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ruporas · 1 year

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lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

#vashwood #vash the stampede #nicholas d wolfwood #trigun #trigun maximum #but onto this comic... i think and talk a LOT about vash's loneliness bc trigun is just. kind of central on that for a good while! esp in #the original manga he was alone for a good portion of it and he tends to keep others away like how he ran away from meryl and milly when #they tried to tag along. and he was kind of bothered when he realized ww was following him around Too. at the core even though he loves #humans and he loves deeply the people he does know -- he isnt really much of a people person and i think thats been the case since he was #young considering his initial doubts towards humans... with the exception of kids bc kids dont give him moral conflicts. so suddenly #here comes wolfwood!!! his guide. someone TRULY affixed to him until he has to get to knives. someone who isnt budging and someone whos #really good at following him around and even seems like he goes like 5 steps ahead to make sure vash doesnt run on him #in one way its - i don't want you to follow me bc i don't want to burden you and i don't want you to kill the people i want to save.#in another way its - i like this companionship. i like waking up to you and i like ending the way with you. i like talking to someone who #knows my world. i like being in your space and sometimes i enjoy talking about our day #theyre just living together. like. roadtrip buddies or theyre also under the same roof because they're going everywhere together.#trimax they mainly spend their mornings together and if they had personal business attend the other person would usually know and itd only #be during the midday. anyway bc of this kind of companionship i figure that vash eventually grew accustom to it and he really. cant go back #to the kind of loneliness from before. it's harder to imagine and it'd be harder to withstand. esp after 2 years with lina and her grandma.#ruporas art

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fatedroses · 1 month

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And some days, I just wish you wouldn't look at me at all.

#ffxiv #sketch #wol #meteor survivor #zenos yae galvus #adventurer zenos #oh no #its the consequences of his actions #everything is fine until the only man on the star you care about looks at you with the same contempt your father did #(Meteor's not doing it intentionally- its a reflex after he comes back for quite a bit)#and zenos is getting bodied because its been a while since... you know... him being able to really feel anything at all #and no- its not him regretting anything that had to do with varis- just him regretting the thought meteor could look at him like that #little does Meteor know he's emotionally bodying the man he's trying to be cordial with #its a little okay because in how I write adventurer zenos this serves as one of his main wake-up calls to make some changes #and realizing both the mistakes he's made with meteor and that meteor hating him in any way is actually -not at all- what he wants #but not okay on the end that every time meteor does this he has to watch zenos actively dissociate right in front of him #until zenos just kinda autopilots and walks away #the second time (or perhaps third) in the last 11 years that zenos has felt regret to any major capacity-#on meteor's end I just enjoy seeing the progression of the WoL through subtext #and why meteor is willing to even entertain the idea despite how much he hates zenos- his decisions and the path he's walked #is the realization that there is high chance that he could actually be a direct catalyst for zenos' growth #and the realization the wol has that they were the only one zenos has ever genuinely reached out to #besides- i just like the idea of having your equal other half fighting back to back with you- or being able to handle threats you cant #and i find their dynamic neat- of meteor not forgiving zenos but giving him his last chance- and growing to enjoy being around him #and zenos being able to work on moving past being the weapon or the monster- finding the connections he's longed for #and giving himself purpose to finally truly just live- for him to learn to experience and have the freedom to find what he enjoys #(and curiously him having estinien's brand of accidently helping people even in StB gives me ideas...)#but enough tag ranting- ill get to zenos' actual adventuring in another post lol

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doverstar · 6 months

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actually I love Tentoo and he is the Doctor and it was the only ending for Rose that worked and it is a huge gift to be able to have the man she loves grow old with her, they were always heading for that, y'all be quiet. I 100% understand the angst but it's okay, they're okay, good ending-

