#he is among a long list of characters from this show who deserved better

[doortotomorrow]

LINCOLN KOM TRIKRU The 100 / Season 3 / Episode 4 / Watch the Thrones

[justsome-di]

Now a Pulitzer Prize winning book (don’t fact check this, just trust me) and featured on Obama’s 2023 Summer Reading List!

You should be reading Nobody Ends Up Dead in a Bathtub, Everyone Keeps Their Organs! Why? See above.

It’s a good story if I do say so myself. And if you read it, you’re a cool kid. Don’t you want to be a cool kid? This is something called peer pressure, and it usually works.

But for real, if you read Nobody Ends Up Dead then you’re going to go on a good adventure with good characters I guarantee you will love. Not to brag, but it is a pretty good story. There’s funny one-liners, a cute plot, and relatable characters that have been developed for years. Just heed warnings at the beginning of chapters. NEUD deals with some heavy topics such as eating disorders.

NEUD is officially all online for free. But you can still access bonus chapters and short stories on Patreon for only $4.

Links: 

AO3

Wattpad

Patreon (Patrons had early access to the whole novel and also get exclusive short stories with the characters and sneak peaks for new projects!)

Netflix Previews

Characters’ Playlists

You can also check out my carrd if there are any updates to how/where I post, it’ll probably be the most accurate place to find new or updated links.

Transcript under cut:

The Story is Dope

A New York office worker and a sex worker get set up on a date--one thinking it's a real blind date, the other under the impression it's an ordinary appointment. After realizing it was all a shitty prank, they set out for revenge. Their plan: show up to an upcoming Halloween office party as a genuine couple, convincing the pranksters they genuinely fell in love and refusing to let themselves become the butt of the joke.

Our main characters are Alex, an awkward admin assistant for a medical company who hasn't been on a date since he was a teenager, and Damián, a sex worker who seems way out of Alex's league but keeps insisting on spending time with him so they can perfect their revenge scheme.

The novel features a diverse cast and explores sex positivity. I also like to believe that it portrays sex work well. Damián is a hardworking man, doing what he loves, and meeting mostly great people along the way--but he also would benefit greatly if sex work was decriminalized and therefore had better resources at his disposal.

If you're looking for a story with LGBT characters that's mostly light-hearted but still packs a punch every few chapters, this is it! Overall, it's a happy story.

The Characters!

oh boy the characters!

we got Damián who's hardworking and doting on his lil bro but oh wow does he have some angst

we got Alex who is nothing more than a burning ball of anxiety trying his best--all too relatable

Leo, Damián's bro, is an ally, and he will make sure everyone knows. Also has angst.

Eve, Alex's lil sister, is an edgy teen who's failing calc and runs a queer book club

together, they're a weird lil dysfunctional family

I'll be honest. There's a lot of love in this story. From me and among the characters. The characters love each other, and I think the readers love them, too.

It touches on a lot of loneliness--inspired by how I've felt since Covid started--and a lot of the conflicting emotions that come with being gay. What happy endings do we deserve? What about happy middles?

It's a touching book about learning to be a better person and finding people who love you--platonically and romantically.

Here are some of my fave parts:

And then there was a streak of gray hair that shocked Alex. A streak of gray hair off to the side, nestled close to a salt and pepper beard. Textured hands held cocktails. Little, subtle lines creased when mouths laughed. Alex held his breath. On the packed floor, they were the only people Alex could see. They were laughing and holding each other and enjoying themselves, firmly in the place they knew they belonged. Flashes of teeth pressed against each other, disappearing for long seconds at a time.

--

“Sorry,” Alex said. “Your arm got heavy on top of me.” “You’re a little mouse of a man. I didn’t mean to crush you.” “I’m what?”

--

“A dog!” Damián cooed as he sat across from the lesbians. “His name is Yam,” Martin said.

“His name is Yam,” Damián cried. Kris and Clara released Yam and gently nudged him to Damián. Ecstatic, Damián picked him up and set him on his lap. “His name is Yam,” he repeated to Alex. “I heard.”

--

But he couldn’t deny that he was having a good time. It was like intense yoga with the perk of having a cock shoved up his ass. He was going to feel limber as fuck after.

--

“Can I do anything?” Alex asked. “To help cheer you up?”

“You don’t have to worry about me.”

“I’d like to. If you let me.”

--

“Wow this sounds great where can I read it?”

Tumblr @justsome-di

Watpadd @justsome-di

Patreon @just some di (link on Tumblr)

AO3 @justsome_di

Updates every friday!

[magdolene-s-class]

Evil, But Lame

(Why I dislike Leighton more than Bailey or Whitney)

DOL Character Analysis/Comparison (sort of)

Disclaimer:

This post contains Degrees of Lewdity (DOL) content and spoilers, as such sexual themes and violence. No minors allowed.

Please don't take the listed explanations below as 'excuses' for criminal behaviour. I am not defending or condoning the actions done by these fictional characters.

Also, the sprites are just the result of me fucking around Character Viewer + bad edits.

------------------------------------------------------------------------------

Everything and everybody sucks in DOLville (or my other favourite nickname - Rapechestershire), but in my books, Leighton deserves a special mention. 

This dastardly disgusting failure of an educator cultivated within me a personal vendetta and now I always make it a point to antagonise them and make them the butt-monkey in all my playthroughs. The reasons are as follows:

They love to power-trip and lord it over students and teachers alike.

Their demeanour is so slimy. Compared to two other ‘villains’, he’s all gross but no substance (at this rate, their personality can be used as mediocre lube). 

Bailey (the main villain) is impassive and mostly fearless, and Whitney (the school bully) is sometimes so over-the-top that it comes across as theatrical (which makes sense - they’re putting on a show for their gang and the nearby audience) that I don’t take them seriously (most of the time).

I currently have minimal info on Leighton’s backstory, but I have yet to see a ‘sympathetic’ reason for their actions and behaviour.

Leighton's victim count is high and he has been blackmailing/molesting students for decades, and it’s not a stretch to say that he’s probably a big reason why so many adults (Spoiler: D) in town are also traumatized or fucked up.

He revels in the current power structure and town dynamics, while Bailey (implicitly) and Whitney (explicitly) acknowledges how fucked up everything is.

Also, here’s a comparison (again, I only included Bailey and Whitney as these are the two ‘antagonistic’ characters I have the most interactions with):

Vs. Bailey

Bailey’s motivation is primarily money. They will blackmail you (among other things) for profit, whereas Leighton will blackmail you to satisfy his lust and ego.

I can respect Bailey's character (not his actions 😭) -  they’re callous and ruthless, but they’re also strong and reliable. Personality-wise, I like that they’re impassive, calculating, and dangerous, fitting for the overarching villain. Bailey generally won’t regard you lustfully, unless you go out of the way to do so (cough Troublemaker cough). While steep, their payments do have a cap. Also, I personally believe they dislike orphans who play it safe to gain money because they themselves got their hands really dirty to make money (like the PC, potentially).

Defeating Bailey is also incredibly difficult...because they're impossibly fit and tenacious.

Leighton is petty (they will retaliate if you blackmail him), weak-willed, complacent, (his computer is easier to break into and he easily gets distracted by his own lust), and a serial molester (with a high victim count and long track record - it’s not a stretch to say that he’s probably a big reason why so many adults in town are also fucked up).

Defeating Leighton is way easier and he’ll throw a lame insult at you afterwards.

In terms of administration, I dare say Bailey’s better at running the Orphanage than Leighton running the School.

Spoiler: IIRC, Bailey was also an Orphan, he made the Orphanage better since the last caretaker, and he also has debt. I believe the money they collect from the orphans goes into that debt.

Vs. Whitney:

There’s little revealed about Whitney’s actual motivations but their demanding and bullying behaviour is most likely because of their personal circumstances, the need to gain status, and maintain the approval of their gang. In the most sympathetic light, they’re a neglected teenager who thinks being bigger and badder is the best way to protect themselves in a shitty town. Private moments (esp as an LI and w/o his gang’s influence) show they can be rather responsible and capable of showing concern for the PC.

By contrast, Leighton is an adult authority figure who perpetuates systematic abuse and currently shows no sign of remorse as this helps to keep themselves in power. With their backstory unrevealed, they’re just a pervert who likes preying on the young and vulnerable. They either view you as “Oh, you’re still here?” or “I’m gonna have my fun with youuu”🤮

As shown in some Whitney scenes, Leighton still has some sort of control over Whitney (they give Whitney lighter punishments in exchange for keeping other students in control, and even Whitney won’t refuse a summon from the Headteacher) and most likely has the means to harshly punish Whitney if they’re not useful to them anymore.

You can make Whitney pay for their crimes or retaliate against them, but Leighton, as a major figure in town, can easily get off scot-free (in most cases).

While Whitney will pimp you out (which I hate, they're my primary LI ffs, I really hope this improves in future updates), you can escape some encounters (if you have high Athletics or they have Low Dom) and he mostly does so for the money (they even split the profit with you in one encounter lol). Leighton will force you to have noncon sex (with other students or a freaking dog) as a punishment.

Tbh, both are bad: Whitney can also force you into noncon but they can be fought off easily and they often do so in the spur-of-the moment if you defy them (please don't interpret this as excusing this unhinged behaviour), but Leighton plans their attack, coerces multiple students, and records it for blackmail, which I think is more damaging to multiple parties and harder to navigate (game-wise).

Honestly, Whitney, if left unchecked and goes the criminal route, can probably end up similarly like Leighton (abusing power), but I imagine they’d be more dangerous and calculating as an adult (more similar to Bailey, but cockier).

And if you guys are interested, here’s what I’ve done as revenge so far 😈:

Overpowered him (as a Tiny MC) during his spanking detentions with an audience

Humiliated him and made them cum (Feat: Leighton’s Nightmare)

Eloped with someone else during the aftermath of their card game victory 

Pegged them and took their butt v-card (in their own words: “Yes! Make me your strap-on bitch!”)

In progress: Sending him to the Pillory during the Police Infiltration quest

In conclusion: Leighton is a slime ball, currently has no sympathetic reasons for their behaviour, and is an old pervert with an ego. I also like picking on them but I have to say, my initial vehemence for them has now softened into petty annoyance (possibly even grudgingly fond).

If you read up to here, bless you. Gotta go make cream buns now.

~ Magda's Maker

[saltymatoi]

You know, I feel like Cairngorm’s character arc would’ve actually been a really good one, if their love interest was literally anyone but Aechmea. Think about it, their story is sweet. A gem finally getting to discover who they are and have a sense of self. A Lunarian who’s never gotten to know the gems as people, meeting one for the first time and falling in love. Doing everything in his power to help them be happy, and in turn, the gem brings him the first true happiness he’s felt in years. Together, they break away from the conflict that’s been forced upon them. A bright moment showing that despite the bumps in the road, Phos really is doing something good here. I always thought we needed more random Lunarians interacting positively with the gems to help them be more sympathetic. But no, instead we got Aechmea. Whose list of war crimes is too long for me to ever forgive him. I don’t care that he gave the moon to the gems, that doesn’t undo all the thousands of years of trauma he inflicted upon them. He permanently destroyed the minds of Yellow and Phos among others. He fucked up their society, forcing the gems to adopt a culture of forgetting their loved ones, otherwise they’d have to live with the grief for eternity. So to see Cairngorm turn a blind eye to all of this and happily parade around with him, even after Aechmea admits to their face that he’s used both them and their people for his plans like puppets, really ruins the character for me.

Like, no wonder people got groomer vibes from it all. Cairngorm deserved better.

[yaraaltrospace]

Top 10 Annoying Orange Videos

Some people don’t like Annoying Orange, but for those that do, I wanna make a top 10 of episodes. As far as I researched, besides the channel itself posting a top 10 of episodes based on views, I don’t think anyone actually posted a Top 10 of Orange episodes, and I honestly think it deserves it.

The show created by Dane Boedigheimer, which was intended to be a one episodes thing, grew up to become something beyong he or any of us could imagine. This show revolves, obviously, around the main character, its ways of annoying directly or indirectly other foods, objects and guest stars in the kitchen. Though sometimes a joke CAN be carried for far too long, there ARE some good episodes that show the potential of this webseries and I’d like to show you some of my favorites.

Now, there are various holiday themed episodes, like the Christmas and Halloween themed ones, and certain episodes from Shocktober and Ask Orange series, and of course MANY movie spoofs. These are not entering the list, sorry. I’ll be focusing on episodes that are not part of a series, are not technically spoofs, challenges, or asks to any character. Mostly pattern adventures in the kitchen, other locations and those I perosnally think that used the comedy better. 

NOPE, not using the first ever episode, it’s cheating!

10 - Close Encounters of the Annoying Kind

Yeah, despite the title it isn’t a spoof episode, but it does involve the main idea: Pear and Orange get abducted. By what? Greys? Xenomorphs? Predators? Nope, BROCCOLI! Alien Broccoli! And I’m really sure the short-lived Cartoon Netwrok show took notice of this episode and saw an opportunity there. Really, I do like most of the episodes in the show, so don’t you dare judging me.

Back to the episode, that’s basically it: Orange and Pear are in a spaceship, with alien broccoli planning to dissect them. I just question why Orange seems to LIKE Justin Bieber, but this episode IS from 2010, so it was before we knew who he really is. I also really like the Broccoli Leader voiced by Evan Ferrante aka NotTomCruise. This early episode has a simple premise, the jokes flow properly, it’s good. I really like it.

