsWe can animate our skeleton to make this even easier, and make it look more like a loading indicator. All we need to do is put a new gradient on top layer and then, with @keyframes, animate his location.

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Best 6 UI/UX Design Trends for 2021

Within the last few years, User Interface Design UI UX has become a force to reckon, and it has completely reshaped how we use technology and work together with machines in ways that were unthinkable in previous times. As we entered the new decade, the 5G race has officially begun. Soon, the development of 5G will spill over to how we design our websites, cellular apps, and many others, largely. In 2020 and beyond, the UI and UX trends can be dominated by modifications introduced via 5G.

So as you know we are one of the best UI Ux Design Company In Bangalore, so it is our job to tell you the information about UI/UX Design Trend, so that is why we below mentioned UI/UX Design trend that you need to know in 2020.

Custom-made graphics

A decent picture with individuals applicable to your business will consistently increase the value of your business. What’s more, your business will show up more convincing and agreeable. Notwithstanding, on the off chance that you don’t have such pictures, it isn’t important to purchase stock photos with faces that you don’t perceive.

Instead, think about designing your novel graphics to highlight your website or advanced substance. Coincidentally, Olympic Games Tokyo will occur in 2020, think graphics, manga, and anime when you think of Japan. It will inspire the utilization of remarkable graphics and exceptional characters.

Motion graphics and motion effects

An intricate animation might be slow to stack for users. The best UI and Ux Design Company In Bangalore said that “such concern won’t exist anymore in 2020 and past with the ascent of 5G”. 5G will alter how we at present design. A website UI UX Design Companies In Bangalore with static images and substance may at present be adequate now yet it might be seen as dull and boring later on. 5G combined with altogether better mobile presentation-quality allows designers to be inventive in animating writings, textual styles, graphics, the passage of different components, and so on.

Low Key Gradients

At this time, the trend of too bright and flashy gradients is gone. Most Ui/Ux Designers In Bangalore want to utilize basic and unobtrusive gradients. Minimalism is key. The trend for low-key gradients originated from the web alongside level design.

Be that as it may, gradients are needed in visual computerization to give the picture volume and “profundity”, so you simply need to decline “screaming” hues. The sensibilities of the user have changed in the most recent decade. Experiences online are an unimportant encounter of our physical presence, which is the reason technology and craftsmanship regularly gorilla one another. Many best Ui/Ux Design Companies In Bangalore will tell you about this Ui/Ux trend of 2020.

Sound

UI design in 2020 will likewise observe (or rather, hear) sound layers. This alludes to associate degree assortment of sounds which will be incorporated with UI style. Therefore users can have the choice to listen to them once they are employing a web site or a mobile application.

UI design with sound can add to the experience the user has and can make their excursion on the website or mobile application substantially more agreeable and charming. This trending UI design, notwithstanding, is as of now restricted on desktop applications, as it tends to be very distracting. However, it is very prominent on mobile interfaces.

Blended experiences

Visuals are more grounded than words. Combing quick loading controlless recordings integrated into layouts is a decent method to liven up the experience. The quality written substance is the final deciding factor, and how it gets conveyed assumes a tremendous job in the effect it makes. Blending the substance implies building a healthy encounter on your footing. Afterward, we’ll talk about tailoring the experience-dependent on user’s conduct, yet a definitive trend is a website that doesn’t comprise of screens, delineations, and recordings. It’s the synthesis of all.

No more loaders

As a component of good UX rehearses, a loader (the button that shows that the page is loading) is vital if your page takes more than a couple of moments to load to inform users on the state and keep the user from navigating to different pages. A portion of the great UX practices, for example, loaders will slowly get immaterial with 5G. If your source of inspiration expects time to process, for example, request affirmation or transferring reserves, you should keep your loaders.

Conclusion

So in this article, we told you UI/UX Design trend that you need to know in 2020. A website Ui/Ux Design Company In Bangalore with static images and substance may at present be adequate now yet it might be seen as dull and boring later on.

Many best Ui/Ux Design Companies In Bangalore will tell you about this Ui/Ux trend of 2020. This alludes to associate degree assortment of sounds which will be incorporated with UI style, therefore users can have the choice to listen to them once they are employing a web site or a mobile application.UI design with sound can add to the experience the user has and can make their excursion on the website or mobile application substantially more agreeable and charming.