#did you want her to...not end up with the doctor?#she ended up with the doctor. she ended up with the doctor and they get to AGE together #they get to have a real honest relationship the way they both always genuinely wanted #it's hard that the full time lord version has to carry on without her but that is the way that character's story ALWAYS goes #the doctor does not get to keep ANYONE. it would be a different show if he did #meanwhile there is a version of that same face of his - the one that was MADE for love? particularly born out of love for ROSE? the one 1/2 #2/2 that always wanted a FAMILY? and stability? and a normal life? the tenth doctor longed for that specifically because of rose #now he gets to have it AND be part-human so he doesn't have to watch her get old. he gets old WITH HER #and they're canonically growing their own Tardis so you don't even have to be sad that they're not adventuring in time and space as usual #because they ARE. it's the kindest ending for either character. and if the full time lord hadn't left without either of them-#-he would have had to lose them eventually. lose Rose because she's human? hello? painful? but instead he was selfless and left her-#-with a proper happy ending. which she CHOSE to have so you can't be like “he tricked her!” she chose to kiss one of them and it was Tentoo #they are the same man. Rose won in this scenario.#and I GET IT I am with Billie Piper I think it will always feel a little off that she was left with Tentoo and not the full time lord #I understand. it still makes me a little sad. but I know it's a good ending writing-wise. really the ONLY ending.#yes I know about the popular idea of Immortal!Rose or Bad Wolf Rose or whatever and that's cute and all BUT - it's not a GOOD thing #it's not PREFERABLE to be immortal. Rose doesn't want to live forever. she wants to be with the man she LOVES forever.#she doesn't want to not die or adventure for all time. she wants to be there to hold his hand. and when Tentoo is born she gets THAT!#Immortal!Rose is tragic. the Doctor would not wish the burden of immortality on the woman he loves HELLO #anyway #I ship timepetals. that includes Tentoo/Rose. because he is the doctor #so there #I have more thoughts on Tentoo specifically but I digress #maybe if provoked in an Ask or something idk #doctorrose #timepetals #opinion piece #tenrose #tentoo #handy

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ghostlygunk · 8 months

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sometimes i remember that ib fan twitter user tht was diehard insisting abt how mary did nothing wrong in the story and how garry was apparently in the wrong

#ib spoilers #SCRYBE.txt #i understand their angle though #mary is just a child and i do feel for her. her entire thing is very sad and i wish there was a way to bring her into the real world #without having to let garry die as well.#however with everything ib and garry have seen throughout the fabricated world #of COURSE garry's going to assume the worst when he finds out mary is also a painting. almost every living painting/art piece/etc. that--#him and ib have encountered have wanted to harm them. fuck's sake the first time you see garry in the fabricated world is him--#on the verge of death BECAUSE of one of those living paintings. of COURSE he is going to immediately assume 'oh shit she wants to hurt ib'#which she does indeed attempt to do when she finds out garry knows tht she's a painting #like it SUCKS. and i wish there was a better way but at that point she does actively want to hurt the two and actively tries to #in my ideal world there's an ending where you can save them both :(#i really wanna play the remake

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lloydfrontera · 10 months

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In my opinion, the reason the reunion scene was skipped was because the author couldn’t figure out a way to write it non-romantically and gave up after a while

honestly. i kinda agree with you nonnie.

it just. the set up to the scene is sooooo romantic. you have lloyd being absolutely devastated at the thought he's not going to see any of his loved ones ever again and that he's been dropped back into his terrible life, to the place he admitted he'd rather die than go back to,,, and then someone knocks at the door and when he opens it this is the sight that greets him:

his best friend, the person he's closest to, the one he's spent years with, the one he promised a peaceful life at his side, the one he wanted to grow old with, the one he sacrificed everything for, the one he effectively gave his life to save, the one he thought he'd never see again, standing at his door, having crossed literal dimensional barriers to get to him, a soft and teary smile on his face as he tells him "i missed you"

like. c'mon.

i'm all for platonic interpretations, i'm aroace, i love me a good best friendship as much as the next guy, but,,,, isn't this,,, like,,, really fucking romantic??? extremely so??? am i??? reading too much into it?? because it feels really, really romantic to me.

and like you say. where do you go from there. what response could lloyd give that doesn't involve throwing himself at javier and clinging to him with all of his strength. what conversation could these two have that doesn't involve them seeing how truly devoted they are to each other. what resolution does their arc together have that isn't them spending the rest of their lives together, at each other's side, like they so dearly wanted to.

but. alas. that wasn't the story bk moon wanted to tell. and that's very much his right. i just think that if he didn't want me to assume there's no in-character and narratively satisfying version of that conversation that doesn't end with them kissing he should've at least tried to give us something. and not completely skipped it lol

but that's just my opinion too :]