9 - The Amnesiac Orange

I was torn among this one and The Exploding Orange, but honestly, I think this one has a lot more funny potential. Basically Orange gets hit in the head by a canteloupe and forgets who he is. Then, an apple comes by and trick him into believing he’s an apple. That is brilliant, and a little mean. But then again, he IS an apple.

The casting is excellent, the memory loss scenario is used very well here, and for such a short story, we have quite a lot of laughs. I at least laughed very much at this one.

8 - ZOOM!!!

Another basic plot: Orange takes an energy drink. Just that has plenty of potential, like in the Family Guy episode New Kidney in Town’s beginning. The energy drink that gives the episode its name is voiced by Bobjenz, well known for the voice of Grapefruit. And it might be the pitch, which is actually something well handled by the webseries’ characters, but hearing Zoom’s voice and excitement at his first appearance brings a big smile to my face. 

Also, adding a bit of venting here, in early episodes, Pear’s a lot more patient with Orange. He’s annoyed like everyone, but he still handles it with patience Orange’s hyper boost. Later episodes show Pear as intelligent and often hysterical, and always trying to hard to be something he isn’t. Like, in his extreme challenge videos, he seems to care too much about what others think of him. This early episodes Pear has a good will, patience and doesn’t deny being Orange’s friend, even though he’s annoying. I miss this.

7 - The Fruitbowl!

Orange and Pear narrate to us a Superbowl game and Little Apple literally becomes a part of that game. In Brazil we have the World Cup transmissions, but boy, the Superbowl events sound and look awesome, from the games to the crowd and performances. Heck, Michael Jackson started this trend.

There are funny moments, great slapstick and everyone gets a moment to shine. Marshmallow’s cute show is short but any moment with them is so cute. Please don’t bring up the gender discussion, It was settled recently that they're non-binary. This is a very good episode in my book.

6 - Clam’s Casino

This particular one is among those I hit replay for. A clam and his associates bring up a Vegas-style casino to the kitchen and we watch the Kitchen Crew, as we expect, bet and lose all their money. It’s a cliché, but clichés work when they’re properly used. 

Brock Baker gave a great performance as Johnny Clam, and the jokes are well-written and portrayed. Certainly we’ll think twice before we gamble.

5 - Pickleback

I’m really confused about why people hate Nickelback. What happened? What did I miss? Anyway, this episode shows obviously a pickle version of the band brainwashing food to get pickled despite their song apparently being awful.

And Orange’s annoyance actually manage to save the day for once. This is quite refreshing and enjoyable to see: Orange helping his friends with what he can do. Another video on the replaying book.

4 - Fan Boy

At a certain point, we were and maybe still are all fanboys and fangirls, and when we get to meet our idols in person it’s like a dream come true. Imagine being a fan that’s a fan of the Annoying Orange? 

Fan Boy’s behavior sort of remind us all of how we feel in this sort of environment. He even quotes the fan joke from an episode and how vintage things are. This episode works with what it has very nicely.

3 - Limes

Brad freakin’ Paisley! Really, Brad Paisley comes to the kitchen as a lime to cheer Orange up with a song. Musical episodes are always good, and Brad is really talented. This one reminds me a bit of Excess Cabbage, de in facto first episode of Annoying Orange I watched. So I hold it really dearly to my heart and added it to the replay book.

The song, the environment, the optimistic message, it’s a gem. I so reccomend this episode and this song.

2 - Cookie-DOH!

Everyone in the kitchen hides for Dane’s cooking something and when the oven gets open, a piece of cookie dough voice by Alexa Losey can’t wait to get in, and explains how she wants people to eat her, and the scenarios she often thought about. 

I relate to her with having big expectations and feeling very upset when none of them come true, and reality is a b-word with us. It’s a feeling we all got to deal with and maybe still have to. I call this one a relatable character and this episode a great one on my list.

Before taking a stab at our number one here are some Honorable Mentions:

Best Fiends Forever

Grapefruit moves into the kitchen and Orange and everyone else can’t even. And also a different side of one of our favorite foods.

The Leprechaun Trap

A clever parody of advertising, as you probably seen in SNL multiple times, and on many Youtube viral videos.

Bacon Invaders

Just having Harley from Epic Meal Time means we’re off to a great episode!

Annoying Marshmallow

Unlike Annoying Pear, I really like Marshmallow doing Orange’s job, and actually making everything great and enjoyable for everyone. Really, Marshie, you are the best!

The Land Beyond the Kitchen

A train ride to the title’s world and the promise of the best adventures ever.

1 - Magnet Madness

This is another on my replay book. Orange and his friends are witnesses of a situation between the fridge’s magnets, two of them voiced by Ross Everett and Eric Scwartz, later the voice of the Gaming Grape. I love bullying-dealing episodes of any media, and this one has great comedy, born from the simplest parts.

Yeah, Orange and the others are mostly aside, but they still are a part of that whole thing. This is a very funny, very good written, very interesting Annoying Orange episode. It might not be for some people, but any episode that shows a great way to deal with a bully is a fine one for me.

Do you agree with the list? What is your favorite Annoying Orange video?

[beboped1]

Carpe Jugulum

When I started this series, I knew I would find some of the series hadn't held up. But I was really hoping I'd find some which were better than I remembered - and here's one.

Carpe Jugulum

First Read: Post Grad-School

Verdict Then: Fine, but not particularly memorable. The witches books just aren't hitting as well as I expected

Verdict Now: A fun, propulsive, and allegorical ride, maybe my favorite of the witches books (not counting Tiffany Aching, who'll take over this subseries from here). Mightily Oats is a particular point of interest, especially in comparison to Brutha's journey.

Carpe Jugulum is perhaps the first Discworld book I've felt is underappreciated. It's not one that I hear talked about, Wikipedia says that it didn't hit the British "Big Read" list from 2003, and in general I feel like it's often forgotten. But hidden within that is just as interesting and scathing a satire as Hogfather, just with less overtly humorous window dressing. It's one of his least funny-haha books so far - not because his jokes don't land, but because they all have razor edges hidden just beneath the surface. He also leans into horror here in ways that he hasn't previously in the series.

Carpe Jugulum is a book about myth, morality, and religion, and the ways that those forces can be used to bind people or to free them. The vampyre antagonists have found a sort of freedom in directly contradicting the myths - but it's only freedom for themselves, while for everyone else it's a true horror. Mightily Oats is struggling and trying to find the truth hidden among all the tales and rules and morals that he grew up with. Granny Weatherwax confronts again the choice of light or dark, but here it has the tenor of deciding what myth she will embody. Nanny Ogg and Magrat all confront what the myths and stories of Witches really mean to them - are they bound by Maiden, Mother, and the other one, or is it a tool they can use? Agnes & Perdita get the character arc here they deserved in Maskerade, that classic adolescent story of deciding what path you will walk, and who you really want to be.

Granny gets some great monologues in during her journey with Mightily Oats, but it's really Oats's arc that I keep coming back to. In Small Gods, the Omnian church is cruel and broken, a force of evil in the world, but Brutha has the chance to change that, to show them how to be a force for good. But now, a few generations after Brutha, there are echoes of the same essential human failings recurring in the Omnian Church. An adherence to text, an evangelism that is still dehumanizing of its targets even if it's gentler now, and a constant conflict within and between the adherents of the church - all of these echo the failings of the church in Small Gods. The Omnians have gone from early Renaissance Catholics to mid-century Episcopalian/Church of England, but they're still an organized, evangelical religion. I wonder how much of the differences in Brutha's journey and Oats's journey are a reflection of Pratchett's own evolution - while Brutha was who I needed to see in high school, struggling with the Catholicism in which I was (happily, mostly) raised, but now, it's Oats's solution to the central conflicts of religion that rings most true. Find the wonder, awe, and holiness in everything - no god required. Listen to those who seem to be doing the most good in the world, not as a holy leader, but instead as a rough guide. Granny Weatherwax never tells Oats what to do. She's not a pastor. She's a Witch, a guide, a coach, an example, but never a shepherd.

This one really got under my skin. There were a few bits that didn't quite land - it's not as tight as Jingo - but overall, I do think this is a story I will want to revisit. Maybe even in a back-to-back with Small Gods, to really see the evolution of the thoughts on religion in stark relief. And in the end, that's always what the best Pratchett's do - get you to keep thinking long after the story has ended.

[kinetic-elaboration]

July 12: My So-Called Life 1x17

After a long hiatus, I return to MSCL. I just love this show so much. I want to write the fic. I do. It would require probably constantly watching the show on a loop at the very least to keep motivation up but... that's a sacrifice I would be willing to make.

Anyway. This was a particularly emotional episode. It really emphasizes to me the ways this has become an ensemble show. The plot both only works because and is so much better because all the characters are involved, and they all have these long-standing relationships with each other. They can all spread the gossip among each other. And the fallout for Rayanne is so devastating because it affects multiple relationships.

The scene where she talked to Patty really underscored this, because she comes in fairly sure that Patty will side with Angela (duh). Angela is angry with her; Patty probably will be; Sharon is; Rickie is. They're all closer to Angela than to her. Even Rickie, her closest friend, thinks it's impossible to be on Rayanne's side, and probably not just because of what she did, but because their relationship has been fraying for months. So when she says at the end that she's lost everything, even though she just lists "a really good friend" as everything, she's right: she was building all these bridges and now they're all burning, without anyone really knowing her side.

I thought it was interesting that Rayanne said she'd never hurt anyone this bad before because it seems pretty clear to me she did: I think staying out all night and letting Rickie think she was dead is just as bad as fucking Jordan, honestly. The way Rickie said he was picking out clothes for her funeral is just burned in my mind.

Yet Rickie is the only one who does see her side, and my interpretation is that he gets there on his own, just from knowing her. Rayanne always wanted to be Angela, and this was how she did it. It's so ironic, isn't it: Jordan and Rayanne weren't trying to hurt Angela, but nor were they really trying to be with each other. The betrayal is in stupidity, in a way, and recklessness. They both love Angela more than anything but feel rejected by and distant from her; that's what they bond over. I'm not saying it's a compliment to her but it's like... it has to do with her and it has nothing to do with her, all at once. It's not a love triangle, and it's not revenge. If Angela asked anything from them, they'd give it to her. The affair is a sort of proof that she holds all power in both relationships but she isn't in a position to see that.

The Jordan and Rayanne hook up is honestly one of the queerest m/f hookups ever. She is so obviously being positioned as the same as Jordan! They are both in love with Angela! I know an interpretation is certainly that they just love her in different ways or that part of Rayanne's love is emulation but like... too many other aspects of the show make more sense if you see Rayanne's interest in Angela as a crush, a romantic crush she just doesn't fully understand yet. That Angela's interest in Rayanne is very different, more clearly friendship, is repeatedly made clear. That Rayanne's interest is romantic coded, and that Rayanne is repeatedly paralleled with Jordan, is also clear. It's just!!! She's so gay for her!

I actually wish there were more scenes with different characters interacting. We don't see Angela interact with her parents at all, for example. I mean there isn't really anything new to learn from that, but I actually do think it's interesting that Rayanne assumes Angela told Patty (because they're "tight") when Angela almost never tells Patty anything, but... that's a sort of point of contention throughout the show, and it seems like they've kind of gone backwards, there, in their relationship.

Also, I think Brian and Rickie's established friendship deserves more than "I have no one else to talk to about this so I'll just talk to you."

Brian is, in some ways, kind of the worst. I'm a Brian apologist but also someone who believes he needs apologists. I'm like Tarantino but less violent LOL. Also it is super fucked up to video Rayanne and Jordan like that and it's sort of wild that no one mentioned that, that they were more obsessed about what was on the tape than, like, how we generally don't tape each other's private moments? Especially in 1994, when people weren't used to constant invasions of privacy? Anyway, Brian confirmed canon voyeur and Rayanne confirmed canon exhibitionist, I think you can see where that is going.

Brian and Angela have such a weird, like, almost domesticity to their relationship. I know she invades his room so easily because she single mindedly wants the tape, but I think that's also how they are. They are used to being in each other's space (well, Brian might be semi-self-conscious about it), used to each other. A sort of intimacy about it almost.

Just as we know Rayanne was calling Angela off-screen, and Sharon has been telling Camille about the Sharon and Angela fight, but not why, I think we can extrapolate that Rickie told Mr. Katimski about the whole drama. All of it. Like he absolutely knows what he's doing in the final scene when he positions Rayanne and Angela across from each other and tells Rayanne to think about having lost everything in her life. Oh gee whiz.

I probably had other thoughts but I am FA-DING. Gotta get to bed.

[watiamdoingwithmylife666]

How / Why they are Jealous - AOT

Sum: How they react when they are jealous and why they are. Pairing: Erwin/ Levi/ Miche/ Hange/ Moblit/ Kenny

I hope you will like it! I maybe gonna do the same but with the JJK character since I am obsessed with this show those days.

Warning: Grammar error as usual / Kenny (He's a warning by himself)

Erwin

Erwin's jealousy is the result of his own insecurities, if most of the time he hides it well, sometimes he just goes to you and asks for reassurance.