#hey i got an ask #Anonymous #tged #the greatest estate developer #tged spoilers #lloyd frontera #javier asrahan #llojavi #ch 401 #and like. god. this really was his favorite scene to write uh.#i just. i don't get it. what was going through his head. what was he thinking. what was the point of all of This.#i just need ten minutes locked in a room with him. preferably with a translator but i am willing to compromise. just gimme ten minutes.#i can make him spill the soup i know this #fuck if i think too long about how this is the. second last chapter we get. before we officially end the novel with the two of them sharing #a relieved smile at the fact they can finally live their lives together without worries. i do go a little crazy.#this would probably be a hot take if there were enough opinions about tged for it to be considered spicy in the first place. but. i don't #love the extra chapters. the one with javier making a wish to a shooting star is acceptable tho it does create more questions than answers.#but the others are. meh. i would've much preferred if tged had ended in ch 401 with an open ending. maybe ch 402 if only because i did want #to see lloyd interact with arcos and marbella as suho. but there would be no last minute shoehorned wedding in my ideal ending.#i just!! i don't like forced romance!!!! i don't like compulsory amato/heteronormativity!!!!!!#i want my fictional relationships to have proper build up and chemistry and to be narratively satisfying!!!!!!! fuck!!!!!!!#i'm good. i'm okay. this is fine. we're all fine.#anyway. yeah

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kaesaaurelia · 9 days

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Friends, tonight's Hero Forge theme is betrayal, heartbreak, and having entirely too many dogs.

Companion to this.

#kaesa op #mcyt #3rd life #ethoslab #tangotek #impulsesv #skizzleman #bigbst4tz2 #(w/scar cameo)#jimmy solidarity #scott smajor #flower husbands #smallishbeans #hero forge #trafficshipping #(it was really hard to figure out who to put in the betrayal scene for BigB #the thing I am actually kind of insane about is the blue sword boys #like. grian and martyn parallel each other SO WELL. all in on their particular path.#and then there's bigb who's just playing minecraft survival like a normal dude #and every time he comes out of the ground shit's gotten weirder???#he's like I was just trying to build a zombie airbnb and I got drafted into a war and my cookie stolen DURING A TRIPLE HOMICIDE???#what I'm saying is he's an incredible foil to both of them #everyone could've just played normal survival! no one HAD to kill each other #but grian is a pyromaniac gremlin and martyn gets so carried away plotting backstabbing that he forgets to actually stab #but bigb. he just wants to live in peace in his cookie house.#in the end his membership in the red army does him no good #and grian rules-lawyers out of the situation like “aw this is awkward we can't kill bigb so we'll just watch you do it”#anyway you cannot put 3 humanoid figures into a heroforge mini #so I decided to parallel the map from the early-game figure w/the no-kill pass #because. bigb please do you really think scar wouldn't kill someone just because he said he wouldn't kill them???

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rendnotmyheart · 1 month

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Soulmate aus are so interesting in an iwtv context. Like for humans it's easy, right? They get their soulmate mark, they find their soulmate, or maybe they don't, and they live their life. For vampires though? Do vampiric soulmates even exist? How could they when the soulmate marks are relics of their human life? When the other person who has the mark will be dead before their life as a vampire has even begun? Or were they always fated to become a vampire? Did the universe take that into account? Will they have to wait some hundreds of years for their soulmate to be born? Their soulmate could be anywhere, any time. Hell, their soulmate could be the person they just drained. Who knows. Even if they were somehow able to find them, what are the chances they'd stay together for eternity? It is eternity after all. Not even the universe or fate can guarantee that.

#but then like uggghhhh thinking about iwtv soulmate au fics and like. they're not soulmates or meant to be but they choose each other anyway #their soulmate could be rotting in the ground or not even in existence yet. maybe they knew them in their human life. or vampire life #but nothing is a guarantee. and isn't it much more profound to choose your own companion anyhow? to love and choose them?#(little do they realize that's what a soulmate is. and even though they might not have the mark it's the same thing. to love and choose)#thinking about louis and armand specifically. like both of them would have Feelings about this i'm sure #louis and lestat are soulmates ofc. ofc there's some string of fate strangling them and they have to figure out what that means #i feel like louis would be resentful of it. like he loves lestat obviously but their relationship is turbulent at best so during the lows #louis 100% resents the universe and god and fate for tying the two of them together #lestat would assume it's all sunshine and roses now that he's found his soulmate and kind of assume it'll automatically work out?#and they'd have to come to terms with the fact that while they are soulmates #their relationship and what it is and how it goes isn't preordained. they still have to figure it out themselves #meanwhile armand and daniel aren't soulmates #god armand doesn't know who his is and he is very like. not melancholy #but he definitely holds that in his chest along with the other things that were taken from him #daniel for sure met his soulmate but like it was nothing compared to armand #and daniel doesn't really buy into the whole romanticization of soulmates anyway #armand kind of does and once they start their relationship he'd definitely have angst about preventing daniel from finding his soulmate #in this universe that could be another reason he tampered with daniel's memories (assuming that's what happened in the amc canon)#to give daniel a chance to live a full human life. to give him the chance to find his soulmate #but then daniel lives a life. he meets his soulmate. and at the end of it all he still chooses armand #and claudia? she just wants someone to choose her. she doesn't care if it's her soulmate or not. she doesn't care about that #maybe she used to romanticize it. having someone guaranteed. but she's seen soulmates hurt each other. both in her human and vampire life #and she knows it doesn't matter what fate or the universe says. people's choices and actions are their own #and so when madeleine chooses her they don't have the marks but claudia thinks maybe this is what a soulmate is after all #interview with the vampire #louis de pointe du lac #armand #claudia #daniel molloy #lestat de lioncourt

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swagging-back-to · 3 months

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worst trope is found family separating as soon as the antagonist is dealt with.

#yes this is about voltron and it's also about guardians of the galaxy #what james gunn did to gamora in GOTG3 is criminal #i understand why they did it but to end with her GOING BACK TO THE RAVAGERS?#fail end.#seriously #and it doesnt even make sense bc ofc the high evolutionary isnt going to be the last problem they would deal with #in just a few years they encountered 5 people trying to destroy the universe and who were incredibly difficult foes #youre finna tell me there will never be a situation like that for the rest of their lives?#gtfo #and mantis' end was dumb too not even sorry #i can tolerate drax and nebula's ends.#but everyone else?#stupid #even peter's ending was fucking moronic. bro can pop in on the weekends he doesnt need to be a live in nurse for his grandpa #it's just such a major letdown and sucks everytime a director/author decides to split up the found family permanently #at least with voltron you can rationalize it by saying 'oh they never really wouldve hung out with eachother if they werent forced to for #voltron and werent forced to fight a war together.' and i can see it bc none of them DO hang out together before voltron #they barely even hang out AFTER they become voltron #keith and shiro hang out bc of the adoption/fostering/mentoring thing. lance and hunk MIGHT hang out bc they were already teammates #it's important to note that we never really see hunk and lance being bffs. theyre just friendly to eachother.#this becomes even more apparent once hunk and pidge actually become friends. it's very obvious hunk was just being friendly to lance.#just friendly.#(take this with a grain of salt bc ive only watched the whole series one time. i refuse to acknowledge anything after se 2.)#so yeah it does make more sense theyd all go their own ways but not even the small friend groups stay together at the end!#pidge and hunk are in completely different galaxies from eachother. same with keith and shiro #lance is isolated from all of them bc post se 3 writing team genuinely hated him and failed him as a character.#but GOTG3? they CHOSE to band together time and time again. they CHOSE to be a team. they CHOSE to be family #for every single one of them to say 'nah fuck that i want to be on my own bc uhhh reasons!' is a lame ending.#period.#gotg3

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wyvernquill · 2 years

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Dreamling + Queen’s Who Wants To Live Forever

(Image ID under the cut)

[Image ID:

A 17-panel Dreamling (Hob Gadling/Dream of the Endless from The Sandman) comic featuring the lyrics of the Queen song “Who Wants To Live Forever”. After the panel number, the referenced lyric will follow, and then description of the panel.

Panel 1: “There’s no time for us”, with “time” in all caps. The panel shows a piece of parchment in grayscale, with a date written on it: 7. June 1689, but with the 1 and 6 blotted out by an ink splatter.

Panel 2: “There’s no place for us”, with “place” in all caps. The panel (still in greyscale) shows Dream standing outside a barrier in front of the dilapidated shut-down White Horse tavern.

Panel 3: “What is this thing that builds our dreams, yet slips away from us…”, with “dreams” and “away” in all caps. The panel (in greyscale except for the red ruby at Dream’s neck) shows Dream in the foreground, walking towards the viewer, as Hob calls after him in the background - it references their falling-out in 1889.

Panel 4: “Who wants to live forever”, repeated once, with “forever” in all caps. In the foreground, Dream and Death stand, turned away from the viewer and looking at Hob in the middle of the panel, who is sitting and drinking with a mug of beer in his hand - the 1389 scene. A warm brown glow emanates from Hob. The words are arranged in a circle around him.