The commander doesn't really have time for being jealous. Plus, he fully trusts you. But it happens sometimes that he get this weird feeling of possessiveness that grown in his heart, far from him the idea of being jealous huh? Erwin gets this feeling mostly because he knows he prioritizes his work a lot, and he doesn't give you his entire attention as much as he wants. So when he feels like he failed you as being the husband you deserve his mind trick him. Seeing you with a too friendly comrade talking made his mind get stupid.

It's tea time and Erwin is getting out of his office for the first time of the day. He thought it would be the perfect moment to grab something to eat and ask you to join him. But on his way, he saw you with some friends of yours. You seem really happy, your beautiful smile on your face, he stops on his track just to admire you from afar. He can't believe how lucky he is to have you, and it's right at this moment that his mind tricks him. Making him feel like he's not good enough, possessiveness grew at this moment making him go straight to you and ask you to follow him in his office. far from the curious eyes, Erwin kisses you like he hasn't seen you for months.

Levi

Just like Erwin, Levi's jealousy comes from his own doubt. He knows that he's not the romantic perfect boyfriend. And he wonders sometimes if you wouldn't have been happier with a guy that deals with his emotions better than him.

For me, he's not the jealous type. If you are together that means it's ''serious serious''. He won't get in a relationship if it's not for life (and you didn't take that long to get him to cheat at the end eh?). But he knows that the way he deals with his emotions is not the best way. And it happens that sometimes when Levi feels a little down, he thinks about how you probably suffer from his lack of love attention. Levi wanted to be like your best friend. He wasn't jealous of a lot of people. But your best friend was on the list among Erwin, Miche, and Hange. Those peoples were able to talk about their feelings, not him. You had this thing with them that he felt he like he couldn't have with you. This proximity of confidence that he was struggling to gives you. So seeing you laying in the grass with your best friend laughing so hard, harder than he could have. His heartache. It's only later that day, when both of you was in your shared room, that Levi was sitting on the bed looking at you when you were putting on your pajama.

'' you know that I love you right?'' you've been taken off guard, but before you could say something he spoke '' Even if I don't tell it to you so often... You know it right...?''

Miche

Miche is aware that he is labeled as a weird person because of his habit of sniffing everyone. But even with that, Miche is not someone who has insecurities. So his jealousy would come mostly because someone did something to make him jealous.

Both of you are squad leaders, it results in both of you don't have that much time with each other. But when you can, you do obviously. But this time Miche was on his way to tell you that he had finished work early today and wanted to go for a walk with you. Much to his surprise, you were already outside with some of your friends talking while brushing the horses. One of your friends came next to you put his hand on your waist, before approaching to say something in your ear. Miche feels upset by the move and didn't take time to think twice before he was back on the track.

"Hey, babe !" The guy behind you jumps at the big voice of Miche when you turn around to smile at him. "I just finished you wanna go for a walk with me near the river?" he asks, but his eyes were angrily looking at your friend when saying that. Of course, you did go with him, and you understood that Miche was jealous so you gave him extra cuddle when you had to lay on the grass with him later.

Hange

Their mind is too busy to be jealous. Most of the time. But they do get jealous. Like Miche, Hange doesn't have insecurities at all. They know how they are, and are pretty happy with that. So Hange gets jealous mostly because they don't have your full attention.

It happens a lot when you are in the dining hall and Hange explain one of their last discovery and someone dares to talk to you? when they were the center of your attention?? Or when you are in the lab and you don't focus on their dangerous experiences and pampers them but talking with Moblit?? Or when you're doing your training by pair and thought they wanted to be with Moblit and you go with Levi, like ??? What ???

"I am sorry but I require your attention sweetheart. Whoever this person is I need you right now."

Moblit

Jealousy for Moblit is mainly caused by his overthinking. He thinks that most of the people at the SC are better than him. And he can't stop his mind saying that his partner would prefer someone smarter like Hange or Erwin, someone stronger like Miche or Levi, or built like Reiner, Funnier like Sasha. So his jealousy is driven by himself and built by his own insecurities.

After a long day of work, Moblit has the tendency to zone out while fixing the ceiling. This morning he saw you at the training, you were in with some friend all more handsome than him he thought. If they wanted those people would be capable to change your mind and leave him for one of them he thought again. The tendency to think for the other is useful for Moblit in his job. But it's a curse for his relationship. He can't stop thinking about what would be the best for you without even thinking that He, could be the best for you.

So later at night, when both of you are in your shared room. When you notice that his mind is cloudy, you hug him tighter. "I love you so much honey..." he says before kissing your temple.

Kenny

Kenny's jealousy is driven by his self-esteem. He told about himself that he's a piece of trash, so the fact that you are willing to love him back took him by surprise at first. But now, everyone that comes near you is obviously better than him in his mind.

Because of who he is, you and Kenny can't really show off your couple. So when you are together outside, what is a "date" for you is just two friends walking for the other. That why Kenny knows he can't do anything when a merchant hits on you. It runs on his nerves but he tries so hard to no do anything that could cause trouble for you. Because even if he has short temper, he refuses to put you in unnecessary danger.

But when you get back home. Be careful because Kenny gonna claim what's his. "Ok sweet thing, c'mere I'm gonna show you who's you belong to."

[oreomonsterhunter]

“I’m not wearing my sexy underwear tonight”

Pairing: Johnny x reader (or OC)

Word Count: 3988

Genre: fluff, not smut but they both really wanna toe the line

Warnings: language, some sexy kisses (cover your eyes kids)

Summary: Johnny takes his best friend on their first date

A/N: this has absolutely morphed into a long term couple, because apparently Princess has taken the reins 😂 if you like this, check out the rest of their story so far on my masterlist!

You were nervous.  Friends with Johnny since diapers, and somehow you were nervous to meet him in five minutes.  You glanced at the time—make that four minutes.

Pacing back and forth in front of the door, you smoothed down your dress again.  All Johnny had told you was to dress up.  He might be a fashion king, but he wasn’t exactly the best at sharing details.  You’d teetered between twenty different outfits before finally settling on a happy medium.  Couldn’t show up to a museum in an evening gown.  Well, you supposed you could, if you even owned one.  So the little black dress at the back of your closet was the final choice.  Safe enough for just about every venue, since Johnny hadn’t told you where your date would be.

You sucked in a breath, fighting against the nerves tight in your stomach.  Your first date, oh my gosh.  How were you supposed to date Johnny?  You’d done practically everything together already, what made this different from going to the movies together last week?  Aside from the obvious—last week, you didn’t know what Johnny’s lips felt like on yours.

Then you groaned at your sudden realization.  Jeez, you couldn’t do anything right in this relationship with Johnny.  You were about to have your first date but you’d already had a hot and heavy makeout session at an unmentionable hour of the morning.  So much for “will I kiss him afterwards?”  Dating for five seconds, and everything was already out of order.  You wanted to scream, but before your thoughts could really start spiraling, you heard a knock at the door.

You were sweating, oh gosh.  Did you need to reapply deodorant?  You froze, staring at nothing.  Until another knock sounded, this time accompanied by Johnny’s familiar voice, “Yo, are you ready to go?”

You sagged in relief.  Nothing else would have snapped you out of the nervous cycle better than Johnny being….well, Johnny.  And when you finally convinced yourself to open the door, the sight of his easy smile was enough for yours to appear, too.

“Well, uh, hi,” he stuttered, making you giggle.

You slipped on your shoes, grabbed a small purse, and locked the door behind you.  Then you linked arms with Johnny, “Alright, where to, mystery man?  You haven’t told me anything.”

“That’s mostly because I didn’t figure anything out until today.”

Biting your lip to hold back a giggle, you tugged him down the hallway.  “No wonder you didn’t share much detail.  I should’ve known.”

Johnny tightened his grip on you when you stepped out of the elevator, leading you to the car.  He didn’t say much, which was a bit out of character.  Frowning up at him, you tried to meet his gaze.  He finally looked down at you when he opened the passenger door for you to get in.  “You, uh, you look really nice tonight.”

A small smile bloomed, “Not looking so bad yourself, hot stuff.”

* * * * *

Apparently Johnny had picked out a restaurant for dinner.  A fancy restaurant.  You read through the list of entrees with a barely-concealed grimace.  “Do you know what any of these words mean?” you asked him.

Johnny beamed at you, “Nope, that’s half the fun.”

A waiter walked by with a tray destined for another table, and you both gaped at the miniscule portion sizes.  “Those look like appetizers,” Johnny said, goggling at the tiny salad. “Maybe I can order several steaks. I’d need about five of them.” He started eyeing the menu again.

“As long as you’re picking up the tab,” you joked.

“Oh, I thought you were,” he said, all wide eyed innocence.  You smacked his arm with your menu, fighting a grin at his usual antics.  The couple at the next table shot you a look, and you hunched back in your seat.

“Don’t worry, I’m paying.  Order whatever you’d like,” Johnny said, still puzzling over the ridiculous dinner options.

You frowned, reaching for your water.  But shoot, it probably cost five bucks for tap, you thought with no small amount of horror.  You set it back down before you drained more of Johnny’s wallet.

After a few more minutes of torturous silence, trying not to fidget too much, you leaned forward.  “Do we even have a waiter?”

Johnny jerked upright, looking over his shoulder at the man in question.  “I don’t know?”

“I’ve been trying to make eye contact with the staff for five minutes and they’re all ignoring me.”

Johnny blinked at you.  “Wait, are you ready to order?”

“No, I wanna ask if they charge for water.”

“No one charges for water,” he chortled.

“I bet it’s five bucks a glass,” you said, crossing your arms.

Now Johnny was really laughing, and half the restaurant was staring at your table.  “Only if it’s imported from the crystal springs of Iceland,” he said, grinning.

“Wait, really?”

“Hell if I know,” Johnny said, making you snort some of your water.  You shrunk down in your chair, hiding your red face while he kept laughing.

“I don’t know this man,” you said to the people at the next table. They stared at you, whispering among themselves.  Pouting, you turned back to Johnny.  “I can’t believe you booked a table here,” you cocked an eyebrow at him.  “I thought we were burger joint people, not escargot snobs.”

“Do you really not wanna eat here?” he asked, propping his elbows on the table.

You opened your mouth to respond, but your waiter finally showed up to take your order.  “Good evening, can I interest you in anything else to drink?”

“Any Icelandic sparkling water?”  Now Johnny was the one snorting inelegantly.

The waiter laughed, despite not knowing the joke.  “Can I interest you in a bottle of red?  You seem like a red wine woman.”

You smiled politely, reaching for the wine list when he offered it to you.  “Sure, I’ll take a look.”

The waiter smirked, eyes landing on you.  “I’ll have to card you, miss.”

Your brows raised, but you complied, digging out your wallet.  Across the table, Johnny cleared his throat, “Do I look like a red wine guy?”  But the waiter barely glanced at him before his eyes were back on you.

“Your photo doesn’t do you justice,” the waiter commented, handing your ID back.

“No one looks good in those pictures,” you chuckled.

“I beg to differ,” he said, then nodded at the wine list.  “What can I get you?”

You glanced over at Johnny, who was fidgeting enough to shake the table.  Curious.  “What do you recommend?” you asked, twirling a strand of hair around one finger.

“You might be interested in one of our finer vintages,” he began, leaning over your shoulder to point out a few wines on the list.  You heard a subtle sound, and out of the corner of your eye, saw Johnny’s fingers rapping the table at a rapidly increasing pace.  You bit your lip, focusing on the wines again, but not before adding a little more fuel to the fire.  Time to test your theory.  You crossed your legs, brushing one foot up Johnny’s calf in the process.  The man jumped as if electrocuted, his knees banging into the underside of the table.

“How about this one?” you asked innocently, looking up at the waiter again.

“A lovely choice, though it is on the higher range, so I’m not sure—”

“We’ll take it,” Johnny announced, plucking the wine list from your fingers and shoving it at the waiter.

You raised an eyebrow, but the waiter simply smiled at you, apparently unbothered by growly Johnny.  “I’ll bring that right out for you,” he said, taking the wine menu and leaving you to suffer over dinner options.

Johnny cleared his throat, leaning towards you again.  “That waiter’s a bit weird, huh?” he asked, watching the man walk away.  “He didn’t even ask what I wanted.”

You donned your best sparkly-eyed expression, “But he’s being so friendly!  He really deserves a nice tip, he had some helpful suggestions.”

Johnny frowned, “He’s obviously flirting with you.”

“No way,” you laughed, waving him off.

Johnny rolled his eyes, “Trust me.  He’s flirting with you more than I am, and I’m the one taking you on a date.”

You leaned forward, resting your elbows on the table.  “Maybe you should start flirting with me some more, then.”

Johnny sent you an indecipherable look.  You wondered if your teasing had worked.  But Johnny seemed to have calmed down some, now that the helpful waiter was out of sight.  

You shrugged, sitting back in your chair.  You changed the subject, giving the man a break.  “Seriously, we don’t need to spend this much on dinner.  I feel bad.”

“I thought you’d like this place,” Johnny said, brows furrowing.

“I will literally go anywhere with you, it doesn’t matter, I just….I dunno, I feel like I don’t fit in here.”  You weren’t quite sure how to express your fear that people would call you a gold-digger or something, only dating Johnny now that he’d achieved success.  Even if the two of you knew better, it still made your stomach twist.  And not in the nice way it did while watching Johnny’s hands playing with his water glass.  Shoot, shoot, shoot, now his fingers were wet from the condensation.  You really didn’t need to know what that looked like.  Had his hands always been that large?  You shifted in your seat.