Panel 5: “There’s no chance for us”, with “chance” in all caps. A greyscale panel of Hob sitting and waiting in 1989, smoking and drinking. He is sitting on the left of the panel, the background going from white to grey towards the text on the very right.

Panel 6: “It’s all decided for us”, with “decided” in all caps. A greyscale panel of Dream sitting in the glass prison. He is situated at the right of the panel, the background going from black to grey towards the text on the very left.

Panel 7: “This world has only one sweet moment set aside for us”, with “one sweet moment” in all caps. The panel’s background is black, with a light source at the top right corner. On the very bottom of the panel lies Jessamy the raven, dead, in a pool of blood - though she is drawn in an almost ghostly-glowing way four more times on the panel, showing her as she takes flight and flies off towards the light source. The text creates a sort of helix shape with her flight path, leading back down to her corpse.

Panel 8: “Who wants to live forever,” repeated once, with the second “forever” in all caps. The 1589 scene, in greyscale except for the red of the ruby, Hob telling Dream cheerfully of his life, arms spread out in satisfaction while Dream looks on doubtfully.

Panel 9: “Who dares to love forever, when love must die” with the first “love” and “die” in all caps. The greyscale panel is split diagonally, half of the text in the top left, the other half in the bottom right. The split passes through the miniature painting of Eleanor and Robyn Hob shows Dream, but on the “when love must die” side the frame is fractured, and Eleanor and Robyn’s hand have turned skeletal.

Panel 10: “But touch my tears with your lips”, with “tears” in all caps. A greyscale panel of a closeup of 1989 Hob from the shoulders up, holding a smoking cigarette and with tears streaking down his face. The text replaces his facial features.

Panel 11: “Touch my world with your fingertips” with “world” in all caps. A cut through Dream’s glass prison, his left hand reaching from out of left frame towards the glass. In the darkness beyond it, the text hovers in the air.

Panel 12: “And we can have forever!”, with “forever” in all caps. The panel now has a red tinge to it. Dream’s hand has broken through the glass, which has been shattered, shards flying around his arm with the force of it. The text has been written on selected glass fragments.

Panel 13: “And we can love forever!” with “love” in all caps and in red. The panel shows Hob spray-painting an arrow and text reading “The New Inn” as graffiti onto a grey wall.

Panel 14: “Forever is our today” with both “forever” and “today” in all caps. The text is written on a circle in the panel, which frames Dream walking towards the New Inn, in soft pastel colours. Around that circle, Dream’s tools are arranged: in the top left, sparkling gold sand spills from a little bag, in the top right is Dream’s mask, and in the bottom right his ruby - now shattered.

Panel 15: “Who wants to live forever”, with “forever” in all caps. A coloured panel with a soft orange glow, of Dream talking to Hob in 1389. Hob is seated and smiling, while Dream is standing and smiling somewhat deviously. The text hangs between them, a shadow behind it suggesting a repeat of the line.

Panel 16: “Forever is our today” with “today” in all caps. A coloured panel of Dream and Hob’s meeting at the New Inn in the present day, both of them seated at a table and smiling warmly at each other. The text is once more positioned between them.

Panel 17: “Who waits forever, anyway…?” with “who” in all caps. The text starts at the top of the panel, running downwards, each word fainter than the last. At the bottom of the panel are Dream and Hob’s hands, gently holding each other. Behind their hands, there is a bright glow illuminating the dark background.

End ID.]

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ruporas · 1 year

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bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues, "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you." The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

#vashwood #trigun #trigun maximum #vash the stampede #nicholas d wolfwood #its done.... after 2 months.... collapses on the ground #theres a lot of things i would prob change about this but. its so sappy that it makes me a little happy where it ended up #they deserve a little sap too!!! and in the end this is the closest they could get to a first confession #through want! want in each other's life and company since they both have this strained relationship with keeping people permanent in their #lives... and the people or things that are tied to them in the long term tend to be something that harms them.#and as the saying goes -- good things never last! and im sure they prob gave up trying to find a good thing for a long time #vash managed to be found after the moon accident and got his good thing for a bit but even he prob knew itd come to an end eventually #ironically it was wolfwood that ended it. but he really just planted smth new for vash... and now they have some security #or at least vash does. or at least just for this one moment #a moment of bliss and feeling like they are deserving of love is so Fluctuating for vashwood #and ultimately i think wolfwood could only push onwards to initiate because he sensed there was smth vash wanted. and its just #naturally in wolfwood to give to those that he love #but anyway anyway.... i like to think in a sweet universe -- they had the chance to confess like this and got a little bit of time to #enjoy and share their company in this manner. to be a little less restrained and love each other freely #ruporas art

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childrenofthesun77 · 10 months

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Assuming that the whole 'mahiru is the vessel needed to bring back the count and the 9th servamp will be the servamp of vainglory' theory will be correct, it's interesting how both mahiru and touma can be accused of this sin even if the way it applies to them is opposed.