Johnny’s mouth twisted in a wry smile, “I don’t know if either of us really fit in with the rich old person vibe, but I heard the food is good.”

I’d rather have a bite of you, you thought to yourself, twisting the napkin in your lap.  You’d never seen him in a suit before.  Or at least, not in person.

Johnny coughed suddenly, staring at you with wide eyes.  “What?”

Oh shit, did you say that out loud?  Your cheeks burned.  “Um, I’d be, uh,” you stuttered, trying to cover your mistake, all confidence extinguished.  “We could get burgers, or something.”

Johnny sat back in his chair, eyes on yours.  He smirked, and you wanted to disappear into a hole in the ground.  Oh no, he definitely heard you.

“As long as I get to keep watching you,” Johnny said, voice low.  “You really are beautiful, not just tonight.  Every night.”

You opened your mouth, not sure what to say, but knowing that you wanted Johnny to keep looking at you like that.  Like you were the main course.  “Johnny, I—”

“Your wine, miss,” the waiter had returned.  You bit back a frown, knowing he was just doing his job.  But he seriously couldn’t have waited another minute?

“Thank you,” you murmured, sampling the first sip before allowing the waiter to pour both glasses.

“Can I interest you in any appetizers?” he asked, pouring Johnny’s wine.

You blinked, having forgotten the menu entirely.  Across the table, Johnny pulled out the menu, but before he could point anything out, the waiter was hovering over your shoulder.  “Might I recommend the cheese board?  It will pair beautifully with this bottle.”

“Might I tell you my order?” Johnny said.  His smile was sharper than before.  You might have teased him some more, but you got a bit distracted by Johnny’s jawline as he turned to speak to the waiter.  Honestly, you were having trouble tearing your eyes away from him all night.  It felt like seeing him for the first time, and in a way, you supposed you were.  You’d always known Johnny was attractive, since the time all boys started to look cute.  You’d just never let yourself think about it too much.  Best friend mental boundaries and all that.

Maybe if Johnny hadn’t said anything on that night, you wouldn’t have ever seen him like this.  You wouldn’t have allowed yourself to admire the column of his neck, or his long fingers as they unbuttoned the top of his shirt.  It would’ve been you and your stupid butterflies trapped in the friend zone forever.

Thoroughly distracted now, you bit your lip as you wondered what Johnny’s neck would look like with some new decorations.

“You realize they sell food here, right?  You don’t have to look at me like I’m an appetizer,” Johnny whispered across the table dramatically.  You startled, looking around, but the waiter had left at some point during your daydream.  Oh gosh, did you drool?  You pressed the back of your hand to your face discreetly, relieved to find nothing of the sort.

Then your brain caught up to Johnny, and you looked up at him with a smirk, “You’re too big to be an appetizer.”

Johnny choked on a laugh, covering his mouth to hide his smile when the other diners looked your way.  When he appeared to have himself under control again, he eyed you from head to toe—or at least what he could see from across the table.  He shot you a grin, “You’ll find out soon enough, won’t you?”

You watched him through your lashes, not quite sure what to make of him anymore.  You’d had your fair share of fun with other guys, but never in a million years had you imagined flirting with Johnny so blatantly.  Let alone in a fancy five star restaurant like this.

A sudden presence at your side startled you, and you jumped a little when the waiter reached over your shoulder to set a dish down.  “Sorry for startling you,” he murmured, moving away slightly, but not before brushing your shoulder in apology.  “Should I leave you with this for now, or are you ready to order?”

Johnny’s eyes flashed, and you bit back a curse at the waiter’s truly stellar ability to interrupt.  “We’re fine, thank you,” you said, unable to stop watching Johnny.  Or his hand, slowly tightening into a fist on top of the table.

“Would you like to hear the specials tonight?”

You donned a polite smile, nodding at the waiter to continue.  While he read down the list of fancy-sounding entrées, you turned your smile on Johnny, who was vibrating in his seat again.  You could’ve sworn your water glasses were shaking, and you held back a giggle.  You uncrossed and recrossed your legs, extra slowly to make sure he got the message when you “accidentally” brushed his knee this time.  The vibrations stopped, and his eyes burned into you.

“Thank you, we’ll keep looking over the menu,” Johnny interrupted the waiter, his voice deeper than before.  Your smile only grew.

Once the waiter was out of earshot, you leaned in.  “Can we leave?  I can’t even kiss you here.”

“Yep, yes, absolutely,” Johnny said, standing up the second the words were out of your mouth.  He nearly upended the table, making you snort.  “Right now,” he nodded, striding for the exit.

You scrambled out of your chair, rushing after him.  “Johnny,” you hissed, grabbing his sleeve.  “We didn’t pay yet.”

He came to a halt in the hallway, and you nearly ran into his back.  Then Johnny turned around, and you became very aware of the semi-secluded location as he moved closer.  You squeaked out a panicked, “Not here!”  You backed away until he finally reached out, one hand circling your waist to reel you in.

Johnny’s eyes moved over your shoulder, then back to yours.  He smirked, leaning in close enough for you to feel his lips brushing your cheek as he murmured, “Tell the valet to get the car.  I’ll grab the wine.”

You could’ve sworn you felt his hand brush down your back, lower.  Your cheeks burned hotter.  But when you turned, Johnny’s broad shoulders were disappearing around the corner, and the waiter was hurrying in the opposite direction.

* * * * *

You ended up ditching the car and walking around the neighborhood.  You only looked slightly out of place with your high heels and makeup when you ended up at a tteokbokki joint.  You’d played rock paper scissors between that and burgers, and Johnny won, as usual.

After dinner, you were reasonably close to your apartment, so Johnny offered to walk you home. It felt like another one of your late-night adventures, except you were usually in sneakers. When your feet got tired, you stopped in the middle of the block to take off the killer heels, sighing in relief.  You slung the straps over your wrist, prepared to keep trudging along, when Johnny swooped in.  One second, you were on the ground, the next, you were admiring the top view of Johnny’s ass from where you were dangling over his shoulder.

“Johnny, what the fuck,” you asked breathlessly, dying of laughter.  And from his shoulder digging into your diaphragm.

“Are you crazy?  You could cut your feet open,” he scolded you.

“At least there’s a nice view,” you sighed, reaching down to pat his butt.

Johnny put a little bounce in his next step, and you grunted at the impact.  You could practically feel his smug little grin.  “Hands off the merchandise.”

“How is that fair?  You totally copped a feel back at the restaurant.”

“I have no idea what you’re talking about.”

“Bull,” you said.  “You went all ‘alpha male’ with that nice waiter.”

Johnny huffed, “I wasn’t jealous.”

You grinned in victory.  “I never said you were, mister offering-up-information.  Now put me down, you caveman.”

Johnny’s grip on your thighs loosened, and his hands slid up to your waist, holding you tightly as he helped you back down.  You froze for a second when your feet hit the ground, not expecting to be face-to-face with him so suddenly.  “Wait right there,” Johnny said firmly, finally releasing your waist.

You blinked at him in confusion, watching as he slid his suit jacket off.  Your eyes widened when he reached for you, but it was only to wrap the jacket around your waist, tying the sleeves into a knot to hold it in place.

“There,” Johnny said, nodding at his handiwork.  Then he turned, crouching down slightly.  “Alright, princess, hop on.”

You beamed at him, not that he could see it.  It wouldn’t be a walk with Johnny if he didn’t end up carrying you at the end of the night, you chuckled to yourself.  You were fiercely grateful to Johnny for thinking of his jacket—you weren’t quite sure how long your skirt was, now that you were wrapped around him like a koala.

“Thanks, Johnny,” you mumbled, burying your face in his neck.  “You’re the bestest.”  You left a smacking kiss on his cheek, and he laughed, tightening his hold on your legs.

Finally, you arrived at your apartment building.  You slid your heels back on, balancing with one hand on Johnny’s arm.  “I’ll walk you up,” he said once you straightened.

But when you got to your door, you hesitated, unsure what to say.  Was this the part where you kissed him goodnight?  You were torn, so at odds with the way the night resembled your old friend dates, only now things were different.  What were you supposed to do?

“So,” Johnny drawled, leaning against the wall.  “Where’s my tip?”

You stared at him, incredulous.  “Your tip?” you repeated.

“Johnny’s chauffeur service isn’t free,” he said.  “And if I remember correctly, you still owe me for last time.”

You cocked a hip, smirking slightly.  “Any preferred payment methods?”

Johnny blew you an air kiss, and you made a show of catching it.  “I take cash or card,” he informed you.

“What a shame,” you murmured, dropping your purse in front of the door.  “I seem to have lost my wallet.”

He watched you carefully, barely blinking as you approached him, one slow step at a time.  “Apps?”

You stopped mere inches away, “Not a single one.”

He swallowed, and your eyes tracked the movement.  Your daydream from before came back with a vengeance—you bit your lip at the thought of marking him up.  Then you leaned in, resting one hand on his chest.  His heart pounded through the thin dress shirt.

���Will this do?” you asked, lips just barely brushing his.  Nothing else touched, aside from your fingertips on his sternum, but you could’ve sworn you felt him shiver.

Oh so slowly, Johnny reached out, hands ghosting over your hips.  You smiled against him, then melded your lips to his, bypassing whatever hesitations were holding you back.  What was the worst that could happen?

You felt Johnny teasing at the seam of your lips and gratefully opened for him.  He inhaled sharply when you inched forward, your chest brushing his.  You couldn’t hear anything but your heart racing.  And when his fingers dug into your hips, you fell into the kiss.  He pulled you in like a magnet until every part of you aligned with him.  Your limbs felt molten, burning at the contact.

Johnny pulled away, but not for long.  You gasped for air as his lips traced over your jawline, making their way to the delicate skin beneath your ear.  He pressed hot kisses there until your neck arched back obediently.  And when he nipped at your throat, you whimpered.  Thoughtlessly, your hips rocked forward.  Johnny gave voice to a deep groan, so you did it again.

Growling lightly, Johnny curled an arm around your waist to pull you harder against him.  All of the breath left your body at the feel of his growing hardness against your belly.  You fisted your hands in his collar, tugging him away from your neck.  You caught a glimpse of his kiss-swollen lips and blown out pupils, then dove back in for more.

While your mouth danced with his, your hands dragged southward.  Your fingernails caught on a button or two as you traced the muscle beneath.  Now Johnny’s hips were bucking into yours.  You grinned savagely into the kiss.  You’d just reached his belt when Johnny ripped his mouth away from yours.  “Woah, woah,” he gasped.  “Slow down, there.”

You panted for air, “What’s wrong?”

Both of you were breathing hard, and you were having a hard time ignoring the elephant in the room.  Er, hallway.  “You’re not trying to take advantage of me on the first date, are you?” Johnny asked with a breathy chuckle.

You laughed softly, tilting your chin back to get a good look at him.  “Is it really taking advantage if you want it, too?”  You smirked at him, rolling your hips forward to emphasize your point.

He watched you through half-lidded eyes, and you could’ve sworn you felt him throb.  But Johnny, ever the gentleman, smoothed his hand down your back, resting his head back against the wall rather than picking up where you left off.  “Cut me some slack, I’m not wearing my sexy underwear tonight,” he said with a crooked smile.

Oh no, now you had heart eyes for the man.  You pecked his chin to hide your cheesy grin.  “You let me know when you are, hmm?” you hummed, placing another kiss to the base of his throat.

“Princess, I don’t know if I’ll ever be ready for you.”

You giggled, leaning back in his arms.  “Am I so scary?”

Johnny sobered, meeting your gaze.  “I just don’t want to mess anything up.  Not with you.”

“I don’t think that’s possible,” you smiled at him.  “I trust you too much.”

“Oh yeah?  You still haven’t told me what you wished for on your fourteenth birthday,” Johnny taunted.

You tilted your head, thinking back.  “I didn’t tell you because I was hopelessly in love with you at the time,” you confessed.  “Now that’s out in the open, I guess you can know.”

Johnny blinked, taken aback.  “Even then?”

“Johnny, I think I’ve loved you forever,” you said, staring up at him.  “So of course I wished for the same thing every year.”

“What was it?”

Your smile widened, “Well, it already came true.  You said it, too.”

* * * * *

Masterlist

[i-cant-sing]

hi!! can i request a platonic yandere erasermic with a student reader??

Platonic Yandere! Erasermic:

Thanks for requesting! I love yandere Erasermic so much 😤😤 👊

Check out my MASTERLIST for more!

Platonic Yandere! Erasermic:

The BEST platonic yandere couple to have!

You're a student at UA, part of class 1A. You're Aizawa's favourite student. You're just so polite and so sweet. Always so eager to learn and try out new things. And even the class would notice his special treatment of you. "You forgot to do your homework? Hmm, alright you can submit it to me tomorrow. Denki you forgot to bring your homework? Go run 5 laps right now."

Hizashi would often hear about you from his husband. You sounded like a good kid. But he really became interested you when you came looking for Aizawa in the staff room, but you found him instead. Hizashi started talking to you, really just rambling about the most random things. He was expecting you to just leave and go look for Aizawa, but he was pleasantly surprised when you started talking to him too, easily carrying the conversation. Your eyes would light up when you were talking to him. And since then, you would always give him your complete, undivided attention whenever you guys spoke, no matter what the topic was. You'd sometimes be rambling, and then suddenly forget what you were talking about. It was just so cute!