What touma wants is to be acknowledged and to that end he was willing to become the villain who destroyed the world before mahiru and tsurugi managed to change his mind:

Mahiru's way of being vainglorious seems a lot more positive at first because he wants to be a hero who saves others, but it's self-destructive and encourages laziness in others:

But thankfully we see mahiru starting to let go of the need to make other people proud of him and to prioritize making himself proud in his conversation with tsurugi:

and later when mahiru has a meltdown because he fears his uncle might be dead and suggests sacrificing his life to save the world kuro rightfully yells at mahiru for acting hypocritical and not listening to his own advice:

(I want to mention here that I really love how horrified kuro looks as he realizes that mahiru's reckless hero behaviour comes from a very self-destructing place:

because not a lot of manga I know really acknowledge that maybe the way a lot of their protagonists try to be heroic is actually pretty unhealthy and shouldn't be encouraged? Like Sigurd pointed out at the C3 meeting, it's kind of shameful that the children have to save the day)

Which is why I love that mahiru decided to trust kuro to handle tsubaki without him going with him:

He decides to stay back with everyone else, showing that he has learned that he doesn't need to be the one to do everything and can stay back with the others to buy kuro time.

Interestingly we see touma doing something similar. Opposed to his old need to have the whole world acknowledge him he now wishes for everyone to believe he's dead and he's helping to protect the city by creating a huge barrier without making it known that's he the one doing this:

He's helping the protagonists seemingly with no intention of earning acknowledgement for it.

I think in a way it could be cool of servamp to subvert the shouned trope that for the finale battle the only one able to defeat the big bad is the protagonist while everyone else just watches on from the sidelines, not allowed to do anything because this is the protagonist's moment of glory.

What if lily's plan when he put kuro in mahiru's path was that if kuro tried to stop tsubaki at the gate surely his eve would need to be there with him, right? Because of course he needs his eve to fight and then there's also the distance limit. So why not make the vessel you need at that gate for the ritual to work kuro's eve? Then the vessel would be at the place where you need them without you even needing to do something because naturally they would be thinking they are doing the right thing by going with kuro to fight tsubaki together. And surely someone as vainglorious as mahiru would never pass up the opportunity to be the hero who stops tsubaki. It's foolproof!

Unless of course before the ritual the vessel learned to let go of their vainglorious nature, accepted that it's okay to take a step into the background and trust in others. And additionally also found a way to break through the whole forced proximity thing that the servamp and eves had going on.

I don't know, I feel like it would be a neat bow on mahiru's character arc and a unique way to thawrt the antagonists' plans if the creation of the servamp of vainglory failed because the 'it has to be me' guy they wanted to use as the vessel decided against glory and stayed back to let his partner handle things with tsubaki alone because he trusts him. Kuro on the other hand wants to make up for his past regrets and resolve the conflict through communication this time. Learning to trust in himself again by managing to talk tsubaki out of going through with the ritual on his own would be a logical conclusion to kuro's arc.

#servamp #mahiru shirota #taishi touma #This started as a short post about both touma and mahiru being vainglorious just with one wanting to be villain who destroys the world #While the one wants to be the hero who saves the world #because they both want to be acknowledged #And then it escalated into a post about how the two of them letting go of their vainglory might end up saving the day in the end #As for lily and mikuni I feel like that needs to be resolved by misono #He has to deal with lily to get out of the chess game and tell the others about what he has learned or to confront his brother #Mahiru doesn't really have a deep connection to lily or mikuni #He barely knows them and they see him as a pawn #The one who needs them to understand that he's not a child in need of protection to the point that all they did was lie to him is misono #Lily destroyed mikuni's and his kiriko's lives as well maybe misono can work with that?#Or maybe mikuni is playing 5d chess anyway and all he does serves his end goal to get revenge on lily by making sure his plan fails idk #It is weird that his best known spell has people get hanged if they killed other humans in their life #And now he wants to kill the people of tokyo for power? That doesn't make much sense doesn't it.

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