Gradually, these two would become obsessed with their favourite student. They'd also become very protective of you. When it was time to choose an internship, Aizawa rejected all offers from different agencies on your behalf, lying to you that you didn't get any offers. And then you'd become so sad, near tears and then Aizawa would offer to train you himself, that he sees potential in you. Of course you'd accept, you'd get to train with Eraserhead, a rare opportunity!

When you'd be training with Aizawa, he'd go easy on you, but he'd still give you great tips on how to improve yourself and control your quirk. You still haven't been able to beat him once though. Since you'd be around Aizawa a lot, you'd also meet his partner, Hizashi, often. And since you would accompany Aizawa on his late night patrols, you'd have dinner (made by Hizashi, who's more than happy to cook for you) with them at their place a lot, and it always ended up with them offering you stay the night, and you sometimes did.

Their obsession love would continue to grow the more you spent time with them. And then one night, the couple would be discussing about expanding their family, and then they both knew it, right then and there. Its you. You'd be the perfect addition to their family, the perfect child! You're so kind, soft spoken. Outgoing yet shy and reserved when meeting new people. But you're just so naive, too innocent for your own good. And they've both seen the ugliness of the world, the worst in the people. They cannot afford to just stand by idly and risk you getting tainted by this filth.

It was decided that night that you had to become a part of their family. They'll make your parents disappear, they have both the money and the skills to do it. Maybe they'll say that your family was taken or killed by some villians, or better yet, they were caught doing something illegal. But don't worry, you can stay with them for as long as you want. When you try to refuse, that you can stay with a relative, they'll tell you that it's for your own safety. They don't want the villians to complete their unfinished business. Plus, they are more than capable of taking care you, and since you didn't want to risk another family member's life, you agreed.

You'll be having the best time of your life. They'll spoil the hell out of you, Hizashi especially. Aizawa does too, but he's just more protective of you.

Hizashi is a great cook! He'd learn to make your favourite dish too. And if you like something from a restaurant, he'll take it as a challenge and try to replicate the dish, or make a better one! At school, all 3 of you would sometimes have lunch together, you always bringing Aizawa's lunchbox along too, since he often forgets it. If you try to cook a dish for them, they'll treat it like its a Michelin star dish!

Aizawa would be the more protective one, always the harder one to convince to let you go out with your friends, especially at night. Hizashi would always convince him in the end, they're gonna follow you anyways so why stop you? Aizawa's a bit possessive too. He doesn't like it when you talk about other pro heroes, you're his little girl, you should be looking upto him. He won't say anything about it though.

Hizashi would love to just talk to you; you guys would often gossip. Oh and you always go to him for any fashion advice. Since he also has long hair that he styles up a lot, he can do your hair too! Just show him a picture of what you want, and he'll style hair exactly like it. Aizawa likes to do your hair too sometimes, but he only knows how to put it in a simple braid.

They're will be a lot fun activities for you to do with them. You can be having karaoke nights with Hizashi, Aizawa watching you guys with just pure adoration in hie eyes. You can play video games with Aizawa, which he is scary good at, especially at Among us. Family game nights are a must!

If you have any other hobbies or passions, you'll have 2 dads, cheering for you. They'll get you the best supplies available. If you win an award, any award, no matter how small, they'll tell you how proud they are and put your achievements either on the fridge or somewhere where everyone can see it.

Of the two, Aizawa would be the to quickly pick up on your mood. He knows when you're lying, when you're sad, or when you've just had a bad day at school. Hizashi would notice too, but it would be Aizawa who would know if you needed some space or if you needed to talk it out; they've always it clear to you that the latter option is always open.

Once they find out whats the reason you're feeling so down, they'll comfort you. You guys would often cuddle on the sofa as a funny movie played on the TV. Once you've gone to bed, they go and eliminate the cause of distress. Oh did you fail a test? Its okay, they'll tutor you personally. Oh did your favourite character die? Cry it out sweetie and let's go buy some of the character's merchandise . Oh did someone confess their feelings to you and you don't know what to do? Don't worry, he's taken care of.

Dating isn't an option. They'll be quick to reject him/her, listing reasons to you exactly why they're not good for you. Of course, nobody deserves their baby. But if you do go against their wishes, and still get an s/o in secret, they'll find about it. If they're thinking about how to separate you guys, and you walk in all heartbroken because your s/o broke up with you, with no persuasion from the couple; on the inside they'll be both glad and mad. Hizashi will be comforting you, cooing sweet nothings in your ear, while Aizawa would be standing with a "I warned you" look on his face at first but then he sees your red, teary face, your lips wobbling, your eyes full of pools of tears, and immediately his stern exterior would melt and he'll gather you in his arms and let you cry into his chest, while his mind will go to "MURDER". You're their sweet girl, their precious little baby. How dare someone play with your feelings like that. Your ex better sleep with one eye open.

If you do somehow find about what really happened to your parents, and you try to run away from them, not only will they have you back in their arms within the hour, they'll take you somewhere countryside. Its always been noisy in the city anyway. They'll try to explain to you, that they really just did all of this to protect you and that it should show how much they love you and care about you. No physical punishment will ever meet you. No, they can't bear the thought of hurting you! They'll use manipulation to control you, and they are master manipulators. They do so much for you, aren't they enough?

Just be happy they still allow you to roam around the countryside, and not had you locked up in your room. School would be off the table for a while, as will any connection to your friends. Its about time they all had a family vacation anyway.

I'd let Erasermic adopt me in a heartbeat, ngl. 👊 Anyways, hope you guys enjoyed this! Requests are OPEN. :)

[mrsmorality]

so, the best books i’ve read in my whole life so far:

- captive prince [trilogy]: of course i have to debut the list with them (even if the order of the books doesn't match my order of preference). it was simply the first that came to my mind, so commendable and memorable is the story. if you haven't read it yet, do it NOW. the best enemies to lovers of all the time, with a development worthy of a round of applause and a strong and supportive relationship on both sides. yes, captive prince. you know you’ll always be on my mind!

- the song of achilles: yeah. i could never forget this one. is the most realistic love story i have ever laid my eyes on, full of obstacles and sacrifices. i really liked what the author did here, abandoning the historical narrative that achilles and patroclus were just friends or even relatives. she gave a whole new meaning to the story, never failing to keep the original line. there isn't ONE thing about this book that doesn't fill my eyes. the best childhood best friends to lovers, showing their relationship since they were just friends in childhood, to the blossoming of feelings that went beyond fraternal affection, and the way they handled it as they grew up. it's beautiful. i really love it

- all for the game [trilogy]: i mean. of course this story could never be missing from my favorites list. what i like the most about the story is what's hidden behind the relationship between the characters. their feelings aren't obvious and usual, and if you're looking for a light story, this isn't for you. it's all heavy: the way they relate to each other, the way they deal with their own problems, their pasts. they’re broken people trying to put the pieces together, trying to figure out what to do with the glue they were offered. even so, they still find room in their minds to care (in distorted, but still, care) for their friends, teammates, lovers, and family members; they still protect each other, like one big dysfunctional family. everything about this book is not in the narrated words, but in what lies behind them: what lies behind each moment, each pause and each action. it is obvious, but subliminal, almost hidden. i love it. really. the complexity behind each character, his shaken psyche -- it's all breathtaking, it's all about keeping the attention. it can be hard to get past the first few pages but, man, once you do it's impossible to stop. also enemies to lovers

- the raven boys [tetralogy]: ok so i don't have enough words to describe or synthesize all my feelings for this book. i love every part of it: from the first sentence, that introductory line, to the last, the laudable ending. the story is impeccable, as is the plot on which it is based. the development of a course of action as well as the characters' relationship and their own conceptions of themselves and the world are simply things that appeal to me. the characters are amazing, real and liveable, and the bond of friendship they share is enviable. their love relationships, even if they're not all the book talks about, are breathtaking and make your heart flutter and melt. the key to the story is also hidden behind the action of the characters, behind silent cares and concerns, but there, always present. i love adam and ronan. i love how their relationship developed (friends to lovers), the patience with which it was structured, building slowly, before your eyes, under your nose -- but you didn't see it until the characters' feelings became more obvious to themselves and to each other, and began to submerge and overflow through every paragraph, every line of thought. it's beautiful. it's absolutely beautiful.

- autoboyography: this is among the books that came to me at an opportune time, so i have a huge connection to this story. it wouldn't be here if it didn't deserve it, and it does; this story is about love, about accepting it, and about reconciling that love, such a vital part of you, with religion and ingrained prejudices. it's a story you versus the world, you versus what you thought you were, what you wanted to be. it's about accepting that about yourself, so that you can be true to yourself, to the people you love. in the process, people who say they love you back will not always support your discovery or encourage your self-acceptance. this book is also about how we have to accept ourselves, regardless of what others think about it, because their opinion, however important, should never be everything, or overshadow your own opinion, your own wishes and desires. love is in innate acceptance, or at least the quest for understanding. it is in the understanding that the person is what he is, and that should be applauded, rather than just tolerated or ignored. this should be encouraged and cause for joy. you should never stop being who you are because of other people’s opinion, as long as you feel comfortable showing it. this book is about self-discovery and tolerance, in a world that represses the first and fakes the second. strangers to friends to lovers.

- we are the ants: this book is not a novel, although there is the development of one in the backstory. this book is about dealing with mishaps, with veiled depression, with a lack of faith and hope not just in the world around you, but in yourself. self-doubt is the worst thing, the most discouraging thing. if you don't believe in yourself, don't think yourself worthy of happiness or good things, how will you appreciate the world and how will you accept such things when it offers it to you? this book is a great journey. reality is behind every moment and bad and hopeless thought represented in every paragraph, but the journey continues, day after day, through the feeling that there is more in the world than what you are experiencing, that things can be better tomorrow. in friendships and in love lies a little willpower that recharges you for another day, for another obstacle that can bring you down (and that's okay. we fall and get up day after day, and that's okay), but not even that and it all. you must believe in yourself to fully revitalize yourself, to keep your feet on the ground and stand firmly on your feet, no matter how hard the world tries to bring you down. this book is about choices and the lack of it. it is about pain and depression, which is not always obvious, which you are not always aware of. it's about everything and nothing. it's about getting up after successive falls, when all you wanted was to stay on the ground. it doesn't matter if your legs are shaky when you get up, or if, as soon as you get your balance back, the world hits you and knocks you down again. keep getting up. as long as you are alive, you can still choose and try to realize how you want to live, what you want to be. nothing is definitive. bad feelings don't last forever (not even the good ones). life is cyclical, but with good company, a few glances at the bluish or gray sky, feelings that rise in your chest, discovering things you've never experienced, the wind in your hair -- things you never cared or paid attention to, minimal things, but that keeps you -- it's worth every takedown. strangers to friends to lovers

[firelxdykatara]

Katara x Aang :3c

are you trying to get me in trouble

-cough-

no but in all honesty, my genuine feelings about kataang boil down to three major points: 1. it's boring, and does not jive thematically with either of their character arcs, to the point of, 2. actively hampering character development on both sides, and 3. katara deserved better.

points expanded under the cut. (please, if you're a kataang shipper and you see this, just keep scrolling. i've tagged it appropriately and put the bulk under a cut and at this point that's literally all i can do lmfao.)

send me a ship and get my (brutally) honest opinion!

1. It's Boring: This is the most subjective point on the list (I mean, in fairness, it's all subjective, but I have evidence from the show and post-canonical materials to support my other points; this one is just preference), but there's just... nothing to kataang. It's cute (when it's not actively aggravating), and... that's about it. It's not even that I dislike friends-to-lovers as a shipping trope (though it's not my overall preference), because there are a lot of friends-to-lovers couples that I do ship (kanej comes to mind, also will/elizabeth from potc, karolsen from supergirl, romione and hinny from hp, among others), but one thing that I think all of those couples have that kataang doesn't is that both sides of the pairing are teens or adults when they get together, with teen/adult dynamics and issues and stories to deal with, rather than one half being a teenager and the other being literally prepubescent.

And don't get me wrong, I have no problem with age gap ships in general. And as far as atla goes, Katara, at 14, has the same age difference from Zuko (16) as Aang has from her, and it's never stopped me--because both Katara and Zuko are well into puberty when they meet and I have no problem picturing them being into one another and growing together as they enter adulthood. Aang, on the other hand, is a child. And he acts like it. Which wouldn't be a problem, if the show weren't expecting me to believe he is a) ready for a romantic relationship, and b) ready for one specifically with Katara, who is not only older and far more mature but is specifically cast as his caretaker in a very maternal role for the entire show's run.

This show asks me to believe that a teenage girl well into adolescence is going to be attracted to and develop romantic feelings for a pre-adolescent child--and it asks me to believe this while showing us otherwise that Katara's type is actually older boys with fabulous hair and angsty pasts in all of her other potential romantic dalliances--and then enter into a relationship with him, all while ignoring the elephant in the room that is the fact that she was basically acting like his mother for the entire series to that point. (Something that is heavily lampshaded earlier in the very same season.) That just stretches the bounds of credulity way too far for me, especially when there's no evidence that Katara herself would get anything out of their romantic relationship.

There's nothing there for me to sink my teeth into. No delicious development, no parallels where they help each other grow, no internal conflicts that they have to work through together, nothing. Certainly no reason for me to actually believe Katara feels (or would grow to feel) anything for him other than the platonic affection of a caretaker. I can easily believe she loves him dearly, as a friend and quasi-little-brother, but I just can't see that developing naturally into romantic love--not the way it's presented in the show.

And even if they did manage to at least make the development of Katara's feelings believable, unless they changed something fundamental about the nature of their relationship, it'd still be boring, so.

2. It Actively Hampers Their Character Development--On Both Sides: I've written before (extensively lol im so sorry) about how kataang is actively detrimental to Katara and to Aang. In short (because ye gods this post is already getting long enough), Katara is narratively harmed by being shoved into a relationship that completely ignores her stated feelings--a relationship that had been presented as a one-sided puppylove crush for the vast majority of the series--and it inhibits her growth as a character in ways that become far more obvious in the comics and lok, where the very same creative forces that lead to her beginning a relationship with Aang in the first place reduce her to 'the Avatar's girl' and very little else, all the way through to the end of LoK (where she is a Healer and the Avatar's wife and, again, very little else).

As for Aang:

As to how this relationship is detrimental to Aang (other than the comics and LoK nonsense)? Just take a look at book 2, when he’s trying to learn Earthbending from Toph. Katara constantly coddles him. Much of the time, she’s afraid to be anything other than gentle and understanding with Aang--partly because of her fear that if she pushes him too far, he’ll run away. (Which he does, several times.) But sometimes, what Aang needs to grow is a sharp kick in the slats, which Toph was more than willing to provide--and which worked. Katara was great for teaching Aang to waterbend, but he needed more than that to grow as a person. And he can’t get that while he’s in a relationship with someone who will apologize for getting upset when he was very explicitly neglecting her.

In addition, it is pointed out by Guru Pathik at the end of Book 2 that one of Aang's chakras is blocked by his attachment to Katara. Aang takes this to mean (incorrectly) that he has to stop loving her in order to become fully realized as an Avatar, but this is actually part of the problem--because the issue isn't that he is in love with Katara, it's that he's possessively attached to her. He believes himself entitled to her love in return, rather than selflessly loving someone regardless of whether or not they return that affection. (This is obvious come the EIP episode, where Aang demands to know why he and Katara aren't in a relationship already--because he kissed her without asking [or even checking to see if she'd be ok with kissing him], which he phrases as mutual even though it very much was not, and he gets angry and violates her boundaries when she says that she is confused and doesn't want to think about it right then.)

It is his attachment to Katara--the need for her to return his love, the belief that she will and it is only a matter of time before he gets what he wants--that he was supposed to let go of, not his feelings for her in general. Unfortunately, while he pays lipservice to doing this (far too late for it to be useful--if he'd stayed with the Guru for five more minutes and unlocked his chakra there, that battle would've gone very differently), he almost immediately backtracks on that development come book 3, and there isn't another single whisper of Aang maybe growing up and moving past his one-sided and possessive crush and realizing that even if Katara doesn't feel the same way, it doesn't mean she loves him less or that their friendship is less important.

What really needed to happen, for Aang to grow as a person and become fully realized as an Avatar, was for him to grow up. To realize that his feelings were not of paramount importance, and that even if he was in love with Katara, he was not entitled to her love in return. He should have been able to move past his need for her to love him back, in order to get past that stumbling block, unlock his chakras, and regain the Avatar State in time to face the Firelord. But he didn't. As a result, they had to find some other way to just give him the Avatar State (a well-placed rock) and the means to defeat Ozai without killing him (the deus ex lionturtle) and his entire character arc just fell apart in the third act rather than reaching a satisfying conclusion.

3. Katara Deserved Better: This really ties into how her romantic relationship with Aang hampered her own development, but I'm still bitter enough about it that it gets its own bullet-point. And the biggest single reason I could never ship kataang--the thing that would've turned me off even if there were substance and a halfway decent storyline for them--is the fact that Aang kisses her without her consent (for the second time) in Ember Island Players, Katara gets angry at him and storms off, and then..... she walks out onto the balcony to make out with him.

With nothing to bridge that gap.

It's bad enough that a show aimed at children had a scene where the child protagonist kissed the object of his affections without her consent when she didn't want him to (made explicit by her angry reaction)--and this is absolutely an issue when the show is aimed at children and it may well be the first experience they've had with consent issues portrayed in media--but this moment is never addressed again. Katara just decides--completely off-screen--that she does love him Really and walks out to make out with him in the epilogue. There's no conversation, no apology for violating her boundaries, no discussion of why that was wrong or any indication that Aang understands what he did and why it upset her. They don't have a single one-on-one interaction between that kiss and the epilogue, and the only other time they are on screen together, Aang yells at her and storms off.

So, even leaving the comics and lok aside, Katara deserved much better from her own romantic plotline. In fact, she deserved to have one, rather than simply being the oblivious object of Aang's affections, given a couple moments where she blushes but otherwise remains completely ignorant of his feelings (she looks shocked and upset when he kisses her prior to the invasion, and then she completely forgets that even happened because she's confused as to what Aang is even talking about during EIP until he brings it up; that's not the behavior of a fourteen-year-old girl who was kissed by someone she was developing romantic feelings for), before the epilogue where it becomes clear that she figured all of that out off-screen and had feelings for him after all.

She's a main character, not a side-character written in solely to give one of the mains a love interest. She deserved a romantic plotline of her own. (She could have had one with someone else, with very few changes made to what was actually on-screen prior to the epilogue, but that's another conversation entirely.) She deserved to have her feelings considered at all important by the person she was going to be paired with in the end, rather than having him just assume she felt the same way and then get mad at her for never giving any indication of it when he'd never asked about her feelings to begin with. She deseserved agency in her own romantic narrative, and she just didn't get that with Aang.

So yeah, at the end of the day, my biggest issue with kataang is that it involved doing Katara dirty, and she's my favorite character and she deserved so much better damnit.

[letterboxd]

In Focus: The Mummy

Dominic Corry responds on behalf of Letterboxd to an impassioned plea to bump up the average rating of the 1999 version of The Mummy—and asks: where is the next great action adventure coming from?

We recently received the following email regarding the Stephen Sommers blockbuster The Mummy:

To whom it may concern,

I am writing to you on behalf of the nation, if not the entire globe, who frankly deserve better than this after months of suffering with the Covid pandemic.

I was recently made aware that the rating of The Mummy on your platform only stands at 3.3 stars out of five. … This, as I’m sure you’re aware, is simply unacceptable. The Mummy is, as a statement of fact, the greatest film ever made. It is simply fallacious that anyone should claim otherwise, or that the rating should fail to reflect this. This oversight cannot be allowed to stand.

I have my suspicions that this rating has been falsely allocated due to people with personal axes to grind against The Mummy, most likely other directors who are simply jealous that their own artistic oeuvres will never attain the zenith of perfection, nor indeed come close to approaching the quality or the cultural influence of The Mummy. There is, quite frankly, no other explanation. The Mummy is, objectively speaking, a five-star film (… I would argue that it in fact transcends the rating sytem used by us mere mortals). It would only be proper, as a matter of urgency, to remove all fake ratings (i.e. any ratings [below] five stars) and allow The Mummy’s rating to stand, as it should, at five stars, or perhaps to replace the rating altogether with a simple banner which reads “the greatest film of all time, objectively speaking”. I look forward to this grievous error being remedied.

Best, Anwen

Which of course: no, we would never do that. But the vigor Anwen expresses in her letter impressed us (we checked: she’s real, though is mostly a Letterboxd lurker due to a busy day-job in television production, “so finding time to watch anything that isn’t The Mummy is, frankly, impossible… not that there’s ever any need to watch anything else, of course.”).

So Letterboxd put me, Stephen Sommers fan, on the job of paying homage to the last great old-school action-adventure blockbuster, a film that straddles the end of one cinematic era and the beginning of the next one. And also to ask: where’s the next great action adventure coming from?

Brendan Fraser, Rachel Weisz and John Hannah in ‘The Mummy’ (1999).

When you delve into the Letterboxd reviews of The Mummy, it quickly becomes clear how widely beloved the film is, 3.3 average notwithstanding. Of more concern to the less youthful among us is how quaintly it is perceived, as if it harkens back to the dawn of cinema or something. “God, I miss good old-fashioned adventure movies,” bemoans Holly-Beth. “I have so many fond memories of watching this on TV with my family countless times growing up,” recalls Jess. “A childhood classic,” notes Simon.

As alarming as it is to see such wistful nostalgia for what was a cutting-edge, special-effects-laden contemporary popcorn hit, it has been twenty-one years since the film was released, so anyone currently in their early 30s would’ve encountered the film at just the right age for it to imprint deeply in their hearts. This has helped make it a Raiders of the Lost Ark for a specific Letterboxd demographic.

Sommers took plenty of inspiration from the Indiana Jones series for his take on The Mummy (the original 1932 film, also with a 3.3 average, is famously sedate), but for ten-year-olds in 1999, it may have been their only exposure to such pulpy derring-do. And when you consider that popcorn cinema would soon be taken over by interconnected on-screen universes populated by spandex-clad superheroes, the idea that The Mummy is an old-fashioned movie is easier to comprehend.

However, for all its throwbackiness, beholding The Mummy from the perspective of 2020 reveals it to have more to say about the future of cinema than the past. 1999 was a big year for movies, often considered one of the all-time best, but the legacy of The Mummy ties it most directly to two of that year’s other biggest hits: Star Wars: Episode One—The Phantom Menace and The Matrix. These three blockbusters represented a turning point for the biggest technological advancement to hit the cinematic art-form since the introduction of sound: computer-generated imagery, aka CGI. The technique had been widely used from 1989’s The Abyss onwards, and took significant leaps forward with movies such as Terminator 2: Judgment Day (1991), Jurassic Park (1993) and Starship Troopers (1997), but the three 1999 films mentioned above signified a move into the era when blockbusters began to be defined by their CGI.

A year before The Mummy, Sommers had creatively utilised CGI in his criminally underrated sci-fi action thriller Deep Rising (another film that deserves a higher average Letterboxd rating, just sayin’), and he took this approach to the next level with The Mummy. While some of the CGI in The Mummy doesn’t hold up as well as the technopunk visuals presented in The Matrix, The Mummy showed how effective the technique could be in an historical setting—the expansiveness of ancient Egypt depicted in the movie is magnificent, and the iconic rendering of Imhotep’s face in the sand storm proved to be an enduringly creepy image. Not to mention those scuttling scarab beetles.

George Lucas wanted to test the boundaries of the technique with his insanely anticipated new Star Wars film after dipping his toe in the digital water with the special editions of the original trilogy. Beyond set expansions and environments, a bunch of big creatures and cool spaceships, his biggest gambit was Jar Jar Binks, a major character rendered entirely through CGI. And we all know how that turned out.

A CGI-enhanced Arnold Vosloo as Imhotep.

Sommers arguably presented a much more effective CGI character in the slowly regenerating resurrected Imhotep. Jar Jar’s design was “bigger” than the actor playing him on set, Ahmed Best. Which is to say, Jar Jar took up more space on screen than Best. But with the zombie-ish Imhotep, Sommers (ably assisted by Industrial Light & Magic, who also worked on the Star Wars films) used CGI to create negative space, an effect impossible to achieve with practical make-up—large parts of the character were missing. It was an indelible visual concept that has been recreated many times since, but Sommers pioneered its usage here, and it contributed greatly to the popcorn horror threat posed by the character.

Sommers, generally an unfairly overlooked master of fun popcorn spectacle (G.I. Joe: The Rise of Cobra is good, guys), deserves more credit for how he creatively utilized CGI to elevate the storytelling in The Mummy. But CGI isn’t the main reason the film works—it’s a spry, light-on-its-feet adventure that presents an iconic horror property in an entertaining and adventurous new light. And it happens to feature a ridiculously attractive cast all captured just as their pulchritudinous powers were peaking.

Meme-worthy: “My sexual orientation is the cast of ‘The Mummy’ (1999).”

A rising star at the time, Brendan Fraser was mostly known for comedic performances, and although he’d proven himself very capable with his shirt off in George of the Jungle (1997), he wasn’t necessarily at the top of anyone’s list for action-hero roles. But he is superlatively charming as dashing American adventurer Rick O’Connell. His fizzy chemistry with Weisz, playing the brilliant-but-clumsy Egyptologist Evie Carnahan, makes the film a legitimate romantic caper. The role proved to be a breakout for Weisz, then perhaps best known for playing opposite Keanu Reeves in the trouble-plagued action flop Chain Reaction, or for her supporting role in the Liv Tyler vehicle Stealing Beauty.

“90s Brendan Fraser is what Chris Pratt wishes he was,” argues Holly-Beth. “Please come back to us, Brendaddy. We need you.” begs Joshhh. “I’d like to thank Rachel Weisz for playing an integral role in my sexual awakening,” offers Sree.

Then there’s Oded Fehr as Ardeth Bey, a member of the Medjai, a sect dedicated to preventing Imhotep’s tomb from being discovered, and Patricia Velásquez as Anck-su-namun, Imhotep’s cursed lover. Both stupidly good-looking. Heck, Imhotep himself (South African Arnold Vosloo, coming across as Billy Zane’s more rugged brother), is one of the hottest horror villains in the history of cinema.

“Remember when studio movies were sexy?” laments Colin McLaughlin. We do Colin, we do.

Sommers directed a somewhat bloated sequel, The Mummy Returns, in 2001, which featured the cinematic debut of one Dwayne Johnson. His character got a spin-off movie the following year (The Scorpion King), which generated a bunch of DTV sequels of its own, and is now the subject of a Johnson-produced reboot. Brendan Fraser came back for a third film in 2008, the Rob Cohen-directed The Mummy: Tomb of the Dragon Emperor. Weisz declined to participate, and was replaced by Maria Bello.

Despite all the follow-ups, and the enduring love for the first Sommers film, there has been a sadly significant dearth of movies along these lines in the two decades since it was released. The less said about 2017 reboot The Mummy (which was supposed to kick-off a new Universal Monster shared cinematic universe, and took a contemporary, action-heavy approach to the property), the better.

The Rock in ‘The Mummy Returns’ (2001).

For a long time, adventure films were Hollywood’s bread and butter, but they’re surprisingly thin on the ground these days. So it makes a certain amount of sense that nostalgia for the 1999 The Mummy continues to grow. You could argue that many of the superhero films that dominate multiplexes count as adventure movies, but nobody really sees them that way—they are their own genre.

There are, however, a couple of films on the horizon that could help bring back old-school cinematic adventure. One is the long-planned—and finally actually shot—adaptation of the Uncharted video-game franchise, starring Tom Holland. The games borrow a lot from the Indiana Jones films, and it’ll be interesting to see how much that manifests in the adaptation.

Then there’s Letterboxd favorite David Lowery’s forever-upcoming medieval adventure drama The Green Knight, starring Dev Patel and Alicia Vikander (who herself recently rebooted another video-game icon, Lara Croft). Plus they are still threatening to make another Indiana Jones movie, even if it no longer looks like Steven Spielberg will direct it.

While these are all exciting projects—and notwithstanding the current crisis in the multiplexes—it can’t help but feel like we may never again get a movie quite like The Mummy, with its unlikely combination of eye-popping CGI, old-fashioned adventure tropes and a once-in-a-lifetime ensemble of overflowing hotness. Long may love for it reign on Letterboxd—let’s see if we can’t get that average rating up, the old fashioned way. For Anwen.

Related content

How I Letterboxd with The Mummy fan Eve (“The first film I went out and bought memorabilia for… it was a Mummy action figure that included canopic jars”)

The Mummy (Universal) Collection

Every film featuring the Mummy (not mummies in general)

Follow Dom on Letterboxd

[slugtranslation-hypmic]

Hey slug, thanks for the hard work you and your team do for the fandom!! me and some friends were discussing this and i thought it would be nice to see ur answer to this (only if it doesn't bother u, of course!!): what characters do you think parents would give a big thumbs up if you introduced them as your partner (in terms of personality and traits)? I personally think Hifumi or Ichiro would be the best son-in-law...

What an entertaining question. Believe it or not, I’ve given the matter some thought before for reasons entirely unrelated to this, so presenting: Hypnosis Microphone Men and Whether or Not You Should Bring Them Home to Your Parents.

Since there’s a wide age range among the cast members, assume that the “you” in question is roughly each character’s age.

Ichirou: Absolutely. This man is objectively a dream boat. Runs his own successful business? Check. Respectful to people of all ages? Check. Cooks? Check. Cleans? Check. Good with kids? Check. Take Ichirou and marry him before your parents marry him themselves.

Jirou: As far as high school boyfriends go, Jirou’s not a bad choice. He’s a sweetheart, popular, plays music. Doesn’t do drugs in the school bathroom. Could have better grades, but hey, you can’t win them all. He seems like he’d have you home by 8 pm. You know what? Sure. Why not? You could do worse.

Saburou: Saburou is the kind of middle school boyfriend that your parents openly like and privately dislike. What I mean is that he’s very polite to most elders and super smart, so he’s the kind of kid who is entirely unobjectionable, but he’s also the kind of kid who would try to mansplain your parents’ jobs to them. Worst of all, he would be entirely correct in what he’s saying. Your parents probably want to punch him, but they don’t because assaulting children is illegal, not to mention immoral. They will breathe a collective sigh of relief when he finally breaks up with you so he can focus on studying for the Science Bowl nationals.

Samatoki: I am so torn on this one. On the one hand, he’s every parent’s worst nightmare. He smokes indoors, has an awful temper, and is a fucking gangster, for pete’s sake. Yet he can also be a sweetheart who cooks for you and does everything to treat you right. I’m really stumped. Probably the best solution, if you’re really wanting to get in on that Aohitsugi ass, is to cut out the middle man and date Nemu instead. She is perfect in every way, so your parents will love her.

Juuto: If your parents watch Antiques Roadshow, then he will have a lot to bond with them about. Otherwise I think he’d be that kind of person who tells stories about himself way too loudly at family dinners, and after he leaves, one of your parents pulls you aside to say, “Your boyfriend’s really kind of an asshole, don’t you think?” I guess date him if you’re okay with your parents thinking you have cruddy taste.

Riou: I feel like the hard part here is luring him out of the woods and into a family dinner, but from there, it should go great. He’s over 6 feet tall. He can cook well. He has a strong sense of purpose and knows what he wants to do in life. Most importantly, he has a wonderful heart AND every survival skill known to man. He will change the oil in your parents’ car, fix the leaky pipe you’ve been meaning to get around to for six months now, clean the hood above the stove, and then swap recipes and heartfelt compliments with whichever parent does the cooking. Who cares if he doesn’t have a stable income? You don’t need that with guns like those. (insert flexing Riou image here)

Ramuda: I’m trying to think about the concept of a) dating Ramuda and b) introducing him to a set of parents, and I’m drawing an utter blank. There is nothing but “???” in my mind. I’m going to hazard a guess that this one would be a terrible idea.

Gentarou: Wow, your parents had no idea you were dating a prince of a tiny little kingdom in the Mediterranean AND a Harvard law graduate AND the winner of the Nobel Peace Prize AND the man who discovered a cure for cancer in an expedition deep into the heart of the Amazon rain forest. Look at you! What a catch. Only attempt this if your parents are gullible.

Dice: As much as I love Dice to death, this one is a no. Your parents do not want you dating a homeless man with a gambling addiction and bad table manners. Plus, the MIL here seems hard to get along with. Nuh-uh.

Jakurai: Absolutely. You’re in your 30s, so your parents are at least middle-aged. Probably they have some joint problems or some back pain. Jakurai can let them kiss that pain goodbye, and in return, they can let him kiss you! A win-win. He also boasts a handsome salary, has a lovely house, and seems like he’d be super respectful in a relationship. Yes. Go. Marry him.

Hifumi: If you’re a girl, you’re probably going to have to sit this round out. If you’re a guy or nonbinary... yeah, you’re probably going to have to sit this round out too. See, if you have a mom, how is Hifumi supposed to meet her? I guess you could... idk... stick a lampshade on her head and expect him not to notice. That could potentially work, but it’d raise a few awkward questions. If you do happen to live in a female-free household, though, you’ve hit upon the golden opportunity to make this man yours. You can replace every instance of the word “wife” in Judy Brady Syfer’s famous essay “I Want a Wife” with the word “Hifumi” and still have it make perfect sense, and it shows.

Doppo: I can’t in good conscience recommend this one. Sure, he’s hardworking and certainly polite enough, but does he have the time to respond to your emotional needs? Hell, does he have the time to respond to his own? If you invited him to family dinner, there’s a good chance that he’d need to work overtime and miss it. He’d apologize and buy you flowers to make up for it, but you know he’d also be worrying about the cost of those flowers, so... is it really worth it?

Kuukou: For some reason, my parents actually like Kuukou (although I think he’s also the only character they know besides Ichijiku), but I don’t think this would hold true for most parents. He sounds good on paper, but he’d probably make a disparaging comment about someone’s ass in the first five minutes. Perhaps if you tape his mouth shut and tell your parents he’s doing a vow of silence, then yes.

Juushi: As far as high school (is he still in high school?) boyfriends go, Juushi’s not that bad either. He’s shy but sweet. Respectful. In a band, but the kind that makes money and doesn’t operate out of someone’s garage. Yeah, you know what? Go for it. You could do worse. Just scroll up on this list if you need proof of that.

Hitoya: Yeah, absolutely. Hitoya has a great career and a fantastic attitude. He doesn’t take shit from anyone but can still be polite in the correct contexts. He also seems like the type who would get into a serious relationship and treat his partner right. Fuck it up. I support your love.

Sasara: Yes. He has the exact type of humor favored by parents of the father variety. Plus, he’s a famous comedian. There is good money to be had right there.

Roshou: Absolutely. Rather shy but very talented, hardworking teacher who obviously puts his heart and soul into his job? Of course. As long as he doesn’t death glare your parents, it will work out fantastically. Plus, he can talk about sports! That’s a thing that parents like, right?

Rei: Absolutely not. You remember last May when your parents answered a call from the IRS telling them they were about to lose all their money unless they gave the nice man on the phone their bank account password right at that very instant? He was the nice man on the phone. Why the hell would you bring this threat into your parents’ home? Look, you’re in your mid-40s. Your parents are getting up in years, and they want to see you settle down and be happy with someone. I hate to be the bearer of bad news, but this is not it. Why are you with Rei in the first place? Is it the fur coat? Listen, you are a grown-ass adult, and you can buy yourself as many fur coats as you want. I believe in you. It doesn’t have to be this way - you deserve better.

[aspoonofsugar]

I hope this is not too much of a hassle but by any chance could you do an analysis on Watts, Tyrian, and Hazel.

Hello anon!

Sure, no problem :) I think I have shared some thoughts on these three characters in other metas, but I’ll get this chance to organize them and to put them all together.

In general, I would say Watts, Tyrian and Hazel are not extremely deep characters and they mostly work as foils to others, drive subplots in specific arcs and highlight themes.

Here is a list of their major narrative roles, as for now.

1) They symbolize three parts of Salem:

Each member of Salem’s inner circle represents one side of her.

Watts is her entitlement.

Tyrian is her desire of destruction for the sake of destruction.

Cinder is her wish to be free.

Hazel is her inability to grieve.

They are Salem’s three flaws. The reasons why she ends up the way she is.

Salem’s journey starts because she is unable to grieve:

Salem: No! No! What did you do?! BRING HIM BACK!

And because she feels she deserves better than others:

God of Light: When you first came to me, I did pity you. But it is clear now that your selfishness and arrogance have led you astray.

Finally, she enters the pool of Darkness and embraces destruction:

Jinn: Instead, it created a being of infinite life with a desire for pure destruction.

At the same time, Tyrian and Hazel also represent Salem’s inability to understand the cycle of life and death:

God of Light: You must learn the importance of life and death. Only then may you rest.

The cycle is about loving life and accepting death. However, Salem initially refuses death (like Hazel) and then starts despising life (like Tyrian)

Interestingly, Hazel is eventually able to understand Gretchen’s choice:

Hazel: I'm doing what Gretchen would have done!

And dies sacrificing himself for others, just like Gretchen did.

I wonder if Tyrian’s death will be something which will instead be linked to him finally aknowledging the importance of life. Since Tyrian is a very negative character (and I do not think he will have a redemptive or particularly empowering death) it might be something as simple as him begging for his life.

2) Watts, Hazel and Tyrian all act as the main secondary villain of a specific arc and they are linked to the main theme of that arc.

a) Hazel fights in the Battle of Heaven and he is linked to Knowledge:

Oscar: Did she know the risk of being a Huntress?

Hazel: She was only a child! She wasn't ready!!

Oscar: She made a choice!

Knowledge is complementary to Choice. It is what you must aquire to choose wisely. However, initially Hazel does not understand it. He dismisses Gretchen’s choice as a her being tricked and he himself lacks the knowledge to make the right decision.

This is why his turning sides is linked to the relic of Knowledge:

Jinn: Why, hello again, old man. Did you have a question for me?

Hazel: Actually, I think all my questions are answered now.

He finally understands the truth and is able to choose:

Oscar: What are you going to do?

Hazel: What Gretchen would have done.

b) Watts displays his hacking abilities to its fullest in the Atlas Arc. This connects him to the theme of Creation and in particular to its negative declination aka Control:

Cinder: You said in your message that you have control over Penny.

Watts: I said I had Penny under control, not that I could telekinetically force her to do whatever I want.

He hacks Penny and overwrites her will. Moreover, he himself ends up manipulated and “controlled” by Cinder:

Cinder: You deserve this, Arthur. We'll be back.

c) Tyrian has roles both in the Mistral Arc and in the Atlas Arc. However, he misses from the climaxes of both, so I think he will be important in Vacuo and maybe he’ll find his death in that arc. Moreover, the theme of Destruction seems to fit his character.

Finally, when it comes to themes, Hazel, Tyrian and Watts all explore the theme of trust (aka one of the main themes of the Atlas Arc) in a minor way.

To be more specific, the theme of trust is explored throughout the story in different ways. I have explained it better here and here.

It is interesting because the theme of trust is explored starting with Ozpin, Oscar’s foil, who does not trust others, so our protagonists feel betrayed. However, in Atlas they find themselves in Ozpin’s shoes and must choose if to trust Ironwood or not.

Here, we explore a form of conditional trust. This idea is presented by Ruby, who wants to be sure it is safe to trust Ironwood. So she keeps secrets and studies him until she decides she can trust him… only to discover that was not the case immediately after. This happens because trust can never be completely safe. Actually, in its most negative declination, this kind of trust becomes the control symbolized by Ironwood.

No matter what, trust is always a leap of faith. This is why trust is a risk. Oscar shows this concept well. He decides to still trust Ironwood at the end of volume 7, but it does not work. Still, he does not stop and decides to trust Emerald and Hazel. This time his trust and faith are repaid. He is fred and gains a new ally.

Anyway, even if trust is worth it, the exploration of this theme in Atlas actually ends on a negative note. It ends with Cinder who is an enemy of trust because she uses others’ trust and feelings against them.

In short, we are shown what trust is through Oscar, what it happens when there is no trust through Ozpin and how trust can be twisted and manipulated through Cinder.

Well, Hazel, Watts and Tyrian explore these same ideas in their subplots.

Tyrian takes advantage of the lack of trust among Robyn, Clover and Qrow:

Tyrian: It's taking a very long time for this show to get to the good part.

He exploits it and manages to kill Clover because of it.

Hazel shows the power of trusting others instead:

Oscar: You want him to trust us? Then trust me.

Oscar’s trust makes him willing to listen and later on he decides to help the kids escape.

Finally, Watts is used and discarded by Cinder, who fakes trust and friendship towards him and Neo.

3) Hazel, Tyrian and Watts all foil a member of Ozpin’s group and show their flaw in a clearer way.

Hazel foils Ozpin himself:

Hazel: He didn't tell you my tale, did he, boy? I thought you looked familiar, to think that evil was inside you when our paths first crossed. Your blood won't be on my hands, it'll be on his.

On one hand Hazel accuses Ozpin of sending kids to their deaths, while hurting children himself. On the othet hand Ozpin speaks about the importance of making choices, but does not give all the knowledge necessary to make an informed choice. So, both characters earnestly believe in their ideals, but they are also hypocrites about them.

Watts foils Ironwood.

Watts accuses Ironwood of having used his genius only to dismiss him later on and does not aknowledge how he himself has taken advantage of Atlas society that leaves those below (like Cinder) to rot. Moreover, both Ironwood and Watts frame themselves as rational, but lose precisely because they dismiss the importance of feelings for both manipulation (Watts) and trust (ironwood).

Finally, Tyrian foils Qrow.

In particular, Tyrian embodies Qrow’s self-destructive tendencies, which are Qrow’s true flaw. As a matter of fact Qrow ends up hurt in both fights (the first tiem physically, while the second time emotionally) not because Tyrian is stronger than him. He ends up hurt because of his flaw.

In Mistral, his misunderstanding with Ruby leads to him being poisoned. This happens because Qrow is so scared of his semblance that he keeps others away and does not explain himself.

In Atlas, his cynism leads him to make a pact with Tyrian and this leads to Clover’s death.

4) Finally, Hazel, Watts and Tyrian all foil a member of CEM:

I have discussed Emerald and Mercury’s foiling with Hazel and Tyrian here and here.

Hazel and Tyrian step in as Emerald and Mercury’s parental figures once Cinder leaves them behind.

Hazel is Emerald’s positive parental figure, but he is blinded by his flaw, just like she is.

Tyrian is Mercury’s negative parental figure, but he also tells the boy truths he needs to accept.

At the same time, Hazel is what Emerald really wants (an adult who looks out for her), while Tyrian is who Mercury thinks he wants to be (a big bad man). In both cases, they are not what Emerald and Mercury really need. Emerald must learn to be more independent, while Mercury needs to nurture his positive relationship(s).

I have discussed Cinder’s foiling with Watts here, here and here.

Watts embodies Cinder’s flaw (her hunger for power) enveloped in everything she hates, but also deep down envies (being an Atlas elites).

It is interesting that Watts is not really a mentor figure for Cinder (differently from Hazel and Tyrian for the murder kids). He is a colleague, so they are on equal footing. Interestingly, though, they both try to discredit the other and to act as the other’s superior.

In general, this is another way to convey that Cinder is less child-coded than the two kids she took in.

At the same time, it shows how Atlas makes relationships between equals difficult because in Atlas everyone always tries to be on top and discards the ones below.

5) Hazel, Watts and Tyrian’s arcs, when they exist, are very short and simple.

Moreover, they are built on what ifs.

What would happen if Hansel lost Gretel?

He would stay a prisoner of the Witch forever, until he manages to free himself doing what his sister would have done:

In a sense, Gretchen still frees Hazel, not physically like in the fairy tale, but psychologically because she inspires him.

What would happen if Watson were envious of Sherlock?

He would join Moriarty and end up consumed by his own envy:

Watts is shown eating a green apple while controlling a falling Atlas. This is interesting because Atlas is the house of our titular Snowhite and green is a color associated with envy. It is as if Watts has taken the bait Cinder offered him using his feelings of entitlement and jealousy:

Cinder: You have everything you need?

Watts: Oh, believe me, this is everything I've ever wanted.

His arc is also a clear case of wants versus needs. He gets what he wants, ignoring that this is not what he needs.

What would happen is the Scorpion killed the Frog, but survived?

The answer is that he would keep making pacts he breaks (like the one with Qrow) and would keep poisoning others (both physically or psychologically).

This until he leads himself to his own demise, just like his fable counterpart.

Thank you for the ask!

[talesmaniac89]

Choices - The Beginning

Pairing: Dean x Reader OR Sam x Reader

Summary: Choices is an interactive Supernatural choose your own adventure story where your choices determine the outcome.  You go on a hunt with the two Winchester brothers, one of whom you love. You decide who your Winchester is and what happens along the way. Each part is a fully independently written section and no parts are copies of others, so the story can be read a full 8 different ways with 15 parts in total and 8 endings!

Total word count: 45k+ words (over 15 parts)

Triggers: Dark, torture, reader death, angst, loss, pain, blood, serious injuries, heartbreak, implied possible major character death, fear of abandonment, loneliness, hostage situation, gore (series levels blood, torture and fatal injuries)

Triggers depend on your choices, so if you are easily upset by any of the above please proceed with caution.

[Your Story Starts Here] - You’ll be asked to make your first choice at the bottom of this chapter.

Y/N = Your Name

---

“(Y/N)! Get a move on!” 

Dean’s deep voice echoed down the hallway just as you shouldered your duffle bag with a roll of your eyes. It hadn't even been 10 minutes since the call for help had come in. If it wasn’t for the fact that you’d been busy cleaning your guns when the call came, you would’ve already been out there in the library with them, ready to go. It wasn’t as if you’d been standing around fussing over which ratty t-shirt to pack for an hour.

“On my way!” You shouted back, grimacing as the heightened volume easily erased the annoyance you’d wanted to subtly lace each word with. Throwing another quick look around your room in the Men of Letters bunker you sighed at the mess. 

T-shirts and jeans were everywhere, as you’d pulled out everything to quickly stuff a few items in your overnight bag just in case the hunt took longer than planned. Not to mention the cleaning supplies you’d left abandoned on the floor from where you’d been sitting cross-legged polishing your favourite revolver.

It would all have to wait till you got back. Even though you knew you’d regret it once you made it back, bruised and stiff from the fight and the subsequent ride back in the Impala. Having to clean your room before you could fall into your bed feeling sorry for your aching bones was never fun. 

Yet, sticking to a decision you knew you’d come to regret; you got a move on before Dean could call out for you again. Swiping up your phone, you hurried out into the hallway and nearly ran straight into Sam as he came barrelling out of his own room. 

“Dean?” He asked, his hazel eyes meeting yours with a raised eyebrow a clear sign that your annoyance at being rushed was showing on your features. Though it didn’t matter, since the youngest Winchester clearly shared your irritation as he threw you a glance, underscored by an eye roll that put yours to shame.

“Yeah… Dean,” You said with a sigh as you lifted the straps of the duffle bag off of your shoulder. Attempting to bring some blood flow back into your arm from the heavy load of guns, knives, holy water and other goodies. As well as the clothes thrown in for good measure. 

“Let’s not keep our oh so righteous leader waiting then. C’mon (Y/N),” Sam smirked, teasing a small smile out of you as well. Before quickly reaching down and effortlessly snatching your duffle bag from your hands and hurrying down the hallway. If it wasn’t for your relief of having the bag off of your shoulders you would have stopped him. Reminded him that you could easily kick his ass if you went one on one. 

But, you knew that there were no hidden meanings in Sam’s gesture. He was just trying to be helpful.

You’d realised quite quickly after getting to know him that one of the things the youngest Winchester feared more than anything else was being abandoned; seen as useless or a burden and left standing in the dust. The shadows of his childhood fears were still clinging to him, little tendrils that he’d never managed to shake. Old fears from a youth spent in constant worry that his father would just drop him off somewhere and drive off without ever coming back. That, coupled with the many lost friends, lovers and hunters that had left him, willingly or unwillingly, made him try twice as hard at being of use to those he loved, every step of the way. From small kind gestures, like carrying your bag, to willingly offering himself up as a sacrifice to the big baddies of the world, in hopes of rescuing Dean, Cas, and now you.

Rolling your shoulders to shake off the rest of the strain from the bag, you pocketed your phone before hurrying after Sam down the hallway. No point in being grumpy when there were bad guys to gank. And neither of the two men in your life deserved your grumbled dissatisfaction. Both the bag and Dean’s insistence of getting on the road as fast as possible were just their own little ways of showing they cared. 

Sam was just trying to be helpful and Dean was always worried about losing another civilian by being just a second too late. And you loved them both for it. After all, one was your best friend in the whole world, while the other already secretly had your heart. Though you’d never found the courage to tell him you slipped it into his hands when he wasn’t looking. 

“(Y/N)!” Dean’s voice echoed down the hallway, pulling you out of your thoughts and back into your grumbled exasperation aimed at the oldest hunter. Ok… So maybe you’d allow yourself to be a tiny big grumpy until there were baddies in front of you to take it out on.

“I said I’m on my way!” You called back in a huff. Casting a quick glance at your closed bedroom door before quickly running to join the boys. Hopefully the bruises yet to come from the hunt wouldn’t make you regret your decision to leave the mess behind.

---

“So where are we headed, exactly?” You asked after about an hour’s drive and a quick case briefing from Dean. Leaning between the seats from the backseat of the Impala in a way that had Sam throwing worried glances your way for your lax seat-belt etiquette. 

“There’s a farmhouse, just 40 clicks away now, shouldn’t take long,” Dean’s voice had taken on that steely hardness it got whenever things got serious. And though the case was nothing out of the ordinary for the Winchesters and you, there had already been two reported deaths.

Which also meant that Dean had already added their names and faces to his list of sins to carry. People he could have saved if he could have somehow seen into the future. The oldest Winchester always etched the names of every lost soul into his big heart, burying them there among the many ‘should haves’ and ‘what ifs’ that weighed his broad shoulders down. He was a good leader, and a great hunter, but sometimes he cared a little too deeply. Leaving him hurt no matter how well a hunt went.

“... And put on your seatbelt (Y/N),” 

“Yeah, yeah,” 

… And sometimes he treated you like a little kid. The thought teased a wry sigh out of you. Quickly reaching out, you turned up the volume of the Led Zeppelin song that was playing, a small act of rebellion, before leaning back in your seat. Smiling innocently as Dean’s green eyes met yours in the rear-view mirror, his attempt at exasperation softened by the way his eyes crinkled in a smile. 

No matter how hard as steel the hunter tried to act, he always had a soft spot for Sam and you. To Dean, his feelings were cracks in his armour. They were the blind spots his father had told him about when teaching him to ‘always watch his back’. Yet, the man was more deserving of a family, of love, than anyone else you knew. And so, Sammy and you watched his back instead. Where he watched yours. Both of you determined for the older hunter to see you as strengths, not weaknesses.

Soldiers, shoulder by shoulder.

And, though Dean would constantly complain... You knew he was secretly happy the two of you stuck around; silently terrified of the loneliness he always tried to force onto himself by pushing others away. No matter how loudly his father’s words echoed in his mind and tried to tell him he was leaving himself vulnerable.

Letting Black Dog be your soundtrack, you watched the two most important people in your world from the backseat of the Impala. The Winchester brothers; both carrying scars from the family business they’d fallen into after their mother’s death. Each fearing abandonment and hurt in their own bruised and broken way. Both forced to give up any dream of apple pie to make the world a better place. Children turned soldiers turned martyrs, shaped into a sacrifice by a world that turned a blind eye to their suffering. Which was why you had promised yourself that you would try your damndest to give them a home, and that you would never run away from your life with them. 

Even if a certain hunter sometimes made that a hard promise to keep, as every friendly jab broke your heart at the clearly unrequited love you harboured. 

You sighed internally as you cast a careful glance in the direction of the man you’d come to love as more than just a hunting buddy or a friend, more than anything really, over the last year and a half of hunting with him. He’d probably be heartbroken to know he was hurting you, which was why you could never tell him how you felt. How your heart and body reacted, as if by reflex, whenever he was around.

Anything he did, from the smallest smile to the feel of his eyes on you, set your body on fire. In a manner not so different to what Robert Plant was promising he’d do to you as Black Dog blared over the Impala’s speaker system. And fuck if you didn’t want to echo the great artist himself and ask the man in front of you to do some not so innocent things to you whenever your eyes strayed to lips that you’d rather have on you than rambling on as they currently were about the case.

“Right… So, to make sure we’re ready…” 

---

Make your choice below to move the story along:

The man you love is speaking - who is he?

[Dean Winchester] or [Sam Winchester]

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